mick laBriola

This week’s Hubble/ESA Picture of the Week features NGC 7678 — a galaxy located approximately 164 million light-years away in the constellation of Pegasus (The Winged Horse). With a diameter of around 115 000 light-years, this bright spiral galaxy is a similar size to our own galaxy (the Milky Way), and was discovered in 1784 by the German-British astronomer William Herschel. The Atlas of Peculiar Galaxies is a catalogue which was produced in 1966 by the American astronomer Halton Arp. NGC 7678 is among the 338 galaxies presented in this catalogue, which organises peculiar galaxies according to their unusual features. Catalogued here as Arp 28, this galaxy is listed together with six others in the group “spiral galaxies with one heavy arm”.

Yvette Marie Stevens (born March 23, 1953 Chicago), better known by her stage name Chaka Khan, is an American musician, singer and songwriter. Her career has spanned nearly five decades, beginning in the 1970s as the lead vocalist of the funk band Rufus. Known as the “Queen of Funk”, Khan was the first R&B artist to have a crossover hit featuring a rapper, with “I Feel for You” in 1984. Khan has won ten Grammy Awards and has sold an estimated 70 million records worldwide.

With Rufus, she achieved four gold singles, four gold albums, and two platinum albums. In the course of her solo career, Khan achieved three goldsingles, three gold albums, and one platinum album with I Feel for You. She has collaborated with Ry Cooder, Robert Palmer, Ray Charles, Quincy Jones, Guru, Chicago, De la Soul, Mary J. Blige, among others. In December 2016, Billboard magazine ranked her as the 65th most successful dance artist of all time. She was ranked at No. 17 in VH1‘s original list of the 100 Greatest Women of Rock & Roll. She has been nominated for induction into the Rock and Roll Hall of Fame three times as a solo artist and four times as a member of Rufus featuring Chaka Khan; the first time in 2012 as a member of Rufus.

Woodville bluesman Robert Cage was born in New Orleans on March 23, 1937, but his family, which has roots in southwestern Mississippi, soon moved to Natchez, where he spent his first six years. They then moved to the Percy Creek community, about ten miles west of Woodville near Lake Mary, where he lived for several decades. He recalls that the first time he heard blues was via records on the “autophone” at his mother Carrie’s juke joint, which was located next to their home. [“Autophone” was the brand name of an early coin-operated machine, though was used generically to refer to jukeboxes]. He recalls that there were other jukes in the area, including Nancy Green’s near Port Adams.

Cage particularly enjoyed the recordings of John Lee Hooker, and was also influenced by local performers who played at the juke, including guitarist Lee Baker and fiddler Nolan Cage, a relative. His most important influence, though, was the guitarist/vocalist Scott Dunbar [1904-1994], who worked as a fishing guide on Lake Mary and often performed solo at the juke. In the mid-‘50s folklorist Frederic Ramsey recorded Dunbar as well as several of his family members, and Folkways Records later issued the recordings; a photograph of Dunbar appears on the first edition of Ramsey’s 1960 book Been Here and Gone. Dunbar. Folklorist Bill Ferris later recorded Dunbar, and a 1970 LP of Dunbar’s music on the Ahura Mazda label, From Lake Mary, was later reissued on CD on Fat Possum. Cage passed away on July 23, 2012.

Iverson Minter (March 23, 1932 – February 25, 2012), known as Louisiana Red, was an American blues guitarist, harmonica player, and singer, who recorded more than 50 albums. He was best known for his song “Sweet Blood Call”.

Born in Bessemer, Alabama, Minter lost his parents early in life; his mother died of pneumonia shortly after his birth, and his father was lynched by the Ku Klux Klan in 1937. He was brought up by a series of relatives in various towns and cities. Red recorded for Chess in 1949, before joining the Army. He was trained as a parachutist with the 82nd Airborne and was sent to Korea in 1951. The 82nd Airborne was not deployed as a complete unit in Korea, but soldiers from this unit were dispatched as Rangers in the 2nd, 3rd and 7th Infantry Divisions. Minter said he was assigned to the 3rd Infantry Division.

Granville Henry “Sticks” McGhee (March 23, 1918 – August 15, 1961) was an American jump blues guitarist, singer and songwriter, best known for his blues song “Drinkin’ Wine, Spo-Dee-O-Dee”, which he wrote with J. Mayo Williams

McGhee was born in Knoxville, Tennessee, and grew up in Kingsport, Tennessee. He received his nickname when he was a child. He used a stick to push a wagon carrying his older brother Brownie McGhee, who had contracted polio. Granville began playing the guitar when he was thirteen years old. After his freshman year he dropped out of high school and worked with his father at the Eastman Kodak subsidiary, Tennessee Eastman Company in Kingsport. In 1940, Granville quit his job and moved to Portsmouth, Virginia, and then to New York City. He entered the military in 1942 and served in the U.S. Army during World War II. After being discharged in 1946, he settled in New York.

What’s up in the sky from Auriga to Orion? Many of the famous stars and nebulas in this region were captured on 34 separate images, taking over 430 hours of exposure, and digitally combined to reveal the featured image. Starting on the far upper left, toward the constellation of Auriga (the Chariot driver), is the picturesque Flaming Star Nebula (IC 405). Continuing down along the bright arc of our Milky Way Galaxy, from left to right crossing the constellations of the Twins and the Bull, notable appearing nebulas include the Tadpole, Simeis 147, Monkey Head, Jellyfish, Cone and Rosette nebulas. In the upper right quadrant of the image, toward the constellation of Orion (the hunter), you can see Sh2-264, the half-circle of Barnard’s Loop, and the Horsehead and Orion nebulas. Famous stars in and around Orion include, from left to right, orange Betelgeuse(just right of the image center), blue Bellatrix (just above it), the Orion belt stars of Mintaka, Alnilam, and Alnitak, while bright Rigel appears on the far upper right. This stretch of sky won’t be remaining up in the night very long — it will be setting continually earlier in the evening as mid-year approaches.

William Keith Relf (22 March 1943 – 12 May 1976) was an English musician, best known as the lead vocalist and harmonica player for the Yardbirds.

Relf started playing in bands around the summer of 1956 as a singer, guitarist, and harmonica player. His blues harp and vocals were as key to the Yardbirds’ sound and success as were the group’s three superstar lead guitarists Eric Clapton, Jeff Beck, and Jimmy Page.

Relf co-wrote many of the original Yardbirds songs (“Shapes of Things“, “I Ain’t Done Wrong”, “Over Under Sideways Down“, “Happenings Ten Years Time Ago“), later showing a leaning towards acoustic/folk music as the sixties unfolded (“Only the Black Rose”). He also sang an early version of “Dazed and Confused” in live Yardbirds concerts, after hearing musician Jake Holmes perform the song, which was later recorded by the band’s successor group Led Zeppelin. Relf died in the basement of his home in 1976 at age 33 from electrocution while playing an electric guitar. Relf had several health problems throughout his life, including emphysema and asthma. He may have been taking the medications commonly used to treat those diseases at the time, and these may have contributed to his inability to survive the electric shock.

George Washington Benson (born March 22, 1943) is an American guitarist, singer, and songwriter. He began his professional career at the age of 19 as a jazz guitarist.

A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others. He then launched a successful solo career, alternating between jazz, pop, R&B singing, and scat singing. His album Breezin’ was certified triple-platinum, hitting no. 1 on the Billboardalbum chart in 1976. His concerts were well attended through the 1980s, and he still has a large following. Benson has been honored with a staron the Hollywood Walk of Fame.

Benson was born and raised in the Hill District of Pittsburgh, Pennsylvania. At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday nights, but the police soon closed the club down. At the age of 9, he started to record. Out of the four sides he cut, two were released: “She Makes Me Mad” backed with “It Should Have Been Me”, with RCA Victor in New York; although one source indicates this record was released under the name “Little Georgie”, the 45rpm label is printed with the name George Benson. The single was produced by Leroy Kirkland for RCA’s rhythm and blues label, Groove Records. As he has stated in an interview, Benson’s introduction to showbusiness had an effect on his schooling. When this was discovered (tied with the failure of his single) his guitar was impounded. Luckily, after he spent time in a juvenile detention centre his stepfather made him a new guitar.

Weldon H. Philip Bonner, better known as Juke Boy Bonner (March 22, 1932 – June 29, 1978) was an American blues singer, harmonica player, and guitarist. He was influenced by Lightnin’ Hopkins, Jimmy Reed, and Slim Harpo. He accompanied himself on guitar, harmonica, and drums in songs such as “Going Back to the Country”, “Life Is a Nightmare”, and “Struggle Here in Houston”.

Born in Bellville, Texas, Bonner was one of nine children; his parents died when he was very young. Raised by a neighbor’s family, he moved in with his older sister in 1945. At the age of twelve he taught himself to play the guitar. He gained the nickname “Juke Boy” as a youth, because he frequently sang in local juke joints. Starting a musical career as teenager, he won the first prize at local disc jockey Trummie Cain’s weekly talent show at the Lincoln Theater in Houston, Texas in 1948. Through this he secured a 15-minute radio slot on a show operated by the record retailer Henry Atlas. After having three children with his wife, she left him to look after the children by himself.

Fred Anderson (March 22, 1929 – June 24, 2010) was an American jazz tenor saxophonist who was based in Chicago, Illinois. Anderson’s playing was rooted in the swing music and hard bop idioms, but he also incorporated innovations from free jazz. Anderson was also noted for having mentored numerous young musicians. Critic Ben Ratliff called him “a father figure of experimental jazz in Chicago”. Writer John Corbett referred to him as “scene caretaker, underground booster, indefatigable cultural worker, quiet force for good.” In 2001, author John Litweiler called Anderson “the finest tenor saxophonist in free jazz/underground jazz/outside jazz today.”

Anderson was born in Monroe, Louisiana. When he was ten, his parents separated, and he moved to Evanston, Illinois, where he initially lived with his mother and aunt in a one-room apartment. When Anderson was a teenager, a friend introduced him to the music of Charlie Parker, and he soon decided he wanted to play saxophone, purchasing his first instrument for $45. He listened to Lester Young, Johnny Hodges, Dexter Gordon, Gene Ammons, and Illinois Jacquet, all of whom would influence his playing. He also heard Young and Parker in concert on multiple occasions.^[12]Unlike many musicians at the time, Anderson did not play with dance bands or school ensembles, and instead focused on practicing, taking private lessons, and studying music theory at the Roy Knapp Conservatory in Chicago, all the while supporting his family by working as a waiter.

The Eagle Nebula (catalogued as Messier 16 or M16, and as NGC 6611, and also known as the Star Queen Nebula and The Spire) is a young open cluster of stars in the constellation Serpens, discovered by Jean-Philippe de Cheseaux in 1745–46. Both the “Eagle” and the “Star Queen” refer to visual impressions of the dark silhouette near the center of the nebula, an area made famous as the “Pillars of Creation” imaged by the Hubble Space Telescope. The nebula contains several active star-forming gas and dust regions, including the aforementioned Pillars of Creation.

David Perry Lindley (born March 21, 1944) is an American musician who founded the band El Rayo-X, and who has worked with many other performers including Jackson Browne, Warren Zevon, Curtis Mayfield and Dolly Parton. He has mastered such a wide variety of instruments that Acoustic Guitar magazine referred to Lindley not as a multi-instrumentalist, but instead as a “maxi-instrumentalist.”

The majority of the instruments that Lindley plays are string instruments, including the acoustic and electric guitar, upright and electric bass, banjo, lap steel guitar, mandolin, hardingfele, bouzouki, cittern, bağlama, gumbus, charango, cümbüş, oud, and zither.

Lindley was a founding member of the 1960s band Kaleidoscope, and has worked as musical director for several touring artists. In addition, he has occasionally scored and composed music for film.

When Lindley was growing up in Los Angeles, his father had an extensive collection of 78 rpm records that included Korean folk and Indian sitar music. Lindley took up the violin at age 3, but broke the bridge. He then moved on to the baritone ukelele in his early teens. Then Lindley took to playing the banjo and the fiddle. By his late teens, he was acknowledged as an award-winning player, having won the Topanga Banjo•Fiddle Contest five times.

Solomon Vincent McDonald Burke (born James Solomon McDonald, March 21, 1936 or 1940 – October 10, 2010 Philadelphia, PA) was an American preacher and singer who shaped the sound of rhythm and blues as one of the founding fathers of soul music in the 1960s. He has been called “a key transitional figure bridging R&B and soul”, and was known for his “prodigious output”.He had a string of hits including “Cry to Me“, “If You Need Me“, “Got to Get You Off My Mind“, “Down in the Valley“, and “Everybody Needs Somebody to Love“. Burke was referred to honorifically as “King Solomon”, the “King of Rock ‘n’ Soul”, “Bishop of Soul”, and the “Muhammad Ali of soul”. Due to his minimal chart success in comparison to other soul music greats such as James Brown, Wilson Pickett, and Otis Redding, Burke has been described as the genre’s “most unfairly overlooked singer” of its golden age. Atlantic Records executive Jerry Wexler referred to Burke as “the greatest male soul singer of all time”.

Burke’s most famous recordings, which spanned five years in the early 1960s, bridged the gap between mainstream R&B and grittier R&B.Burke was “a singer whose smooth, powerful articulation and mingling of sacred and profane themes helped define soul music in the early 1960s.” He drew from his roots—gospel, jazz, country, and blues—as well as developing his own style at a time when R&B, and rock were both still in their infancy.^[14] Described as both “Rabelaisian“ and also as a “spiritual enigma,” “perhaps more than any other artist, the ample figure of Solomon Burke symbolized the ways that spirituality and commerce, ecstasy and entertainment, sex and salvation, individualism and brotherhood, could blend in the world of 1960s soul music.”

During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock and Roll Hall of Fameas a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Annual Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums. Rolling Stone ranked Burke as No. 89 on its 2008 list of “100 Greatest Singers of All Time”.

Otis Spann (March 21, 1924 or 1930 – April 24, 1970) was an American blues musician, whom many consider to be the leading postwar Chicago blues pianist. Sources differ over Spann’s early years. Some state that he was born in Jackson, Mississippi, in 1930, but the researchers Bob Eagle and Eric LeBlanc concluded, on the basis of census records and other official information, that he was born in 1924 in Belzoni, Mississippi.

Spann’s father was, according to some sources, a pianist called Friday Ford. His mother, Josephine Erby, was a guitarist who had worked with Memphis Minnie and Bessie Smith, and his stepfather, Frank Houston Spann, was a preacher and musician. One of five children, Spann began playing the piano at the age of seven, with some instruction from Friday Ford, Frank Spann, and Little Brother Montgomery.

By the age of 14, he was playing in bands in the Jackson area. He moved to Chicago in 1946, where he was mentored by Big Maceo Merriweather. Spann performed as a solo act and with the guitarist Morris Pejoe, working a regular spot at the Tic Toc Lounge. Spann became known for his distinctive piano style. He replaced Merriweather as Muddy Waters’s piano player in late 1952 and participated in his first recording session with the band on September 24, 1953. He continued to record as a solo artist and session player with other musicians, including Bo Diddley and Howlin’ Wolf, during his tenure with the group. He stayed with Muddy Waters until 1968.

Manolis Chiotis (Greek: Μανώλης Χιώτης; March 21, 1921, Thessaloniki – March 20, 1970, Athens) was a Greek rebetiko and laiko composer, singer, and bouzouki player. He is considered one of the greatest bouzouki soloists of all time. He popularised the four-course bouzouki (tetrachordo) and introduced the guitar-like tuning, who found it better suited to the kind of virtuoso playing he was famous for.

Chiotis had other successes. In the summer of 1961, he played for Aristotle Onassis and Maria Callas, Prince Rainier III of Monaco and Grace Kelly. Journalist Dimitris Liberopoulos, Onassis’ biographer, writes in his book that when the two couples joined one of Chiotis’ shows in Athens, they asked to meet him in person to congratulate him.

Callas told Chiotis that she had been translating the lyrics of his songs to Princess Grace all night long and the American actress loved them because “she is a woman in love.” At that moment, Kelly asked Chiotis what the difference between a bouzouki and an electric guitar is.

Chiotis’ answer was rather unexpected; “Mrs. Callas, please explain to Princess Grace that the strings of an electric guitar vibrate due to electricity, while the strings of a bouzouki vibrate through the heart.”