mick laBriola

Harold Mabern Jr. (March 20, 1936 – September 17, 2019) was an American jazzpianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as “one of the great post-bop pianists”. Mabern was born in Memphis, Tennessee on March 20, 1936. He initially started learning drums before switching to learning piano. He had access to a piano from his teens, after his father, who worked in a lumber yard, saved to buy him one. Mabern learned by watching and emulating pianists Charles Thomas and Phineas Newborn Jr. Mabern attended Douglass High School, before transferring to Manassas High School; he played with saxophonists Frank Strozier, George Coleman and trumpeter Booker Little at this time, but was most influenced by Newborn, Jr. In 1954, after graduating, Mabern moved to Chicago, intending to attend the American Conservatory of Music. He was unable to afford to attend music college because of a change in his parents’ financial circumstances, but had private lessons there for six months and developed his reading ability by playing with trombonist Morris Ellis’ big band. He also developed by listening to Ahmad Jamal and others in clubs, and “playing and practicing 12 hours a day” for the next five years, but he remained self-taught as a pianist. Mabern went on to play with Walter Perkins‘ MJT + 3 and others in Chicago.

Margaret Marian McPartland OBE (Turner; 20 March 1918 – 20 August 2013), was an English and American jazz pianist, composer, and writer. She was the host of Marian McPartland’s Piano Jazz on National Public Radio from 1978 to 2011.

After her marriage to trumpeter Jimmy McPartland in February 1945, she resided in the United States when not travelling throughout the world to perform. In 1969, she founded Halcyon Records, a recording company that issued albums for 10 years. In 2000, she was named a National Endowment for the Arts Jazz Master. In 2004, she was given a Grammy Award for lifetime achievement. In 2007, she was inducted into the National Radio Hall of Fame. Although known mostly for jazz, she composed other types of music as well, performing her own symphonic work A Portrait of Rachel Carson with the University of South Carolina Symphony Orchestra in 2007. In 2010, she was named a member of the Order of the British Empire.

Dillon “Curley” Russell (March 19, 1917 – July 3, 1986) was an American jazzmusician, who played bass on many bebop recordings.

He was born in Trinidad. He was nicknamed “Curley” for his curly hair.

A member of the Tadd Dameron Sextet, he was in demand for his ability to play at the rapid tempos typical of bebop, and appears on several key recordings of the period. He left the music business in the late 1950s.

On May 1, 1951, Russell played in the recording session for “Un Poco Loco“, composed by American jazz pianist Bud Powell, with Max Roach on drums. Literary critic Harold Bloom included this performance on his short list of the greatest works of twentieth-century American art.

According to jazz historian Phil Schaap, the classic bebop tune “Donna Lee“, a contrafact on “Back Home Again in Indiana“, was named after Curley’s daughter. In 2002, she donated her father’s bass to the Institute of Jazz Studies at Rutgers University.

Russell died of emphysema at Queens General Hospital at the age of 69 in 1986.

Thor’s Helmet, NGC 2359 is a hat-shaped cosmic cloud with wing-like appendages. Heroically sized even for a Norse god, Thor’s Helmet is about 30 light-years across. In fact, the cosmic head-covering is more like an interstellar bubble, blown by a fast wind from the bright, massive star near the bubble’s center. Known as a Wolf-Rayet star, the central star is an extremely hot giant thought to be in a brief, pre-supernova stage of evolution. NGC 2359 is located about 15,000 light-years away toward the constellation of the Great Overdog. This sharp image is a mixed cocktail of data from narrowband filters, capturing not only natural looking stars but details of the nebula’s filamentary structures. The star in the center of Thor’s Helmet is expected to explode in a spectacular supernova sometime within the next few thousand years.

Tom Constanten (born March 19, 1944 Long Branch, NJ) is an American keyboardist, best known for playing with the Grateful Dead from 1968 to 1970, for which he was inducted into the Rock and Roll Hall of Fame in 1994.

Clarence Henry II (March 19, 1937 – April 7, 2024), known as Clarence “Frogman” Henry, was an American rhythm and blues singer and pianist, best known for his hits “Ain’t Got No Home” (1956) and “(I Don’t Know Why) But I Do” (1961).

Clarence Henry was born in New Orleans on March 19, 1937. In 1947 he moved to the Algiers neighborhood, where he resided for the rest of his life. He started learning piano as a child, with Fats Domino and Professor Longhair his main influences. When Henry played in talent shows, he dressed like Longhair and wore a wig with braids on both sides. He joined Bobby Mitchell & the Toppers in 1952, playing piano and trombone, and left when he graduated in 1955 to join saxophonist Eddie Smith’s band.

James Joseph “Buster“ Bennett (March 19, 1914 – July 3, 1980 Pensacola) was an American blues saxophonist and blues shouter. His nickname was “Leap Frog”. At various times in his career, he played the soprano saxophone, the alto, and the tenor. He was known for his gutbucket style on the saxophone. He also played the piano and the string bass professionally.

Lavere “Buster” Harding (March 19, 1917 – November 14, 1965) was a Canadian-born American jazz pianist, composer and arranger.

Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.

Tristano studied for bachelor’s and master’s degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano’s innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded.

Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was concentrating on teaching in preference to performing. He taught in a structured and disciplined manner, which was unusual in jazz education when he began. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.

Musicians and critics vary in their appraisal of Tristano as a musician. Some describe his playing as cold and suggest that his innovations had little impact; others state that he was a bridge between bebop and later, freer forms of jazz, and assert that he is less appreciated than he should be because commentators found him hard to categorize and because he chose not to commercialize.

This predator apparition poses us no danger as it is composed only of interstellar gas and dust. Dark dust like that featured here is somewhat like cigarette smoke and created in the cool atmospheres of giant stars. After expelling gas and gravitationally recondensing, massive stars may carve intricate structures into their birth cloud using their high energy light and fast stellar winds as sculpting tools. The heat they generate evaporates the murky molecular cloud as well as causing ambient hydrogen gas to disperse and glow red. During disintegration, we humans can enjoy imagining these great clouds as common icons, like we do for water clouds on Earth. Including smaller dust nebulae such as Van den Bergh 149 & 150, the Shark nebula, sometimes cataloged as LDN 1235, spans about 15 light years and lies about 650 light years away toward the constellation of the King of Aethiopia (Cepheus).

Lester J. Kinsey Jr., (March 18, 1927 – April 3, 2001) known as Big Daddy Kinsey, was an American Chicago blues singer, guitarist and harmonica player.

He was born near Pleasant Grove, Mississippi. He grew up playing gospel music; his father was a pastor in the Church of God in Christ and disapproved of blues music. However, Kinsey started playing guitar at parties in Mississippi, before moving in 1944 to Gary, Indiana, where he worked in a steel mill. He married and served in the military before returning to work in Gary and raising a family.

Wilson Pickett (March 18, 1941 – January 19, 2006) was an American singer and songwriter.

A major figure in the development of soul music, Pickett recorded more than 50 songs that made the US R&B charts, many of which crossed over to the Billboard Hot 100. Among his best-known hits are “In the Midnight Hour” (which he co-wrote), “Land of 1000 Dances“, “634-5789 (Soulsville, U.S.A.)“, “Mustang Sally“, “Funky Broadway“, “Engine No. 9”, and “Don’t Knock My Love“.

Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording.

Jose Mangual Sr. (March 18, 1924 – September 4, 1998) was a Puerto Rican percussionist world renowned for his bongo drum performances and recordings during the 1940s and 1950s with groups such as Machito Orchestra, Charlie Parker, Buddy Rich, Flip Philips, Abbie Lane and Nancy Ames. “He set a standard in bongo playing and was considered by many to have the greatest sound on the instrument.” He is the father of Jose Mangual, Jr. and Luis Mangaul who are both well-known Salsa singers and percussionists. Both were born and raised in East Harlem.