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Rajae Belmlih, also spelled Raja Belmalih (Arabic: رجاء بلمليح; 22 April 1962 – 2 September 2007), was a Moroccan-Emirati singer. Belmlih’s career began with the Moroccan talent show, Mawahib. Her first major hit in the Arab World was Ya-Jara Wadina in 1986. The young Rajae, a University undergraduate at the time, decided to sing her first hit song at her Hassan II campus in front of her fellow students prior to the official premiere that same day.

She later settled and worked from Cairo, Egypt while continuing her studies in Arabic literature and Philosophy at Mohamed V University in Rabat. She graduated in 1995 and enrolled for a doctorate. Belmlih was named a UNESCO Goodwill Ambassador in 1999 for her numerous actions in favour of charities within the Arab world.

Bernard Alfred “Jack” Nitzsche  April 22, 1937 – August 25, 2000) was an American musician, arranger, songwriter, composer, and record producer. He first came to prominence in the early 1960s as the right-hand-man of producer Phil Spector, and went on to work with the Rolling Stones and Neil Young, among others. He also worked extensively in film scores, notably for the films Performance, The Exorcist and One Flew Over the Cuckoo’s Nest. In 1983, he won the Academy Award for Best Original Songfor co-writing “Up Where We Belong” with Buffy Sainte-Marie.

Nitzsche was born in Chicago and raised on a farm in Newaygo, Michigan, the son of German immigrants. He moved to Los Angeles in 1955 with ambitions of becoming a jazz saxophonist. He was hired by Sonny Bono, who was at the time an A&R executive at Specialty Records, as a music copyist. While there, Nitzsche wrote a novelty hit titled “Bongo Bongo Bongo”. Nitzsche wrote with Bono the song “Needles and Pins” for Jackie DeShannon, later recorded by the Searchers. His instrumental composition “The Lonely Surfer”entered the Cash Box top 100 on August 3, 1963, and reached No. 37.

Paul Laurence Dunbar Chambers Jr. (April 22, 1935 – January 4, 1969) was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis‘s “first great quintet” (1955–63) and with pianist Wynton Kelly (1963–68).

Born in Pittsburgh, Pennsylvania, on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was brought up in Detroit, Michigan, following the death of his mother. He began playing music with several of his schoolmates on the baritone horn. Later he took up the tuba. “I got along pretty well, but it’s quite a job to carry it around in those long parades, and I didn’t like the instrument that much”. During the course of his lifetime Paul Chambers developed addictions to both alcohol and heroin. He was hospitalized at the end of 1968 with what was thought to be a severe case of influenza, but tests revealed that he had tuberculosis. As his organ functions deteriorated, Chambers lapsed into a coma for 18 days. It is believed that his addictions to heroin and alcohol contributed to his health problems. On January 4, 1969, he died of tuberculosis aged 33.

Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history, with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus’s work ranged from advanced bebop and avant-garde jazz with small and midsize ensembles – pioneering the post-bop style on seminal recordings like Pithecanthropus Erectus(1956) and Mingus Ah Um (1959) – to progressive big band experiments such as The Black Saint and the Sinner Lady (1963).

Mingus’s compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus’s collected papers—including scores, sound recordings, correspondence and photos—in what they described as “the most important acquisition of a manuscript collection relating to jazz in the Library’s history”.

Charles Mingus was born in Nogales, Arizona. His father, Charles Mingus Sr., was a sergeant in the U.S. Army. Mingus Junior was largely raised in the Watts area of Los Angeles. His maternal grandfather was a Chinese British subject from Hong Kong, and his maternal grandmother was an African-American from the southern United States. Mingus was the great-great-great-grandson of the family’s founding patriarch who was, by most accounts, a German immigrant. His ancestry included German American, African American, and Native American.

Shabbat for the Soul at Mt Zion Temple in St Paul 630pm performing with Cantor Jennifer Strauss-Klein.

Bobby McClure (April 21, 1942 – November 13, 1992) was an American soul singer.

McClure was born in Chicago, Illinois. By the age of two his family had moved to St. Louis, where he sang in church and gospel groups in his youth. He sang with The Soul Stirrers (then led by Sam Cooke) in the 1950s, and moved into secular music soon after, singing with Bobby & the Vocals, Big Daddy Jenkins, and Oliver Sain. McClure, who recorded for Checker, a subsidiary of Chess Records, scored two hit singles in the U.S. in 1965, and thereafter helped launch the careers of Little Milton and Fontella Bass; during this time he also played with Otis Clay and Shirley Brown. “Peak of Love” was a soul hit in late 1966, however it barely scraped the pop charts.

McClure moved on from music in the 1970s, working in an Illinois jail as a corrections officer, though he recorded some singles in the 1980s. McClure suffered a brain aneurysm in 1992, and died in Los Angeles, California, of complications from a stroke soon after.

Alfred James Ellis (April 21, 1941 – September 23, 2021), known as Pee Wee Ellis due to his diminutive stature, was an American saxophonist, composer, and arranger. With a background in jazz, he was a member of James Brown‘s band in the 1960s, appearing on many of Brown’s recordings and co-writing hits like “Cold Sweat” and “Say It Loud – I’m Black and I’m Proud“. He also worked with Van Morrison.

In the 2014 biographical movie Get on Up about James Brown, Ellis is played by Tariq Trotter. Ellis resided in England for the last 30 years of his life. Ellis was born on April 21, 1941 in Bradenton, Florida to his mother Elizabeth and his father Garfield Devoe Rogers, Jr. His father left when he was a young boy, and In 1949, his mother married Ezell Ellis, an organizer of musicians for local dance bands.

Locksley Wellington Hampton (April 21, 1932 – November 18, 2021) was an American jazz trombonist, composer and arranger. As his nickname implies, Hampton’s main instrument was slide trombone, but he also occasionally played tuba and flugelhorn.

Locksley Wellington Hampton was born on April 21, 1932, in Jeannette, Pennsylvania. Laura and Clarke “Deacon” Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938. The Hamptons were a very musical family in which mother, father, eight brothers, and four sisters, all played instruments.

James Mundell Lowe (April 21, 1922 – December 2, 2017) was an American jazz guitarist who worked often in radio, television, and film, and as a session musician.

He produced film and TV scores in the 1970s, such as the Billy Jack soundtrack and music for Starsky and Hutch, and worked with André Previn‘s Trio in the 1990s.

The son of a Baptist minister, Lowe grew up on a farm in Shady Grove, Smith County, Mississippi (near Laurel). He started playing guitar when he was eight years old, with his father and sister acting as his first teachers.

Reflecting its origin as a remate to the soleares, the underlying form of bulerías is simple. Bulerías cantes consist of three or four eight-syllable lines, and there is great flexibility in the way artists choose to treat those three or four lines. The singer may give one or two compáses to each line, or they can stretch them out, decorating each syllable with melismatic flourishes, or repeating them for rhythmic or emotional effect. 

​The guitarist follows the singer’s phrasing, underscoring the implied harmony, adding falsetas and maintaining the rhythmic pulse. Performing without a singer, a guitarist will string together a series of falsetas in a way that may imitate the form of letras.

A dancer will usually dance while the letra is being sung, and also dance between letras. A dancer can also dance during short breaks within the letras (a respira for the singer; a remate for the dancer). A dancer will use transitional phrases, including palmas en contra tiempo, remates and llamadas, and desplante llamadas to move from one section of the dance to another, cueing the musicians at each transition. 

​There are distinctive differences in dance styles for the bulerías depending on where and when the dance is performed. If it is a professional performance at a concert or theatrical show, the dancer will include 1 to 2 letras, add an escobilla, and perform an ornate traveling exit, the salida (also often called the cierre). If the dancer is performing bulerías at a flamenco party (juerga), small event, or with family and friends, the dance takes on a more personal touch that may or may not include all of the above named sections. See below for a more detailed description of each section of the dance.

Stephen Robert Nesta Marley (born April 20, 1972) is a Jamaican-American musician. The son of Bob Marley, Marley is an eight-time Grammy Award winner, three times as a solo artist, twice as a producer of younger brother Damian Marley‘s Halfway Tree and Welcome to Jamrock albums, and a further three times as a member of his older brother Ziggy Marley‘s group Ziggy Marley & The Melody Makers.

Marley’s 2011 album Revelation Pt. 1 – The Root of Life won the Grammy Award for Best Reggae Album in 2012. His follow-up, Revelation Pt. 2 – The Fruit of Life, was released on July 22, 2016.

In several of his self-produced solo albums Mind Control (2007), Mind Control Acoustic (2008), Revelation Part I: The Root of Life (2011) and Revelation Part II: The Fruit of Life (2016) he has composed and produced all the songs on his album, and he has played a variety of the musical instruments himself.