mick laBriola

Jonathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones.

Born in Chicago, Illinois, United States, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page‘s band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter‘s Serenaders in 1931, and later joined pianist Count Basie‘s band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an “All-American Rhythm section,” an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. He participated in the Jazz at the Philharmonic concert series.

He was one of the first drummers to promote the use of brushes on drums, and shifting the role of timekeeping from the bass drum to the hi-hatcymbal. Jones had a major influence on later drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin’ the Blues (1944).

https://www.youtube.com/watch?v=fxtik6ektQY

This part of the Orion Molecular Cloud Complex, M43, is the often imaged but rarely mentioned neighbor of the more famous M42. M42, seen in part to the upper right, includes many bright stars from the Trapezium star cluster. M43 is itself a star forming region that displays intricately-laced streams of dark dust — although it is really composed mostly of glowing hydrogen gas. The entire Orion field is located about 1600 light years away. Opaque to visible light, the picturesque dark dust is created in the outer atmosphere of massive cool stars and expelled by strong outer winds of protons and electrons.

David Kent Hidalgo (born October 6, 1954, in Los Angeles) is an American singer-songwriter, best known for his work with the band Los Lobos. Hidalgo frequently plays musical instruments such as accordion, violin, 6-string banjo, cello, requinto jarocho, percussion, drums and guitar as a session musician on other artists’ releases.

In 1973, Hidalgo was one of the founding members of Los Lobos, for which he wrote most songs together with Louie Pérez. Additionally, he also participated as a guest musician on albums of other artists, including David Alvin, Buckwheat Zydeco, Paul Burlison, T-Bone Burnett, Peter Case, Toni Childs, Marc Cohn, Ry Cooder, Elvis Costello, Crowded House, The Fabulous Thunderbirds, John Lee Hooker, Rickie Lee Jones, Leo Kottke, Roy Orbison, Dolly Parton, Pierce Pettis, Bonnie Raitt, Paul Simon, Taj Mahal, Suzanne Vega, Bob Dylan and Tom Waits. He is a member of the supergroup Los Super Seven and of the Latin Playboys, a side project made up of some of the members of Los Lobos. With Mike Halby of Canned Heat, he formed another band, Houndog, as a side project. He also appeared on national television in the U.S., backing Tom Waits.

Millicent Dolly May Small CD (6 October 1947 – 5 May 2020) was a Jamaican singer and songwriter, best known for her 1964 recording of “My Boy Lollipop“, which reached number two in both the UK Singles Chart and the US Billboard Hot 100. On her UK records, she was usually credited mononymously as Millie. She was the Caribbean’s first international recording star, and its most successful female performer.

Small was born in Clarendon, Jamaica, the daughter of a sugar plantation overseer. She was one of seven brothers and five sisters. Like many Jamaican singers of the era, her career began by winning the Vere Johns Opportunity Hour talent contest, which she won at the age of twelve.^[5]Wishing to pursue a career as a singer, she moved to live with relatives in Love Lane in Kingston. She auditioned for Studio One record producerCoxsone Dodd, who was struck by the similarity of her voice to that of Shirley Goodman of the American duo Shirley and Lee. He paired her with singer Owen Gray, and they made several records together, including “Sugar Plum”, which became a local hit.

Tony Oladipo Allen (20 July 1940 – 30 April 2020) was a Nigerian drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti‘s band Africa ’70 from 1968 to 1979, and was one of the primary co-founders of the genre of Afrobeat music. Fela once stated that, “without Tony Allen, there would be no Afrobeat.” He was described by Brian Eno as “perhaps the greatest drummer who has ever lived”. Allen’s career and life story were documented in his 2013 autobiography Tony Allen: Master Drummer of Afrobeat, co-written with author/musician Michael E. Veal, who previously wrote a comprehensive biography of Fela Kuti.

Little Sonny (born Aaron Willis, October 6, 1932, Greensboro, Alabama) is an American electric blues harmonica player, singer and songwriter.^[1]His early mentor and inspiration was Sonny Boy Williamson II. Nevertheless, Little Sonny stated that his nickname was originated by his mother: “[She] called me ‘Sonny boy’ from the time I can remember.” He has released eight albums, including three for a subsidiary of Stax Records. His 1973 release, Hard Goin’ Up, reached the Top 50 in the Billboard R&B chart.

Willis was born in 1932 and raised solely by his mother. He relocated to Detroit in 1953. He had no real interest in music, he said, “But then I saw Sonny Boy Williamson II.” Willis was “spellbound at the way he played. After the show I went home and practiced for hours. Every day after that I would practice until I got the sound I wanted.” His daytime job was working in a used car lot.

Delroy George Wilson CD (5 October 1948 – 6 March 1995) was a Jamaican ska, rocksteady and reggae singer. Wilson is often regarded as Jamaica’s first child star, having first found success as a teenager. His youngest son, Karl “Konan” Wilson, has found success as part of British duo Krept and Konan (founded 2009).

Delroy Wilson began his recording career at the age of thirteen, while still a pupil at Boys Town Primary School. Wilson released his first single “Emy Lou”^{[citation needed]} in 1962 for record producer, Clement “Coxsone” Dodd. His early years with Coxsone yielded a number of ska hits, the biggest of which, the Lee Perry-written “Joe Liges” was an attack on rival producer and former Dodd employee Prince Buster. This was followed by another Perry-written attack on Buster, “Spit in the Sky”. Further singles followed, including “One Two Three”, “I Shall Not Remove”, “Look Who Is Back Again” (a duet with Slim Smith), and another anti-Buster song, “Prince Pharaoh”, notably the only record featuring the voice of Dodd himself. He is regarded as Jamaica’s first child star.

Steven Haworth Miller (born October 5, 1943) is an American guitarist, singer and songwriter, known as leader of the Steve Miller Band. He began his career in blues and blues rock and evolved to a more pop-oriented sound during the mid-1970s through the early 1980s, releasing popular singles and albums. Miller was inducted into the Rock and Roll Hall of Fame in 2016.

Born in Milwaukee, Wisconsin, Miller received his first exposure to music from his mother, Bertha, whom he described as a remarkable jazz-influenced singer, and his physician father, George, known as “Sonny” who, in addition to his profession as a pathologist, was a jazz enthusiast and an accomplished amateur recording engineer. Guitar virtuoso Les Paul and his musical partner Mary Ford were regular visitors at the Miller house. The Millers were best man and matron of honor at the December 1949 Paul/Ford wedding. Paul became Steve’s godfather. Les Paul heard Steve, who was six, on a wire recording made by Dr. Miller, “banging away” on a guitar given to him by his uncle, Dr. K. Dale Atterbury. Paul encouraged Miller to continue with his interest in the guitar… and “perhaps he will be something one day.”

https://www.youtube.com/watch?v=pIF9hCgImTY

William Robert “Bill” Dixon (October 5, 1925 – June 16, 2010) was an American composer, improviser, visual artist, activist, and educator. Dixon was one of the seminal figures in free jazz and late twentieth-century contemporary music. His was also a prominent voice arguing for artist’s rights and insisting, through words and deeds, on the cultural and aesthetic richness of the African American music tradition. He played the trumpet, flugelhorn, and piano, often using electronic delay and reverb.

Dixon hailed from Nantucket, Massachusetts, United States. His family moved to Harlem, in New York City, in 1934. He enlisted in the Army in 1944; his unit served in Germany before he was discharged in 1946. His studies in music came relatively late in life, at the Hartnette Conservatory of Music (1946–1951), which he attended on the GI Bill. He studied painting at Boston University and the WPA Arts School and the Art Students League. From 1956 to 1962, he worked at the United Nations, where he founded the UN Jazz Society.

James Blanton (October 5, 1918 – July 30, 1942) was an American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato and arco bass solos in a jazz context than previous bassists. Nicknamed “Jimmie,” Blanton’s nickname is usually misspelled as “Jimmy,” including by Duke Ellington.

Blanton was born in Chattanooga, Tennessee. He originally learned to play the violin, but took up the bass while at Tennessee State University, performing with the Tennessee State Collegians from 1936 to 1937, and during the vacations with Fate Marable. 

In 1941, Blanton was diagnosed with tuberculosis. Blanton died on July 30, 1942, at a sanatorium in Duarte, California, aged 23.

Edgar Gómez (born October 4, 1944) is a jazz double bassist born in Santurce, Puerto Rico, known for his work with the Bill Evans Trio from 1966 to 1977.

Gómez moved with his family from Puerto Rico at a young age to New York, where he was raised. He started on double bass in the New York City school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art. He played in the Newport Festival Youth Band (led by Marshall Brown) from 1959 to 1961, and graduated from Juilliard in 1963.

He played with musicians such as Gerry Mulligan, Marian McPartland, Paul Bley, Steps Ahead, and Chick Corea. He spent a total of eleven years with the Bill Evans Trio, which included performances in the United States, Europe and Asia, as well as dozens of recordings.

His career mainly consists of working as an accompanist, a position suited for his quick reflexes and flexibility. In addition to working as a studio musician for many famous jazz musicians, he has recorded as a leader for Columbia Records, Projazz and Stretch. Many of his recent recordings as a leader are co-led by the jazz pianist Mark Kramer.

https://www.youtube.com/watch?v=ybv6tqH4O9Y

Steve Swallow (born October 4, 1940) is an American jazz fusion bassist and composer, known for his collaborations with Jimmy Giuffre, Gary Burton, and Carla Bley. He was one of the first jazz double bassists to switch entirely to electric bass guitar.

Born in Fair Lawn, New Jersey, United States, Swallow studied piano and trumpet, as a child, before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960, he left Yale University, where he was studying composition, and settled in New York City, playing at the time in Jimmy Giuffre‘s trio along with Paul Bley. After joining Art Farmer‘s quartet in 1963,^[1] Swallow began to write. It is in the 1960s that his long-term association with Gary Burton‘s various bands began.