mick laBriola

Edmond Montague Grant (born 5 March 1948) is a Guyanese–British singer, songwriter and multi-instrumentalist, known for his genre-blending sound; his music has blended elements of electronic pop, reggae, British rock, African polyrhythms, soul, funk and Latin samba, among many others. In addition to this, he also helped to pioneer the genre of ringbang. He was a founding member of The Equals, one of the United Kingdom’s first racially-integrated pop groups. His subsequent solo career included the platinum single “Electric Avenue“, which is his biggest international hit.

Grant was born in Plaisance, British Guiana, later moving to Linden. His father, Patrick, was a trumpeter who played in Nello and the Luckies.^[13]While at school, his parents lived and worked in the United Kingdom, sending back money for his education. In 1960, he emigrated to join his parents in London.He lived in Kentish Town and went to school at the Acland Burghley Secondary Modern at Tufnell Park, where he learned to read and write music. He became a big fan of Chuck Berry, and after seeing him play at the Finsbury Park Astoria decided on a career in music.

https://www.youtube.com/watch?v=XNOB2b2puV0

J. B. Lenoir March 5, 1929 – April 29, 1967) was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s.

Lenoir was born in Monticello, Mississippi. His full given name was simply “J. B.”; the letters were not initials. Lenoir’s guitar-playing father introduced him to the music of Blind Lemon Jefferson, which became a major influence. During the early 1940s, Lenoir worked with the blues artists Sonny Boy Williamson II and Elmore James in New Orleans. He was later influenced by Arthur Crudup and Lightnin’ Hopkins.

In 1949, he moved to Chicago, where Big Bill Broonzy helped introduce him to the blues community. He began to perform at local nightclubs, with musicians such as Memphis Minnie, Big Maceo Merriweather, and Muddy Waters, and became an important part of the city’s blues scene. He began recording in 1951 for J.O.B. Records and Chess Records. His recording of “Korea Blues” was licensed to and released by Chess, as having been performed by J. B. and his Bayou Boys. His band included the pianist Sunnyland Slim, the guitarist Leroy Foster, and the drummer Alfred Wallace.

Louis A. “Lou” Levy (March 5, 1928 – January 23, 2001) was an American jazz pianist

Levy was born to Jewish parents in Chicago, Illinois, United States,  and start to play the piano aged twelve. His chief influences were Art Tatum and Bud Powell.

A professional at age nineteen, Levy played with Georgie Auld (1947 and later), Sarah Vaughan, Chubby Jackson (1947–1948), Boyd Raeburn, Woody Herman’s Second Herd (1948–1950), Tommy Dorsey (1950) and Flip Phillips. Levy left music for a few years in the early 1950s and then returned to gain a strong reputation as an accompanist to singers, working with Peggy Lee (1955–1973), Ella Fitzgerald (1957–1962), June Christy, Anita O’Day and Pinky Winters. Levy also played with Dizzy Gillespie, Shorty Rogers, Stan Getz, Terry Gibbs, Benny Goodman, Supersax and most of the major West Coast players. Levy recorded as a leader for Nocturne (1954), RCA, Jubilee, Philips, Interplay (1977), and Verve.

Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as “the single most significant creative figure in 20th-century Brazilian art music”. Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d’Almeida, a.k.a. “Mindinha”. Both are important works in the classical guitar repertory.

Jan Garbarek (born 4 March 1947) is a Norwegian jazz saxophonist, who is also active in classical music and world music.

Garbarek was born in Mysen, Østfold, southeastern Norway, the only child of a former Polish prisoner of war, Czesław Garbarek, and a Norwegian farmer’s daughter. He grew up in Oslo, stateless until the age of seven, as there was no automatic grant of citizenship in Norway at the time. When he was 21, he married the author Vigdis Garbarek. He is the father of musician and composer Anja Garbarek.

Garbarek’s style incorporates a sharp-edged tone, long, keening, sustained notes, and generous use of silence. He began his recording career in the late 1960s, notably featuring on recordings by the American jazz composer George Russell (such as Electronic Sonata for Souls Loved by Nature). By 1973 he had turned his back on the harsh dissonances of avant-garde jazz, retaining only his tone from his previous approach. Garbarek gained wider recognition through his work with pianist Keith Jarrett‘s European Quartet which released the albums Belonging (1974), My Song (1977) and the live recordings Personal Mountains (1979), and Nude Ants (1979). He was also a featured soloist on Jarrett’s orchestral works Luminessence (1974) and Arbour Zena (1975).

Bernard “Barney” Jean Wilen (4 March 1937 – 25 May 1996) was a French tenor and soprano saxophonist and jazz composer.

Wilen was born in Nice, France; his father was an American dentist turned inventor, and his mother was French. He began performing in clubs in Nice after being encouraged by Blaise Cendrars who was a friend of his mother. His career was boosted in 1957, when he worked with Miles Davis on the soundtrack for the Louis Malle film Ascenseur pour l’Échafaud (Elevator to the Gallows). In 1959, Wilen wrote his two soundtracks Un Témoin Dans la Ville and Jazz sur scène with Kenny Clarke. He wrote a soundtrack for Roger Vadim‘s film Les Liaisons Dangereuses two years later, working with Thelonious Monk. Wilen returned to composing for French films in the 1980s and 1990s. In the mid-to-late 1960s, he became interested in rock, and recorded an album dedicated to Timothy Leary. Wilen toured in Japan for the first time in 1990. He also worked with punk rockers before returning to jazz in the 1990s. Wilen played with modern jazz musicians until his death in 1996. He died of cancer in Paris at the age of 59.

Antonio Lucio Vivaldi  4 March 1678 – 28 July 1741) was an ItalianBaroque composer, virtuoso violinist, teacher, impresario, and Roman Catholic priest.

Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers. His influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers and was paramount in the development of Johann Sebastian Bach‘s instrumental music and the French concerto (Michel Corrette, Jean-Joseph de Mondonville, Louis-Nicholas Clérambault).

Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked as a Catholic priest for 18 months and was employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi’s arrival, and Vivaldi himself died in poverty less than a year later.

After almost two centuries of decline, Vivaldi’s musical reputation underwent a revival in the early 20th century, with much scholarly research devoted to his work. Many of Vivaldi’s compositions, once thought lost, have been rediscovered – in one case as recently as 2006. His music remains widely popular in the present day and is regularly played all over the world.

Rhumba flamenco with Corazon del Flamenco in Odessa

John Primer (born March 5, 1945, Camden, Mississippi, United States) is an American Chicago blues and electric blues singer and guitarist who played behind Junior Wells in the house band at Theresa’s Lounge and as a member of the bands of Willie Dixon, Muddy Waters and Magic Slimbefore launching an award-winning career as a front man, carrying forward the traditional Windy City sound into the 21st century.

Born into a family of Mississippi sharecroppers, Primer grew up imbued with a strong work ethic from his forebears and in a farming community that was deeply involved in the blues tradition, singing work songs in the field during the week and spirituals in church on Sundays. Living on the Mansell Plantation in rural Madison County, he lived in a shack with no running water and a leaking roof with his large, extended family. He shared a bed with cousins, and lost his father at age 22 after a truck accident when he was four years old.

Dupree Bolton (3 March 1929 – 5 June 1993) was a jazz trumpeter from Oklahoma City, Oklahoma, known for his recordings with Harold Land and Curtis Amy.

Dupree Bolton was born in Oklahoma City, Oklahoma on 3 March 1929. His father was likewise a musician who earned a meager living working in the defense industry. The Bolton family later moved to Southern California where Dupree spent most of his childhood and teenage years. Dupree picked up the trumpet at an early age, becoming a professional musician by the time he was around 15 – running away from home to join Jay McShann’s band.

James Emory Garrison (March 3, 1934 – April 7, 1976) was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.

Garrison was raised in both Miami and Philadelphia where he learned to play bass. Garrison came of age in the 1950s Philadelphia jazz scene, which included fellow bassists Reggie Workman and Henry Grimes, pianist McCoy Tyner and trumpeter Lee Morgan. Between 1957 and 1962, Garrison played and recorded with trumpeter Kenny Dorham; clarinetist Tony Scott; drummer Philly Joe Jones; and saxophonists Bill Barron, Lee Konitz, and Jackie McLean, as well as Curtis Fuller, Benny Golson, Lennie Tristano, and Pharoah Sanders, among others. In 1961, he recorded with Ornette Coleman, appearing on Coleman’s albums Ornette on Tenor and The Art of the Improvisers. He also worked with Walter Bishop, Jr. and Cal Massey during the early years of his career.

Arthel Lane “Doc” Watson (March 3, 1923 – May 29, 2012) was an American guitarist, songwriter, and singer of bluegrass, folk, country, blues, and gospel music. Watson won seven Grammy awards as well as a Grammy Lifetime Achievement Award. Watson’s fingerstyle and flatpicking skills, as well as his knowledge of traditional American music, were highly regarded. Blind from a young age, he performed publicly both in a dance band and solo, as well as for over 15 years with his son, guitarist Merle Watson, until Merle’s death in 1985 in an accident on the family farm.

Watson was born in Deep Gap, North Carolina. According to Watson on his three-CD biographical recording Legacy, he got the nickname “Doc” during a live radio broadcast when the announcer remarked that his given name Arthel was odd and he needed an easy nickname. A fan in the crowd shouted “Call him Doc!”, presumably in reference to the literary character Sherlock Holmes‘s companion, Doctor Watson. The name stuck.

An eye infection caused Watson to lose his vision before his second birthday. He attended North Carolina’s school for the blind, the Governor Morehead School, in Raleigh, North Carolina.