mick laBriola

Performing with the Temple Israel Erev Shabbat Service Ensemble with Inbal Sharett-Singer at 6pm Friday January 27th 2023

Robert Hutcherson (January 27, 1941 – August 15, 2016) was an American jazz vibraphone and marimba player. “Little B’s Poem”, from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.

Bobby Hutcherson was born in Los Angeles, California, to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson‘s orchestra. Hutcherson went on to record on a number of Gerald Wilson’s Pacific Jazz recordings as well as play in his orchestra. Hutcherson’s sister personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when at about the age of 12 he heard Milt Jackson with Thelonious Monk, Percy Heath, Kenny Clarke and Miles Davis playing “Bemsha Swing” on the Miles Davis All Stars, Volume 2 album (1954). Still in his teens, Hutcherson began his professional career in the late 1950s working with tenor saxophonist Curtis Amy and trumpeter Carmell Jones, as well as with Dolphy and tenor saxophonist Charles Lloyd at Pandora’s Box on the Sunset Strip.

Oran Thaddeus “Hot Lips” Page (January 27, 1908 – November 5, 1954) was an American jazztrumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.

Page was a member of Walter Page‘s Blue Devils, Artie Shaw‘s Orchestra and Count Basie‘s Orchestra, and he worked with Ma Rainey, Bessie Smith and Ida Cox. He was one of the five musicians booked for the opening night at Birdland with Charlie Parker in 1949.

Oran Thadeus Page was born in Dallas, Texas, United States, to a schoolteacher and musician mother. He moved with his mother to Corsicana where he began attending Corsicana High School and later Texas College while also working at the oilfields. His earliest gigs were in circuses and minstrel shows while also backing such blues singers as Ma Rainey, Bessie Smith, and Ida Cox. Page’s main trumpet influence was Louis Armstrong, though throughout his career he cited other local trumpeters, including Harry Smith(Kansas City) and Benno Kennedy (San Antonio) as being early influences.

Elmore James (Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname “King of the Slide Guitar”.

Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie “Frost” James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James.

James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red’s songs. He also inherited from Tampa Red’s band two musicians who joined his own backing band, the Broomdusters, “Little” Johnny Jones (piano) and Odie Payne (drums). In the late 1930s, James worked alongside Sonny Boy Williamson II.

During World War II, James joined the U.S. Navy, was promoted to coxswain and took part in the invasion of Guam. Upon his discharge, he returned to central Mississippi and settled in the town of Canton with his adopted brother Robert Holston.

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music,with his music admired for its “melodic beauty, its formal elegance and its richness of harmony and texture”.

Born in Salzburg, then in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and travelled in search of a better position.

While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During his final years there, he composed many of his best-known symphonies, concertos, and operas. His Requiem was largely unfinished by the time of his death at the age of 35, the circumstances of which are uncertain and much mythologized.

Each copla (verse) of the Fandangos de Huelva contains six sets of twelve counts, and dancers usually perform several verses of the song, or trade off performing a verse with another dancer.

In a performance, the guitarist plays two or four sets of estribillos before each copla. The singer may also sing the estribillo before the first copla.

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When performed in the traditional, regional style, steps are characterized by beautiful leg gestures, flicks of the feet, jota steps and jumps, escuela bolera steps and patterns, a small amount of taconeo/zapateado, castanets, and a distinctive arched line in the back of the dancer – torcido – which produces a spiraling effect.

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The dance is also often performed aflamencada, in a flamenco style that includes footwork, flamenco marking steps and cues, and llamadas and remates that are similar to those found in Bulerías.

​The typical scenario for a traditional Fandangos de Huelva dance (performed by soloists or in groups) is as follows:

1. Entrance/entrada

   • Danced to a musical (with or without cante) estribillo

2. 1st copla

   • Each verse contains six sets of twelve count phrases, performed with or without castanets, and includes traditional regional or flamenco steps and phrases

3. Estribillo transition

   • Two to four sets of twelve count phrases are performed to the estribillo music, acting as transitions between the coplas (verses). These transitions allow dancers to enter or exit the stage.

4. Arrimaté

   • A traditional cierre (closing/ending) for cante and baile por Fandangos de Huelva

Anita Denise Baker (born January 26, 1958) is an American singer-songwriter. She is one of the most popular singers of soulful ballads, especially renowned for her work during the height of the quiet stormperiod in the 1980s. Starting her career in the late 1970s with the funk band Chapter 8, Baker released her first solo album, The Songstress, in 1983. In 1986, she rose to stardom following the release of her Platinum-selling second album, Rapture, which included the Grammy-winning single “Sweet Love“. As of 2017, Baker has won eight Grammy Awards and has four Platinum albums, along with two Gold albums.  Baker is a contralto with a range of nearly three octaves.

Anita Baker was born on January 26, 1958, in Toledo, Ohio. When she was two, her mother abandoned her and Baker was raised by a foster family in Detroit, Michigan. When Baker was 12, her foster parents died and her foster sister raised her afterwards. By the time Baker was 16, she began singing R&B at Detroit nightclubs. After one performance, she was discovered by bandleader David Washington, who gave her a card to audition for the funk band, Chapter 8.

Laurence Gordon “Corky” Laing (born January 26, 1948) is a Canadian rock drummer, best known as a longtime member of pioneering American hard rock band Mountain.

A native of Montreal, Quebec, Laing was the youngest in a family of five children. His eldest sister Carol was followed by triplet brothers, Jeffrey, Leslie, and Stephen, and then by Corky. According to Corky, his brothers called him “Gorky” because they could not pronounce his given name “Gordon”. “Gorky” eventually morphed into Corky, a moniker which has remained with him throughout his career.

Getting his break playing drums for vocal group The Ink Spots in 1961, he later played in a group called Energy, who was produced by Cream collaborator and Laing’s future bandmate Felix Pappalardi. Laing left Energy in 1969 to replace drummer N.D. Smart in a hard rock outfit and heavy metal forerunner Mountain, who, with Laing at the drum kit, released three albums and the classic song “Mississippi Queen” between 1970 and 1971.

Huey Pierce Smith,  known as Huey “Piano” Smith (born January 26, 1934) is an American rhythm-and-blues pianist whose sound was influential in the development of rock and roll.

His piano playing incorporated the boogie-woogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino. Steve Huey of AllMusic noted that “At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, ‘Don’t You Just Know It.’ Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players.

Smith wrote his first song “Robertson Street Boogie”, named after the street where he lived, on the piano, when he was eight years old. He performed the tune with a friend Percy Anderson, with the two billing themselves as Slick and Doc. Smith attended Walter L. Cohen High School in New Orleans.

Clement Seymour “Coxsone” Dodd CD (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond.

He was nicknamed “Coxsone” at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team).

The Kingston-born Dodd used to play records to the customers in his parents’ shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleans and Miami.

With the success of his sound system, and in a competitive environment, Dodd would make trips through the US looking for new tunes to attract the Jamaican public. While he did, his mother Doris Darlington would run the sound system and play the tunes. Dodd opened five different sound systems, each playing every night. To run his sound systems, Dodd appointed people such as Lee “Scratch” Perry, who was Dodd’s right-hand man during his early career, U-Roy and Prince Buster. Perry would later leave Dodd in 1966 due to Perry feeling disrespected by Dodd, this is documented in the 1966 song The Upsetter.

Stéphane Grappelli ; 26 January 1908 – 1 December 1997, born Stefano Grappelli) was a French jazz violinist. He is best known as a founder of the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called “the grandfather of jazz violinists” and continued playing concerts around the world well into his eighties.

For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to Grappelli in 1969. The latter, Italian spelling is now used almost universally when referring to the violinist, including reissues of his early work.

Grappelli was born at Hôpital Lariboisière in Paris, France, and christened with the name Stefano. His father, Italian marchese Ernesto Grappelli, was born in Alatri, Lazio, while his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian, sold translations, and wrote articles for local journals. Grappelli’s mother died when he was five, leaving his father to care for him.Although he was residing in France when World War I began, Ernesto was still an Italian citizen, and was consequently drafted into the Italian Army in 1914.