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Badal Roy (Bengali: বাদল রায়; born Amarendra Roy Chowdhury; 16 October 1939 – 18 January 2022) was an Indian tabla player, percussionist, and recording artist known for his work in jazz, world music, and experimental music.

Indian tabla maestro Badal Roy passed away on January 18, 2022. Badal Roy was a pioneer who introduced tabla into jazz and improvisational music over several decades. An innovative percussionist, he performed with many of the leading names in jazz, including Miles Davis, Ornette Coleman, John McLaughlin, Dave Liebman, Pharoah Sanders, Herbie Hancock and Herbie Mann. He also recorded with Yoko Ono and Richie Havens, and gave presentations around the world.

Born in what is now Bangladesh, Badal Roy arrived in New York in 1968 with only a few dollars in his pocket. He had studied accounting in India and he came to America to further his studies and secure a new future in America.

To make ends meet as he became settled, he worked as a kitchen assistant at the automated food restaurant Horn & Hardart, and as a waiter at an Indian restaurant. One evening, when the tabla player failed to show up at the restaurant, Badal mentioned to the manager that he also played tabla. The manager asked him to stop waiting tables for the evening, and to sit in with the sitar player instead, and that is how his performance career began. He later went on to play at many Indian restaurants in Manhattan, including Raga, Nirvana, and Taste of India.

According to Badal, one evening an African American man approached the stage as he was leaving the restaurant. In a raspy voice, he invited Badal to a paid recording session, and asked him to call by telephone the following day. He left his business card, and as the man left the restaurant, Badal turned to the other musician and asked: “Who is Miles Davis?”

Badal went on to record on Miles’ classic “On the Corner,” and on other albums, as well as live concerts. On another occasion, a man with a British accent approached the stage and asked if he could sit in and play guitar with Badal for a few numbers. It was John McLaughlin, who later asked him to record on the album “My Goal’s Beyond.”

Robert Browning began to feature Badal in concerts of Indian music and fusion at the Alternative Center for International Arts, which later became the World Music Institute. Robert and his wife Helene presented Badal in concert over 30 times beginning in the mid-70s, in collaboration with jazz, world music and fusion artists such as Steve Gorn, Don Cherry, Dave Liebman, Nana Vasconcelos, Arooj Lazewal, Perry Robinson, Purna Das Baul, Adam Rudolph, Amit Chatterjee, Pharoah Sanders, Mike Richmond, Glen Velez, and many others.

Hoppy Jones (born as Orville Jones, 17 February 1905, Chicago, Illinois – d. 18 October 1944, New York City). Instrumentalist who played the cello in the manner of a stand-up bass, and came to prominence as a forming member of the American pop vocal group, The Ink Spots.

William Henry “Buddy” Deppenschmidt (February 16, 1936 – March 20, 2021) was an American jazz drummer.

Deppenschmidt’s father, a saxophone player, led an orchestra under the name Buddy Williams after playing with and arranging for Paul Whiteman, Jimmy and Tommy Dorsey, and Glenn Miller. When he was four, Deppenschmidt and his mother moved from Philadelphia to Richmond, Virginia.

Self-taught, he started playing drums professionally while in his teens and then went on the road with Ronnie Bartley’s Orchestra, a territory band which travelled in the western U.S. Returning to Richmond, he played with local bands and became the drummer for the Newton Thomas Trio (1954–59) which was also the rhythm section for the Billy Butterfield Quintet. The trio toured with Butterfield throughout the northeast and midwest (1958–59). When the Newton Thomas Trio played the Virginia Beach Jazz Festival, it received rave reviews on a bill that included the Dave Brubeck Quartet and the Charlie Byrd Trio. Two nights later, Charlie Byrd came into the Jolly Roger, the jazz club where Deppenschmidt was playing, and offered him the job as drummer with his trio. He played with the trio at the Showboat Lounge in Washington, D.C. from 1959–62.

Starting in February 1961, the Charlie Byrd Trio (Charlie Byrd, guitar, Keter Betts, bass, and Buddy Deppenschmidt, drums) visited South America, Central America, and Mexico on a goodwill tour sponsored by the U.S. State Department. This three-month cultural exchange included eighteen countries. While in Brazil, Deppenschmidt spent his free time with local musicians, teaching them American jazz and learning bossa nova from them. It was his idea to record an album combining jazz and bossa nova with Stan Getz.

Otis Blackwell (February 16, 1931 – May 6, 2002) was an American songwriter, singer, and pianist, whose work influenced rock and roll. His compositions include “Fever“, recorded by Little Willie John; “Great Balls of Fire” and “Breathless“, recorded by Jerry Lee Lewis; “Don’t Be Cruel“, “All Shook Up” and “Return to Sender” (with Winfield Scott), recorded by Elvis Presley; and “Handy Man“, recorded by Jimmy Jones.

Blackwell was born in Brooklyn, New York. He learned to play the piano as a child and grew up listening to both R&B and country music.

His first success was winning a local talent contest (“Amateur Night”) at the Apollo Theater, in Harlem, in 1952. This led to a recording contract with RCA and then with Jay-Dee. His first release was his own composition “Daddy Rolling Stone“, which became a favorite in Jamaica, where it was recorded by Derek Martin.

Carlos Paredes ComSE (Portuguese pronunciation: [ˈkaɾluʃ pɐˈɾedɨʃ]; 16 February 1925 – 23 July 2004) was a virtuoso Portuguese guitar player and composer. He is regarded as one of the greatest players of Portuguese guitar of all-time.

Born in Coimbra, Portugal, in a family with a long tradition of guitar playing, he was taught to play the Portuguese guitar by his father, Artur Paredes. He composed numerous soundtracks for cinema and theatre, such as the soundtrack for the Portuguese film Os Verdes Anos (1963), which contains his famous piece “Canção Verde Anos”. He released several recordings as a solo artist and performed in numerous countries worldwide.

Besides his music career, Paredes also worked in the public service for most of his life. In 1958, during Portugal’s dictatorial Estado Novo regime, he was imprisoned for 18 months for joining the Portuguese Communist Party, at the time an illegal organization.

William Ballard Doggett (February 16, 1916 – November 13, 1996) was an American jazz and rhythm and blues pianist and organist. Best known for his instrumental rock compositions “Honky Tonk” and “Hippy Dippy”, he worked with the Ink Spots, Johnny Otis, Wynonie Harris, Ella Fitzgerald, and Louis Jordan.

Doggett was born in Philadelphia. During the 1930s and early 1940s he worked for Lucky Millinder, Frank Fairfax and arranger Jimmy Mundy. In 1942 he was hired as the Ink Spots‘ pianist and arranger.

In 1951, Doggett organized his own trio and began recording for King Records. His best known recording is “Honky Tonk“, a rhythm and blues hit of 1956, which sold four million copies (reaching No. 1 R&B and No. 2 Pop), and which he co-wrote with Billy Butler. The track topped the US Billboard R&B chart for over two months. He also arranged for many bandleaders and performers, including Louis Armstrong, Count Basie, Ella Fitzgerald, and Lionel Hampton.

He continued to play and arrange until he died, aged 80, of a heart attack in New York City.

Machito (born Francisco Raúl Gutiérrez Grillo, December 3, 1909 – April 15, 1984) was a Latin jazz musician who helped refine Afro-Cuban jazzand create both Cubop and salsa music. He was raised in Havana with the singer Graciela, his foster sister.

In New York City, Machito formed the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big bandarrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died.

Machito’s music had an effect on the careers of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. George Shearing, Dizzy Gillespie, Charlie Parker and Stan Kenton credited Machito as an influence. An intersection in East Harlem is named “Machito Square” in his honor.

Alistair Ian Campbell (born 15 February 1959) is an English singer and songwriter who was the lead singer and a member of the British reggae band UB40. As part of UB40, Campbell sold over 70 million records worldwide and toured the globe for 30 years. In 2008, Campbell left UB40 due to a dispute with band management and embarked on a solo career. In 2012, Campbell was announced as one of the three judges on the judging panel of the TV show, New Zealand’s Got Talent. In August 2014, Campbell announced that he had reunited with former UB40 band mates Astro and Mickey to record a new album, Silhouette, released on 6 October 2014.

Melissa Manchester (born February 15, 1951) is an American singer, songwriter and actress. Since the 1970s, her songs have been carried by adult contemporary radio stations. She has also appeared on television, in films, and on stage.

Manchester was born in the Bronx, a borough of New York City, to a musical family. Her father was a bassoonist for the New York Metropolitan Opera for three decades. Her mother was one of the first women to design and found her own clothing firm, Ruth Manchester Ltd. The Manchesters are of Jewish origin. Manchester started a singing career at an early age. She learned the piano and harpsichord at the Manhattan School of Music, began singing commercial jingles at age 15, and became a staff writer at age 17 for Chappell Music while attending Manhattan’s High School of Performing Arts.

Henry Threadgill (born February 15, 1944) is an American composer, saxophonist and flautist. He came to prominence in the 1970s leading ensembles rooted in jazz but with unusual instrumentation and often incorporating other genres of music. He has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid.

He was awarded the 2016 Pulitzer Prize for Music for his album In for a Penny, In for a Pound, which premiered at Roulette Intermedium on December 4, 2014.

Threadgill performed as a percussionist in his high-school marching band before taking up baritone saxophone, alto saxophone, and flute. He studied at the American Conservatory of Music in Chicago, majoring in piano, flute, and composition. He studied piano with Gail Quillman and composition with Stella Roberts. He was an original member of the Experimental Band,a precursor to the AACM in his hometown of Chicago, and worked under the guidance of Muhal Richard Abrams, before leaving to tour with a gospel band. In 1967, he enlisted in the U.S. Army, playing with a rock band in Vietnam during the Vietnam War in 1967 and 1968. He was discharged in 1969.