mick laBriola

Lil Green (December 22, 1919 (some sources give 1901 or 1910) – April 14, 1954) was an American blues singer and songwriter. She was among the leading female rhythm and blues singers of the 1940s, with a sensual soprano voice. Gospel singer R.H. Harris has lauded her voice, and her interpretation of religious songs

Originally named Lillian Green or Lillie May Johnson, she was born in Mississippi. After the early deaths of her parents, she began performing in her teens and, having (like many African-American singers) honed her craft in the church performing gospel, she sang in Mississippi jukes, before heading to Chicago, Illinois, in 1929, where she would make all of her recordings.

Green was noted for superb timing and a distinctively sinuous voice. She was reportedly 18 when she recorded her first session for the 35-cent Bluebird subsidiary of RCA. In the 1930s she and Big Bill Broonzy had a nightclub act together. Her two biggest hits were her own composition “Romance in the Dark” (1940), which was later covered by many artists, such as Dinah Washington and Nina Simone (in 1967) (Billie Holidayrecorded a different song with the same title), and Green’s 1941 version of Kansas Joe McCoy‘s minor-key blues- and jazz-influenced song “Why Don’t You Do Right?“, which was covered by Peggy Lee in 1942 and many others since. As well as performing in Chicago nightclubs, Green toured with Tiny Bradshaw and other bands but never broke away from the black theatre circuit.

By 1949, Green had changed direction with the foresight to become a jazz vocalist, and tried to emulate the Jazz style of Billie Holiday. She signed with Atlantic Records in 1951, but at this point was already in poor health. She died of pneumonia in Chicago in 1954 and is buried in Oak Hill Cemetery, in Gary, Indiana.

Reunald Jones Sr. (December 22, 1910 – February 26, 1989), was a jazz trumpeter who worked both in big bands and as a studio musician.

Jones was born in Indianapolis. He studied at the Michigan Conservatory, and then played with territory bands such as that of Speed Webb. In the 1930s and 1940s Jones worked with musicians such as Charlie Johnson, the Savoy Bearcats, Fess Williams, Chick Webb (1933–34), Sam Wooding, Claude Hopkins, Willie Bryant, Teddy Hill, Don Redman (1936–38), Erskine Hawkins, Duke Ellington (1946), Jimmie Lunceford, Lucky Millinder and Sy Oliver. He soloed sparingly after his time with Chick Webb.

He played lead trumpet with the Count Basie Orchestra (1952–57), which gave him some fame due to his “one-handed” solo style of playing, but Jones was rarely featured.

However, Jones was featured as a member of the Quincy Jones group, “The Jones Boys” (56-58), a session conceived by Leonard Feather featuring a number of musicians named “Jones,” though none of them were related.

From the 1940s Jones did extensive work as a studio musician. He toured with Woody Herman (1959), George Shearing‘s big band (ca. 1960) and with an orchestra accompanying Nat King Cole(1961–64). He played less from the 1970s. His son, Reunald Jones Jr, played lead trumpet many years for Sammy Davis Jr & James Brown, and his grandson, Renny Jones, is an accomplished bass guitar player.

Messier 65 (also known as NGC 3623) is an intermediate spiral galaxy about 35 million light-years away in the constellation Leo. It was discovered by Charles Messier in 1780. Along with M66 and NGC 3628, M65 forms the Leo Triplet, a small group of galaxies. The galaxy is low in dust and gas, and there is little star formation in it, although there has been some relatively recently in the arms. The ratio of old stars to new stars is correspondingly quite high. In most wavelengths it is quite uninteresting, though there is a radio source visible in the NVSS, offset from the core by about two arc-minutes. The identity of the source is uncertain, as it has not been identified visually, or formally studied in any published papers.

Radius: 45,000 light years

Francisco Gustavo Sánchez Gomes (21 December 1947 – 25 February 2014), known as Paco de Lucía (IPA: [ˈpako ðe luˈθi.a]), was a Spanish virtuoso flamenco guitarist, composer, and record producer. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a “titanic figure in the world of flamenco guitar”, and Dennis Koster, author of Guitar Atlas, Flamenco, has referred to de Lucía as “one of history’s greatest guitarists”.

De Lucía was noted for his fast and fluent picados (fingerstyle runs). A master of contrast, he often juxtaposed picados and rasgueados(flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. These innovations saw him play a key role in the development of traditional flamenco and the evolution of new flamenco and Latin jazz fusion from the 1970s. He received acclaim for his recordings with flamenco singer Camarón de la Isla in the 1970s, recording ten albums which are considered some of the most important and influential in flamenco history.

Some of de Lucía’s best known recordings include Río Ancho (later fused with Al Di Meola‘s Mediterranean Sundance), Entre dos aguas, La Barrosa, Ímpetu, Cepa Andaluza and Gloria al Niño Ricardo. His collaborations with guitarists John McLaughlin, Al Di Meola and Larry Coryell in the late 1970s saw him gain wider popularity outside his native Spain. De Lucía formed the Paco de Lucía Sextet in 1981 with his brothers, singer Pepe de Lucía and guitarist Ramón de Algeciras, and collaborated with jazz pianist Chick Corea on their 1990 album, Zyryab. In 1992, he performed live at Expo ’92 in Seville and a year later on the Plaza Mayor in Madrid. After 2004 he greatly reduced his public performances, retiring from full touring, and typically only gave several concerts a year, usually in Spain and Germany and at European festivals during the summer months.

Frank Vincent Zappa(December 21, 1940 – December 4, 1993) was an American multi-instrumentalist musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity, and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse rock musicians of his era.

As a self-taught composer and performer, Zappa’s diverse musical influences led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands, later switching to electric guitar. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach, irrespective of whether the fundamental format was rock, jazz or classical.

Zappa’s output is unified by a conceptual continuity he termed “Project/Object”, with numerous musical phrases, ideas, and characters reappearing across his albums. His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the “godfather” of comedy rock. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he personally disapproved of drugs, but supported their decriminalization and regulation.

During Zappa’s lifetime, he was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while critics found it lacking emotional depth. He had some commercial success, particularly in Europe, and worked as an independent artist for most of his career. He remains a major influence on musicians and composers. His honors include his 1995 induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award. In 2000, he was ranked number 36 on VH1‘s 100 Greatest Artists of Hard Rock. In 2004, Rolling Stone magazine ranked him at number 71 on its list of the “100 Greatest Artists of All Time”, and in 2011 at number 22 on its list of the “100 Greatest Guitarists of All Time”. Zappa was born on December 21, 1940, in Baltimore, Maryland. His mother, Rosemarie (née Collimore), was of Italian (Neapolitan and Sicilian) and French ancestry; his father, whose name was anglicized to Francis Vincent Zappa, was an immigrant from Partinico, Sicily, with Greek and Arab descent.

Bennie Ross “Hank” Crawford, Jr. (December 21, 1934 – January 29, 2009) was an American R&B, hard bop, jazz-funk, soul jazz alto saxophonist, arranger and songwriter. Crawford was musical director for Ray Charles before embarking on a solo career releasing many well-regarded albums on Atlantic, CTI and Milestone.

Crawford was born in Memphis, Tennessee. He began formal piano studies at the age of nine and was soon playing for his church choir. His father had brought an alto saxophone home from the service and when Hank entered Manassas High School, he took it up in order to join the band. He credits Charlie Parker, Louis Jordan, Earl Bostic and Johnny Hodges as early influences.

Crawford appears on an early 1952 Memphis recording for B.B. King with a band including Ben Branch and Ike Turner.

In 1958, Crawford went to college at Tennessee State University in Nashville, Tennessee. While at TSU, he majored in music studying theory and composition, as well as playing alto and baritone saxophone in the Tennessee State Jazz Collegians. He also led his own rock ‘n’ roll quartet, “Little Hank and the Rhythm Kings”. His bandmates all thought he looked and sounded just like Hank O’Day, a legendary local saxophonist, which earned him the nickname “Hank”. This is when Crawford met Ray Charles, who hired Crawford originally as a baritone saxophonist. Crawford switched to alto in 1959 and remained with Charles’ band—becoming its musical director until 1963.

When Crawford left Ray Charles in 1963 to form his own septet, he had already established himself with several albums for Atlantic Records. From 1960 until 1970, he recorded twelve LPs for the label, many while balancing his earlier duties as Ray’s director. He released such pre-crossover hits as “Misty“, “The Peeper”, “Whispering Grass“, and “Shake-A-Plenty”.

Travis Leonard Blaylock (December 21, 1934 – June 16, 1984), better known as Harmonica Slim, was an American blues harmonicist, singer and songwriter. He had some commercial success in the 1950s; recordings of two songs he wrote, “Mary Helen” and “You Better Believe It” (both 1956), were modest hits. He released a total of six singles and toured alongside Percy Mayfield, Harmonica Fats, B.B. King, T-Bone Walker, Pee Wee Crayton and Ray Charles. His debut album was released in 1969. By the late 1970s, he had stopped playing the blues.

He is not to be confused with (as he has been in some sources) two other similarly named artists, James Isaac Moore (better known as Slim Harpo)and Richard Riley Riggins (1921–2003).

Blaylock was born in Texarkana, Texas. With encouragement from his neighbors, and by listening to records by Sonny Boy Williamson I, he became competent playing the harmonica by the age of twelve. He joined a gospel group, the Sunny South Gospel Singers, in the mid-1940s, and they performed on a local radio station, KCMC. In 1949, Harmonica Slim moved to Los Angeles, California, where he started to perform with several local blues groups. Through this work, gaining experience and local connections, he began playing in package shows including working part-time with the pianist Lloyd Glenn in Lowell Fulson‘s band.

Harmonica Slim also worked as a session musician in the early to mid-1950s, playing in recording sessions for various record labels, including Aladdin, Spry, and Vita. Eventually he formed his own band, which reunited him with Lloyd Glenn, and between 1954 and 1960 Harmonica Slim recorded six singles. His style combined Texas blues, country blues and R&B. “Mary Helen” and “You Better Believe It” (both 1956) became modest local hits. The success of these records had two effects. First, Harmonica Slim was given the opportunity to join R&B tour packages that travelled across the United States in the 1950s, in which he performed in the company of Percy Mayfield, Harmonica Fats, B.B. King, T-Bone Walker, Pee Wee Crayton and Ray Charles.Second, another “Harmonica Slim” on the blues circuit changed his working name to Slim Harpo. Around this time, through Slim’s working association with the more rotund Harvey Blackston, the latter changed his stage name to Harmonica Fats.

https://www.youtube.com/watch?v=2xOwCglcVbY

The Wide Field Imager on the MPG/ESO 2.2-metre telescope at the La Silla Observatory has imaged a region of star formation called NGC 3324. The intense radiation from several of NGC 3324’s massive, blue-white stars has carved out a cavity in the surrounding gas and dust. The ultraviolet radiation from these young hot stars also cause the gas cloud to glow in rich colours.

NGC 3324 is an open cluster in the southern constellation Carina, located northwest of the Carina Nebula (NGC 3372) at a distance of 7,560 ly(2,317 pc) from Earth. It is closely associated with the emission nebula IC 2599, also known as Gum 31. The two are often confused as a single object, and together have been nicknamed the “Gabriela Mistral Nebula” due to its resemblance to the Chilean poet. NGC 3324 was first catalogued by James Dunlop in 1826.

The Wide Field Imager on the MPG/ESO 2.2-metre telescope at the La Silla Observatory has imaged a region of star formation called NGC 3324. The intense radiation from several of NGC 3324’s massive, blue-white stars has carved out a cavity in the surrounding gas and dust. The ultraviolet radiation from these young hot stars also cause the gas cloud to glow in rich colours.

Stephen William Bragg (born 20 December 1957) is an English singer-songwriter and left-wing activist. His music blends elements of folk music, punk rock and protest songs, with lyrics that mostly span political or romantic themes. His music is heavily centred on bringing about change and involving the younger generation in activist causes.

Bragg was born in 1957 in Barking, Essex, one of the sons of Dennis Frederick Austin Bragg, an assistant sales manager to a Barking cap maker and milliner, and his wife Marie Victoria D’Urso, who was of Italian descent. Bragg’s father died of lung cancer in 1976, and his mother in 2011.

Lawrence Elliott Willis (December 20, 1942 – September 29, 2019) was an American jazz pianist and composer. He performed in a wide range of styles, including jazz fusion, Afro-Cuban jazz, bebop, and avant-garde.

Willis was born in New York City. After his first year studying music theory at the Manhattan School of Music he began performing regularly with Jackie McLean. After he graduated he made his first jazz recording, McLean’s Right Now! in January 1965, which featured two of Willis’ compositions. His first recording of any type, however, was as a singer with the Music and Arts Chorale Ensemble, performing an opera by Aaron Copland under the direction of Leonard Bernstein. He decided to concentrate on jazz because of the difficulties African-American musicians had in finding work in concert music.

Throughout his career he performed with a wide range of musicians, including several years as keyboardist for Blood, Sweat & Tears (beginning in 1972). He spent several years as pianist for trumpeters Nat Adderley and Woody Shaw as well as long and productive tenures with Roy Hargrove and with Jerry Gonzalez and his Fort Apache Band. His late recording with Paul Murphy, Exposé, demonstrated the fusion principles of bebop and avant-garde jazz. His composition “Sanctuary” began exploring works employing strings. After a successful performance in Frank Lloyd Wright‘s Annie Pfieffer Chapel at Florida Southern College‘s Child of the Sun Jazz Festival he was commissioned to write a full-scale orchestral work for jazz trio and orchestra. He worked with Hugh Masekela on a South African Suite of music and interpreted Miles Davis‘ work. He was in the Round About Midnight tour of Miles Davis’ music. He received the Don Redman award in 2011, and the Benny Golson Jazz Master Award at Howard University in 2012.

Pleasant Joseph known as Cousin Joe (December 20, 1907 — October 2, 1989) was an American blues and jazz singer, later famous for his 1940s recordings with clarinetist Sidney Bechet and saxophonist Mezz Mezzrow.

He was born in Wallace, Louisiana, United States and worked at Whitney Plantation throughout his childhood.

Until 1945 Cousin Joe toured Louisiana; that year he was asked to take part in the King Jazz recording sessions organized by Mezzrow and Bechet. Cousin Joe died in his sleep from natural causes in New Orleans, at the age of 81.

ESO’s Very Large Telescope in Chile has captured the most detailed image ever taken of the Medusa Nebula (also known Abell 21 and Sharpless 2-274). As the star at the heart of this nebula made its final transition into retirement, it shed its outer layers into space, forming this colourful cloud. The image foreshadows the final fate of the Sun, which will eventually also become an object of this kind.

The Medusa Nebula is a large planetary nebula in the constellation of Gemini on the Canis Minor border. It is also known as Abell 21 and Sharpless2-274. It was originally discovered in 1955 by UCLA astronomer George O. Abell, who classified it as an old planetary nebula. The braided serpentine filaments of glowing gas suggests the serpent hair of Medusa found in ancient Greek mythology.

Until the early 1970s, the Medusa was thought to be a supernova remnant. With the computation of expansion velocities and the thermal character of the radio emission, Soviet astronomers in 1971 concluded that it was most likely a planetary nebula.

As the nebula is so big, its surface brightness is very low, with surface magnitudes of between +15.99 and +25 reported. Because of this most websites recommend at least an 8-inch (200 mm) telescope with an [O III] filter to find this object although probably possible to image with smaller apertures.

ESO’s Very Large Telescope in Chile has captured the most detailed image ever taken of the Medusa Nebula (also known Abell 21 and Sharpless 2-274). As the star at the heart of this nebula made its final transition into retirement, it shed its outer layers into space, forming this colourful cloud. The image foreshadows the final fate of the Sun, which will eventually also become an object of this kind.

Kermit Ruffins (born December 19, 1964) is an American jazz trumpeter, singer, and composer from New Orleans, Louisiana, United States. He has been influenced by Louis Armstrong and Louis Jordan and says that the highest note he can hit on trumpet is a high C. He often accompanies his songs with his own vocals. Most of his bands perform New Orleans jazz standards, though he also composes many of his own pieces. Jon Pareles of The New York Times wrote, “Mr. Ruffins is an unabashed entertainer who plays trumpet with a bright, silvery tone, sings with off-the-cuff charm and never gets too abstruse in his material.”

He started playing trumpet in 8th grade at Lawless Junior High School in the Ninth Ward of New Orleans. He attended Joseph S. Clark High School in the 6th Ward. In high school, he played a little bit of classical music at the behest of a strict band teacher. He developed an appreciation for cooking from his grandmother, observing her movements in the kitchen.