mick laBriola

Charles Hardin Holley (September 7, 1936 – February 3, 1959 Lubbock, TX), known as Buddy Holly, was an American singer, songwriter and musician who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas, during the Great Depression, and learned to play guitar and sing alongside his siblings. Holly’s style was country and western music which he performed in Lubbock with his friends from high school.

Holly made his first appearance on local television in 1952, and the following year he formed the group Buddy and Bob with his friend Bob Montgomery. In 1955, after opening for Elvis Presley as part of the Louisiana Hayride’s habit of seeking out local bands to add to the show, Holly decided to pursue a career in music. Subsequently, he played with Presley three times that year and his band’s style shifted from country and western to entirely rock and roll. In October that year, when Holly opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.

Holly’s recording sessions at Decca were produced by Owen Bradley, who had become famous for producing orchestrated country hits for stars like Patsy Cline. Unhappy with Bradley’s musical style and control in the studio, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of “That’ll Be the Day“, among other songs. Petty became the band’s manager and sent the demo to Brunswick Records, which released it as a single credited to The Crickets, a name chosen by the band to subvert Decca’s contract limitations. It became the name of Holly’s band. In September 1957, as the band toured, “That’ll Be the Day” topped the US and UK singles charts. Its success was followed in October by another major hit, “Peggy Sue“.

The album The “Chirping” Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Showin January 1958 and soon after toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the mid-western US. After a show in Clear Lake, Iowa, Holly chartered an airplane to travel to his next show in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as “The Day the Music Died” in his song “American Pie“.

During his short career, Holly wrote and recorded many songs. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. This was unfounded considering he first saw Elvis with this line-up in Lubbock in 1955 when Holly was strictly a country music band. Holly was a major influence on later popular music artists, including Bob Dylan, the Beatles, the Rolling Stones, Eric Clapton, Brian May, Cliff Richard, the Hollies, Elvis Costello, Jeff Beck, Dave Edmunds, Fiona Apple, Lou Reed, Marshall Crenshaw, Freddie Mercury and Elton John. Holly was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of 100 Greatest Artists in 2010.

The galaxy cluster MACS-J0417.5-1154 is so massive it is warping the fabric of space-time and distorting the appearance of galaxies behind it, an effect known as gravitational lensing. This natural phenomenon magnifies distant galaxies and can also make them appear in an image multiple times, as NASA’s James Webb Space Telescope saw here. Two distant, interacting galaxies — a face-on spiral and a dusty red galaxy seen from the side — appear multiple times, tracing a familiar shape across the sky. Active star formation, and the face-on galaxy’s remarkably intact spiral shape, indicate that these galaxies’ interaction is just beginning. Astronomers used both telescopes to observe the galaxy cluster MACS-J0417.5-1154, which acts like a magnifying glass because the cluster is so massive it warps the fabric of space-time. This allows astronomers to see enhanced detail in much more distant galaxies behind the cluster. However, the same gravitational effects that magnify the galaxies also cause distortion, resulting in galaxies that appear smeared across the sky in arcs and even appear multiple times. These optical illusions in space are called gravitational lensing. 4.65 Bly distant!

George Roger Waters (born 6 September 1943) is an English musician and singer-songwriter. In 1965, he co-founded the rock band Pink Floyd as the bassist. Following the departure of the songwriter, Syd Barrett, in 1968, Waters became Pink Floyd’s lyricist, co-lead vocalist and conceptual leader until his departure in 1985.

Pink Floyd achieved international success with the concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979), and The Final Cut (1983). By the early 1980s, they had become one of the most acclaimed and commercially successful groups in popular music. Amid creative differences, Waters left in 1985 and began a legal dispute over the use of the band’s name and material. They settled out of court in 1987. Waters’s solo work includes the studio albums The Pros and Cons of Hitch Hiking (1984), Radio K.A.O.S. (1987), Amused to Death (1992), and Is This the Life We Really Want? (2017). In 2005, he released Ça Ira, an opera translated from Étienne and Nadine Roda-Gils’ libretto about the French Revolution.

In 1990, Waters staged one of the largest rock concerts in history, The Wall – Live in Berlin, with an attendance of 450,000. As a member of Pink Floyd, he was inducted into the US Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. Later in 2005, he reunited with Pink Floyd for the Live 8 global awareness event, their only appearance with Waters since 1981. He has toured extensively as a solo act since 1999. He performed The Dark Side of the Moon for his world tour of 2006–2008, and The Wall Live, his tour of 2010–2013, was the highest-grossing tour by a solo artist at the time.

Waters incorporates political themes in his work and is a prominent supporter of Palestine in the Israeli–Palestinian conflict. He has called for the removal of the Israeli West Bank Barrier, supports the Boycott, Divestment and Sanctions movement against Israel, and describes Israel’s treatment of Palestinians as apartheid. Some of his comments, such as his likening of Israel to Nazi Germany, and elements of his live shows, drew accusations of antisemitism, which Waters dismissed as a conflation of anti-Semitism with anti-Zionism.

Charles Moffett (September 6, 1929 – February 14, 1997) was an American free jazzdrummer.

Moffett was born in Fort Worth, Texas, where he attended I.M. Terrell High School with Ornette Coleman. Before switching to drums, Moffett began his musical career as a trumpeter. At the age of 13, he played trumpet with Jimmy Witherspoon, and later formed a band, the Jam Jivers, with fellow students Coleman and Prince Lasha.After switching to drums, Moffett briefly performed with Little Richard.

Moffett served in the United States Navy, after which he pursued boxing before studying music at Huston-Tillotson College in Austin. Moffett married in 1953 (Coleman was best man, and performed at the wedding), then began teaching music at a public school in Rosenberg, Texas

In 1961, Moffett moved to New York City to work with Ornette Coleman, but the saxophonist soon went into a brief retirement period. Moffett worked with Sonny Rollins, appeared on Archie Shepp‘s album Four for Trane, and led a group that included Pharoah Sanders and Carla Bley. When Coleman returned to performing in 1964, he formed a trio with Moffett and bassist David Izenzon. Moffett also performed on vibraphone.

About 70,000 light-years across, NGC 247 is a spiral galaxy smaller than our Milky Way. Measured to be only 11 million light-years distant it is nearby though. Tilted nearly edge-on as seen from our perspective, it dominates this telescopic field of view toward the southern constellation Cetus. The pronounced void on one side of the galaxy’s disk recalls for some its popular name, the Needle’s Eye galaxy. Many background galaxies are visible in this sharp galaxy portrait, including the remarkable string of four galaxies just below and left of NGC 247 known as Burbidge’s Chain. Burbidge’s Chain galaxies are about 300 million light-years distant. NGC 247 itself is part of the Sculptor Group of galaxies along with shiny spiral NGC 253.

John Milton Cage Jr. (September 5, 1912 – August 12, 1992 LA,CA) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage’s romantic partner for most of their lives.

Cage’s teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage’s major influences lay in various East and South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951. The I Ching, an ancient Chinese classic text and decision-making tool, became Cage’s standard composition tool for the rest of his life. In a 1957 lecture, “Experimental Music”, he described music as “a purposeless play” which is “an affirmation of life – not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we’re living”.

Cage’s best known work is the 1952 composition 4′33″, a piece performed in the absence of deliberate sound; musicians who present the work do nothing but be present for the duration specified by the title. The content of the composition is intended to be the sounds of the environment heard by the audience during performance. The work’s challenge to assumed definitions about musicianship and musical experience made it a popular and controversial topic both in musicology and the broader aestheticsof art and performance. Cage was also a pioneer of the prepared piano (a piano with its sound altered by objects placed between or on its strings or hammers), for which he wrote numerous dance-related works and a few concert pieces. These include Sonatas and Interludes (1946–48).