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SH2-115 is a large emission nebula found in the northern regions of the constellation Cygnus, about 2° northwest of the bright star Deneb. Located about 7,500 light-years away, this extensive HII region is broken into two basic parts – one being roundish and associated with a bright cluster known as Berkley 90- which is shown in this SHO rendering to be a mix of blue and red colors. The other section is a long linear feature that is shown in red in this rendering.
Also in this view is Abell 71 (Pk 85+04.1). This is recorded as a faint planetary nebula with a magnitude of 18.9 central star. It was counted as one of four planetary nebulas found in Cynus by G. Abell in 1955. However subsequent studies by P.Pismis, I.Hasse & A.Quintero in 1991 are suggesting this is actually just a region of H-alpha gasses. Analysis showed that while there was a significant Ha signal found almost no O-III was seen – and O-III is usually associated with planetary nebulas. It is now thought that this object is an HII cloud associated with SH2-115.
more...Wilton Lewis Felder (August 31, 1940 – September 27, 2015) was an American saxophone and bass player, and is best known as a founding member of the Jazz Crusaders, later known as The Crusaders. Felder played bass on the Jackson 5‘s hits “I Want You Back” and “ABC” and on Marvin Gaye‘s “Let’s Get It On“.
Felder was born on August 31, 1940 in Houston, Texas and studied music at Texas Southern University. Felder, Wayne Henderson, Joe Sample, and Stix Hooperfounded their group while in high school in Houston. The Jazz Crusaders evolved from a straight-ahead jazz combo into a pioneering jazz-rock fusion group, with a definite soul music influence. Felder worked with the original group for over thirty years, and continued to work in its later versions, which often featured other founding members.
Felder also worked as a West Coast studio musician, mostly playing electric bass, for various soul and R&B musicians, and was one of the in-house bass players for Motown Records, when the record label opened operations in Los Angeles in the early 1970s. He played on recordings by the Jackson 5 such as “I Want You Back“, “ABC” and “The Love You Save“, as well as recordings by Marvin Gaye including “Let’s Get It On” and “I Want You“. He also played bass for soft rock groups like Seals and Crofts. Also of note were his contributions to the John Cale album Paris 1919, Steely Dan‘s Pretzel Logic (1974), and Billy Joel‘s Piano Man and Streetlife Serenade albums. He was one of three bass players on Randy Newman‘s Sail Away (1972) and Joan Baez‘ Diamonds & Rust. Felder also anchored albums from Grant Green, Joni Mitchell and Michael Franks.
more...Sir George Ivan Morrison OBE (born 31 August 1945), known professionally as Van Morrison, is a Northern Irish singer-songwriter and multi-instrumentalist whose recording career spans six decades. He has won two Grammy Awards.
As a teenager in the late 1950s, he played a variety of instruments such as guitar, harmonica, keyboards and saxophone for several Irish showbands, covering the popular hits of that time. Known as “Van the Man” to his fans, Morrison rose to prominence in the mid 1960s as the lead singer of the Northern Irish R&B and rockband Them. With Them, he recorded the garage band classic “Gloria“.
Under the pop-oriented guidance of Bert Berns, Morrison’s solo career began in 1967 with the release of the hit single “Brown Eyed Girl“. After Berns’s death, Warner Bros. Records bought out Morrison’s contract and allowed him three sessions to record Astral Weeks (1968). While initially a poor seller, the album has become regarded as a classic. Moondance (1970) established Morrison as a major artist, and he built on his reputation throughout the 1970s with a series of acclaimed albums and live performances.
Much of Morrison’s music is structured around the conventions of soul music and early rhythm and blues. An equal part of his catalogue consists of lengthy, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz and stream-of-consciousness narrative, such as the album Astral Weeks. The two strains together are sometimes referred to as “Celtic soul”. His live performances have been described as “transcendental” and “inspired”, and his music as attaining “a kind of violent transcendence”.
Morrison’s albums have performed well in Ireland and the UK, with more than 40 reaching the UK top 40. With the release of 2021’s Latest Record Project, Volume 1he scored top ten albums in the UK in four consecutive decades. Eighteen of his albums have reached the top 40 in the United States, twelve of them between 1997 and 2017. He has received two Grammy Awards, the 1994 Brit Award for Outstanding Contribution to Music, the 2017 Americana Music Lifetime Achievement Award for Songwriting and has been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In 2016, he was knighted for services to the music industry and to tourism in Northern Ireland.
more...Paul Winter (born August 31, 1939) is an American saxophonist, composer, and bandleader. He is a pioneer of world music and “earth music”, which interweaves the voices of the wild with instrumental voices from classical, jazz and world music. The music is often improvised and recorded in nature to reflect the qualities brought into play by the environment.
Winter was born in Altoona, Pennsylvania, United States. He studied piano and clarinet, then fell in love with saxophone in the fourth grade. He started the Little German Band with his schoolmates when he was twelve, then a Dixieland band, and a nine-piece dance band known as The Silver Liners. He became enthralled by big bands and bebop bands of the 1950s. After graduating from Altoona Area High School in 1957, he spent the summer on a tour of state fairs in the Midwest with the conductor and members of the Ringling Brothers Circus Band.
more...The famous Horsehead Nebula in Orion is not alone. A deep exposure shows that the dark familiar shaped indentation, visible just right of center, is part of a vast complex of absorbing dust and glowing gas. The featured spectacular picture details an intricate tapestry of gaseous wisps and dust-laden filaments that were created and sculpted over eons by stellar winds and ancient supernovas. The Flame Nebula is visible in orange just to the Horsehead’s left. To highlight the dust and gas, most of the stars have been digitally removed, although a notable exception is Alnitak, just above the Flame Nebula, which is the rightmost star in Orion’s famous belt of three aligned stars. The Horsehead Nebula lies 1,500 light years distant towards the constellation of Orion.
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Robert Dennis Crumb (/krʌm/; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Otherand many other publications, including a variety of one-off and anthology comics. During this time, inspired by psychedelics and cartoons from the 1920s and 1930s, he introduced a wide variety of characters that became extremely popular, including countercultural icons Fritz the Cat and Mr. Natural, and the images from his Keep On Truckin’ strip. Sexual themes abounded in all these projects, often shading into scatological and pornographic comics. In the mid-1970s, he contributed to the Arcade anthology; following the decline of the underground, he moved towards biographical and autobiographical subjects while refining his drawing style, a heavily crosshatched pen-and-ink style inspired by late 19th- and early 20th-century cartooning. Much of his work appeared in a magazine he founded, Weirdo (1981–1993), which was one of the most prominent publications of the alternative comics era. As his career progressed, his comic work became more autobiographical.
In 1991, Crumb was inducted into the comic book industry’s Will Eisner Comic Book Hall of Fame. He is married to cartoonist Aline Kominsky-Crumb, with whom he has frequently collaborated. Their daughter Sophie Crumb has also followed a cartooning career.
Robert Crumb was born August 30, 1943, in Philadelphia to a Catholic household of English and Scottish descent, spending his early years in West Philadelphia and Upper Darby. His father, Charles V. Crumb, authored the book Training People Effectively, and was a combat illustrator for twenty years in the United States Marine Corps.
more...Luther Johnson (born Lucious Brinson, August 30, 1934 or 1941 – March 18, 1976), sometimes credited with the sobriquets “Georgia Boy”, “Snake”, or “Snake Boy”, was an American Chicago blues and electric blues guitarist, singer and songwriter.
AllMusic journalist Ron Wynn stated, “Johnson’s own inimitable vocals, raspy lines and tart guitar eventually create his own aura… a good, occasionally outstanding blues artist.” He is not to be confused with Luther “Guitar Junior” Johnson, nor Luther “Houserocker” Johnson, from Atlanta, Georgia.
He was born in Davisboro, Georgia. Sources give different years of birth, ranging from 1934 to 1941 (according to his headstone), though 1939 has also been published. He was raised on a farm and taught himself to play guitar. Johnson died of cancer in Boston on March 18, 1976.
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McKinley Howard “Kenny” Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham’s talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham’s name has become “virtually synonymous with underrated.”Dorham composed the jazz standard “Blue Bossa“, which first appeared on Joe Henderson‘s album Page One.
Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He joined Parker’s band in December 1948. He was a charter member of the original cooperative Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet after Brown’s death in 1956. In addition to sideman work, Dorham led his own groups, including the Jazz Prophets (formed shortly after Art Blakeytook over the Jazz Messengers name). The Jazz Prophets, featuring a young Bobby Timmons on piano, bassist Sam Jones, and tenorman J. R. Monterose, with guest Kenny Burrell on guitar, recorded a live album ‘Round About Midnight at the Cafe Bohemia in 1956 for Blue Note.
more...The arms of the spiral galaxy M74 are studded with rosy pink regions of fresh star formation in this image from the NASA/ESA Hubble Space Telescope. M74 — also known as the Phantom Galaxy — lies around 32 million light-years away from Earth in the constellation Pisces, and is a familiar sight for Hubble.The beautiful reddish blooms that spread throughout M74 are huge clouds of hydrogen gas which are made to glow by the ultraviolet radiation from hot, young stars embedded within them. These regions — which astronomers refer to as H II regions — mark the location of recent star formation and are an important target for both space- and ground-based telescopes. Hubble’s Advanced Camera for Surveys, which collected the data in this image, even has a filter designed to pick out only this specific red wavelength of light! The data in this image come from a set of observations exploring the evolution of local spiral galaxies such as M74, which aim to gain insights into the history of star formation in these spirals. To do this astronomers examined star clusters to date the different parts of spiral galaxies, enabling them to understand how the galaxies assembled over time. They also explored the distribution of dust in spiral galaxies; this dust is visible in this image as the dark threads winding along the spiral arms of M74. Aside from their quest to understand the history of spiral galaxies, astronomers also observed M74 to complement observations from other telescopes. Combining observations of the same object from different telescopes across the electromagnetic spectrum gives astronomers far more insight than observations from a single telescope would. Hubble’s observations also paved the way for future instruments; M74 was one of the first targets of the powerful new NASA/ESA/CSA James Webb Space Telescope. Links Image B Image C
more...Michael Joseph Jackson (August 29, 1958 – June 25, 2009 Gary,IN) was an American singer, songwriter, dancer, and philanthropist. Dubbed the “King of Pop“, he is regarded as one of the most significant cultural figures of the 20th century. Over a four-decade career, his contributions to music, dance, and fashion, along with his publicized personal life, made him a global figure in popular culture. Jackson influenced artists across many music genres; through stage and video performances, he popularized complicated dance moves such as the moonwalk, to which he gave the name, as well as the robot. He is the most awarded individual music artist in history.
The eighth child of the Jackson family, Jackson made his professional debut in 1964 with his older brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5 (later known as the Jacksons). Jackson began his solo career in 1971 while at Motown Records. He became a solo star with his 1979 album Off the Wall. His music videos, including those for “Beat It“, “Billie Jean“, and “Thriller” from his 1982 album Thriller, are credited with breaking racial barriers and transforming the medium into an artform and promotional tool. He helped propel the success of MTV and continued to innovate with videos for the albums Bad (1987), Dangerous(1991), and HIStory: Past, Present and Future, Book I (1995). Thriller became the best-selling album of all time, while Bad was the first album to produce five U.S. Billboard Hot 100 number-one singles.
From the late 1980s, Jackson became a figure of controversy and speculation due to his changing appearance, relationships, behavior, and lifestyle. In 1993, he was accused of sexually abusing the child of a family friend. The lawsuit was settled out of civil court; Jackson was not indicted due to lack of evidence. In 2005, he was tried and acquitted of further child sexual abuse allegations and several other charges. The FBI found no evidence of criminal conduct on Jackson’s behalf in either case. In 2009, while preparing for a series of comeback concerts, This Is It, Jackson died from an overdose of propofol administered by his personal physician, Conrad Murray, who was convicted in 2011 of involuntary manslaughter.
Jackson is one of the best-selling music artists of all time, with estimated sales of over 400 million records worldwide. He had 13 Billboard Hot 100 number-one singles (more than any other male artist in the Hot 100 era) and was the first artist to have a top-ten single in the Billboard Hot 100 in five different decades. He is regarded by the RIAA as the highest-selling individual music artist of all time worldwide. His honors include 15 Grammy Awards, 6 Brit Awards, a Golden Globe Award, and 39 Guinness World Records, including the “Most Successful Entertainer of All Time”. Jackson’s inductions include the Rock and Roll Hall of Fame (twice), the Vocal Group Hall of Fame, the Songwriters Hall of Fame, the Dance Hall of Fame (the only recording artist to be inducted), and the Rhythm and Blues Music Hall of Fame. In 2016, his estate earned $825 million, the highest yearly amount for a celebrity ever recorded by Forbes. On June 25, 2009, less than three weeks before the first This Is It show was due to begin in London, with all concerts sold out, Jackson died from cardiac arrest, caused by a propofol and benzodiazepine overdose.
more...Bennie Maupin (born August 29, 1940) is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet.
Maupin was born in Detroit, Michigan, United States. He is known for his participation in Herbie Hancock‘s Mwandishi sextet and Headhunters band, and for performing on Miles Davis‘s seminal fusion record, Bitches Brew. Maupin has collaborated with Horace Silver, Roy Haynes, Woody Shaw, Lee Morgan and many others. He is noted for having a harmonically-advanced, “out” improvisation style, while having a different sense of melodic direction than other “out” jazz musicians such as Eric Dolphy.
Maupin was a member of Almanac, a group with Cecil McBee (bass), Mike Nock (piano) and Eddie Marshall (drums).
more...Dinah Washington (born Ruth Lee Jones; August 29, 1924 – December 14, 1963) was an American singer and pianist, who has been cited as “the most popular black female recording artist of the 1950s songs”. Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of “Queen of the Blues”. She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.
Ruth Lee Jones was born in Tuscaloosa, Alabama, to Alice and Ollie Jones, and moved to Chicago as a child. She became deeply involved in gospel music and played piano for the choir in St. Luke’s Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choirin her teens and was a member of the Sallie Martin Gospel Singers. When she joined the Sallie Martin group, she dropped out of Wendell Phillips High School. She sang lead with the first female gospel singers formed by Sallie Martin,who was co-founder of the Gospel Singers Convention. Her involvement with the gospel choir occurred after she won an amateur contest at Chicago’s Regal Theater where she sang “I Can’t Face the Music”. Early in the morning of December 14, 1963, Washington’s sixth husband, football great Dick “Night Train” Lane, went to sleep with Washington and awoke later to find her slumped over and not responsive. Dr. B. C. Ross pronounced her dead at the scene at age 39. An autopsy later showed a lethal combination of secobarbital and amobarbital, prescriptions for her insomnia and diet, which contributed to her death. She is buried in the Burr Oak Cemetery in Alsip, Illinois.
more...Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed “Bird” or “Yardbird“, was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker’s tone ranged from clean and penetrating to sweet and somber. He was known for the very clear, sweet and articulate notes he could produce from the saxophone.
Parker acquired the nickname “Yardbird” early in his career on the road with Jay McShann. This, and the shortened form “Bird”, continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as “Yardbird Suite“, “Ornithology“, “Bird Gets the Worm”, and “Bird of Paradise”. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer.
Charles Parker Jr. was born in Kansas City, Kansas, at 852 Freeman Avenue, and raised in Kansas City, Missouri, near Westport and later – in high school – near 15th and Olive St. to Charles Parker Sr. and Adelaide “Addie” Bailey, who was of mixed Choctaw and African-American background. He attended Lincoln High School in September 1934, but withdrew in December 1935, just before joining the local musicians’ union and choosing to pursue his musical career full-time. His childhood sweetheart and future wife, Rebecca Ruffin, graduated from Lincoln High School in June 1935.
Parker began playing the saxophone at age 11, and at age 14 he joined his high school band where he studied under Bandmaster Alonzo Lewis. His mother purchased a new alto saxophone around the same time. His father was often required to travel for work, but provided some musical influence because he was a pianist, dancer and singer on the Theatre Owners Booking Association (T.O.B.A.) circuit. He later became a Pullman waiter or chef on the railways. Parker’s mother Addie worked nights at the local Western Union office. His biggest influence at that time was a young trombone player named Robert Simpson, who taught him the basics of improvisation.
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