mick laBriola

This image, taken with Hubble’s Wide Field Camera 3 (WFC3), features the spiral galaxy NGC 4680. At 2 o’clock and 7 o’clock two other galaxies can be seen flanking NGC 4680. NGC 4680 enjoyed a wave of attention in 1997, as it played host to a supernova explosion known as SN 1997bp. Amazingly, the supernova was identified by an Australian amateur astronomer named Robert Evans, who has identified an extraordinary 42 supernova explosions.  NGC 4680 is actually a rather tricky galaxy to classify. It is sometimes referred to as a spiral galaxy, but it is also sometimes classified as a lenticular galaxy. Lenticular galaxies fall somewhere in between spiral galaxies and elliptical galaxies. Whilst NGC 4680 does have distinguishable spiral arms, they are not clearly defined, and the tip of one arm appears very diffuse. Galaxies are not static, and their morphologies (and therefore their classifications) vary throughout their lifetimes. Spiral galaxies are thought to evolve into elliptical galaxies, most likely by merging with one another, causing them to lose their distinctive spiral structures.

Derek Trucks (born June 8, 1979) is an American guitarist, songwriter, and founder of the Grammy Award-winning^[1] The Derek Trucks Band. He became an official member of The Allman Brothers Band in 1999. In 2010, he formed the Tedeschi Trucks Band with his wife, blues singer/guitarist Susan Tedeschi. His musical style encompasses several genres and he has twice appeared on Rolling Stone‘s list of 100 Greatest Guitarists of All Time. He is the nephew of the late Butch Trucks, drummer for the Allman Brothers.

Trucks was born in Jacksonville, Florida. According to Trucks, the name of Eric Clapton‘s band, Derek and the Dominos, had “something to do with the name [Derek] if not the spelling”.

Trucks bought his first guitar at a yard sale for $5 at age nine and became a child prodigy, playing his first paid performance at age 11. Trucks began playing the guitar using a slide because it allowed him to play the guitar despite his small hands as a young guitarist. By his 13th birthday, Trucks had played alongside Buddy Guy and toured with Thunderhawk.

https://www.youtube.com/watch?v=X1n6PgSC6IQ

William Russell Watrous III (June 8, 1939 – July 2, 2018) was an American jazz trombonist. He is perhaps best known by casual fans of jazz music for his rendition of Sammy Nestico‘s arrangement of the Johnny Mandel ballad “A Time for Love” which he recorded on a 1993 album of the same name. A self-described “bop-oriented” player, he was well known among fellow trombonists as a master technician and for his mellifluous sound. Watrous’ father, also a trombonist, introduced him to the instrument at an early age. While serving in the U.S. Navy, Watrous studied with jazz pianist and composer Herbie Nichols. His first professional performances were in Billy Butterfield‘s band. Watrous’ career blossomed in the 1960s. He played and recorded with many prominent jazz musicians, including Maynard Ferguson, Woody Herman, Quincy Jones, Johnny Richards, and trombonist Kai Winding. He also played in the house band on the Merv Griffin Show from 1965 to 1968. In 1971, he played with the jazz fusion group Ten Wheel Drive. Also in the 1970s, Watrous formed his own band, The Manhattan Wildlife Refuge Big Band, which recorded two albums for Columbia Records. The band was later renamed Refuge West when Watrous moved to southern California.

Flamenco singer Alfonso Paredes ‘Niño Alfonso’, one of the leading supporters of the iconic International Festival of Cante de las Mina, died on June 7, 2021. He was one of the most beloved Flamenco artists from La Unión in southeastern Spain. He received the prestigious Honorary Lámpara Minera award in 2016.

Alfonso Paredes was born on April 28, 1934 in La Unión (Murcia, Spain). Son and grandson of a miner, he was one of the singers who recovered the canciones de las minas (miner songs) since the age of 6 after he came into contact with professional guitarist Vicente Vera. During his youth, Paredes obtained important awards in different competitions in the region of Murcia, standing out for his extensive Flamenco repertoire in malagueñas, granainas and fandangos that he performed with a very personal style.

A nova. Although novas occur frequently throughout the universe, this nova, known as Nova Cas 2021 or V1405 Cas, became so unusually bright in the skies of Earth last month that it was visible to the unaided eye. Nova Cas 2021 first brightened in mid-March but then, unexpectedly, became even brighter in mid-May and remained quite bright for about a week. The nova then faded back to early-May levels, but now is slightly brightening again and remains visible through binoculars. Identified by the arrow, the nova occurred toward the constellation of Cassiopeia, not far from the Bubble Nebula. A nova is typically caused by a thermonuclear explosion on the surface of a white dwarf star that is accreting matter from a binary-star companion — although details of this outburst are currently unknown. Novas don’t destroy the underlying star, and are sometimes seen to recur. The featured image was created from 14 hours of imaging from Detroit, Michigan, USA. Both professional and amateur astronomers will likely continue to monitor Nova Cas 2021 and hypothesize about details of its cause.

Prince Rogers Nelson (June 7, 1958 – April 21, 2016), known simply as Prince, was an American singer-songwriter, multi-instrumentalist, record producer, actor, and director. Regarded as one of the greatest musicians of his generation, he worked across multiple genres and often played most or all instruments on recordings. He was known for his flamboyant and androgynous persona, with a wide vocal range which included a far-reaching falsetto and high-pitched screams.

Prince’s music integrated a wide variety of styles, including funk, R&B, Latin, rock, new wave, classical, soul, synth-pop, psychedelia, pop, jazz, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media. He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as “Nothing Compares 2 U” and “Manic Monday“. Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000.

Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. Prince went on to achieve critical success with the innovative albums Dirty Mind (1980), Controversy (1981), and 1999 (1982). His sixth album, Purple Rain (1984), was recorded with his backup band the Revolution, and was the soundtrack to his film acting debut of the same name. Purple Rain spent six consecutive monthsatop the Billboard 200. Prince won the Academy Award for Best Original Song Score. After disbanding the Revolution, Prince went on to achieve continued critical success with Sign o’ the Times (1987). In the midst of a contractual dispute with Warner Bros. in 1993, he changed his stage name to the unpronounceable symbol (known to fans as the “Love Symbol”), and was sometimes referred to as The Artist Formerly Known as Prince or TAFKAP, or simply the Artist. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. After returning to mainstream prominence following a performance at the Grammy Awards ceremony in 2004, he scored six US top ten albums over the following decade.

In mid-life, Prince reportedly experienced considerable pain from injuries to his body (mainly hips) sustained through his dynamic stage performances (which included leaping off speaker stacks in high heels), and was sometimes seen using a cane. In April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. Prince sold over 150 million records worldwide, ranking him among the best-selling music artists of all time. His awards included the Grammy President’s Merit Award, the American Music Awards for Achievement and of Merit, the Billboard Icon Award, an Academy Award, and a Golden Globe Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016.

Beryl Booker (June 7, 1922 – September 30, 1978) was an American swing pianist of the 1950s. She was born in Philadelphia.

She played with Slam Stewart‘s trio in 1946, and played off and on with him until 1951. She also played accompaniment for Dinah Washington. In 1951 she became part of the newly formed Austin Powell Quintet (consisting of former Cats and the Fiddle members Doris Knighton, Johnny Davis and Stanley Gaines, and also Dottie Smith) which recorded one Decca single entitled “All This Can’t Be True” before disbanding.

In early 1952, Booker led a quintet which played Birdland, featuring Don Elliot, Chuck Wayne, Clyde Lombardi and Connie Kay. Recordings with Miles Davis sitting in on the group have been preserved. In 1953, she formed her own trio with Bonnie Wetzel and Elaine Leighton. This group toured Europe in 1954 as part of a show entitled “Jazz Club USA”, which featured Billie Holiday. After another stint with Dinah Washington in 1959, she slipped into obscurity.

Harold Floyd “Tina” Brooks (June 7, 1932 – August 13, 1974) was an American hard bop, blues, and funk tenor saxophonist and composer.

Harold Floyd Brooks was born in Fayetteville, North Carolina, and was the brother of David “Bubba” Brooks. The nickname “Tina”, pronounced Teena, was a variation of “Teeny”, a childhood moniker. His favourite tune was “My Devotion”. He studied harmony and theory with Herbert Bourne. Initially, he studied the C-melody saxophone, which he began playing shortly after he moved to New York with his family in 1944. Brooks’ first professional work came in 1951 with rhythm and blues pianist Sonny Thompson, and in 1955 Brooks played with vibraphonist Lionel Hampton. Brooks also received less formal guidance from trumpeter and composer “Little” Benny Harris, who led the saxophonist to his first recording as a leader. Harris, in fact, was the one who recommended him to Blue Note producer Alfred Lion in 1958.

Brooks is best known for his work for the Blue Note label between 1958 and 1961, recording as a sideman with Kenny Burrell, Freddie Hubbard, Jackie McLean, Freddie Redd, and Jimmy Smith. Around the same period, Brooks was McLean’s understudy in The Connection, a play by Jack Gelber with music by Redd, and performed on an album of music from the play on Felsted Records, a session which also featured Howard McGhee.Brooks did not record after 1961. Plagued by heroin dependency, and gradually deteriorating health, he died of liver failure aged 42.

Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. He was nicknamed “Octopus” because of how his large, quick hands spread over the fretboard. As Steve Rochinski notes, “Of all the guitarists to emerge in the first generation after Charlie Christian, Tal Farlow, more than any other, has been able to move beyond the rhythmic, melodic, and harmonic vocabulary associated with the early electric guitar master. Tal’s incredible speed, long, weaving lines, rhythmic excitement, highly developed harmonic sense, and enormous reach (both physical and musical) have enabled him to create a style that clearly stands apart from the rest.” Where guitarists of his day combined rhythmic chords with linear melodies, Farlow placed single notes together in clusters, varying between harmonically enriched tones. As music critic Stuart Nicholson put it, “In terms of guitar prowess, it was the equivalent of Roger Bannister breaking the four-minute mile.”

Talmage Holt Farlow was born in Greensboro, North Carolina, in 1921. He taught himself how to play guitar, which he started when he was twenty-two years old. He learned chord melodies by playing a mandolin tuned like a ukulele. He said playing the ukulele was the reason he used the higher four strings on the guitar for the melody and chord structure, with the two bottom strings for bass counterpoint, which he played with his thumb. His only professional training was as an apprentice sign painter. He requested the night shift so he could listen to big band standards on the shop radio. He listened to Bix Beiderbecke, Louis Armstrong, and Eddie Lang. His career was influenced by hearing Charlie Christian playing electric guitar with the Benny Goodman band. He said he made his own electric guitar because he couldn’t afford one.

The Orion Nebula is arguably the finest of all nebulae within the Milky Way visible from the Northern Hemisphere. With a gaseous repository of 10,000 suns, and illuminated by a cluster of hot young stars, the clouds of Messier 42 — as it is also known — glow with fantastic colours and shapes, giving us a bird’s eye view of one of the greatest star forming nurseries in our part of the Milky Way. Messier 42 is a complex of glowing gas, mostly hydrogen but also helium, carbon, nitrogen, and oxygen in decreasing amounts, located 1,500 light-years away. At its very heart, we find the Trapezium, a group of four very hot stars that illuminate the nebula. They are the brightest of an extended cluster of several thousand young stars many of which lie unseen within the opaque gas and dust. Amazingly, whilst the Orion Nebula is easy to identify with the unaided eye, there is apparently no written record of its existence before the 17th century. This image is based on data acquired with the 1.5 m Danish telescope at the ESO La Silla Observatory in Chile, through three filters (B: 60 s, V: 30 s, R: 21 s). East is at the upper right corner and North is at the lower right.

Montgomery Bernard “Monty” Alexander (born 6 June 1944) is a Jamaican jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He was influenced by Louis Armstrong, Duke Ellington, Nat King Cole, Oscar Peterson, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. Monty’s recording career has covered many of the well known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs.

Alexander was born on 6 June 1944 in Kingston, Jamaica. He discovered the piano when he was four years old and seemed to have a knack for picking melodies out by ear. His mother sent him to classical music lessons at the age of six and he became interested in jazz piano at the age of 14. He began playing in clubs, and on recording sessions by Clue J & His Blues Blasters, subbing for Aubrey Adams, whom he describes as his hero, when he was unable to play. Two years later, he directed a dance orchestra (Monty and the Cyclones) and played in the local clubs covering much of the 1960s early rock and pop dance hits. Performances at the Carib Theater in Jamaica by Louis Armstrong and Nat King Cole left a strong impression on the young pianist.

Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer.

Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, “A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar … Green’s playing is immediately recognizable – perhaps more than any other guitarist.” Critic Dave Hunter described his sound as “lithe, loose, slightly bluesy and righteously groovy”. He often performed in an organ trio, a small group with an organ and drummer.

Apart from guitarist Charlie Christian, Green’s primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicians. The simplicity and immediacy of Green’s playing, which tended to avoid chromaticism, derived from his early work playing rhythm and blues and, although he achieved a synthesis of this style with bop, he was a skilled blues and funk guitarist and returned to this style in his later career.

Grant Green was born on June 6, 1935 in St. Louis, Missouri to John and Martha Green. His father was at various times a laborer and a Saint Louis policeman. Green first performed in a professional setting at the age of 13 as a member of a gospel music ensemble. His influences were Charlie Christian, Charlie Parker, Lester Young, and Jimmy Raney, he first played boogie-woogie before moving on to jazz. His first recordings in St. Louis were with tenor saxophonist Jimmy Forrest for the United label, where Green played alongside drummer Elvin Jones. Green recorded with Jones for several albums in the mid-1960s. In 1959, Lou Donaldson discovered Green playing in a bar in St. Louis hired him for his touring band. Green moved to New York at some point during 1959–60.

James Melvin Lunceford (June 6, 1902 – July 12, 1947) was an American jazz alto saxophonist and bandleader in the swing era. Lunceford was born on a farm in the Evergreen community, west of the Tombigbee River, near Fulton, Mississippi. The 53-acre (21 ha) farm was owned by his father, James. His mother was Idella (“Ida”) Shumpert of Oklahoma City, an organist of “more than average ability”. Seven months after James Melvin was born, the family moved to Oklahoma City. The family next moved to Denver where Lunceford went to high school and studied music under Wilberforce J. Whiteman, father of Paul Whiteman, whose band was soon to acquire a national reputation. As a child in Denver, he learned several instruments. After high school, Lunceford continued his studies at Fisk University. In 1922, he played alto saxophone in a local band led by the violinist George Morrison which included Andy Kirk, another musician destined for fame as a bandleader.

In 1927, while an athletic instructor at Manassas High School in Memphis, Tennessee, Lunceford organized a student band, the Chickasaw Syncopators, whose name was changed to the Jimmie Lunceford Orchestra. Under the new name, the band started its professional career in 1929, and made its first recordings in 1930. Lunceford was the first public high school band director in Memphis.

After a period of touring, in 1934 the band accepted a booking at the Harlem nightclub The Cotton Club for their revue “Cotton Club Parade” starring Adelaide Hall. The Cotton Club had already featured Duke Ellington and Cab Calloway, who won their first widespread fame from their inventive shows for the Cotton Club’s all-white patrons. With their tight musicianship and the often outrageous humor in their music and lyrics, Lunceford’s orchestra made an ideal band for the club, and Lunceford’s reputation began to steadily grow.