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The Heart and Soul Nebula are very popular deep sky imaging targets for astrophotographers with widefield scopes. This image however dives in deeper into the 1848th entry in the Index Catalogues of the New General Catalogue of nebulae and star clusters. IC 1848 or Sh2-199 or the Soul Nebula lies within the Perseus spiral arm of our Milky Way Galaxy, at a distance of 6500 light years from planet Earth’s skies toward the constellation Cassiopeia. Imaging was done at the DeepSkyWest remote observatory on the fabulous AstroPhysics Starfire AP175 refractor.
more...Phineas Newborn Jr. (December 14, 1931 – May 26, 1989) was an American jazz pianist, whose principal influences were Art Tatum, Oscar Peterson, and Bud Powell.
Newborn was born in Whiteville, Tennessee, and came from a musical family: his father, Phineas Newborn Sr., was a drummer in blues bands, and his younger brother, Calvin, a jazz guitarist. He studied piano as well as trumpet, and tenor and baritone saxophone.
Before moving on to work with Lionel Hampton, Charles Mingus, and others, Newborn first played in an R&B band led by his father on drums, with his brother Calvinon guitar, Tuff Green on bass, Ben Branch and future Hi Records star Willie Mitchell. The group was the house band at the now famous Plantation Inn Club in West Memphis, Arkansas, from 1947 to 1951, and recorded as B. B. King‘s band on his first recordings in 1949, as well as the Sun Records sessions in 1950. They left West Memphis in 1951 to tour with Jackie Brenston as the “Delta Cats” in support of the record “Rocket 88“, recorded by Sam Phillips and considered by many to be the first ever rock & roll record (it was the first Billboard No. 1 record for Chess Records).
more...Leo Wright (December 14, 1933 in Wichita Falls, Texas – January 4, 1991 in Vienna) was an American jazz musician who played alto saxophone, flute and clarinet. He played with Charles Mingus, Booker Ervin, John Hardee, Kenny Burrell, Johnny Coles, Blue Mitchell and Dizzy Gillespie in the late 1950s, early 1960s and in the late 1970s. Relocating to Europe in 1963, Wright settled in Berlin and later Vienna. During this time he performed and recorded primarily in Europe, using European musicians or fellow American expatriates, such as Kenny Clarke and Art Farmer. He died of a heart attack in 1991 at the age of 57.
more...Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespie and Randy Weston, in addition to his solo work as bandleader.
Payne received his first saxophone aged 13, asking his father for the instrument after hearing “Honeysuckle Rose” performed by Count Basie with Lester Youngsoloing. Payne took lessons from a local alto sax player, Pete Brown. He studied at Boys High School, Bedford-Stuyvesant.
Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed on board until 1949, heard performing solos on “Ow!” and “Stay On It”. In the early 1950s, he found himself working with Tadd Dameron, and worked with Illinois Jacquet from 1952 to 1954. He then started freelance work in New York City and frequently performed during this period with Randy Weston, whom Payne worked with until 1960. Payne was still recording regularly for Delmark Records in the 1990s, when he was in his seventies, and indeed on into the new millennium.
https://www.youtube.com/watch?v=pS7RbZyWDsI
more...Clark Virgil Terry Jr (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator.
He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on The Tonight Show from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.
Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. He attended Vashon High School and began his professional career in the early 1940s, playing in local clubs. He served as a bandsman in the United States Navy during World War II. His first instrument was valve trombone.
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In the center is an Astrophotography icon the Dark Horse and the Rho Ophiuchi Molecular Clouds complex with its beautiful colors surrounding antares scorpion star Alpha, just above in the upper right corner we can see the star Zeta Ophiuchi surrounded by the known red nebulosity like Sharpless 2-27, this part of the Milky Way is rich in nebulae such as cat’s paw nebula, lobster, shrimp, Laguna and Trifida, among others.
more...Judge Kenneth Peterson (December 13, 1964 – May 17, 2020), known professionally as Lucky Peterson, was an American musician who played contemporary blues, fusing soul, R&B, gospeland rock and roll. He played guitar and keyboards. Music journalist Tony Russell, in his book The Blues – From Robert Johnson to Robert Cray has said, “he may be the only blues musician to have had national television exposure in short pants. Peterson’s father, bluesman James Peterson, owned a nightclub in Buffalo called The Governor’s Inn. The club was a regular stop for fellow bluesmen such as Willie Dixon. Dixon saw a five-year-old Lucky Peterson performing at the club and, in Peterson’s words, “Took me under his wing.” Months later, Peterson performed on The Tonight Show, The Ed Sullivan Show and What’s My Line?. Millions of people watched Peterson sing “1-2-3-4”, a cover version of “Please, Please, Please” by James Brown. At the time, Peterson said “his father wrote it”. Around this time he recorded his first album, Our Future: 5 Year Old Lucky Peterson, for Today/Perception Records and appeared on the public television show, Soul!
more...Majida El Roumi Baradhy (Arabic: ماجدة الرومي برادعي; born 13 December 1956) is a Lebanese soprano singer and United NationsGoodwill Ambassador. Majida El Roumi Al Baradhy was born on 13 December 1956 in Kfarshima. He father, Halim El Roumi, was from a Melkite Christian family from Tyre, South Lebanon, and her mother was Egyptian. Her father was born in Tyre in 1919 but later moved to Haifa, Palestine at the age of two with his whole family to avoid the hardships of World War I. Kfarshima is also home to many Lebanese singers, musicians and poets like Philimon Wehbe, Melhem Barakat and Issam Rajji. The El Roumi residence was a meeting place for many cultural figures as he worked with many singers. He is accredited with having discovered many well-known artists, mainly the Lebanese star Fairuz.
more...Benjamin M. Tucker (December 13, 1930 – June 4, 2013) was an American jazz bassist who appeared on hundreds of recordings. Tucker played on albums by Art Pepper, Billy Taylor, Quincy Jones, Grant Green, Dexter Gordon, Hank Crawford, Junior Mance, and Herbie Mann.
He was born in Tennessee. As bass player in the Dave Bailey Quintet in 1961, he wrote the instrumental version of the song “Comin’ Home Baby!“, first issued on the album Two Feet in the Gutter. Bob Dorough later wrote a lyric to the song, and the vocal version became a Top 40 hit for jazz singer Mel Tormé in 1962.
Tucker released the album Baby, You Should Know It (Ava, 1963) with Victor Feldman, Larry Bunker, Bobby Thomas, Ray Crawford, Tommy Tedesco, and Carlos “Patato” Valdes.
By 1972, Tucker owned two radio stations, WSOK-AM, which had over 400,000 listeners, and WLVH-FM. Both of these were located in his hometown of Savannah, Georgia.
He died in a traffic collision in Hutchinson Island, Georgia, on June 4, 2013.
more...William Alexander “Sonny” Greer (December 13, c. 1895 – March 23, 1982) was an American jazz drummer and vocalist, best known for his work with Duke Ellington.
Greer was born in Long Branch, New Jersey, United States, and played with Elmer Snowden‘s band and the Howard Theatre‘s orchestra in Washington, D.C., before joining Duke Ellington, whom he met in 1919. He was Ellington’s first drummer, playing with his quintet, the Washingtonians, and moved with Ellington into the Cotton Club. As a result of his job as a designer with the Leedy Drum Company of Indiana, Greer was able to build up a huge drum kit worth over a then-considerable $3,000, including chimes, a gong, timpani, and vibes.
Greer was a heavy drinker, as well as a pool-hall hustler (when he needed to retrieve his drums from the pawnbroker), and in 1950, Ellington responded to his drinking and occasional unreliability by taking a second drummer, Butch Ballard, with them on a tour of Scandinavia. This enraged Greer, and the consequent argument led to their permanent estrangement.
https://www.youtube.com/watch?v=OBXR22sIg4Y
more...Known to some as the Elephant’s Trunk Nebula, parts of gas and dust clouds of this star formation region may appear to take on foreboding forms, some nearly human. The only real monsterhere, however, is a bright young star too far from Earth to hurt us. Energetic light from this star is eating away the dust of the dark cometary globule near the top of the featured image. Jets and winds of particles emitted from this star are also pushing away ambient gas and dust. Nearly 3,000 light-years distant, the relatively faint IC 1396 complex covers a much larger region on the sky than shown here, with an apparent width of more than 10 full moons.
more...Forrest Richard Betts (born December 12, 1943 West Palm Beach, FL) is an American guitarist, singer, songwriter, and composer best known as a founding member of The Allman Brothers Band.
Early in his career, he collaborated with Duane Allman, introducing melodic twin guitar harmony and counterpoint which “rewrote the rules for how two rock guitarists can work together, completely scrapping the traditional rhythm/lead roles to stand toe to toe”. Following Allman’s death in 1971, Betts assumed sole lead guitar duties during the peak of the group’s commercial success in the mid-1970s. Betts was the writer and singer on the Allmans’ hit single “Ramblin’ Man“. He also gained renown for composing instrumentals, with one appearing on most of the group’s albums, including “In Memory of Elizabeth Reed” and “Jessica” (which was later used as the theme to Top Gear).
The band went through a hiatus in the late 1970s, during which time Betts, like many of the other band members, pursued a solo career and side projects under such names as Great Southern and The Dickey Betts Band. The Allman Brothers reformed in 1979, with Dan Toler taking the second guitar role alongside Betts. In 1982, they broke up a second time, during which time Betts formed the group Betts, Hall, Leavell and Trucks, which lasted until 1984. A third reformation occurred in 1989, with Warren Haynes now joining Betts on guitar. Betts would be ousted from the band in 2000 over a conflict regarding Betts’s continued drug and alcohol use; he would never play with them again and has not since appeared with any former band members for reunions or side projects. He remains (alongside Jaimoe) one of only two living founders of the Allman Brothers Band.
He was inducted with the band into the Rock and Roll Hall of Fame in 1995 and also won a best rock performance Grammy Award with the band for “Jessica” in 1996. Betts was ranked No. 58 on Rolling Stone‘s 100 Greatest Guitarists of All Time list in 2003, and No. 61 on the list published in 2011.
more...Alejandro Neciosup Acuña (born December 12, 1944), known professionally as Alex Acuña, is a Peruvian-American drummer and percussionist.
Born in Pativilca, Peru, Acuña played in local bands such as La Orquesta de los Hermanos Neciosup from the age of ten. Acuña then followed his brothers and moved to Lima as a teenager. At the age of eighteen he joined the band of Perez Prado, and in 1965 he moved to San Juan, Puerto Rico. In 1974 Acuña moved to Las Vegas, working with artists such as Elvis Presley, The Temptations, and Diana Ross, and the following year he joined the jazz-fusion group Weather Report, appearing on the albums Black Market and Heavy Weather. While in New York City, Acuña recorded several songs under RCA records. Acuña decided to leave because of the genre limitations placed on him, in which RCA records only had him play Latin music.
Acuña left Weather Report in 1978, and became a session musician in California, recording and playing live with (amongst many others) Paul McCartney, Joni Mitchell, Ella Fitzgerald, Elvis Presley, Michael Jackson, Chick Corea, Whitney Houston, Plácido Domingo, former Weather Report bandmates Wayne Shorter and Joe Zawinul, Herbie Hancock, Carlos Santana, Antonio Carlos Jobim, Beck, Roberta Flack, U2, Al Jarreau and Marcos Witt. He can be found on recordings by musicians as culturally diverse as Lee Ritenour, Johnny Clegg, Roy Orbison, YellowJackets, Lalo Schifrin, Milton Nascimento, Don Grusin, Dave Grusin, The Brecker Brothers, Arturo Sandoval, Vladislav Sendecki, Paquito d’Rivera, Gonzalo Rubalcaba, Brad Mehldau, BoDeans, Paco de Lucia, John Patitucci, Sadao Watanabe, Lyle Mays, Diana Ross, Sérgio Mendes, Robbie Robertson, Jackson Browne, Bette Midler, Jennifer Nettles, Christina Aguilera, Seal and Chris Botti.
more...Anthony Tillmon Williams (December 12, 1945 – February 23, 1997) was an American jazz drummer.
Williams first gained fame as a member of Miles Davis‘ “Second Great Quintet“, and later pioneered jazz fusion with Davis’ group and his own combo, the Tony Williams Lifetime. In 1970, music critic Robert Christgau described him as “probably the best drummer in the world”. Williams was inducted into the Modern Drummer Hall of Fame in 1986.
Williams was born in Chicago and grew up in Boston. He is of African, Portuguese, and Chinese descent. He studied with drummer Alan Dawson at an early age, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16.
At 17 in 1963 Williams gained attention by joining Miles Davis in what was later dubbed Davis’s Second Great Quintet. Williams was a vital element of the group, called by Davis in his autobiography “the center that the group’s sound revolved around.” His playing helped redefine the role of the jazz rhythm section through the use of polyrhythms and metric modulation. Meanwhile, he recorded his first two albums as leader for Blue Note label, Life Time (1964) and Spring (1965). He also recorded as a sideman for the label including, in 1964, Out to Lunch! with Eric Dolphy and Point of Departure with Andrew Hill. Williams lived and taught in the San Francisco Bay Area until his death from a heart attack following routine gallbladder surgery. One of his final recordings was The Last Wave by the trio known as Arcana, a release organized by Bill Laswell.
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