mick laBriola

Arthur Tatum Jr. (/ˈteɪtəm/, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest in his field. From early in his career, Tatum’s technical ability was regarded by fellow musicians as extraordinary. Many pianists attempted to copy him; others questioned their own skills after encountering him, and some even switched instruments in response. In addition to being acclaimed for his virtuoso technique, Tatum extended the vocabulary and boundaries of jazz piano far beyond his initial stride influences, and established new ground in jazz through innovative use of reharmonization, voicing, and bitonality.

Tatum grew up in Toledo, Ohio, where he began playing piano professionally and had his own radio program, rebroadcast nationwide, while still in his teens. He left Toledo in 1932 and had residencies as a solo pianist at clubs in major urban centers including New York, Chicago, and Los Angeles. In that decade, he settled into a pattern that he followed for most of his career – paid performances followed by long after-hours playing, all accompanied by prodigious consumption of alcohol. He was said to be more spontaneous and creative in such venues, and although the drinking did not negatively affect his playing, it did damage his health.

In the 1940s, Tatum led a commercially successful trio for a short time and began playing in more formal jazz concert settings, including at Norman Granz-produced Jazz at the Philharmonic events. His popularity diminished towards the end of the decade, as he continued to play in his own style, ignoring the rise of bebop. Granz recorded Tatum extensively in solo and small group formats in the mid-1950s, with the last session occurring only two months before the pianist’s death from uremiaat the age of 47.

Tatum’s mother, Mildred Hoskins, was born in Martinsville, Virginia, around 1890, and was a domestic worker. His father, Arthur Tatum Sr., was born in Statesville, North Carolina,and had steady employment as a mechanic. In 1909, they made their way from North Carolina to begin a new life in Toledo, Ohio. The couple had four children; Art was the oldest to survive, and was born in Toledo on October 13, 1909. He was followed by Arline nine years later and by Karl after another two years. Karl went to college and became a social worker. The Tatum family was regarded as conventional and church-going.

In the image, composed with 30 hours of narrowband image data, it spans nearly three full moons toward the royal constellation Cepheus. Discovered in 2011 by French astro-imager Nicolas Outters, the Squid Nebula’s bipolar shape is distinguished here by the telltale blue-green emission from doubly ionized oxygen atoms. Though apparentlysurrounded by the reddish hydrogen emission region Sh2-129, the true distance and nature of the Squid Nebula have been difficult to determine. Still, a more recent investigation suggests Ou4 really does lie within Sh2-129 some 2,300 light-years away. Consistent with that scenario, the cosmic squid would represent a spectacular outflow of material driven by a triple system of hot, massive stars, cataloged as HR8119, seen near the center of the nebula. If so, this truly giant squid nebula would physically be over 50 light-years across.

Melvin Rhyne (October 12, 1936 – March 5, 2013), was a jazz organist best known for his work with Wes Montgomery.

Melvin Rhyne was born in Indianapolis in 1936 and started playing the piano shortly after. At 19 years old, Rhyne started playing piano with then-unknown tenor saxophonist Rahsaan Roland Kirk but quickly switched over to the instrument that would make him famous: the Hammond B3 organ. Rhyne’s piano skills translated to the organ fluently and before long he was backing famous blues players like B.B. King and T-Bone Walker. In 1959 he was asked to join fellow Indianapolis musician Wes Montgomery‘s newly formed trio.

Rhyne then moved to Wisconsin and largely kept to himself for the next two decades. In 1991, however, he played on Herb Ellis‘s album Roll Call, Brian Lynch‘s At the Main Event, and his own album, The Legend. He continued to be prolific in the years to come, releasing eight more solo albums on the Criss Cross Jazz label. Rhyne also recorded with The Mark Ladley Trio for the 1992 release, Strictly Business and the 1994 release, Evidence.^[7] Both landed in the Jazz Charts at CMJ New Music Report and The Gavin Report. The group also appeared on a Jazziz Magazine sampler disc during that time. Altenburgh Records posthumously released, Final Call in 2013 by the same group.

In 2008 Rhyne teamed up with fellow Indianapolis jazz musician Rob Dixon to form the Dixon-Rhyne Project, a boundary-pushing jazz quartet that also includes Chicago guitarist Fareed Haque and drummer Kenny Phelps. The quartet released the album Reinvention in 2008 on Indianapolis jazz label Owl Studios. Rhyne’s later career trio included guitarist Peter Bernstein and drummer Kenny Washington in the same organ, guitar, drum formation of the original Wes Montgomery Trio.

He died in his hometown of Indianapolis of lung cancer at the age of 76.

Lester Bowie (October 11, 1941 – November 8, 1999) was an American jazz trumpet player and composer. He was a member of the Association for the Advancement of Creative Musicians and co-founded the Art Ensemble of Chicago.

Born in the historic village of Bartonsville in Frederick County, Maryland, United States, Bowie grew up in St Louis, Missouri. At the age of five he started studying the trumpet with his father, a professional musician. He played with blues musicians such as Little Milton and Albert King, and rhythm and blues stars such as Solomon Burke, Joe Tex, and Rufus Thomas. In 1965, he became Fontella Bass‘s musical director and husband. He was a co-founder of Black Artists Group (BAG) in St Louis.

In 1966, he moved to Chicago, where he worked as a studio musician, and met Muhal Richard Abrams and Roscoe Mitchell and became a member of the AACM. In 1968, he founded the Art Ensemble of Chicago with Mitchell, Joseph Jarman, and Malachi Favors. He remained a member of this group for the rest of his life, and was also a member of Jack DeJohnette‘s New Directions quartet. He lived and worked in Jamaica and Nigeria, and played and recorded with Fela Kuti. Bowie’s onstage appearance, in a white lab coat, with his goatee waxed into two points, was an important part of the Art Ensemble’s stage show.

Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhainaafter he converted to Islam for a short time in the late 1940s.

Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. The Biographical Encyclopedia of Jazz calls the Jazz Messengers “the archetypal hard bop group of the late 50s”.

Blakey was inducted into the Down Beat Jazz Hall of Fame (in 1981). Posthumously, he was inducted into the Modern Drummer Hall of Fame in 1991 and the Grammy Hall of Fame (in 1998 and 2001). He was awarded the Grammy Lifetime Achievement Award in 2005.

Blakey was born on October 11, 1919, in Pittsburgh, Pennsylvania, probably to a single mother who died shortly after his birth; her name is often cited as Marie Roddicker, or Roddericker, although Blakey’s own 1937 marriage license shows her maiden name to have been Jackson. His biological father was Bertram Thomas Blakey, originally of Ozark, Alabama, whose family migrated northward to Pittsburgh sometime between 1900 and 1910. Blakey’s uncle, Rubi Blakey, was a popular Pittsburgh singer, choral leader, and teacher who attended Fisk University.

This Picture of the Week showcases the impressive NGC 3627 galaxy, also known as Messier 66, located approximately 31 million light-years from Earth in the constellation Leo. The image was taken with the Multi-Unit Spectroscopic Explorer (MUSE) on ESO’s Very Large Telescope (VLT) in Chile. But why does it have these unusual colours? This image is a combination of observations conducted in different wavelengths of light. But rather than seeing the stars in this galaxy, as in more classical images, what this image displays is gas ionised by newly-born stars, with hydrogen, oxygen and sulphur shown in red, blue and orange respectively.  The image was taken as part of the Physics at High Angular resolution in Nearby GalaxieS (PHANGS) project, which is using telescopes operating across all wavelengths to make high-resolution observations of nearby galaxies. The goal of the project is to better understand what triggers, boosts or holds back the formation of new stars in different environments.

October 10th 1948. Founder of the New Orleans white boy band the Radiators. The Radiators were formed in January 1978 after a jam session in keyboardist Ed Volker’s garage. At the time, Volker, Camile Baudoin and Frank Bua, Jr. were in a band called The Rhapsodizers, while Dave Malone and Reggie Scanlan were in a band called Road Apple. Scanlan had also, not long before, been a member of Professor Longhair’s touring band. The five musicians felt an immediate rapport. Scanlan later said, “we jammed for five hours straight, then all quit our old bands the next day. On April 6, 2019, Reggie Scanlan recalled how the band came to be “The Radiators.” After joining up and playing many shows together, without a formal band name, it was determined that a name was necessary. Scanlan suggested the name.

Cyril Garrett Neville (born October 10, 1948) is an American percussionist and vocalist who first came to prominence as a member of his brother Art Neville‘s funky New Orleans-based band, The Meters. He joined Art in the Neville Brothers band upon the dissolution of the Meters.

He has appeared on recordings by Bob Dylan, Robbie Robertson, Edie Brickell, Willie Nelson, Dr. John and The New Orleans Social Club among others.

Neville is interviewed on screen and appears in performance footage with The Neville Brothers in the 2005 documentary film Make It Funky!, which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz. In the film, the band performs “Fire on the Bayou” with guests Ivan and Ian Neville. Neville was also featured in the 2006 documentary film New Orleans Music in Exile.

In 2005, Neville joined up with Tab Benoit for the Voice of the Wetlands Allstars to bring awareness to Louisiana’s rapid loss of wetlands along the Gulf Coast. The band also features Waylon Thibodeaux, Johnny Sansone, Anders Osborne, Monk Boudreaux, George Porter, Jr., Johnny Vidacovich, and Dr. John. The band has become a main feature at the annual New Orleans Jazz & Heritage Festival.

After Hurricane Katrina he moved to Austin, Texas, but as of 2012 lives in Slidell, Louisiana.^{[citation needed]} Soul Rebels Brass Band featured Neville as a special guest on their Rounder Records debut record, Unlock Your Mind, released on January 31, 2012. The Soul Rebels’ name was conceived by Neville at the New Orleans venue Tipitina’s, where the band was opening.

In 2010, Neville joined popular New Orleans funk band Galactic. He put aside his solo career to tour internationally with the band.

In 2012, Cyril Neville joined forces with Devon Allman (son of Gregg Allman of The Allman Brothers Band), award-winning blues-rock guitarist Mike Zito, bassist Charlie Wooton, and Grammy-winning drummer Yonrico Scott to form Royal Southern Brotherhood, a blues-rock supergroup.