mick laBriola

icholas Christian Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins recorded and performed on many notable British and American pop and rock music releases from the 1960s through the 1990s including many songs by The Rolling Stones, The Kinks and The Who.

Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Community School, and was initially tutored by a local piano teacher; in his teens he won a scholarship to the Royal Academy of Music in London. He suffered from Crohn’s disease for most of his life.

His poor health and repeated surgery later made it difficult for him to tour, and he worked mainly as a session musician for most of his career.Hopkins’ studies were interrupted in 1960 when he left school at 16 to become the pianist with Screaming Lord Sutch‘s Savages until, two years later, he and fellow Savages Bernie Watson, Rick Brown (aka Ricky Fenson) and Carlo Little joined the renowned blues harmonica player Cyril Davies, who had just left Blues Incorporated, and became the Cyril Davies (R&B) All-Stars. Hopkins played piano on their first single, Davies’ much-admired theme tune “Country Line Special”. However he was forced to leave the All Stars in May 1963 for a series of operations that almost cost him his life and he was bed-ridden for 19 months in his late teenage years. During Hopkins’ convalescence Davies died of leukemia and the All Stars disbanded. Hopkins’ frail health led him to concentrate on working as a session musician instead of joining bands, although he left his mark performing with a wide variety of famous bands. He quickly became one of London’s most in-demand session pianists and performed on many hit recordings from this period.

David “Fathead” Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by singer-pianist Ray Charles.

The AllMusic Guide to Jazz wrote that “there have not been many saxophonists and flutists more naturally soulful than David “Fathead” Newman,” and that “one of jazz’s and popular music’s great pleasures is to hear, during a vocalist’s break, the gorgeous, huge Newman tones filling the space…” Newman is sometimes cited as a leading exponent of the so-called “Texas Tenor” saxophone style, which refers to the many big-toned, bluesy jazz tenor players from that state.

Newman was born in Corsicana, Texas, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname “Fathead” in school when “an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down on the stand.”

Inspired by the jump blues bandleader Louis Jordan, Newman took up the alto saxophone in the seventh grade, and was mentored by former Count Basie saxophonist Buster Smith. He went off to Jarvis Christian College on a music and theology scholarship but quit school after three years and began playing professionally, mostly jazz and blues, with a number of musicians, including Smith, pianist Lloyd Glenn, and guitarist bandleaders Lowell Fulson and T-Bone Walker.

Edwin Leon Chamblee (24 February 1920 – 1 May 1999), known as Eddie “Long Gone” Chamblee, was an American tenor and alto saxophonist, and occasional vocalist, who played jazz and R&B.

He was born in Atlanta, Georgia, and grew up in Chicago where he began learning the saxophone at the age of 12. After leaving Wendell Phillips High School, he studied law at Chicago State University, playing in clubs in the evenings and at weekends. He played in US Army bands between 1941 and 1946. After leaving the army, he joined Miracle Records. He played on Sonny Thompson‘s hit record “Long Gone” in 1948, and on its follow-up, “Late Freight“, credited to the Sonny Thompson Quintet featuring Eddie Chamblee. Both records reached no. 1 on the national Billboard R&B chart.Two follow-up records, “Blue Dreams” and “Back Street”, also made the R&B chart in 1949.

From 1947, he led his own band in Chicago clubs, as well as continuing to record with Thompson and on other sessions in Chicago, including The Four Blazes‘ no. 1 R&B hit “Mary Jo” in 1952. In 1954 he joined Lionel Hampton‘s band for two years, touring in Europe, before returning to lead his own group in Chicago. He accompanied both Amos Milburn and Lowell Fulson on some of their recordings, and then worked as accompanist to Dinah Washington on many of her successful recordings in the late 1950s and early 1960s. The two performed vocal duets in a style similar to that later adopted by Washington with Brook Benton, and were briefly married; he was her fifth husband. Chamblee also recorded for the Mercury and EmArcy labels, and with his own group in the early 1960s for the Roulette and Prestige labels.

In the 1970s he rejoined Hampton for tours of Europe, where he also played with Milt Buckner, and he recorded for the French Black & Blue label. He also performed with the Count Basie Orchestra in 1982, and from the 1980s until his death with the Harlem Blues and Jazz Band, as well as in clubs in New York City.

He died in New York in 1999 at the age of 79.

NGC 4689 is a spiral galaxy located about 54 million light-years away in the constellation of Coma Berenices. NGC 4689 is also classified as a LINER galaxy. NGC 4689 is inclined at an angle of about 36° which means that the galaxy is seen almost face-on to the Earth‘s line of sight. NGC 4689 was discovered by astronomer William Herschel on April 12, 1784.The galaxy is a member of the Virgo Cluster.

Wayne Escoffery (born 23 February 1975 in London, England) is an England-born American jazz saxophonist. He is based in New York City.

Since 2000, he has been working in New York City with Carl Allen, Eric Reed, and the Mingus Big Band. Other musicians performed with include Ralph Peterson, Ben Riley, Ron Carter, Rufus Reid, Bill Charlap, Bruce Barth, Jimmy Cobb, and Eddie Henderson. He has worked with vocalists including Mary Stallings, Cynthia Scott, Nancie Banks, LaVerne Butler, and Carolyn Leonhart. In addition to performing with his own Quartet featuring David Kikoski, Ugonna Okegwo and Ralph Peterson, Escoffery currently performs and tours with Ben Riley‘s Monk Legacy Septet, The Mingus Band, Ron Carter’s great Big Band, Monty Alexander, Amina Figarova and many others. He is currently a member of The Tom Harrell Quintet and has been since 2006. He has also co-produced four of Harrell’s latest recordings.

All About Jazz‘s J. Robert Bragonier said that Escoffery “is a talented youngster capable of long, flowing lines, noteworthy creativity, and a broad range of expressiveness.”

Norman Russell “Rusty” Young (born February 23, 1946, in Long Beach, California) is an American guitarist, vocalist and songwriter best known as one of the frontmen in the influential country rock and Americana band Poco.

A virtuoso on pedal steel guitar, he is celebrated for the ability to get a Hammond B3 organ sound out of the instrument by playing it through a Lesliespeaker cabinet and as an innovator of producing other rock sounds from the instrument.

Young was raised in Colorado. He began playing lap steel guitar at age 6, and taught guitar and steel guitar lessons during his high school years. During that time, he also played country music in late night bars. Rusty played in a well known Denver psychedelic rock band “Boenzee Cryque”.

In the late 1960s, a former guitar student became the road manager for Buffalo Springfield. Richie Furay and Jim Messina needed a steel guitarist for the Furay ballad “Kind Woman” on their final album Last Time Around and Young was hired.

Along with Furay and Messina, Young became a founding member of Poco in 1968 upon the former band’s demise. Drummer George Grantham and bass player Randy Meisner rounded out the original Poco lineup.

John Dawson Winter III (February 23, 1944 – July 16, 2014), known as Johnny Winter, was an American musician, singer, songwriter, multi-instrumentalist, and producer. Best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stonemagazine’s list of the “100 Greatest Guitarists of All Time“.

Johnny Winter was born in Beaumont, Texas, on February 23, 1944. He and younger brother Edgar (born 1946) were nurtured at an early age by their parents in musical pursuits. Their father, Leland, Mississippi, native John Dawson Winter, Jr. (1909–2001), was also a musician who played saxophone and guitar and sang at churches, weddings, Kiwanis and Rotary Club gatherings. Johnny and his brother, both of whom were born with albinism, began performing at an early age. When he was ten years old, the brothers appeared on a local children’s show with Johnny playing ukulele.

His recording career began at the age of fifteen, when his band Johnny and the Jammers released “School Day Blues” on a Houston record label.During this same period, he was able to see performances by classic blues artists such as Muddy Waters, B.B. King, and Bobby Bland. In the early days, Winter would sometimes sit in with Roy Head and the Traits when they performed in the Beaumont area, and in 1967, Winter recorded a single with the Traits: “Tramp” backed with “Parchman Farm” (Universal Records 30496). In 1968, he released his first album The Progressive Blues Experiment, on Austin’s Sonobeat Records.

George Frideric (or Frederick) Handel (/ˈhændəl/; born Georg Friederich Händel^[b] [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] ; 23 February 1685 (O.S.)[(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.

Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Deanwrites that his operas show that “Handel was not only a great composer; he was a dramatic genius of the first order.” As Alexander’s Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London.

Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign’s anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as “The Arrival of the Queen of Sheba”) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel’s operas has grown.

A mere 11 million light-years away, Centaurus A is the closest active galaxy to planet Earth. Also known as NGC 5128, the peculiar elliptical galaxy is over 60,000 light-years across. A region spanning about 8,500 light-years, including the galaxy’s center (upper left), is framed in this sharp Hubble Space telescope close-up. Centaurus A is apparently the result of a collision of two otherwise normal galaxies resulting in a violent jumble of star forming regions, massive star clusters, and imposing dark dust lanes. Near the galaxy’s center, left over cosmic debris is steadily being consumed by a central black hole with a billion times the mass of the Sun. As in other active galaxies, that process likely generates the radio, X-ray, and gamma-ray energy radiated by Centaurus A.

Joseph James LaBarbera (born February 22, 1948) is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans’s career. His older brothers are saxophonist Pat LaBarbera and trumpeter John LaBarbera.

He grew up in Mount Morris, New York. His first drum teacher was his father. For two years in the late 1960s he attended Berklee College of Music, then went on tour with singer Frankie Randall. After Berklee he spent two years with the US Army band at Fort Dix, New Jersey. He began his professional career playing with Woody Herman and the Thundering Herd.

His reputation grew in the 1970s when he spent four years recording and touring with Chuck Mangione. He also worked as a sideman for Bob Brookmeyer, Jim Hall, Art Farmer, Art Pepper, John Scofield, Toots Thielemans, and Phil Woods. In 1979 he was a member of the Bill Evans trio, then spent much of the 1980s and early 1990s with Tony Bennett. He was in a quartet with his brother Pat and in a trio with Hein van de Geyn and John Abercrombie. He has taught at the California Institute of the Arts and the Bud Shank Jazz Workshop.

https://www.youtube.com/watch?v=G-DC_-6QuFc

Ernest Kador Jr. (February 22, 1933 – July 5, 2001), known by the stage name Ernie K-Doe, was an African-American rhythm-and-blues singer best known for his 1961 hit single “Mother-in-Law“, which went to number 1 on the Billboard pop chart in the U.S.

Born in New Orleans, K-Doe recorded as a member of the group the Blue Diamonds in 1954 before making his first solo recordings the following year. “Mother-in-Law“, written by Allen Toussaint, was his first hit, reaching number 1 on both the Billboard pop chart and the Billboard R&B chart. K-Doe never had another top-40 pop hit, but “Te-Ta-Te-Ta-Ta” (number 21, 1961) and “Later for Tomorrow” (number 37, 1967) reached the R&B top 40.

In the 1980s K-Doe did radio shows on the New Orleans community stations WWOZ and WTUL. The shows were known for his explosively energetic announcements and frequent self-promotion (occasionally causing problems for the noncommercial station). K-Doe’s catch phrases included “Burn, K-Doe, Burn!”, “I’m a Charity Hospital Baby!” and (addressed to himself) “You just good, that’s all!” For a time he billed himself as “Mister Naugahyde”, until he was ordered to desist by the owners of the Naugahyde trademark. K-Doe then explained that it was a misunderstanding; he was actually referring to himself as “Mister M-Nauga-Ma-Hyde”, a word he invented himself.

Joseph Benjamin Wilder (February 22, 1922 – May 9, 2014) was an American jazz trumpeter, bandleader, and composer. His Grandchildren are Bleu Roberson, Lilly Townsend and Grey’cia Roberson(Last named after his middle name)

Wilder was awarded the Temple University Jazz Master’s Hall of Fame Award in 2006. The National Endowment for the Arts honored him with its highest honor in jazz, the NEA Jazz Masters Award for 2008.

Wilder was born into a musical family led by his father Curtis, a bassist and bandleader in Philadelphia. Wilder’s first performances took place on the radio program “Parisian Tailor’s Colored Kiddies of the Air”. He and the other young musicians were backed up by such illustrious bands as Duke Ellington‘s and Louis Armstrong‘s that were also then playing at the Lincoln Theater. Wilder studied at the Mastbaum School of Music in Philadelphia, but turned to jazz when he felt that there was little future for an African-American classical musician. At the age of 19, Wilder joined his first touring big band, Les Hite’s band.

Wilder was one of the first thousand African Americans to serve in the Marines during World War II. He worked first in Special Weapons and eventually became Assistant Bandmaster at the headquarters’ band. Following the war during the 1940s and early 1950s, he played in the orchestras of Jimmie Lunceford, Herbie Fields, Sam Donahue, Lucky Millinder, Noble Sissle, Dizzy Gillespie, and finally with the Count BasieOrchestra. From 1957 to 1974, Wilder did studio work for ABC-TV, New York City, and in the pit orchestras for Broadway musicals, while building his reputation as a soloist with his albums for Savoy (1956) and Columbia (1959). His Jazz from Peter Gunn (1959), features ten songs from Henry Mancini (“Peter Gunn“) television score in melodic and swinging fashion with a quartet. He was also a regular sideman with such musicians as NEA Jazz Masters Hank Jones, Gil Evans, and Benny Goodman. He became a favorite with vocalists and played for Billie Holiday, Lena Horne, Johnny Mathis, Harry Belafonte, Eileen Farrell, Tony Bennett, and many others.

George Holmes “Buddy” Tate (February 22, 1913 – February 10, 2001) was a jazz saxophonist and clarinetist. Tate was born in Sherman, Texas, and began performing on alto saxophone. According to the website All About Jazz, Tate was playing in public as early as 1925 in a band called McCloud’s Night Owls.” Tate’s 2001 New York Times obituary stated that “he began his career in the late 1920s, playing around the Southwest with bands led by Terrence Holder, Andy Kirk and Nat Towles.”

Tate quickly switched to tenor saxophone making a name for himself in bands such as the one led by Andy Kirk. He joined Count Basie in 1939 and stayed with him until 1948. He had been selected by Basie after the sudden death of Herschel Evans, which Tate stated he had predicted in a dream.

After his period with Basie ended, he worked with several other bands before he found success on his own, starting in 1953 in Harlem. His group worked at the “Celebrity Club” from 1953 to 1974. In the late 1970s, he co-led a band with Paul Quinichette and worked with Benny Goodman.

In 1980, he was seriously injured by scalding water in a hotel shower, which kept him inactive for four months.^[4] He later suffered from a serious illness. The 1990s saw him slow down, but he remained active playing with Lionel Hampton among others.

In 1992, Tate took part in the documentary, Texas Tenor: The Illinois Jacquet Story. In 1996, he recorded with woodwind artist James Carter on the younger man’s second release for Atlantic Records, Conversin’ with the Elders, along with trumpeters Harry “Sweets” Edison and Lester Bowie, and saxophonists Hamiet Bluiett and Larry Smith.

Tate lived in New York until 2001 when he moved to Arizona to be cared for by his daughter. He died in Chandler, Arizona, at the age of 87.

https://www.youtube.com/watch?v=LTZCNVb45S0