mick laBriola

A wonderful binocular comet has been gracing our early morning skies, and now it’s visible in the evening as well, with optical aid, for latitudes like those in the northern U.S. and Canada. The comet is called C/2020 F3 (NEOWISE). This image is from Bob King – aka AstroBob – in Duluth, Minnesota. He wrote: “My first view of Comet NEOWISE at dusk instead of dawn from a lake near Duluth on July 11. Comets and water naturally go together as they’re thought responsible in part for delivering water to the early Earth.

C/2020 F3 (NEOWISE), or Comet NEOWISE, is a retrograde comet with a near-parabolic orbit discovered on March 27, 2020, by astronomers using the NEOWISE space telescope. By July 2020 it was bright enough to be visible to the naked eye. For observers in the northern hemisphere, the comet appears low on the northern horizon, below Capella. In the second half of July 2020 it will appear to pass through the constellation of Ursa Major, below the asterism of The Plough (Big Dipper).

James Roger McGuinn /məˈɡwɪn/ (born James Joseph McGuinn III; July 13, 1942) is an American musician. He is best known for being the frontman and leader of the Byrds. He was inducted into the Rock and Roll Hall of Fame for his work with the Byrds. McGuinn was born and raised in Chicago, Illinois, United States. His parents, James and Dorothy, were involved in journalism and public relations, and during his childhood, they had written a bestseller titled Parents Can’t Win. He attended the Latin School of Chicago. He became interested in music after hearing Elvis Presley‘s “Heartbreak Hotel“, and asked his parents to buy him a guitar. (During the early 1980s, he paid tribute to the song that encouraged him to play guitar by including “Heartbreak Hotel” in his autobiographical show). Around the same time, he was also influenced by country artists and/or groups such as Johnny Cash, Carl Perkins, Gene Vincent, and the Everly Brothers.

In 1957, he enrolled as a student at Chicago’s Old Town School of Folk Music, where he learned the five-string banjo and continued to improve his guitar skills. After graduation, McGuinn performed solo at various coffeehouses on the folk music circuit where he was hired as a sideman by the Limeliters, the Chad Mitchell Trio, and Judy Collins and other folk music artists in the same vein. He also played guitar and sang backup harmonies for Bobby Darin. Soon after, he relocated to the West Coast, eventually Los Angeles, where he eventually met the future members of the Byrds.

In 1962, after he ended his association with the Chad Mitchell Trio, McGuinn was hired by Darin to be a backup guitarist and harmony singer; at that approximate time, Darin wanted to add some folk roots to his repertoire because it was a burgeoning musical field. About a year and a half after McGuinn began to play guitar and sing with Darin, Darin became ill and retired from singing. Subsequently, Darin opened T.M. Music in New York City‘s Brill Building, hiring McGuinn as a songwriter for $35 a week.

During 1963, just one year before he co-founded the Byrds, McGuinn worked as a studio musician in New York, recording with Judy Collins and Simon & Garfunkel. At the same time, he was hearing about The Beatles (whose first American tour would commence in February 1964), and wondering how Beatlemania might affect folk music. By the time Doug Weston gave McGuinn a job at the Troubadour nightclub in Los Angeles, McGuinn had included Beatles’ songs in his act. He gave rock style treatments to traditional folk tunes and thereby caught the attention of another folkie Beatle fan, Gene Clark, who joined forces with McGuinn in July 1964. Together they formed the beginning of what was to become the Byrds.

Albert Ayler (/ˈaɪlər/; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler’s style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler’s style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike. His innovations have inspired subsequent jazz musicians.

His trio and quartet records of 1964, such as Spiritual Unity and The Hilversum Session, show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music’s backbone. His ecstatic music of 1965 and 1966, such as “Spirits Rejoice” and “Truth Is Marching In”, has been compared by critics to the sound of a brass band, and involved simple, march-like themes which alternated with wild group improvisations and were regarded as retrieving jazz’s pre-Louis Armstrongroots.

Born in Cleveland, Ohio, Ayler was first taught alto saxophone by his father Edward, who was a semiprofessional saxophonist and violinist. Edward and Albert played alto saxophone duets in church and often listened to jazz records together, including swing era jazz and then-new bop albums.Ayler’s upbringing in the church had a great impact on his life and music, and much of his music can be understood as an attempt to express his spirituality, including the aptly titled Spiritual Unity, and his album of spirituals, Goin’ Home, which features “meandering” solos that are meant to be treated as meditations on sacred texts, and at some points as “speaking in tongues” with his saxophone. Ayler’s experience in the church and exposure to swing jazz artists also impacted his sound: his wide vibrato was similar to that of gospel saxophonists, who sought a more vocal-like sound with their instruments, and to that of brass players in New Orleans swing bands. Ayler disappeared on November 5, 1970, and he was found dead in New York City’s East River on November 25, a presumed suicide. For some time afterwards, rumors circulated that Ayler had been murdered, with a long-standing urban legend that the Mafia had tied him to a jukebox.

Peter Michael Escovedo (born July 13, 1935 in Pittsburg, California) is a Mexican-American percussionist.

With his two brothers, Pete formed Escovedo Bros Latin Jazz Sextet, before Carlos Santana hired Pete and Coke Escovedo for his group. He led the 14–24 piece Latin big band Azteca. His daughter is singer-percussionist Sheila E..

Leroy Vinnegar (July 13, 1928 – August 3, 1999) was an American jazz bassist. Born in Indianapolis, Indiana, United States, the self-taught Vinnegar established his reputation in Los Angeles, California, during the 1950s and 1960s. His trademark was the rhythmic “walking” bass line, a steady series of ascending or descending notes, and it brought him the nickname “The Walker”. Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison‘s 1972 album, Saint Dominic’s Preview.

He recorded extensively as both a leader and sideman. He came to public attention in the 1950s as a result of recording with Lee Konitz, André Previn, Stan Getz, Shorty Rogers, Chet Baker, Shelly Manne, Joe Castro and Serge Chaloff.

He played bass on Previn and Manne’s My Fair Lady album, one of the most successful jazz records ever produced. He also performed on another of jazz’s biggest hit albums, Eddie Harris and Les McCann‘s Swiss Movement, released in 1969. Vinnegar also performed at the Lighthouse in Hermosa Beach, California, and Diggers in East Los Angeles in the late 1950s, with drummer and pianist Don Joham along with other musicians. He moved to Portland, Oregon in 1986. In 1995, the Oregon State Legislature honored him by proclaiming May 1 Leroy Vinnegar Day.

Vinnegar died of a heart attack, at the age of 71, on August 3, 1999, in a hospital in Portland

Far away in the Ursa Major constellation is a swirling galaxy that would not look out of place on a coffee made by a starry-eyed barista. NGC 3895 is a barred spiral galaxy that was first spotted by William Herschel in 1790 and was later observed by the NASA/ESA Hubble Space Telescope.

Hubble’s orbit high above the Earth’s distorting atmosphere allows astronomers to make the very high resolution observations that are essential to opening new windows on planets, stars and galaxies — such as this beautiful view of NGC 3895. The telescope is positioned approximately 570 km above the ground, where it whirls around Earth at 28 000 kilometres per hour and takes 96 minutes to complete one orbit.

Christine Anne Perfect (born 12 July 1943), known professionally as Christine McVie following her marriage to John McVie, is an English singer, songwriter and keyboardist, best known as one of the three lead vocalists and the keyboardist of Fleetwood Mac. She joined the band in 1970. She has also released three solo albums. McVie is known for her contralto vocals and her direct but poignant lyrics, which concentrated on love and relationships. AllMusic describes her as an “Unabashedly easy-on-the-ears singer/songwriter, and the prime mover behind some of Fleetwood Mac’s biggest hits.” Eight of her songs appeared on Fleetwood Mac’s 1988 Greatest Hits album.

In 1998 McVie was inducted into the Rock and Roll Hall of Fame as a member of Fleetwood Mac and received the Brit Award for Outstanding Contribution to Music. The same year, after almost 30 years with the band, she opted to leave and lived in semi-retirement for nearly 15 years. McVie released one solo album in 2004. In September 2013, McVie appeared on stage with Fleetwood Mac at London’s O2 Arena. She rejoined the band in October 2014, ready for Fleetwood Mac’s On with the Show tour.

In 2014 she received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors.

John Patton (July 12, 1935 – March 19, 2002) was an American jazz, blues and R&B pianist and organist, often known by his nickname, Big John Patton.

Patton was one of the most in-demand organists during the golden era of the Hammond B-3 organs between 1963 and 1970. He was a major figure in the development of the funk and blues-rooted jazz style known as soul jazz and is considered a roots player who inspired the acid jazzmovement. He recorded extensively for Blue Note, and performed or collaborated with Lloyd Price, Grant Green, and Lou Donaldson. Patton had a lower profile in the 1970s but enjoyed a comeback in the 1980s and ’90s, often in collaboration with saxophonist John Zorn. His music evolved to incorporate modal and free jazz.

John Patton, born in Kansas City, Missouri, on July 12, 1935, was an American jazz and jazz fusion composer and performer whose work included “Funky Mama” and “Along Came John”. He developed the nickname “Big John”, not because of his size, but because of a song. “Remember the tune, ‘Big Bad John’? … yeah, well, that’s what they started calling me and at first I didn’t understand it but I love it now. It’s just a name; if it’s going to help you, then boogie on up in there!”

Patton’s mother was a church pianist who taught him how to play fundamentals. When he was about 13 years old, in 1948, he began to teach himself. He was inspired by the music he heard in his hometown, but he wanted to play beyond the Kansas City jazz scene. After high school, he headed East and found professional work. In 1954 in Washington, D.C., he found out that R&B star Lloyd Price was playing at the Howard Theater, and that Price had just fired his pianist and needed a new player. Patton played a few bars from the introduction to “Lawdy, Miss Clawdy”. He was given the job.

Secondo “Conte” Candoli (July 12, 1927 – December 14, 2001) was an American jazz trumpeter based on the West Coast. He played in the big bands of Woody Herman, Stan Kenton, Benny Goodman, and Dizzy Gillespie, and in Doc Severinsen‘s NBC Orchestra on The Tonight Show Starring Johnny Carson. He played with Gerry Mulligan, and on Frank Sinatra‘s TV specials. He also recorded with Supersax, a Charlie Parker tribute band that consisted of a saxophone quintet, the rhythm section, and either a trumpet or trombone.

Conte was the younger brother of trumpeter Pete Candoli. He was born in Mishawaka, Indiana, on July 12, 1927. During the summer of 1943, while at Mishawaka High School, Secondo “Conte” Candoli sat in with Woody Herman‘s First Herd. After graduating in 1945, he joined the band full-time, where he sat side by side with his brother Pete in the trumpet section. Conte immediately went on the road, where he stayed for the next ten years, with Herman, Stan Kenton, Benny Goodman, and Dizzy Gillespie.

In 1954, after leaving Stan Kenton, Candoli formed his own group with sidemen Chubby Jackson, Frank Rosolino, and Lou Levy. He soon moved to Los Angeles to join the Lighthouse All-Stars with Shorty Rogers, Bud Shank, and Bob Cooper, and was with them for four years.

Candoli’s long relationship with The Tonight Show began in 1967 and he became a permanent fixture in the orchestra’s trumpet section when Johnny Carson moved the show to Burbank, California in 1972. For many years he preferred to stay in California where he could do The Tonight Show, take all the studio work he wanted, and do occasional concerts and clinics. He ventured to Kansas in 1986 as a WJF All-Star with Jerome Richardson, Barney Kessel and Monty Alexander at the 1986 Wichita Jazz Festival. After Carson’s retirement in 1992, he traveled occasionally with Doc Severinsen, but still enjoyed his solo playing.

Paul Gonsalves (July 12, 1920 – May 15, 1974) was an American jazz tenor saxophonist  best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington’s “Diminuendo and Crescendo in Blue,” a performance credited with revitalizing Ellington’s waning career in the 1950s.

Born in Brockton, Massachusetts, to Cape Verdean parents, Gonsalves’ first instrument was the guitar, and as a child he was regularly asked to play Cape Verdean folk songs for his family. He grew up in New Bedford, Massachusetts, and played as a member of the Sabby Lewis Orchestra. His first professional engagement in Boston was with the same group on tenor saxophone, in which he played before and after his military service during World War II. Before joining Duke Ellington’s orchestra in 1950, he also played in big bands led by Count Basie (1947–1949) and Dizzy Gillespie(1949–1950).

At the 1956 Newport Jazz Festival, Gonsalves’ solo in Ellington’s song “Diminuendo and Crescendo in Blue” went through 27 choruses; the publicity from this performance is credited with reviving Ellington’s career. The performance is captured on the album Ellington at Newport. Gonsalves was a featured soloist in numerous Ellingtonian settings. He received the nickname “The Strolling Violins” from Ellington for playing solos while walking through the crowd.

Comet NEOWISE (C/2020 F3) is now sweeping through northern skies. Its developing tails stretch some six degrees across this telescopic field of view, recorded from Brno, Czech Republic before daybreak on July 10. Pushed out by the pressure of sunlight itself, the comet’s broad, yellowish dust tail is easiest to see. But the image also captures a fainter, more bluish tail too, separate from the reflective comet dust. The fainter tail is an ion tail, formed as ions from the cometary coma are dragged outward by magnetic fields in the solar wind and fluoresce in the sunlight. In this sharp portrait of our new visitor from the outer Solar System, the tails of comet NEOWISE are reminiscent of the even brighter tails of Hale Bopp, the Great Comet of 1997.

Michael Rose (born 11 July 1957) is a Grammy award-winning reggae singer from Jamaica. Possessing a wide-ranged voice, Rose would regularly meet in Kingston with singers, musicians, writers, and producers such as Dennis Brown, Big Youth, The Wailers, Gregory Isaacs, Sly and Robbie, and others.

Rose started his recording career as a solo artist for record producers Yabby You and Niney the Observer. He joined Black Uhuru in 1977 after the departure of Don Carlos and Garth Dennis. He led them to international success in the early 1980s, having written most of their popular material. They won the first-ever Grammy Award for reggae in 1985 for the album Anthem, with the hallmark voice of Rose in the forefront.

After the release of Anthem, Rose left Black Uhuru and retired to the Blue Mountains in Jamaica to start a coffee farm. He released a string of singles in Jamaica, but nothing much was heard of him outside the island until 1989, when he was signed to RCA and released the strongly pop influenced album Proud in Europe and Japan. The deal with RCA was short-lived however, and Rose returned to Jamaica to record a new string of Sly and Robbie produced singles. He also recorded for other producers but the only albums during this period were the Japan only releases Bonanza (1991) and King Of General (1992). The Sly and Robbie produced singles were eventually released on the vinyl only Sly And Robbie presents: Mykall Rose – The Taxi Sessions in 1995 also saw his American debut as a solo artist with the album Michael Rose on Heartbeat Records. The single “Short Temper” reached No. 2 on the Gavin reggae chart.

In the period 1995–2004 Heartbeat Records released a total of nine albums including Party in Session: Live and a compilation entitled Happiness: The Best Of Michael Rose. Next to these albums, a great amount of different recordings appeared on dozens of Jamaican vinyl singles and several albums, including “Last Chance” which was No. 1 on the UK reggae charts for several weeks. He also recorded “Michael Rows the Boat Ashore” in 2001.