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Biréli Lagrène (born 4 September 1966) is a French jazz guitarist who came to prominence in the 1980s for his Django Reinhardt–influenced style. He often performs in swing, jazz fusion, and post-bop styles.

Lagrène was born in Soufflenheim, Alsace, France, into a Romani family and community. His father and grandfather were guitarists, and he was raised in the gypsy guitar tradition. He started playing at age four or five and by seven was improvising jazz in a style similar to Django Reinhardt‘s, whom his father admired and wanted his sons to emulate. In 1980, while in his early teens, he recorded his first album, Routes to Django: Live at the Krokodil (Jazzpoint, 1981).

During the next few years, Lagrène toured with Al Di Meola, Paco de Lucía, and John McLaughlin, all of them guitarists, and played with Benny Carter, Benny Goodman, and Stéphane Grappellii. He joined Larry Coryell and Vic Juris in New York City for a tribute to Reinhardt in 1984 and went on tour with Coryell and Philip Catherine. He also performed with Jaco Pastorius, Stanley Clarke, the Gil Evans Orchestra, Christian Escoudé, and Charlie Haden. In 1989 he performed in a duo with Stanley Jordan.

Gene Victor Parsons (born September 4, 1944, in Morongo Valley, California) is an American drummer, banjo player, guitarist, singer-songwriter, and engineer, best known for his work with the Byrds from 1968 to 1972. Parsons has also released solo albums and played in bands including Nashville West, the Flying Burrito Brothers, and Parsons Green. Along with guitarist Clarence White, he is credited with inventing the B-Bender (also known as the StringBender)—a device which allows a guitarist to emulate the sound of a pedal steel guitar. The device is often referred to as the Parsons/White B-Bender, a trademarked name.

Gene Parsons was born on September 4, 1944, on his family’s farm in Morongo Valley in the Mojave Desert, California. His professional musical career began when he joined up with guitarist and Fiddle player Gib Guilbeau in the duo Guilbeau & Parsons. Later the duo was joined by Clarence White, former guitarist with the Kentucky Colonels, and bassist Wayne Moore to form the band Nashville West, named after a club where the band often performed.

Harold Bradley “Shot” Jackson (September 4, 1920 – January 24, 1991) was an American country guitarist best known for playing Dobro and pedal steel guitar. He also designed and manufactured guitars under the name Sho-Bud.

Jackson moved to Nashville in 1944 to play on the Grand Ole Opry, in Cousin Wilbur Westbrooks’ band. After a short stint in the Navy, Jackson joined the Bailes Brothers on KWKH‘s Louisiana Hayride program, playing steel guitar. After the Bailes Brothers left the Hayride, Jackson stayed behind, playing with artists like Webb Pierce, Jimmie Osborne, and Red Sovine.

From 1951–57, Jackson joined Johnnie Wright and Jack Anglin‘s Tennessee Mountain Boys, as their Dobro player. During this time, he also played on a number of Wright’s wife Kitty Wells‘s early Decca recordings.

Gerald Stanley Wilson (September 4, 1918 – September 8, 2014) was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson.

Wilson was born in Shelby, Mississippi, and at the age of 16 moved to Detroit, Michigan, where he graduated from Cass Technical High School (one of his classmates was saxophonist Wardell Gray). He joined the Jimmie Lunceford orchestra in 1939, replacing its trumpeter and arranger, Sy Oliver. While with Lunceford, Wilson contributed songs to the band, including “Hi Spook” and “Yard-dog Mazurka”, the first influenced by Ellington’s recording of “Caravan” and the latter an influence on Stan Kenton‘s “Intermission Riff”.

Anderson Meade Lewis (September 4, 1905 – June 7, 1964), known as Meade Lux Lewis, was an American pianist and composer, remembered for his playing in the boogie-woogie style. His best-known work, “Honky Tonk Train Blues”, has been recorded by many artists.

Lewis was born in Chicago, though some sources state Louisville, Kentucky, on September 4, 1905 (September 3 and 13 have also been cited as his date of birth in sources). In his youth he was influenced by the pianist Jimmy Yancey. His father, a guitarist who made two recordings of his own, introduced Meade to music and arranged for him to have violin lessons. He gave up the violin at age 16, shortly after his father’s death, and switched to the piano. The nickname “Lux” was given to him by his boyhood friends. He would imitate a couple of characters from a popular comic strip in Chicago, Alphonse and Gaston, and stroke an imaginary beard as part of the routine. His friends started calling him the Duke of Luxembourgbecause of this, and the name stuck for the rest of his life. He became friends with Albert Ammons during childhood, a friendship that would last throughout their lives. They went to the same school together briefly, and they practiced and learned the piano together on the Ammons family piano.

https://www.youtube.com/watch?v=FSMO0J9BLm0

Granville William “Mickey” Roker (September 3, 1932 – May 22, 2017) was an American jazz drummer.

Roker was born into extreme poverty in Miami to Granville (Sr.) and Willie Mae Roker. After his mother died (his father never lived with them), when he was only ten, he was taken by his grandmother to live in Philadelphia with his uncle Walter, who gave him his first drum kit and communicated his love of jazz to his nephew. He also introduced the young Roker to the jazz scene in Philadelphia, where drummer Philly Joe Jones became Roker’s idol.

In the early 1950s, he began to gain recognition as a sensitive yet hard-driving big-band drummer. He was especially favored by Dizzy Gillespie, who remarked of him that “once he sets a groove, whatever it is, you can go to Paris and come back and it’s right there. You never have to worry about it.” Roker was soon in demand for his supportive skills in both big-band and small-group settings.

While in Philadelphia he played with Jimmy Oliver, Jimmy Heath, Jimmy Divine, King James and Sam Reed before moving to New York in 1959, where his first gigs were with Gigi Gryce, Ray Bryant, Joe Williams, Junior Mance, Nancy Wilson and the Duke Pearson big band. In 1965 Mickey joined Art Farmer and Benny Golson’s revamped group, the “New York Jazz Sextet”. In 1992, he replaced Connie Kay in the Modern Jazz Quartet.

Ernie Henry (September 3, 1926 – December 29, 1957) was an American jazz saxophonist.

Henry played in the late 1940s with Tadd Dameron (1947), Fats Navarro, Charlie Ventura, Max Roach, and Dizzy Gillespie (1948–49). From 1950 to 1952, he played in the band of Illinois Jacquet. After a few years in the shadows, he returned to play with Thelonious Monk (1956), Charles Mingus, Kenny Dorham, Kenny Drew, Wynton Kelly, Wilbur Ware, Art Taylor, Philly Joe Jones and Gillespie again (1956–57). He recorded three albums as a leader for the Riverside label shortly before his death at the end of 1957. He died of a heroin overdose, aged 31.

Memphis Slim (born John Len Chatman, September 3, 1915 – February 24, 1988) was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, “Every Day I Have the Blues“, has become a blues standard, recorded by many other artists. He made over 500 recordings. He was posthumously inducted into the Blues Hall of Fame in 1989.

Memphis Slim was born John Len Chatman, in Memphis, Tennessee. For his first recordings, for Okeh Records in 1940, he used the name of his father, Peter Chatman (who sang, played piano and guitar, and operated juke joints); it is commonly believed that he did so to honor his father. He started performing under the name “Memphis Slim” later that year but continued to publish songs under the name Peter Chatman.

He spent most of the 1930s performing in honky-tonks, dance halls, and gambling joints in West Memphis, Arkansas, and southeast Missouri. He settled in Chicago in 1939 and began teaming with the guitarist and singer Big Bill Broonzy in clubs soon afterwards. In 1940 and 1941, he recorded two songs for Bluebird Records.

As its name suggests, alegrías (joys) is one of the most festive styles of flamenco. It has its origin in the province of Cádiz, being one of the oldest genres, and many consider it as the most important style. It belongs to the cantiñas family, traditional songs from the province of Cádiz.

Alegrías is one of the oldest flamenco dance in this art and has influenced many other styles. Perhaps the most characteristic feature is its rhythm, which it shares with the soleá, although the most significant and which makes this style recognizable, especially for the least understood, is the “tirititrán, trán, trán” with which cante begins. The alegrías is a flamenco style that is nourished by other styles such as the panaderos, the coplas romanceadas, the seguiriyas, the rosas (other types of cantiñas), the old fandangos from Cádiz and the jaleos. Although the fundamental basis of the alegrías are the jotas, specifically Navarran-Aragonese, a genre that came to Cádiz during the French occupation.

Clifford Laconia Jordan (September 2, 1931 – March 27, 1993) was an American jazz tenor saxophone player. While in Chicago, he performed with Max Roach, Sonny Stitt, and some rhythm and blues groups. He moved to New York City in 1957, after which he recorded three albums for Blue Note. He recorded with Horace Silver, J.J. Johnson, and Kenny Dorham, among others. He was part of the Charles Mingus Sextet, with Eric Dolphy, during its 1964 European tour.

Jordan toured Africa with Randy Weston, and performed in Paris while living in Belgium. In later years, he led his own groups, performed with Cedar Walton‘s quartet Eastern Rebellion, and led a big band.

Jordan was married to Shirley Jordan, a designer and former owner of Clothing Manufacturing Corporation in New York. He later married Sandy Jordan (née Williams), a graphic artist and Honorary Founders Board member of the Jazz Foundation of America.