mick laBriola

Captured by the NASA/ESA Hubble Space Telescope, this image shows NGC 7513, a barred spiral galaxy. Located approximately 60 million light-years away, NGC 7513 lies within the Sculptor constellation in the southern hemisphere.

This galaxy is moving at the astounding speed of 1564 kilometres per second, and it is heading away from us. For context, the Earth orbits the Sun at about 30 kilometres per second. Though NGC 7513’s apparent movement away from the Milky Way might seem strange, it is not that unusual.

While some galaxies, like the Milky Way and the Andromeda galaxy, are caught in each other’s gravitational pull and will eventually merge together, the vast majority of  galaxies in our Universe appear to be moving away from each other. This phenomenon is due to the expansion of the Universe, and it is the space between galaxies that is stretching, rather than the galaxies themselves moving.

Béla Anton Leoš Fleck (born July 10, 1958) is an American banjo player. An innovative and technically proficient banjo player, he is best known for his work with the bands New Grass Revival and Béla Fleck and the Flecktones.

A native of New York City, Fleck was named after Hungarian composer Béla Bartók, Austrian composer Anton Webern, and Czech composer Leoš Janáček. He was drawn to the banjo at a young age when he heard Earl Scruggs play the theme song for the television show Beverly Hillbillies and when he heard “Dueling Banjos” by Eric Weissberg and Steve Mandell on the radio. At age of 15, he received his first banjo from his grandfather. During the train ride home, a man volunteered to tune the banjo and suggested he learn from the book How to Play the Five String Banjo by Pete Seeger. He attended the High School of Music & Art in New York City, playing French horn until he flunked and was transferred to the choir, though he spent most of his time on the banjo. He studied the book Bluegrass Banjo by Pete Wernick and took lessons from Erik Darling, Marc Horowitz, and Tony Trischka.

After graduating from high school, he moved to Boston and became a member of the group Tasty Licks, with whom he recorded two albums. He released his debut solo album, Crossing the Tracks (1979), and it was chosen Best Overall Album by the readers of Frets magazine.

Fleck played on the streets of Boston with bassist Mark Schatz. Along with guitarist Glen Lawson and mandolinist Jimmy Gaudreau, they formed Spectrum in 1981. That same year, Sam Bush asked Fleck to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, in 1987 Fleck recorded another solo album, Drive, which was nominated for a Grammy Award in 1988 for Best Bluegrass Album. During the 1980s Fleck and Bush also performed live with Doc Watson and Merle Watson in bluegrass festivals, most notably the annual Telluride Bluegrass Festival. Bela also played with Jerry Garcia at the Hearst Greek Theatre on August 5, 1990.

Arlo Davy Guthrie (born July 10, 1947) is an American folk singer-songwriter. He is known for singing songs of protest against social injustice, and storytelling while performing songs, following the tradition of his father Woody Guthrie. Guthrie’s best-known work is his debut piece, “Alice’s Restaurant Massacree“, a satirical talking blues song about 18 minutes in length that has since become a Thanksgiving anthem. His only top-40 hit was a cover of Steve Goodman‘s “City of New Orleans“. His song “Massachusetts” was named the official folk song of the state in which he has lived most of his adult life. Guthrie has also made several acting appearances. He is the father of four children, who have also had careers as musicians.

Guthrie was born in the Coney Island neighborhood of Brooklyn, New York, the son of the folk singer and composer Woody Guthrie and dancer Marjorie Mazia Guthrie. His sister is the record producer Nora Guthrie. His mother was a professional dancer with the Martha Graham Company and founder of the Committee to Combat Huntington’s disease (later Huntington’s Disease Society of America), the illness from which Woody Guthrie died in 1967. Arlo’s father was from a Protestant family and his mother was Jewish. His maternal grandmother was the renowned Yiddish poet Aliza Greenblatt.

Henry “Hank” Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the “middleweight champion of the tenor saxophone”, a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Stan Getz, and his style that was laid-back, subtle and melodic, especially in contrast with players like Sonny Rollins and Coltrane. The critic Stacia Proefrock claimed he is “one of the most underrated musicians of the bop era.”

Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. When he was 16, an illness kept him in the house for several months. His grandmother thought of buying a saxophone to help him occupy his time, and it was then that Mobley began to play. He tried to enter a music school in Newark, but could not, since he was not a resident, so he instead studied music through books at home.

At 19, he started to play with local bands and, months later, worked for the first time with musicians like Dizzy Gillespie and Max Roach. He took part in one of the earliest hard bop sessions, alongside Art Blakey, Horace Silver, Doug Watkins and trumpeter Kenny Dorham. The results of these sessions were released as Horace Silver and the Jazz Messengers. When The Jazz Messengers split in 1956, Mobley continued on with pianist Silver for a short time, although he did work again with Blakey some years later, when the drummer appeared on Mobley’s albums in the early 1960s.

In 1956, Mobley recorded the album Mobley’s Message with Jackie McLean and Donald Byrd. AllMusic gave the album 4 stars out of 5, and users gave the album 4.5 out of 5 stars.

Blind Boy Fuller (born Fulton Allen, July 10, 1904 or 1907 – February 13, 1941) was an American blues guitarist and singer. Fuller was one of the most popular of the recorded Piedmont blues artists with rural African Americans along with Blind Blake, Josh White, and Buddy Moss.

Allen was born in Wadesboro, North Carolina, United States, one of ten children of Calvin Allen and Mary Jane Walker. Most sources date his birth to 1907, but the researchers Bob Eagle and Eric LeBlanc indicate 1904. After the death of his mother, he moved with his father to Rockingham, North Carolina. As a boy he learned to play the guitar and also learned from older singers the field hollers, country rags, traditional songs and bluespopular in poor rural areas.

He married young, to Cora Allen, and worked as a laborer. He began to lose his eyesight when he was in his mid-teens. According to the researcher Bruce Bastin, “While he was living in Rockingham he began to have trouble with his eyes. He went to see a doctor in Charlotte who allegedly told him that he had ulcers behind his eyes, the original damage having been caused by some form of snow-blindness.” Only the first part of this diagnosis was correct. A 1937 eye examination attributed his vision loss to the long-term effects of untreated neonatal conjunctivitis.

By 1928 he was completely blind. He turned to whatever employment he could find as a singer and entertainer, often playing in the streets. By studying the records of country blues players like Blind Blake and live performances by Gary Davis, Allen became a formidable guitarist, playing on street corners and at house parties in Winston-Salem, North Carolina; Danville, Virginia; and then Durham, North Carolina. In Durham, playing around the tobacco warehouses, he developed a local following, which included the guitarists Floyd Council and Richard Trice, the harmonica player Saunders Terrell (better known as Sonny Terry), and the washboard player and guitarist George Washington.

https://www.youtube.com/watch?v=FShhBW-NBPQ

Fandango is a lively couples dance originating from Portugal and Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping (“palmas” in Spanish). Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by “variaciones”. Sung fandango usually follows the structure of “cante” that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated.

Fandango rhythm. The meter of fandango is similar to that of the bolero and seguidilla.

The spiral pattern shown by the galaxy in this image from the NASA/ESA Hubble Space Telescope is striking because of its delicate, feathery nature. These “flocculent” spiral arms indicate that the recent history of star formation of the galaxy, known as NGC 2775, has been relatively quiet. There is virtually no star formation in the central part of the galaxy, which is dominated by an unusually large and relatively empty galactic bulge, where all the gas was converted into stars long ago.

NGC 2275 is classified as a flocculent spiral galaxy, located 67 million light-years away in the constellation of Cancer.

Millions of bright, young, blue stars shine in the complex, feather-like spiral arms, interlaced with dark lanes of dust. Complexes of these hot, blue stars are thought to trigger star formation in nearby gas clouds. The overall feather-like spiral patterns of the arms are then formed by shearing of the gas clouds as the galaxy rotates. The spiral nature of flocculents stands in contrast to the grand design spirals, which have prominent, well defined-spiral arms.

John Graham “Mitch” Mitchell (9 July 1946 – 12 November 2008) was an English drummer and child actor, who was best known for his work in the Jimi Hendrix Experience. He was inducted into the Modern Drummer Hall of Fame in 2009.

Mitchell was born in Ealing, Middlesex, to Phyliss C (née Preston) and Thomas J Mitchell on 9 July 1946 (although several modern sources have incorrectly claimed that he was born in 1947). As a teenager he starred in a children’s television programme, Jennings at School, and starred in a leading role in the 1960 British film Bottoms Up with Jimmy Edwards.

Mitchell became a musician through working at Jim Marshall‘s drum shop on Saturdays while still at school. Among drummers, his chief influences were Elvin Jones and Tony Williams. One of his first bands was the Soul Messengers, formed at the Ealing Club with saxophonist Terry Marshall, son of Jim Marshall.

Haydée Mercedes Sosa (Spanish pronunciation: [meɾˈseðes ˈsosa]; 9 July 1935 – 4 October 2009), sometimes known as La Negra (literally: The Black One), was an Argentine singer who was popular throughout Latin America and many countries outside the region. With her roots in Argentine folk music, Sosa became one of the preeminent exponents of nueva canción. She gave voice to songs written by many Latin American songwriters. Her music made people hail her as the “voice of the voiceless ones”.

Sosa performed in venues such as the Lincoln Center in New York City, the Théâtre Mogador in Paris and the Sistine Chapel in Vatican City, as well as sell-out shows in New York’s Carnegie Hall and the Roman Colosseum during her final decade of life. Her career spanned four decades and she was the recipient of six Latin Grammy awards (2000, 2003, 2004, 2006, 2009, 2011), including a Latin Grammy Lifetime Achievement Award in 2004 and two posthumous Latin Grammy Award for Best Folk Album in 2009 and 2011. She won the Premio Gardel in 2000, the main musical award in Argentina. She served as an ambassador for UNICEF.

https://www.youtube.com/watch?v=brI6TFM0TrQ

Frank Wright (9 July 1935 – 17 May 1990) was an American free jazz musician from Grenada, Mississippi, Memphis, Tennessee and Cleveland, Ohio, known for his frantic style of tenor saxophone.

Wright was born in Grenada, Mississippi, but he grew up in Memphis, Tennessee. He began to play tenor sax in his late teens, when his family moved to Cleveland, Ohio as part of the Great Migration out of the South. More than 1.5 million black Americans left the South before World War II to seek opportunities in the industrial cities of the North and Midwest. Another 5.5 million left during and after the war, up to 1970.

In Cleveland, Wright met Bobby Few and Albert Ayler, both of whom became friends and musical influences. Originally a bass player, Wright played in numerous local R&B bands before taking up the saxophone. He also toured with B. B. King and Bobby “Blue” Bland. Ayler’s musical influence persuaded Wright to switch to saxophone; his style is often associated with Ayler’s. In addition to tenor saxophone, he also played the soprano saxophone and bass clarinet. A pioneer of experimental music, Wright is a widely acclaimed artist among his colleagues in the free jazz movement.

Joseph Christopher “Joe” Liggins, Jr. (born Theodro Elliott; July 9, 1916 – July 26, 1987) was an American R&B, jazz and blues pianist and vocalist who led Joe Liggins and his Honeydrippers in the 1940s and 1950s. His band appeared often on the Billboard magazine charts. The band’s biggest hit was “The Honeydripper“, released in 1945. Joe Liggins was the older brother of R&B performer Jimmy Liggins.

The son of Harriett and Elijah Elliott, he was born in Seminole, Oklahoma, and took his stepfather’s surname, Liggins, as a child. He apparently dropped the name Theodro and adopted the names Joseph Christopher during the 1930s. The family moved to San Diego in 1932.

He moved to Los Angeles in 1939, where he played with Sammy Franklin’s California Rhythm Rascals and other groups. When Franklin turned down a chance to record Liggins’ song “The Honeydripper”, Liggins decided to start his own band. The original Joe Liggins and His Honeydrippers recordings were issued on the Exclusive Records imprint of brothers Leon and Otis René. Joe Liggins’ Honeydrippers was formed in the basement of the Los Angeles home of the saxophonist Little Willie Jackson, who co-founded the group and who, at the time of his death in 2001, was the last original surviving member of the Honeydrippers. “The Honeydripper” topped the R&B chart, then called the race chart, for 18 weeks in 1945. More than 60 years later, “The Honeydripper” remains tied with Louis Jordan‘s “Choo Choo Ch’Boogie” for the longest-ever stay at the top of that chart. It reportedly logged two million sales.

Comet C/2019 U6 or Lemmon Comet. Comet Lemmon’s delicate ion and dust tails overlap in this photo taken on June 29, 2020, with a 500-mm telescope. The comet is named for the Mt. Lemmon Survey (part of the Catalina Sky Survey) conducted near the summit of Mount Lemmon north of Tucson. Lemmon makes its initial appearance low in the western sky around July 4th in Sextans and gradually ascends, crossing the rich Virgo Cluster of galaxies at mid-month before reaching Coma Berenices at month’s end. The comet passed perihelion on June 18 and swung closest to Earth at 124 million km on June 29th. Like NEOWISE, it will slowly fade, dimming by about 1.5 magnitudes during July.