mick laBriola

Spectacular 3D maps of the universe have revealed one of the biggest cosmic structures ever found — an almost-inconceivable wall stretching 1.4 billion light-years across that contains hundreds of thousands of galaxies.

The South Pole Wall, as it’s been dubbed, has been hiding in plain sight, remaining undetected until now because large parts of it sit half a billion light-years away behind the bright Milky Way galaxy. The South Pole Wall rivals in size the Sloan Great Wall, the sixth largest cosmic structure discovered. (One light-year is roughly 6 trillion miles, or 9 trillion kilometers, so this “biggest cosmic structure” is mind-bendingly humongous.)

Joseph Satriani (born July 15, 1956) is an American musician, composer, songwriter, and guitar teacher. Early in his career, Satriani worked as a guitar instructor, with many of his former students achieving fame, such as Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick; he then went on to have a successful solo music career. He is a 15-time Grammy Award nominee and has sold over 10 million albums, making him the best-selling instrumental rock guitarist of all time.

In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour. Satriani briefly toured with Deep Purple as the guitarist, joining shortly after the departure of Ritchie Blackmore in November 1993. He has worked with a range of guitarists during the G3 tour, which he founded in 1995. Satriani has been the guitarist for the supergroup Chickenfoot since joining the band in 2008.

Satriani was born in Westbury, New York of Italian descent. His paternal grandparents were from Piacenza and Bobbio, while his maternal grandparents were from Bari. He was inspired to play guitar at age 14, after hearing of the death of Jimi Hendrix. He has been said to have heard the news during football practice, where he then announced to his coach that he was quitting to become a guitarist.

In 1974, Satriani studied music with jazz guitarist Billy Bauer and with reclusive jazz pianist Lennie Tristano. The technically demanding Tristano greatly influenced Satriani’s playing. Satriani began teaching guitar, with his most notable student at the time being fellow Long Island native Steve Vai(both also went to the same high school). While he was teaching Vai, he was attending Five Towns College for studies in music. In 1978, Satriani moved to Berkeley, California, to pursue a music career. Soon after arriving in California, he resumed teaching. His students included Steve Vai, Kirk Hammett of Metallica, David Bryson of Counting Crows, Kevin Cadogan from Third Eye Blind, Larry LaLonde of Primus and Possessed, Alex Skolnickof Testament, Rick Hunolt (ex-Exodus), Phil Kettner of Lȧȧz Rockit, Geoff Tyson of T-Ride, Charlie Hunter and David Turin.

Linda Maria Ronstadt (born July 15, 1946 Tucson, AZ) is a retired American singer who performed and recorded in diverse genres including rock, country, light opera, and Latin. She has earned 10 Grammy Awards, three American Music Awards, two Academy of Country Music awards, an Emmy Award, and an ALMA Award. Many of her albums have been certified gold, platinum or multiplatinum in the United States and internationally. She has also earned nominations for a Tony Award and a Golden Globe award. She was awarded the Latin Grammy Lifetime Achievement Award by the Latin Recording Academy in 2011 and also awarded the Grammy Lifetime Achievement Award by the Recording Academy in 2016. She was inducted into the Rock and Roll Hall of Fame in April 2014. On July 28, 2014, she was awarded the National Medal of Arts and Humanities. In 2019, she received a star jointly with Dolly Parton and Emmylou Harris on the Hollywood Walk of Fame for their work as the group Trio. Ronstadt was among the five honorees who received the 2019 Kennedy Center Honors for lifetime artistic achievements at the annual event on December 8, 2019, in Washington, D.C., at the John F. Kennedy Center for the Performing Arts.

Ronstadt has released 24 studio albums and 15 compilation or greatest hits albums. She charted 38 US Billboard Hot 100 singles. Twenty-one of those singles reached the top 40, ten reached the top 10, and one reached number one (“You’re No Good“). Her success did not translate to the UK, with only the single “Blue Bayou” reaching the UK Top 40. Ronstadt’s duet with Aaron Neville, “Don’t Know Much“, peaked at number 2 in December 1989. She has charted 36 albums, ten top-10 albums, and three number 1 albums on the US Billboard Pop Album Chart.

Ronstadt has collaborated with artists in diverse genres, including Bette Midler, Billy Eckstine, Frank Zappa, Carla Bley (Escalator Over the Hill), Rosemary Clooney, Flaco Jiménez, Philip Glass, Warren Zevon, Emmylou Harris, Gram Parsons, Dolly Parton, Neil Young, Paul Simon, Earl Scruggs, Johnny Cash, and Nelson Riddle. She has lent her voice to over 120 albums and has sold more than 100 million records, making her one of the world’s best-selling artists of all time. Christopher Loudon, of Jazz Times, wrote in 2004 that Ronstadt is “blessed with arguably the most sterling set of pipes of her generation.”

Ronstadt reduced her activity after 2000 when she felt her singing voice deteriorating, releasing her last full-length album in 2004 and performing her last live concert in 2009. She announced her retirement in 2011 and revealed shortly afterwards that she is no longer able to sing as a result of a degenerative condition later determined to be progressive supranuclear palsy. Since then, Ronstadt has continued to make public appearances, going on a number of public speaking tours in the 2010s. She published an autobiography, Simple Dreams: A Musical Memoir, in September 2013. A documentary based on her memoirs, Linda Ronstadt: The Sound of My Voice, was released in 2019.

Julian Alexander Bream, CBE (born 15 July 1933), is an English virtuoso classical guitarist and lutenist. One of the most distinguished classical guitarists of the 20th century, he played a significant role in improving the public perception of the classical guitar as a respectable instrument.

Bream was born in Battersea, London, and brought up in a musical environment in Hampton. Bream described his parents as both “conventional suburban”, but in another way “very unusual”. His father was a commercial artist, with an “extraordinary talent for drawing” and a “natural musician” according to Bream. Bream would lie under the piano in “ecstasy” when his father played. His mother, of Scottish descent, was a very beautiful woman who was often, according to Bream, “not always there” mentally and did not like music, but was a warm-hearted person. His grandmother owned a pub in Battersea, and Bream spent much time there during his youth. His father played jazz guitar and the young Bream was impressed by the playing of Django Reinhardt; he would later call his dog “Django”.

Bream began his lifelong association with the guitar by strumming along on his father’s jazz guitar at an early age to dance music on the radio. He became frustrated with his lack of knowledge of harmony, so read instruction books by Eddie Lang to teach himself.^[4] His father taught him the basics. The president of the Philharmonic Society of Guitars, Dr Boris Perott, gave Bream further lessons, while his father became the society librarian, giving young Bream access to a large collection of rare music.

On his 11th birthday, Bream was given a small gut-strung Spanish guitar by his father. He became something of a child prodigy, at 12 winning a junior exhibition award for his piano playing, enabling him to study piano and composition at the Royal College of Music. Aged 13, he made his debut guitar recital at Cheltenham on 17 February 1947; in 1951, he debuted at Wigmore Hall.

Joseph Rudolph “Philly Joe” Jones (July 15, 1923 – August 30, 1985) was an American jazz drummer, known as the drummer for the first “Great” Miles Davis Quintet. He should not be confused with “Papa” Jo Jones, another drummer who had a long tenure with Count Basie. The two men died only a few days apart.

As a child, Jones appeared as a featured tap dancer on The Kiddie Show on the Philadelphia radio Station WIP. He was in the US Army during World War II.

In 1947 he became the house drummer at Café Society in New York City, where he played with the leading bebop players of the day. Among them, the most important influence on Jones was Tadd Dameron. Jones toured and recorded with Miles Davis Quintet from 1955 to 1958—a band that became known as “The Quintet” (along with Red Garland on piano, John Coltrane on sax, and Paul Chambers on bass). Davis acknowledged that Jones was his favorite drummer, and stated in his autobiography that he would always listen for Jones in other drummers.

From 1958 Jones worked as a leader, but continued to work as a sideman with other musicians, including Bill Evans and Hank Mobley. Evans, like Davis, also openly stated that Jones was his all-time favorite drummer.

Sadik Hakim (born Forrest Argonne Thornton; July 15, 1919 – June 20, 1983) was an American jazz pianist and composer.

Forrest Argonne Thornton was born on July 15, 1919 in Duluth, Minnesota. The name Argonne came from the World War I battle. He was taught music by his grandfather and played locally before moving to Chicago.

In Chicago in 1944, Hakim was heard by the tenor saxophonist Ben Webster, who took him to New York to be the pianist in his band. He appeared on some Charlie Parker recordings for Savoy Records in the following year. He toured with another saxophonist, Lester Young from 1946 to 1948, including for recordings. He changed his name to Sadik Hakim, a Muslim formulation, in 1947. “In the 1950s Hakim played in Canada with Louis Metcalf, toured with James Moody (1951–4), and was a member of Buddy Tate‘s orchestra (1956–60).” Hakim’s debut recording as a leader was in 1962, on an album for Charlie Parker Records that was shared with Duke Jordan. “Around 1966 he moved to Montreal, where he played in nightclubs. He toured Europe for a year, played in a trio at a festival in Duluth (1976), and then returned to New York; he toured Japan in 1979–80.”

Hakim returned to recording as a leader in 1973, laying down material that was released by CBC, Progressive, SteepleChase, and Storyville Records. Hakim claimed that he wrote “Eronel”, which is usually thought of as a Thelonious Monk composition.

Hakim died in New York City on June 20, 1983. He has a daughter, Louize Hakim, who is an apparel designer in Hawaii.

Robert Clifford Brown (July 15, 1910 – November 6, 1966), known professionally as Washboard Sam, was an American blues musician and singer.

Brown’s date and place of birth are uncertain; many sources state that he was born in 1910 in Walnut Ridge, Arkansas, but the researchers Bob Eagle and Eric LeBlanc suggest that he was born in 1903 or 1904, in Jackson, Tennessee, on the basis of Social Security information. He was reputedly the half-brother of Big Bill Broonzy. He moved to Memphis, Tennessee, in the 1920s, performing as a street musician with Sleepy John Estes and Hammie Nixon. He moved to Chicago in 1932, performing regularly with Broonzy and other musicians, including Memphis Slim and Tampa Red, in many recording sessions for Lester Melrose of Bluebird Records.

In 1935, he began recording in his own right for both Bluebird and Vocalion Records, becoming one of the most popular Chicago blues performers of the late 1930s and 1940s, selling numerous records and playing to packed audiences. He recorded over 160 tracks in those decades. His strong voice and songwriting talent overcame his stylistic limitations.

By the 1950s, his audience had begun to shrink, largely because he had difficulty adapting to the new electric blues. His final recording session, for RCA Victor, was in 1949. He retired from music for several years and became a Chicago police officer. He recorded a session in 1953 with Broonzy and Memphis Slim. Samuel Charters included Brown’s “I’ve Been Treated Wrong” on the compilation album The Country Blues for Folkways Recordsin 1959. Brown made a modest and short-lived comeback as a live performer in the early 1960s.

He died of heart disease in Chicago, in November 1966, and was buried in an unmarked grave at the Washington Memory Gardens Cemetery, in Homewood, Illinois.

MEMORIAL

Cosmas Magaya (1953-2020) was a Zimbabwean mbira musician.

Raised in the rural areas of Mhondoro-Ngezi, Magaya played a role in the research of musicologist Paul Berliner‘s books The Soul of Mbira (1978), The Art of Mbira (2019), coauthored with Berliner Mbira’s Restless Dance (2020) and also performed mbira on the accompanying Soul of Mbira audio recordings released by Nonesuch Records. Magaya performed internationally in Europe and the United States with Mhuri Yekwa Rwizi, and the Zimbabwe Group Leaders Mbira Ensemble, including members Hakurotwi Mude, Beauler Dyoko, Chaka Chawasarira, Simon Magaya and Paul Berliner.

Aside from his activities in music, Magaya was also Program Director for Nhimbe for Progress, a non-profit organization serving impoverished villagers in the Mhondoro region of Zimbabwe, and he sat on the Board of Directors of Tariro, a grassroots non-profit organization working in Zimbabwe to prevent the spread of HIV/AIDS by educating young women and girls. Cosmas Magaya was also the Village Head of Magaya/Zvidzai Village under Chief Nherera of Mhondoro.

Tonight — and likely the next few nights — should be a good chance. Go outside just at sunset and look to your northwest. The lower your horizon, the better. Binoculars may help, but if your sky is cloudless and dark, all you should need is your unaided eyes and patience. As the Sun sets, the sky will darken, and there will be an unusual faint streak pointing diagonally near the horizon. That is Comet NEOWISE. It is a 5-kilometer-wide evaporating dirty iceberg visiting from — and returning to — the outer Solar System. As the Earth turns, the comet will soon set, so you might want to take a picture. In the featured image, Comet C/2020 F3 (NEOWISE) was captured two mornings ago rising over Stonehenge in the UK. Discovered with the NASA satellite NEOWISE toward the end of March, Comet NEOWISE has surprised many by surviving its closest approach to the Sun, brightening dramatically, and developing impressive (blue) ion and (white) dust tails.

Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo, known as Angélique Kidjo (born July 14, 1960), is a Beninese singer-songwriter, actress, and activist of Nigerian descent who is noted for her diverse musical influences and creative music videos. In 2007, Time magazine called her “Africa’s premier diva”.

Her musical influences include the Afropop, Caribbean zouk, Congolese rumba, jazz, gospel, and Latin styles; as well as her childhood idols Bella Bellow, James Brown, Nina Simone, Aretha Franklin, Celia Cruz, Jimi Hendrix, Miriam Makeba and Carlos Santana. She has recorded George Gershwin’s “Summertime“, Ravel’s Boléro, Jimi Hendrix’s “Voodoo Child” and the Rolling Stones‘ “Gimme Shelter“, and has collaborated with Dave Matthews and the Dave Matthews Band, Kelly Price, Alicia Keys, Branford Marsalis, Ziggy Marley, Philip Glass, Peter Gabriel, Bono, Carlos Santana, John Legend, Herbie Hancock, Josh Groban, Dr John, the Kronos Quartet, Yemi Alade, Cassandra Wilson and Indonesia’s pop star Anggun. Kidjo’s hit songs include “Agolo”, “We We”, “Adouma”, “Wombo Lombo”, “Afirika”, “Batonga“, and her version of “Malaika“. Her album Logozo is ranked number 37 in the Greatest Dance Albums of All Time list compiled by Vice magazine’s Thump website.

Kidjo is fluent in five languages: Fon, French, Yorùbá, Gen (Mina), and English. She sings in all of them, and she also has her own personal language, which includes words that serve as song titles such as “Batonga”. “Malaika” is a song sung in the Swahili language. Kidjo often uses Benin’s traditional Zilin vocal technique and vocalese.

Louis “Sabu” Martinez (July 14, 1930 – January 13, 1979) was an American conguero and percussionist. A prominent player in the Cubopmovement, Martinez appeared on many important recordings and live performances during that period. Martinez also recorded several Latin jazzalbums, now recognized as classics of the genre.

Born in New York City, Martinez made his professional debut in 1941 aged 11. He replaced Chano Pozo in Dizzy Gillespie‘s orchestra in 1948, and began performing with Benny Goodman‘s Bebop Orchestra in 1949. Over the next 15 years, Martinez worked with Charlie Parker, Duke Ellington, Count Basie, J. J. Johnson, Horace Silver, Thelonious Monk, Charles Mingus, Mary Lou Williams, Lionel Hampton, Noro Morales, Marcelino Guerra, Esy Morales, the Lecuona Cuban Boys, Miguelito Valdés, Tito Rodríguez, and the Joe Loco Trio. He also worked with vocalists Tony Bennett, Sammy Davis, Jr., and Harry Belafonte.

Martinez first recorded with Art Blakey in 1953, and contributed to his Orgy in Rhythm and Holiday for Skins projects from 1957 to 1958. Martinez became a bandleader in 1957, recording his debut album, Palo Congo, for the Blue Note label. He followed it up with releases on Vik and Alegre Records. Martinez moved to Sweden in 1967 and recorded with the Francy Boland–Kenny Clarke big band, releasing two albums. Subsequently, he led the group Burnt Sugar, which was active into the mid 1970s. On January 13, 1979, he died in Sweden at the age of 48 from a gastric ulcer.

https://www.youtube.com/watch?v=gHm7jmF0MdY&list=PLCWC6NIPrik5gLuc1O63AWmjLM4rpi_82

Kenneth “Kenny” Napper (born July 14, 1933 in London) is an English jazz double-bassist.

Napper started out on piano as a child and picked up bass as a student at Guildhall School of Music. He entered the British military in the early 1950s, playing with Mary Lou Williams in 1953 during a leave period. After ending his term of duty, he played with Jack Parnell, Malcolm Mitchell, Vic Ash, and Cab Calloway. He was the house bassist at Ronnie Scott’s Jazz Club for several years and played with many British and American jazz musicians in the late 1950s and early 1960s, including Alan Clare, Ronnie Scott, Stan Tracey, Tubby Hayes, Tony Kinsey, Tony Crombie, Jimmy Deuchar, John Dankworth, Pat Smythe, Phil Seamen, Zoot Sims, Carmen McRae, and Paul Gonsalves. Later in the 1960s he worked with Ted Heath, Tony Coe, John Picard, and Barney Kessel, as well as with Gonsalves, Tracey, and Dankworth. In 1970 he played with Stephane Grappelli and moved to Germany, playing with Kurt Edelhagen from 1970 to 1972. While in Germany he focused more on composition and arrangement; later in the decade he moved to the Netherlands, where he arranged for radio ensembles.

Alan Dawson (July 14, 1929 – February 23, 1996) was a respected jazz drummer and widely influential percussion teacher based in Boston.

He was born in Marietta, Pennsylvania and raised in Roxbury, Massachusetts. Serving in the Army for Korean War duty, Dawson played with the Army Dance Band while stationed at Fort Dix from 1951–1953. During his tenure, Alan explored the post-bop era by performing with pianist Sabby Lewis. After being released from the Army, Alan toured Europe with Lionel Hampton.

Dawson is best remembered as an early teacher of Tony Williams, and Sawyer Brown drummer, Joseph Smyth. Other former students include: Terri Lyne Carrington, Julian Vaughn, Vinnie Colaiuta, Steve Smith, Kenwood Dennard, Gerry Hemingway, Jeff Sipe, Billy Kilson, and many others. He began teaching at Berklee College of Music in 1957. Dawson suffered a ruptured disc in 1975 which led to him halting his touring schedule, to leave Berklee and limit his teaching to his home in Lexington, Massachusetts.

His teaching style emphasized the music as a whole rather than concentrate on percussion alone. He stressed the importance of learning the melody and structure of the tune to better fulfill the role of accompaniment. For this purpose, he had students play over standards while also singing the melody out loud. He constantly strived for balance between musical ideas and strict technique. He was big on rudiments and wrote extensive exercises intended to be practiced with brushes. He believed using brushes with his “Rudimental Ritual” would reduce stick rebound allowing the sense of “picking up” the sticks. While teaching, Alan also maintained a prolific performing and recording career.

Dawson was the house drummer for Lennie’s on the Turnpike in Peabody, Massachusetts from 1963 through to 1970. This gig allowed him to perform with a diverse group of jazz artists. Around this time, Dawson was Boston’s premier jazz drummer for local acts as well as bigger name touring artists.

Throughout the 1960s Dawson recorded almost exclusively with saxophonist Booker Ervin on Prestige Records. In 1968 Dawson replaced Joe Morello in the Dave Brubeck Quartet and continued until 1972. His performance credits also included stints with Bill Evans, Sonny Rollins, Jaki Byard, Booker Ervin, Sonny Stitt, Dexter Gordon, Lee Konitz, Quincy Jones, Charles Mingus, Tal Farlowand many other top jazz artists.

A wonderful binocular comet has been gracing our early morning skies, and now it’s visible in the evening as well, with optical aid, for latitudes like those in the northern U.S. and Canada. The comet is called C/2020 F3 (NEOWISE). This image is from Bob King – aka AstroBob – in Duluth, Minnesota. He wrote: “My first view of Comet NEOWISE at dusk instead of dawn from a lake near Duluth on July 11. Comets and water naturally go together as they’re thought responsible in part for delivering water to the early Earth.

C/2020 F3 (NEOWISE), or Comet NEOWISE, is a retrograde comet with a near-parabolic orbit discovered on March 27, 2020, by astronomers using the NEOWISE space telescope. By July 2020 it was bright enough to be visible to the naked eye. For observers in the northern hemisphere, the comet appears low on the northern horizon, below Capella. In the second half of July 2020 it will appear to pass through the constellation of Ursa Major, below the asterism of The Plough (Big Dipper).