mick laBriola

Ravi Coltrane (born August 6, 1965) is an American jazz saxophonist. Co-owner of the record label RKM Music, he has produced pianist Luis Perdomo, guitarist David Gilmore, and trumpeter Ralph Alessi.

Ravi Coltrane is the son of saxophonist John Coltrane and jazz harpist Alice Coltrane. He is the second of three children; the others were John Jr. and Oran. He is a cousin of experimental music producer Steven Ellison, aka Flying Lotus. He was raised in Los Angeles, California, and was named after sitar player Ravi Shankar. Ravi Coltrane was under two years old in 1967 when his father died.

He is a 1983 graduate of El Camino Real High School in Woodland Hills, California. In 1986, he studied music, concentrating on saxophone at the California Institute of the Arts. He has worked often with Steve Coleman, a significant influence on Coltrane’s musical conception. Coltrane has also played with Geri Allen, Kenny Barron, McCoy Tyner, Pharoah Sanders, Herbie Hancock, Carlos Santana, Stanley Clarke, Chick Corea, and Branford Marsalis.

In 1997, after performing on over thirty recordings as a sideman, Coltrane recorded Moving Pictures, his first album as leader, working with drummer Jeff “Tain” Watts, bassist Lonnie Plaxico, and pianist Michael Cain. This led to touring with his working band, featuring Andy Milne on piano, drummer Steve Hass, and bassist Lonnie Plaxico. Coltrane’s second album, From the Round Box (2000), was recorded with pianist Geri Allen, trumpeter Ralph Alessi, bassist James Genus, and drummer Eric Harland. Mad 6 (2002), Coltrane’s first album for Sony, featured drummer Steve Hass, pianist George Colligan, and bassist James Genus. In Flux (2005) included bassist Drew Gress, pianist Luis Perdomo, and drummer E. J. Strickland.

Charles Edward Haden (August 6, 1937 – July 11, 2014) was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. In the late 1950s, he was an original member of the ground-breaking Ornette Coleman Quartet.

Haden revolutionized the harmonic concept of bass playing in jazz. German musicologist Joachim-Ernst Berendt wrote that Haden’s “ability to create serendipitous harmonies by improvising melodic responses to Coleman’s free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing. His virtuosity lies…in an incredible ability to make the double bass ‘sound out’. Haden cultivated the instrument’s gravity as no one else in jazz. He is a master of simplicity which is one of the most difficult things to achieve.” Haden played a vital role in this revolutionary new approach, evolving a way of playing that sometimes complemented the soloist and sometimes moved independently. In this respect, as did his predecessor bassists Jimmy Blanton and Charles Mingus, Haden helped liberate the bassist from a strictly accompanying role to becoming a more direct participant in group improvisation. In 1969, he formed his first band, the Liberation Music Orchestra, featuring arrangements by pianist Carla Bley. In the late 1960s, he became a member of pianist Keith Jarrett’s trio, quartet and quintet. In the 1980s, he formed his band, Quartet West. Haden also often recorded and performed in a duo setting, with musicians including guitarist Pat Metheny and pianist Hank Jones.

Haden was born in Shenandoah, Iowa. His family was exceptionally musical and performed on the radio as the Haden Family, playing country musicand American folk songs. Haden made his professional debut as a singer on the Haden Family’s radio show when he was just two years old. He continued singing with his family until he was 15 when he contracted a bulbar (brainstem) form of polio affecting his throat and facial muscles.^[2] At the age of 14, Haden had become interested in jazz after hearing Charlie Parker and Stan Kenton in concert. Once he recovered from his bout with polio, Haden began in earnest to concentrate on playing the bass. Haden’s interest in the instrument was not sparked by jazz bass alone, but also by the harmonies and chords he heard in compositions by Bach. Haden soon set his sights on moving to Los Angeles to pursue his dream of becoming a jazz musician, and to save money for the trip, took a job as house bassist for ABC-TV’s Ozark Jubilee in Springfield, Missouri.

Space can be a lonely place. But not so for this quartet of galaxies making up HCG 86 and observed here with ESO’s VLT Survey Telescope (VST). The four galaxies located approximately 270 million light years from Earth in the Sagittarius constellation, are seen from Earth as arranged in triangular shape, with three of them on a straight line and one underneath; the bright objects to the right of the elongated galaxy are not part of the quartet. HCG stands for Hickson Compact Group, and is used to describe groups of four to ten galaxies where members are physically very close to each other. Because of their compactness, such groups are ideal environments to study galactic interactions, which can sometimes lead to galaxies merging with each other.   This image of HCG 86 was taken by a team of astronomers led by Rossella Ragusa of the Istituto Nazionale di Astrofisica in Italy as part of the VST Early-type Galaxy Survey (VEGAS) programme. “With VST we are able to investigate very faint structures in the galaxies’ outskirts, which are the relics of past gravitational interactions and merging events,” says Ragusa. In particular, by mapping the light distribution in and around the group’s galaxies in this study, the team concluded that these faint structures are the leftovers of satellite galaxies gobbled by the group approximately seven billion years ago. Located at ESO’s Paranal Observatory in Chile, the VST is one of the world’s largest survey telescopes, devoted to mapping the sky in visible light wavelengths. 2021 marks the anniversary of its first decade of operation, a period during which it has helped to search for planets outside the Solar System and probe the structure of our galaxy and the wider Universe.

Willie Weeks (born August 5, 1947) is an American bass guitarist. He has gained fame performing with famous musicians in a wide variety of genres. He has been one of the most in-demand session musicians throughout his career. Weeks has also gained fame touring with many of rock‘s heavyweights throughout his career.

Weeks was born in Salemburg, North Carolina and began playing the electric bass in the early 1960s. His earliest influences were the country, popand R&B music he heard on the radio. Weeks counts bassists Ron Carter, James Jamerson, and Ray Brown as early influences.

Weeks has worked in the studio or toured with a wide range of artists, including:

Gregg Allman, David Bowie, Clarence “Gatemouth” Brown, Roy Buchanan, Jimmy Buffett, Kevin Chalfant, Eric Clapton, Hank Crawford, Robert Cray, Pino Daniele, Bo Diddley, The Doobie Brothers, Lou Fellingham, Aretha Franklin, Vince Gill, Buddy Guy, Isaac Hayes, George Harrison, Donny Hathaway, Etta James, Billy Joel, Rickie Lee Jones, Wynonna Judd, Chaka Khan, B.B. King, Lyle Lovett, Gail Davies, David Lee Roth, Michael McDonald, Don McLean, John Mayer, John Mellencamp, Bette Midler, Randy Newman, Pino Palladino, Leon Russell, Boz Scaggs, John Scofield, Carly Simon, Soulive, Rod Stewart, The Rolling Stones, James Taylor, Richard and Linda Thompson, Joe Walsh, Steve Winwood, Bobby Womack, Stevie Wonder, Ronnie Wood and Eikichi Yazawa.

Rhythm Roots Workshop at Minnesota VA Home Adult Day Center Memory Loss group. The third workshop is a series of nine world percussion sessions for Veterans. Wednesday August 4th 2021 10-noon.

The Rho Ophiuchi cloud complex is a dark nebula of gas and dust that is located 1° south of the star ρ Ophiuchi of the constellation Ophiuchus. At an estimated distance of 131 ± 3 parsecs, it is one of the closest star-forming regions to the Solar System.

This cloud covers an angular area of 4.5° × 6.5° on the celestial sphere. It consists of two major regions of dense gas and dust. The first contains a star-forming cloud (L1688) and two filaments (L1709 and L1755), while the second has a star-forming region (L1689) and a filament (L1712–L1729). These filaments extend up to 10–17.5 parsecs in length and can be as narrow as 0.24 parsecs in width. Some of the structures within the complex appear to be the result of a shock front passing through the clouds from the direction of the neighboring Sco OB2 Association.

Mitchell Herbert Ellis (August 4, 1921 – March 28, 2010), known professionally as Herb Ellis, was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.

Born in Farmersville, Texas, and raised in the suburbs of Dallas, Ellis first heard the electric guitar performed by George Barnes on a radio program. This experience is said to have inspired him to take up the guitar. He became proficient on the instrument by the time he entered North Texas State University. Ellis majored in music, but because they did not yet have a guitar program at that time, he studied the string bass. Unfortunately, due to lack of funds, his college days were short-lived. In 1941, Ellis dropped out of college and toured for six months with a band from the University of Kansas.

In 1943, he joined Glen Gray and the Casa Loma Orchestra, and it was with Gray’s band that he got his first recognition in the jazz magazines. After Gray’s band, Ellis joined the Jimmy Dorsey band where he played some of his first recorded solos. Ellis remained with Dorsey through 1947, traveling and recording extensively, and playing in dance halls and movie palaces. Then came a turnabout that would change Ellis’s career forever. As pianist Lou Carter told journalist Robert Dupuis in a 1996 interview, “The Dorsey band had a six-week hole in the schedule. The three of us had played together some with the big band. John Frigo, who had already left the band, knew the owner of the Peter Stuyvesant Hotel in Buffalo. We went in there and stayed six months. And that’s how the group the Soft Winds were born”. Together with Frigo and Lou Carter, Ellis wrote the classic jazz standard “Detour Ahead“.

The Soft Winds group was fashioned after the Nat King Cole Trio. They stayed together until 1952. Ellis then joined the Oscar Peterson Trio (replacing Barney Kessel) in 1953, forming what Scott Yanow would later on refer to as “one of the most memorable of all the piano, guitar, and bass trios in jazz history”.

Louis Daniel Armstrong (August 4, 1901 – July 6, 1971 NOLA), nicknamed “Satchmo“, “Satch“, and “Pops“, was an American trumpeter and vocalist who is among the most influential figures in jazz. His career spanned five decades and different eras in the history of jazz.

Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe “King” Oliver, to Chicago to play in the Creole Jazz Band. In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at “cutting contests” and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist and recording artist. Hardin became Armstrong’s second wife and they returned to Chicago to play together and then he began to form his own “Hot” jazz bands. After years of touring, he settled in Queens, and by the 1950s, he was a national musical icon, assisted in part, by his appearances on radio and in film and television, in addition to his concerts.

With his instantly recognizable rich, gravelly voice, Armstrong was also an influential singer and skillful improviser, bending the lyrics and melody of a song. He was also skilled at scat singing. Armstrong is renowned for his charismatic stage presence and voice as well as his trumpet playing. By the end of Armstrong’s life, his influence had spread to popular music in general. Armstrong was one of the first popular African-American entertainers to “cross over” to wide popularity with white (and international) audiences. He rarely publicly politicized his race, to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. He was able to access the upper echelons of American society at a time when this was difficult for black men.

Armstrong appeared in films such as High Society (1956) alongside Bing Crosby, Grace Kelly, and Frank Sinatra, and Hello, Dolly! (1969) starring Barbra Streisand. He received many accolades including three Grammy Award nominations and a win for his vocal performance of Hello, Dolly! in 1964. In 2017, he was posthumously inducted into the Rhythm & Blues Hall of Fame.