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John Stubblefield (February 4, 1945 – July 4, 2005) was an American jazz saxophonist, flautist, and oboist.
Stubblefield was born and raised in Little Rock, Arkansas. He studied music at the Association for the Advancement of Creative Musicians with Muhal Richard Abrams in Chicago before moving to New York City in 1971.
After moving to New York, Stubblefield played with the Mingus Big Band for 13 years. During his career, Stubblefield played with the World Saxophone Quartet (1986–1988), Reggie Workman(1989–1993), McCoy Tyner (1984), Freddie Hubbard (1985), and George Russell (1985). Stubblefield also served for a time as a jazz ensemble director at the Mason Gross School of the Arts, following the departure of Paul Jeffrey in 1983.
more...Jutta Hipp (February 4, 1925 – April 7, 2003) was a jazz pianist and composer. Born in Leipzig during the Weimar Republic, Hipp initially listened to jazz in secret, as it was not approved of by the Nazi authorities. After World War II, she became a refugee, often lacking food and other necessities. By the early 1950s, she was a touring pianist and soon led her own bands. Critic Leonard Feather heard Hipp perform in Germany in 1954, recorded her, and organized her move to the United States the following year. Club and festival appearances soon followed, as did album releases.
For reasons that are unclear, Hipp’s last recording was in 1956. She started working in a clothing factory, and ultimately cut herself off from the music world. She remained in the United States, and worked for the clothing company for 35 years.
more...“Serranas” is a flamenco style, originated in Ronda area (Málaga). It was a kind of rural song, typical of the popular Andalusian folklore.
In 19th century, some singers performed this style in flamenco way, but keeping on this peasant atmosphere. Most important singer this style was “El Sota”, who teach “serranas” to Antonio Chacón. Currently, “serranas” are played with guitar, following “seguiriya” rhythm.
It follows “seguiriya castellana”, but this add a “trístico” (succession of three verses) with the same rhythm. As singing, it requires good singing skills because of its complexity. Furthermore, it’s important to have an harmonious voice in order to temper and extend the “thirds”.
more...Barnard’s Loop (catalogue designation Sh 2-276) is an emission nebula in the constellation of Orion. It is part of the Orion Molecular Cloud Complex which also contains the dark Horsehead and bright Orion nebulae. The loop takes the form of a large arc centered approximately on the Orion Nebula. The stars within the Orion Nebula are believed to be responsible for ionizing the loop.
The loop extends over about 600 arcminutes as seen from Earth, covering much of Orion. It is well seen in long-exposure photographs, although observers under very dark skies may be able to see it with the naked eye. Recent estimates place it at a distance of either 159 pc (518 light years) or 440 pc (1434 ly) giving it dimensions of either about 100 or 300 ly across respectively.
more...David Russell Gordon Davies (born 3 February 1947) is an English singer, songwriter and guitarist. He was the lead guitarist and backing singer (occasionally singing lead) for English rock band the Kinks, which also featured his elder brother Sir Ray Davies.
In 2003, Davies was ranked 91st in Rolling Stone Magazine’s list of the “100 Greatest Guitarists of All Time”
more...John Richard Handy III (born February 3, 1933) is an American jazz musician most commonly associated with the alto saxophone. He also sings and plays the tenor and baritone saxophone, saxello, clarinet, and oboe.
Handy was born in Dallas, Texas, United States. He first came to prominence while working for Charles Mingus in the 1950s. In the 1960s, Handy led several groups, among them a quintet with Michael White, violin, Jerry Hahn, guitar, Don Thompson, bass, and Terry Clarke, drums. This group’s performance at the 1965 Monterey Jazz Festival was recorded and released as an album; Handy received Grammy nominations for “Spanish Lady” (jazz performance) and “If Only We Knew” (jazz composition).
more...John Watson Jr. (February 3, 1935 – May 17, 1996), known professionally as “Johnny Guitar” Watson, was an American musician and singer-songwriter. A flamboyant showman and electric guitarist in the style of T-Bone Walker, his recording career spanned forty years, and encompassed rhythm and blues, funk and soul music.
Watson recorded throughout the 1950s and 1960s with some success. His creative reinvention in the 1970s with funk overtones, saw Watson have hits with “Ain’t That a Bitch” and “Superman Lover”. His highest charting single was 1977’s “A Real Mother for Ya”.
Watson was born in Houston, Texas. His father John Sr. was a pianist, and taught his son the instrument. But young Watson was immediately attracted to the sound of the guitar, in particular the electric guitar as played by T-Bone Walker and Clarence “Gatemouth” Brown.
more...Lillian Hardin Armstrong (née Hardin; February 3, 1898 – August 27, 1971) was a jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s.
Her compositions include “Struttin’ with Some Barbecue”, “Don’t Jive Me”, “Two Deuces”, “Knee Drops”, “Doin’ the Suzie-Q”, “Just for a Thrill” (which was a hit when revived by Ray Charles in 1959), “Clip Joint”, and “Bad Boy” (a hit for Ringo Starr in 1978). Armstrong was inducted into the Memphis Music Hall of Fame in 2014.
She was born Lillian Hardin in Memphis, Tennessee, where she grew up in a household with her grandmother, Priscilla Martin, a former slave from near Oxford, Mississippi. Martin had a son and three daughters, one of whom was Dempsey, Lil’s mother. Priscilla Martin moved her family to Memphis to ecape from her husband, a trek the family made by mule-drawn wagon. Dempsey married Will Harden, and Lil was born on February 3, 1898. Will died when Lil was seven, though Dempsey later remarried to John Miller. During her early years, Hardin was taught hymns, spirituals, and classical music on the piano. She was drawn to popular music and later blues.
https://www.youtube.com/watch?v=z-S6YPBHQ_Q
more...Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn’s compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night’s Dream, the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol “Hark! The Herald Angels Sing” is also his. Mendelssohn’s Songs Without Words are his most famous solo piano compositions.
A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. He was brought up without religion until the age of seven, when he was baptised as a Reformed Christian. Felix was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother’s name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s.
Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatory, which he founded, became a bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitismin the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era. Mendelssohn suffered from poor health in the final years of his life, probably aggravated by nervous problems and overwork. A final tour of England left him exhausted and ill, and the death of his sister, Fanny, on 14 May 1847, caused him further distress. Less than six months later, on 4 November, aged 38, Mendelssohn died in Leipzig after a series of strokes. His grandfather Moses, Fanny, and both his parents had all died from similar apoplexies. Although he had been generally meticulous in the management of his affairs, he died intestate.
more...What’s happening at the center of our galaxy? It’s hard to tell with optical telescopes since visible light is blocked by intervening interstellar dust. In other bands of light, though, such as radio, the galactic center can be imaged and shows itself to be quite an interesting and active place. The featured picture shows the latest image of our Milky Way’s center by the MeerKAT array of 64 radio dishes in South Africa. Spanning four times the angular size of the Moon (2 degrees), the image is impressively vast, deep, and detailed. Many known sources are shown in clear detail, including many with a prefix of Sgr, since the galactic center is in the direction of the constellation Sagittarius. In our Galaxy’s Center lies Sgr A, found here in the image center, which houses the Milky Way’s central supermassive black hole. Other sources in the image are not as well understood, including the Arc, just to the left of Sgr A, and numerous filamentary threads. Goals for MeerKAT include searching for radio emission from neutral hydrogen emitted in a much younger universe and brief but distant radio flashes.
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Graham William Nash OBE (born 2 February 1942) is a British-American singer-songwriter and musician. Nash is known for his light tenor voice and for his songwriting contributions as a member of the English pop/rock group the Hollies and the folk-rock supergroups Crosby, Stills & Nash and Crosby, Stills, Nash & Young. Nash became an American citizen on 14 August 1978 and holds dual citizenship with the United Kingdom and the United States.
Nash is a photography collector and a published photographer. He was inducted into the Rock and Roll Hall of Fame as a member of Crosby, Stills & Nash in 1997 and as a member of the Hollies in 2010.
Nash was appointed an Officer of the Order of the British Empire (OBE) in the 2010 Birthday Honours List for services to music and to charity.
Nash holds four honorary doctorates, including one from New York Institute of Technology, one in Music from the University of Salford in 2011 and his latest Doctorate in Fine Arts from Lesley University in Cambridge, Massachusetts.
more...James “Blood” Ulmer (born February 8, 1940) is an American jazz, free funk and blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His guitar sound has been described as “jagged” and “stinging”. His singing has been called “raggedly soulful”.
Willie James Ulmer was born in St. Matthews, South Carolina, United States. He began his career playing with soul jazz ensembles, first in Pittsburgh, Pennsylvania, from 1959 to 1964, and then in the Columbus, Ohio, area from 1964 to 1967. He recorded with organist Hank Marr in 1964 (released 1967). After moving to New York in 1971, Ulmer played with Art Blakey‘s Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali, and Larry Young.
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Stanley Gayetski (February 2, 1927 – June 6, 1991), professionally known as Stan Getz, was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as “The Sound” because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman‘s big band, Getz is described by critic Scott Yanow as “one of the all-time great tenor saxophonists”. Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he popularized bossa nova in the United States with the hit single “The Girl from Ipanema” (1964).
Stan Getz was born on February 2, 1927, at St. Vincent’s Hospital in Philadelphia, Pennsylvania, United States. Getz’s father Al was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gayetski were originally from the Kiev area of the Russian Empire (now Ukraine) but had migrated to escape the anti-Jewish pogroms in the Russian Empire to Whitechapel, in the East End of London. While in England they owned the Harris Tailor Shop at 52 Oxford Street for more than 13 years. In 1913, Harris and Beckie emigrated to the United States with their three sons Al, Phil, and Ben, following their son Louis Gayetski who had emigrated to the US the year before.
more...Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the “Lone Wolf” by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.
Edward Hammond Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a piano teacher. He was given up for adoption in 1924 by his father and adopted by the Stitt family in Saginaw. He later began calling himself “Sonny”. While in high school in Saginaw, he played in the Len Francke Band, a local popular swing band.
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