mick laBriola

MacHouston “Mickey” Baker (October 15, 1925 – November 27, 2012) was an American guitarist, best known for his work as a studio musician and as part of the recording duo Mickey & Sylvia.

Baker was born in Louisville, Kentucky. His mother was black, and his father, whom he never met, was believed to be white.

In 1936, at the age of 11, Baker was put into an orphanage. He ran away frequently, and had to be retrieved by the staff from St. Louis, New York City, Chicago, and Pittsburgh. Eventually the orphanage quit looking for him, and at the age of 16 he stayed in New York City. He found work as a laborer and then a dishwasher. But after hanging out in the pool halls of 26th Street, he gave up work to become a full-time pool shark.

Lionel Frederick Cole (October 15, 1931 – June 27, 2020) was an American jazz singer and pianist whose recording career spanned almost 70 years. He was the brother of musicians Nat King Cole, Eddie Cole, and Ike Cole, father of Lionel Cole, and uncle of Natalie Cole and Carole Cole.

Freddy Cole was born to Rev. Edward J. Coles and Perlina (Adams) Coles, and grew up in Chicago, Illinois. His brothers Nat King Cole (1919–1965), Eddie (1910–1970), and Ike (1927–2001) also each pursued careers in music. He began playing piano at the age of six, and continued his musical education at the Roosevelt Institute in Chicago. He moved to New York in 1951, where he studied at the Juilliard School of Music before completing a master’s degree at the New England Conservatory of Music.

Nellie Rose Lutcher (October 15, 1912 – June 8, 2007) was an American R&B and jazz singer and pianist, who gained prominence in the late 1940s and early 1950s. Lutcher was most recognizable for her diction and exaggerated pronunciation and was credited as an influence by Nina Simone among others.

Lutcher was born in Lake Charles, Louisiana, the eldest daughter of the 15 children of Isaac and Suzie Lutcher. She was the sister of saxophonist Joe Lutcher. Her father was a bass player and her mother a church organist. She received piano lessons, and her father formed a family band with her playing piano. At age 12, she played with Ma Rainey, when Rainey’s regular pianist fell ill and had to be left behind in the previous town. Searching for a temporary replacement in Lake Charles, one of the neighbors told Rainey that there was a little girl who played in church who might be able to do it.

Jewell Stovall, better known as Babe Stovall (October 14, 1907 – September 21, 1974), was an American Delta blues singer and guitarist.

Stovall was born in Tylertown, Mississippi, United States, in 1907, the youngest of eleven children (thus his nickname “Babe”). He learned to play the guitar by the age of eight, and his guitar playing style was influenced by Tommy Johnson, whom he had met in Mississippi around 1930. In 1964, he relocated to New Orleans, Louisiana, where he entertained on the streets, and in cafes and galleries of the French Quarter. Stovall frequently took young white musicians under his wing as apprentice performers, teaching them traditional country blues songs and guitar techniques. He variously played his guitar at the back of his neck, and hollered his song lyrics loudly for all in the vicinity to hear. In 1964 he recorded an album for Verve, titled Babe Stovall (which was re-released in 1990 on CD), and undertook more recordings in 1966, released as The Babe Stovall Story. His later work with Bob West resulted in The Old Ace: Mississippi Blues & Religious Songs, which was released on Arcola (2003). He was credited by some as the character inspiration behind Jerry Jeff Walker‘s, “Mr. Bojangles”.

Stovall played on the college circuit, in addition to being the regular musician at the Dream Palace Bar on Frenchman Street, and The Quarum club in New Orleans.

His death in 1974 was by natural causes

David Justin Hayward OBE (born 14 October 1946) is an English musician best known as the lead singer, songwriter and guitarist of the rock band the Moody Blues. Hayward became the group’s principal lead guitarist and vocalist over the 1967–1974 period, and the most prolific songwriter and composer of several international hit singles for the band.

Hayward wrote singles for the Moody Blues including “Nights in White Satin“, “Tuesday Afternoon“, “Voices in the Sky“, “Never Comes the Day“, “Question“, “The Story in Your Eyes“, “Driftwood“, “The Voice“, “Blue World“, “Your Wildest Dreams“, “I Know You’re Out There Somewhere” and “English Sunset“; in all, writing 20 of the group’s 27 post-1967 singles. He also has a solo career. His first album outside the Moody Blues, Blue Jays, a collaboration with John Lodge, reached the UK top five in 1975. The single “Blue Guitar”, recorded with 10cc as the backing band, reached the UK top ten in 1975, and his 1978 recording of “Forever Autumn” from Jeff Wayne’s Musical Version of The War of the Worlds reached the UK top five.

In 2018 Hayward was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues and in 2022 was appointed Officer of the Order of the British Empire (OBE) for services to the music industry.

Kazumi Watanabe (Japanese: 渡辺 香津美, Hepburn: Watanabe Kazumi, born October 14, 1953 in Tokyo) is a Japanese guitarist. Other guitarists such as Luke Takamura and Sugizo have cited him as an influence.

Watanabe learned guitar at the age of 12 from Sadanori Nakamure at the Yamaha Music School in Tokyo. He released his first album in 1971. In 1979, he formed a jazz rock band with some of Japan’s leading studio musicians, and recorded the album Kylyn. During that year, he toured with the pop band Yellow Magic Orchestra.

Garrison Fewell has taught thousands of guitarists since the 1970s at Berklee College of Music and around the world. He has played on dozens of recordings, both as a leader and with artists such as Herbie Hancock, Slide Hampton, Tal Farlow, Benny Golson, and many others. This book is a companion to his first book, Jazz Improvisation for Guitar: A Melodic Approach (Berklee Press).

On the origin of the petenera, as it happens with other styles of this art, there is no unanimity between the experts and scholars of flamenco. There are those who place it in America, since a jarocho style of music and dance, typical of the Veracruz region (Mexico), is also called petenera. Others, however, indicate that the origin of this style is Spanish.

At the time it was believed that the peteneras had Sephardic roots due to the references made in many of the letters, as we can see in this example: “where are you going, beautiful Jewish woman …“. The peteneras have a stanza of four octosyllabic verses that go on to become six or more due to the repetition of some of them. In addition, another verse is added in the form of rubble, the most common is usually “Mother of my heart”. The metric of the peteneras is governed by 6/8 and 3/4 bars, making their accents strong as follows 1-2-3 1-2-3 1-2 1-2 1-2.

Pharoah Sanders (born Farrell Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of “sheets of sound“, Sanders played a prominent role in the development of free jazz and spiritual jazzthrough his work as a member of John Coltrane‘s groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as “probably the best tenor player in the world”.

Sanders’ take on “spiritual jazz” was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic.This style was seen as a continuation of Coltrane’s work on albums such as A Love Supreme. As a result, Sanders was considered to have been a disciple of Coltrane or, as Albert Ayler said, “Trane was the Father, Pharoah was the Son, I am the Holy Ghost”. Pharoah Sanders was born on October 13, 1940, in Little Rock, Arkansas. His mother worked as a cook in a school cafeteria, and his father worked for the City of Little Rock. An only child, Sanders began his musical career accompanying church hymns on clarinet. His initial artistic accomplishments were in the visual arts, but when he was at Scipio Jones High School in North Little Rock, Sanders began playing the tenor saxophone.

Leon Konitz (October 13, 1927 – April 15, 2020) was an American composer and alto saxophonist.

He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz’s association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis‘s Birth of the Cool sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the disease.Konitz was born on October 13, 1927, in Chicago. He was the youngest of three sons of Jewish immigrant parents. His Austrian father, Abraham, operated a laundry business in the back of which the family lived. His mother, Anna, had emigrated from Russia. The family spoke Yiddish at home and were not religiously observant. Neither of his parents were musical but were supportive of Konitz’s interest in music.

Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet.

Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass.