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Steve Jordan (born January 14, 1957) is an American musical director, producer, songwriter, and musician. During the 1970s and 1980s, he was a member of the bands for the television shows Saturday Night Live and Late Night with David Letterman.

In the early 1980s, Jordan was a member of the band “Eye Witness“, along with Anthony Jackson on bass, and Manolo Badrena on percussion. Since the mid 1980s, Jordan has also been a member of the X-Pensive Winos, the side project of Rolling Stones guitarist Keith Richards. Jordan and Richards have been production and songwriting partners on many of Richards’s solo works. In 2005, he became a member of the John Mayer Trio. Jordan also formed the band “The Verbs”, which he fronts, with his wife Meegan Voss. On August 5, 2021, it was reported that Charlie Watts had elected to sit out the resumption of the US No Filter Tour due to a heart procedure surgery and that Jordan would temporarily replace him on drums. Following Watts’ death, he has played with the Stones both live and in studio.

Jordan attended New York City’s High School of Music and Art, graduating in 1974.

Jordan was a teenager when he became an honorary member of Stevie Wonder’s band “WonderLove“. He also was a substitute drummer in the band “Stuff” in 1976  and played with Joe Cocker on his American tour. Later, he played drums for the Saturday Night Live band in the 1970s. When John Belushi and Dan Aykroyd toured as The Blues Brothers in the late 1970s, Jordan was their drummer, and recorded on their resulting albums, credited as Steve “Getdwa” Jordan. He did not, however, appear in the movie of the same name. Jordan also played in the New York “24th Street Band” with Will Lee, Clifford Carter, and Hiram Bullock which later became Paul Shaffer and the World’s Most Dangerous Band, which played on Late Night with David Letterman from 1982 to 1986.

The most massive young star cluster in the Small Magellanic Cloud is NGC 346, embedded in our small satellite galaxy’s largest star forming region some 210,000 light-years distant. Of course the massive stars of NGC 346 are short lived, but very energetic. Their winds and radiation sculpt the edges of the region’s dusty molecular cloud triggering star-formation within. The star forming region also appears to contain a large population of infant stars. A mere 3 to 5 million years old and not yet burning hydrogen in their cores, the infant stars are strewn about the embedded star cluster. This spectacular infrared view of NGC 346 is from the James Webb Space Telescope’s NIRcam. Emission from atomic hydrogen ionized by the massive stars’ energetic radiation as well as and molecular hydrogen and dust in the star-forming molecular cloud is detailed in pink and orange hues. Webb’s sharp image of the young star-forming region spans 240 light-years at the distance of the Small Magellanic Cloud.

Pandit Shivkumar Sharma (13 January 1938 – 10 May 2022) was an Indian classical musician and santoor player who is credited with adapting the santoor for Indian classical music. As a music composer, he collaborated with Indian flautist Hariprasad Chaurasia under the collaborative name Shiv–Hari and composed music for such hit Indian films as Faasle (1985), Chandni (1989), and Lamhe (1991).

Sharma was awarded the Sangeet Natak Akademi Award in 1986 and the Padma Shri and Padma Bhushan (India’s fourth and third highest civilian awards) in 1991 and 2001.

Sharma was born on 13 January 1938, in Jammu, which was part of the Jammu and Kashmir princely state then. His father Uma Dutt Sharma was a vocalist and a tabla player. His father started teaching him vocals and tabla, when he was just five. His father saw an opportunity to introduce him to the santoor, a hammered dulcimer, which was a folk instrument that traced its origins to ancient Persia, but was played in Kashmir. He saw the styles that integrated Sufi notes with traditional Kashmiri folk music and had his son play the instrument that was then new to Indian classical music. Sharma started learning santoor at the age of thirteen and gave his first public performance in Mumbai in 1955.

Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Pass is well known for his work stemming from numerous collaborations with pianist Oscar Peterson and vocalist Ella Fitzgerald, and is often heralded as one of the most unique and notable jazz guitarists of the 20th century.

Pass was born in New Brunswick, New Jersey, on January 13, 1929. His father, Mariano Passalaqua, was a steel mill worker who was born in Sicily. The family later moved to Johnstown, Pennsylvania. Pass became interested in the guitar after he saw Gene Autry on television. He got his first guitar when he was nine. He took guitar lessons every Sunday with a local teacher for 6-8 months and also practiced for many hours each day.

Pass found work as a performer as early as age 14. He played with bands led by Tony Pastor and Charlie Barnet, honing his guitar skills while learning the ropes in the music industry. He began traveling with small jazz groups and moved from Pennsylvania to New York City. Within a few years, Pass developed an addiction to heroin. He moved to New Orleans for a year and played bebop at strip clubs. Pass revealed to Robert Palmer of Rolling Stone that he had suffered a “nervous breakdown” in New Orleans “because [he] had access to every kind of drug there and was up for days […] [he] would come to New York a lot, then get strung out and leave.”

Pass spent much of the 1950s in and out of prison for drug-related convictions. In the same Rolling Stone interview, Pass said, “staying high was my first priority; playing was second; girls were third. But the first thing really took all my energy.” He recovered after a two-and-a-half-year stay in the Synanon rehabilitation program. Pass largely put music on hiatus during his prison sentence.

Pass recorded a series of albums during the 1960s for Pacific Jazz Records, including Catch Me, 12-String Guitar, For Django, and Simplicity. In 1963, he received DownBeat magazine’s New Star Award. He also played on Pacific Jazz recordings by Gerald Wilson, Bud Shank, and Les McCann. He toured with George Shearing in 1965. During the 1960s, he did mostly TV and recording session work in Los Angeles. Norman Granz, the producer of Jazz at the Philharmonic and the founder of Verve Records, signed Pass to Pablo Records in December 1973. In 1974, Pass released his solo album Virtuoso on Pablo. Also in 1974, Pablo released the album The Trio with Pass, Oscar Peterson, and Niels-Henning Ørsted Pedersen. He performed with them on many occasions throughout the 1970s and 1980s. At the Grammy Awards of 1975, The Trio won the Grammy Award for Best Jazz Performance by a Group. As part of the Pablo roster, Pass recorded with Benny Carter, Milt Jackson, Herb Ellis, Zoot Sims, Duke Ellington, Dizzy Gillespie, Ella Fitzgerald, and Count Basie.

This cosmic expanse of dust, gas, and stars covers some 6 degrees on the sky in the heroic constellation Perseus. At upper left in the gorgeous skyscape is the intriguing young star cluster IC 348 andneighboring Flying Ghost Nebula with clouds of obscuring interstellar dust cataloged as Barnard 3 and 4. At right, another active star forming region NGC 1333 is connected by dark and dusty tendrils on the outskirts of the giant Perseus Molecular Cloud, about 850 light-years away. Other dusty nebulae are scattered around the field of view, along with the faint reddish glow of hydrogen gas. In fact, the cosmic dust tends to hide the newly formed stars and young stellar objects or protostars from prying optical telescopes. Collapsing due to self-gravity, the protostars form from the dense cores embedded in the molecular cloud. At the molecular cloud’sestimated distance, this field of view would span over 90 light-years.