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Christopher Taylor White (born 7 March 1943) is an English musician.

White’s music career spans more than 50 years. He came to prominence in the mid-1960s as the bass guitarist and occasional lead vocalist of the English rock band The Zombies. White is one of the main composers of the Zombies’ music, and made major lyrical contributions to the band’s songs. He was inducted into the Rock and Roll Hall of Fame in 2019 as a member of the Zombies.

Louis Albert Cottrell Jr. (March 7, 1911 – March 21, 1978) was a Louisiana Creole jazz clarinetist and tenor saxophonist. He was the son of the influential drummer Louis Cottrell, Sr., and grandfather of New Orleans jazz drummer Louis Cottrell III. As leader of the Heritage Hall Jazz Band, he performed at Carnegie Hall in 1974.

Cottrell was born into an upper-class Creole musical family in New Orleans. His father, Louis “Old Man” Cottrell, Sr., was a famed drummer, and cornetist Manny Perez was his godfather. The young Cottrell grew up around such great musicians as Barney Bigard, John Robichaux, and A.J. Piron. Cottrell studied clarinet under Lorenzo Tio Jr. and Bigard. He began his career in the 1920s with the Golden Rule Orchestra, and then in 1925 played with Paul “Polo” Barnes.

Alcide Louis “Slow Drag” Pavageau (March 7, 1888 – January 19, 1969) was an American jazz guitarist and double-bassist.

Pavageau was born in New Orleans, Louisiana. He started his career as a dancer, mastering a dance called the Slow Drag which resulted in his nickname. He learned the guitar as a young man from his cousin Ulysses Picou, a singer in New Orleans. Pavageau came from a musical family and was related to families like the Tios, Picous and Pirons who formed some of the earliest jazz bands. He played Buddy Petit, Bunk Johnson, and Herb Morand. Johnson bragged that he taught Louis Armstrong how to play cornet by ear. He started playing bass in 1927 when he was 39 years old and joined George Lewis‘s band from 1943 and also played in Bunk Johnson‘s band in New York City in 1945. He toured with Lewis through the end of the 1950s. In 1961, while playing with the Louis Cottrell Trio, he recorded New Orleans: The Living Legends for Riverside. He worked at Preservation Hall in the 1960s and recorded one album as a leader in 1965 in addition to frequent recording with Lewis.

Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France’s greatest living composer.

Born to a music-loving family, Ravel attended France’s premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other composers’ piano music, of which his 1922 version of Mussorgsky‘s Pictures at an Exhibition is the best known.

A slow and painstaking worker, Ravel composed fewer pieces than many of his contemporaries. Among his works to enter the repertoire are pieces for piano, chamber music, two piano concertos, ballet music, two operas and eight song cycles; he wrote no symphonies or church music. Many of his works exist in two versions: first, a piano score and later an orchestration. Some of his piano music, such as Gaspard de la nuit (1908), is exceptionally difficult to play, and his complex orchestral works such as Daphnis et Chloé (1912) require skilful balance in performance.

Ravel was among the first composers to recognise the potential of recording to bring their music to a wider public. From the 1920s, despite limited technique as a pianist or conductor, he took part in recordings of several of his works; others were made under his supervision.

Flora Purim (born March 6, 1942) is a Brazilian jazz singer known primarily for her work in the jazz fusionstyle. She became prominent for her part in Return to Forever with Chick Corea and Stanley Clarke. She has recorded and performed with numerous artists, including Dizzy Gillespie, Gil Evans, Opa, Stan Getz, George Duke, Mickey Hart of the Grateful Dead, Santana, Jaco Pastorius, and her husband Airto Moreira.

In 2002, Purim was the recipient of one of Brazil’s highest awards, the 2002 Ordem do Rio Branco for Lifetime Achievement. She has been called “The Queen of Brazilian Jazz”.

ohn Leslie “Wes” Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist.Montgomery was known for his unusual technique of plucking the strings with the side of his thumb, and for his extensive use of octaves, which gave him a distinctive sound.

Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz.

Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname “Wes” was a child’s abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped out of school to sell coal and ice, gradually saving enough money to buy his brother Wes a four-string tenor guitar from a pawn shop in 1935. Although Montgomery spent many hours with the guitar, he recounted this time later in life, saying he had to start over when he got his first six-string several years later. Montgomery died of a heart attack on June 15, 1968, while at home in Indianapolis. He was 45 years old.

Edmond Montague Grant (born 5 March 1948) is a Guyanese-British singer, songwriter and multi-instrumentalist, known for his genre-blending sound; his music has blended elements of pop, British rock, soul, funk, reggae, electronic music, African polyrhythms, and Latin music genres such as samba, among many others. In addition to this, he also helped to pioneer the genre of “Ringbang“. He was a founding member of the Equals, one of the United Kingdom’s first racially-mixed pop groups who are best remembered for their million-selling UK chart-topper, the Grant-penned “Baby, Come Back“.

Gene Rodgers (March 5, 1910, New York City – October 23, 1987, New York City) was an American jazzpianist, composer, and arranger. He is best known for being the pianist on Coleman Hawkins‘ famous 1939 recording of “Body and Soul“.

Born Eugene Ricardo Rodgers Jr, the eldest child of Eugene Ricardo Rodgers Sr (aka Eugene Richard Rodgers), and his wife Blanche Bona Cabey (both of whom were born in what was then the Danish West Indies / Danish Antilles, later the American Virgin Islands), he was named for his father. Gene had three younger siblings, Mildred (1914), Rowland (1918), and Genevieve (1920).