mick laBriola

C/2021 A1 (Leonard) was a long period comet that was discovered by G. J. Leonard at the Mount Lemmon Observatory on 3 January 2021 (a year before perihelion) when the comet was 5 AU(750 million km) from the Sun. It had a retrograde orbit. The nucleus was about 1 km (0.6 mi) across. It came within 4 million km (2.5 million mi) of Venus, the closest-known cometary approach to Venus.

Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, and songwriter. He came to prominence as the singer-songwriter for the new wave band Oingo Boingo in the early 1980s. Since the 1990s, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.

Elfman has frequently worked with directors Tim Burton, Sam Raimi, and Gus Van Sant, with achievements including the scores of 16 Burton-directed films including Batman, Edward Scissorhands, Charlie and the Chocolate Factory, Alice in Wonderland, and Dumbo; Raimi’s Darkman (1990), A Simple Plan (1998), Spider-Man, Spider-Man 2, Oz the Great and Powerful, and Doctor Strange in the Multiverse of Madness; and Van Sant’s Academy Award-winning films Good Will Hunting and Milk. He wrote music for all of the Men in Black and Fifty Shades of Grey franchise films, the songs and score for Henry Selick‘s animated musical The Nightmare Before Christmas, and the themes for the popular television series Desperate Housewives and The Simpsons.

Among his honors are four Oscar nominations, two Emmy Awards, a Grammy, six Saturn Awards for Best Music, the 2002 Richard Kirk Award, the 2015 Disney Legend Award, and the Max Steiner Film Music Achievement Award in 2017. Elfman was born in Los Angeles, California, to a Jewish family of Polish-Jewish and Russian-Jewish descent. He is a son of Blossom Elfman (née Bernstein), a writer and teacher, and Milton Elfman, a teacher, and the brother of actor, musician, and journalist Richard Elfman. Elfman was raised in a racially mixed affluent community in Baldwin Hills, California, where he spent much of his time at the local movie theater discovering classic sci-fi, fantasy and horror films and first noticed the music of such film composers as Bernard Herrmann and Franz Waxman. Elfman has admitted to fabricating stories about his past out of boredom, including a false birthplace of Amarillo, Texas, and parents in the United States Air Force.

Eugene Joseph Wright (May 29, 1923 – December 30, 2020) was an American jazz bassist who was a member of the Dave Brubeck Quartet.

Wright was a cornetist at high school and led the 16-piece band Dukes of Swing in his 20s. He was largely self-taught on bass until his early 30s, when he studied privately with Paul Gregory and others. Walter Page was Wright’s idol.

He became more successful at the peak of the swing era, with bandleaders including Count Basie and Erroll Garner. Playing with Billie Holiday and Charlie Parker, after the swing era ended, he demonstrated his versatility in bebop with such musicians as Sonny Stitt as well as in Latin jazz with Cal Tjader.

He also played with Lonnie Simmons, Gene Ammons, and Arnett Cobb in the late ’40s and early ’50s, then worked with Buddy DeFranco from 1952 to 1955, touring Europe with him. He played in the Red Norvo trio in 1955 and toured Australia with them. He was featured in a film short with Charlie Barnet.

Wright’s highest profile association was with the Dave Brubeck Quartet, which he joined in 1958. He remained with Brubeck until 1968, as part of the classic line-up with Paul Desmond and Joe Morello, and featured in the quartet’s standards “Take Five” and “Blue Rondo à la Turk“. He recorded more than 30 albums with the group. Brubeck himself wrote that Wright “grounded the group”, allowing them “to play other tempos and do polyrhythmic things and he wouldn’t budge from this grounded beat”.

Freddie Redd (May 29, 1928 – March 17, 2021) was an American hard-bop pianist and composer. He is best known for writing music to accompany The Connection (1959), a play by Jack Gelber. According to Peter Watrous, writing in The New York Times: “Mr. Redd hung out at jam sessions in the 1950s and played with many of the major figures, Sonny Rollins to Art Blakey, and worked regularly with Charles Mingus. When things got tough, he just moved on, living in Guadalajara, Mexico, and in Paris and London.”

Redd was born and grew up in New York City; after losing his father at the age of one, he was raised by his mother, who moved around Harlem, Brooklyn and other neighborhoods. An autodidact, he began playing the piano at a young age and took to studying jazz seriously when he was 18, after a friend played him a record of “Shaw ‘Nuff” by Charlie Parker and Dizzy Gillespie during his military service in Korea (1946–1949).

Upon discharge from the Army in 1949, he worked with drummer Johnny Mills, and then in New York played with Tiny Grimes, Cootie Williams, Oscar Pettiford and the Jive Bombers. In 1954, he played with Art Blakey. Redd toured Sweden in 1956 with Ernestine Anderson and Rolf Ericson.

Redd’s most successful project was in the late 1950s when he was invited to compose the music for The Living Theatre‘s New York stage production of The Connection, which was also used in the subsequent 1961 film. In both play and film he performed as an actor and musician. The theater production was a modest hit and the troupe toured the United States and Europe, performing in New York City, London, and Paris. Redd also led a Blue Note album of his music for the play, featuring on alto sax Jackie McLean, who had also appeared in the play. Redd’s success in the theater production, however, did not advance his career in the United States, and shortly afterwards he moved to Europe, spending time in Denmark and France.

In 185 AD, Chinese astronomers recorded the appearance of a new star in the Nanmen asterism. That part of the sky is identified with Alpha and Beta Centauri on modern star charts. The new star was visible for months and is thought to be the earliest recorded supernova. This deep image shows emission nebula RCW 86, understood to be the remnant of that stellar explosion. The narrowband data trace gas ionized by the still expanding shock wave. Space-based images indicate an abundance of the element iron and lack of a neutron star or pulsar in the remnant, suggesting that the original supernova was Type Ia. Unlike the core collapse supernova explosion of a massive star, a Type Ia supernova is a thermonuclear detonation on a a white dwarf star that accretes material from a companion in a binary star system. Near the plane of our Milky Way galaxy and larger than a full moon on the sky this supernova remnant is too faint to be seen by eye though. RCW 86 is some 8,000 light-years distant and around 100 light-years across.

Andrew Dewey Kirk (May 28, 1898 – December 11, 1992 Newport, KY) was an American jazz saxophonist and tubist who led the Twelve Clouds of Joy, a band popular during the swing era.

He was born in Newport, Kentucky, United States. Kirk grew up in Denver, Colorado, where he was tutored by Wilberforce Whiteman, Paul Whiteman‘s father. Kirk started his musical career playing with George Morrison’s band, but then went on to join Terrence Holder‘s Dark Clouds of Joy. In 1929, he was elected leader after Holder departed. Renaming the band Clouds of Joy, Kirk also relocated the band from Dallas, Texas, to Kansas City, Missouri. Although named the Clouds of Joy, the band has also been known as the Twelve Clouds of Joy due to the number of musicians in the band. They set up in the Pla-Mor Ballroom on the junction of 32nd and Main in Kansas City and made their first recording for Brunswick Records that same year.^[2] Mary Lou Williams came in as pianist at the last moment, but she impressed Brunswick’s Dave Kapp, so she became a member of the band.

After their first recordings in 1929–1930, they grew popular as they epitomized the Kansas City jazz sound. In mid-1936, he was signed to Decca and made scores of popular records until 1946. He presumably disbanded and reformed his band during that six-year recording layoff, as his 1929–1930 Brunswick appeared to have sold well enough to stay in the catalog through the period and 1933-34 pressings (with the mid-1930s label variations) have been seen.

In 1938, Kirk and band held the top spot of the Billboard chart for 12 weeks with “I Won’t Tell a Soul (I Love You)”, written by Hughie Charles and Ross Parker, featuring Pha Terrell on vocals. In 1942, Kirk and His Clouds of Joy recorded “Take It and Git”, which on October 24, 1942, became the first single to hit number one on the Harlem Hit Parade, the predecessor to the Billboard R&B chart. In 1943, with June Richmond on vocals, he had a number 4 hit with “Hey Lawdy Mama“.

https://www.youtube.com/watch?v=hBJzOjdP2vo

The North America Nebula (NGC 7000 or Caldwell 20) is an emission nebula in the constellation Cygnus, close to Deneb (the tail of the swan and its brightest star). The shape of the nebularesembles that of the continent of North America, complete with a prominent Gulf of Mexico.

On October 24, 1786, William Herschel observing from Slough, England, noted a “faint milky nebulosity scattered over this space, in some places pretty bright.” The most prominent region was catalogued by his son John Herschel on August 21, 1829. It was listed in the New General Catalogue as NGC 7000, where it is described as a “faint, most extremely large, diffuse nebulosity.”  In 1890, the pioneering German astrophotographer Max Wolf noticed this nebula’s characteristic shape on a long-exposure photograph, and dubbed it the North America Nebula. In his study of nebulae on the Palomar Sky Survey plates in 1959, American astronomer Stewart Sharpless realised that the North America Nebula is part of the same interstellar cloud of ionizedhydrogen (H II region) as the Pelican Nebula, separated by a dark band of dust, and listed the two nebulae together in his second list of 313 bright nebulae as Sh2-117. American astronomer Beverly T. Lynds catalogued the obscuring dust cloud as L935 in her 1962 compilation of dark nebulae. Dutch radio astronomer Gart Westerhout detected the HII region Sh2-117 as a strong radio emitter, 3° across, and it appears as W80 in his 1958 catalogue of radio sources in the band of the Milky Way.

Dee Dee Bridgewater (née Denise Garrett, May 27, 1950) is an American jazz singer. She is a three-time Grammy Award-winning singer-songwriter, as well as a Tony Award-winning stage actress. For 23 years, she was the host of National Public Radio’s syndicated radio show JazzSet with Dee Dee Bridgewater. She is a United Nations Goodwill Ambassador for the Food and Agriculture Organization.

Born Denise Eileen Garrett in Memphis, Tennessee, she was raised Catholic in Flint, Michigan. Her father, Matthew Garrett, was a jazz trumpeter and teacher at Manassas High School, and through his playing, she was exposed to jazz early on. At the age of sixteen, she was a member of a Rock and R&B trio, singing in clubs in Michigan. At 18, she studied at Michigan State University before she went to the University of Illinois at Urbana-Champaign. With the school’s jazz band, she toured the Soviet Union in 1969.

The next year, she met trumpeter Cecil Bridgewater, and after their marriage, they moved to New York City, where Cecil played in Horace Silver‘s band. In the early 1970s, Bridgewater joined the Thad Jones-Mel Lewis Jazz Orchestra as lead vocalist. This marked the beginning of her jazz career, and she performed with many of the great jazz musicians of the time, such as Sonny Rollins, Dizzy Gillespie, Dexter Gordon, Max Roach, Rahsaan Roland Kirk, Wayne Garfield, and others. She performed at the Monterey Jazz Festival in 1973. In 1974, her first solo album, entitled Afro Blue, appeared, and she performed on Broadway in the musical The Wiz. For her role as Glinda the Good Witch she won a Tony Award in 1975 as “Best Featured Actress”, and the musical also won the 1976 Grammy Award for Best Musical Show Album.

https://www.youtube.com/watch?v=i8_YRzDxpe4

Niels-Henning Ørsted Pedersen (Danish pronunciation: [ne̝lsˈhene̝ŋ ˈɶɐ̯steð ˈpʰeðɐsn̩], 27 May 1946 – 19 April 2005), also known by his abbreviated nickname NHØP, was a Danish jazz double bassist.

The Montmartre was a regular stop-off for touring American Jazz stars, and as a member of the house band, the young Ørsted Pedersen performed with saxophonists such as Sonny Rollins, Dexter Gordon, Rahsaan Roland Kirk and Stan Getz, and pianist Bill Evans, with whom he toured in Europe in 1965. During the 1960s, Ørsted Pedersen played with a series of other important American jazzmen who were touring or resident in Denmark, including Ben Webster,^[4] Brew Moore, Bud Powell, Count Basie, Roy Eldridge, Dizzy Gillespie, Jackie McLean, and vocalist Ella Fitzgerald. He also played with Jean-Luc Ponty, and became the bassist of choice whenever a big-name musician was touring Copenhagen. He was awarded Best Bass Player of the Year by DownBeat Critics’ Poll in 1981.