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Stephanie Lynn Nicks (born May 26, 1948) is an American singer-songwriter known for her work with the band Fleetwood Mac and as a solo artist.
After starting her career as a duo with her then-boyfriend Lindsey Buckingham, releasing the album Buckingham Nicks to little success, Nicks joined Fleetwood Mac in 1975, helping the band to become one of the best-selling music acts of all time with over 120 million records sold worldwide. Rumours, the band’s second album with Nicks, became one of the best-selling albums worldwide, being certified 20× platinum in the US. In 1981, while remaining a member of Fleetwood Mac, Nicks began her solo career, releasing the studio album Bella Donna, which topped the Billboard 200 and has reached multiplatinum status. She has released eight studio solo albums and seven studio albums with Fleetwood Mac, selling a certified total of 65 million copies in the U.S. alone.
After the release of her first solo album, Rolling Stone named her the “Reigning Queen of Rock and Roll“.Nicks was named one of the 100 Greatest Songwriters of All Time and one of the 100 Greatest Singers of All Time by Rolling Stone. Her Fleetwood Mac songs “Landslide“, “Rhiannon“, and “Dreams“, with the last being the band’s only number one hit in the U.S., together with her solo hit “Edge of Seventeen“, have all been included in Rolling Stone‘s list of the 500 Greatest Songs of All Time. She is the only woman to have been inducted twice into the Rock and Roll Hall of Fame: first as a member of Fleetwood Mac in 1998 and then as a solo artist in 2019.
Nicks has garnered eight Grammy Award nominations and two American Music Award nominations as a solo artist. She has won numerous awards with Fleetwood Mac, including a Grammy Award for Album of the Year in 1978 for Rumours. The albums Fleetwood Mac, Rumours, and Bella Donna have been included in the “Greatest of All Time Billboard 200 Albums” chart by Billboard. Rumours was also rated the seventh-greatest album of all time in Rolling Stone‘s list of the “500 Greatest Albums of All Time“, as well as the fourth-greatest album by female acts.
more...Angela Isadora Duncan (May 26, 1877 or May 27, 1878 – September 14, 1927) was an American-born dancer and choreographer, who was a pioneer of modern contemporary dance and performed to great acclaim throughout Europe and the US. Born and raised in California, she lived and danced in Western Europe, the US and Soviet Russia from the age of 22. She died when her scarf became entangled in the wheel and axle of the car in which she was travelling in Nice, France.
Angela Isadora Duncan was born in San Francisco, the youngest of the four children of Joseph Charles Duncan (1819–1898), a banker, mining engineerand connoisseur of the arts, and Mary Isadora Gray (1849–1922). Her brothers were Augustin Duncan and Raymond Duncan; her sister, Elizabeth Duncan, was also a dancer.
more...Mark Lavon “Levon” Helm (May 26, 1940 – April 19, 2012) was an American musician who achieved fame as the drummer and one of the three lead vocalists for The Band, for which he was inducted into the Rock and Roll Hall of Fame in 1994. Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band’s recordings, such as “The Weight“, “Up on Cripple Creek“, and “The Night They Drove Old Dixie Down“.
Helm also had a successful career as a film actor, appearing as Loretta Lynn‘s father in Coal Miner’s Daughter (1980), as Chuck Yeager‘s friend and colleague Captain Jack Ridley in The Right Stuff (1983), as a Tennessee firearms expert in Shooter (2007), and as General John Bell Hood in In the Electric Mist (2009).
In 1998, Helm was diagnosed with throat cancer which caused him to lose his singing voice. After treatment, his cancer eventually went into remission, and he gradually regained the use of his voice. His 2007 comeback album Dirt Farmer earned the Grammy Award for Best Traditional Folk Album in February 2008, and in November of that year, Rolling Stone magazine ranked him No. 91 in its list of 100 Greatest Singers of All Time. In 2010, Electric Dirt, his 2009 follow-up to Dirt Farmer, won the first Grammy Award for Best Americana Album, a category inaugurated in 2010. In 2011, his live album Ramble at the Ryman won the Grammy in the same category. In 2016, Rolling Stone magazine ranked him No. 22 in its list of 100 Greatest Drummers of All Time.
more...Rubén González Fontanills (26 May 1919 – 8 December 2003) was a Cuban pianist. Together with Lilí Martínez and Peruchín he is said to have “forged the style of modern Cuban piano playing in the 1940s”.
Between the 1940s and his retirement in the 1980s, he played with Cuba’s most successful acts, including Paulina Álvarez, Arsenio Rodríguez, Orquesta América del 55, Orquesta Riverside and Enrique Jorrín. In the 1990s, he came out of retirement to play in the revival ensembles Afro-Cuban All Stars and Buena Vista Social Club, also recording solo material and performing live until 2002.
more...Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz.
Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker‘s bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records, and recorded the album ‘Round About Midnight in 1955. It was his first work with saxophonist John Coltraneand bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue(1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S.
Davis made several lineup changes while recording Someday My Prince Will Come (1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven (1963), another commercial success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams. After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P. (1965) and Miles Smiles (1967), before transitioning into his electric period. During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing lineup of musicians, including keyboardist Joe Zawinul, drummer Al Foster, and guitarist John McLaughlin. This period, beginning with Davis’s 1969 studio album In a Silent Way and concluding with the 1975 concert recording Agharta, was the most controversial in his career, alienating and challenging many in jazz. His million-selling 1970 record Bitches Brew helped spark a resurgence in the genre’s commercial popularity with jazz fusion as the decade progressed.
After a five-year retirement due to poor health, Davis resumed his career in the 1980s, employing younger musicians and pop sounds on albums such as The Man with the Horn (1981) and Tutu (1986). Critics were often unreceptive but the decade garnered Davis his highest level of commercial recognition. He performed sold-out concerts worldwide, while branching out into visual arts, film, and television work, before his death in 1991 from the combined effects of a stroke, pneumonia and respiratory failure. In 2006, Davis was inducted into the Rock and Roll Hall of Fame, which recognized him as “one of the key figures in the history of jazz”. Rolling Stone described him as “the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century,” while Gerald Early called him inarguably one of the most influential and innovative musicians of that period.
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Orbiting 400 kilometers above Quebec, Canada, planet Earth, the International Space Station Expedition 59 crew captured this snapshot of the broad St. Lawrence River and curiously circular Lake Manicouagan on April 11. Right of center, the ring-shaped lake is a modern reservoir within the eroded remnant of an ancient 100 kilometer diameter impact crater. The ancient crater is very conspicuous from orbit, a visible reminder that Earth is vulnerable to rocks from space. Over 200 million years old, the Manicouagan crater was likely caused by the impact of a rocky body about 5 kilometers in diameter. Currently, there is no known asteroid with a significant probability of impacting Earth in the next century. Each month, NASA’s Planetary Defense Coordination Office releases an update featuring the most recent figures on near-Earth object close approaches, and other facts about comets and asteroids that could pose a potential impact hazard with Earth.
Lincoln Barrington “Sugar” Minott (25 May 1956 – 10 July 2010) was a Jamaican reggae and dancehall singer, record producer and sound-system operator.
After working as a selector on the Sound of Silence Keystone sound system, and then his own Gathering of Youth system, he began his singing career as part of The African Brothers in 1969, along with Tony Tuff and Derrick Howard. The group released several singles in the first half of the 1970s on labels such as Micron and their own Ital label, and were an early example of the Rastafari movement‘s influence on the Jamaican music scene, taking a clear lead from The Abyssinians. After recording “Mysterious Nature” for producer Rupie Edwards, the group recorded 1974’s “No Cup No Broke” for Studio One, breaking up shortly after. Minott then teamed up with the producer Clement “Coxsone” Dodd, as studio apprentice at Dodd’s Studio One, working as a singer, guitarist and percussionist, and soon began recording his own singles. Minott developed a talent for writing new songs to fit over existing rhythms (which at the time was common when singers performed live, but rare in the studio), often proving more popular than the original songs, pioneering an approach that would be central to the emerging dancehallstyle.
more...Wallace Roney (May 25, 1960 – March 31, 2020) was an American jazz (hard bop and post-bop) trumpeter. He has won 1 Grammy award and has two nominations.
Roney took lessons from Clark Terry and Dizzy Gillespie and studied with Miles Davis from 1985 until the latter’s death in 1991. Wallace credited Davis as having helped to challenge and shape his creative approach to life as well as being his music instructor, mentor, and friend; he was the only trumpet player Davis personally mentored.
Roney was born in Philadelphia. He attended Howard Universityand Berklee College of Music in Boston, Massachusetts, after graduating from the Duke Ellington School of the Arts of the D. C. Public Schools, where he studied trumpet with Langston Fitzgerald of the Baltimore Symphony Orchestra. Found to have perfect pitch at the age of four, Wallace began his musical and trumpet studies at Philadelphia’s Settlement School of Music. Wallace Roney died at the age of 59 on March 31, 2020, at St. Joseph’s University Medical Center in Paterson, New Jersey. The cause was complications arising from COVID-19
more...Norman Gary Foster (born May 25, 1936) is an American musician who plays saxophone, clarinet, and flute. He is considered a crossover artist, performing jazz, pop, and classical music. He has been prominent in the film, television, and music industries for five decades, having performed on over 500 movie scores and with over 200 orchestras.
He has recorded on numerous Grammy, Academy Award, Emmy, and Golden Globe winning media and soundtracks for artists and composers such as Carol Burnett, Bob Dylan, Barbra Streisand, Mel Torme, Toshiko Akiyoshi, Frank Sinatra, Pat Williams, John Williams, Natalie Cole, Jerry Fielding, Cal Tjader, Marty Paich, and Michael Bublé.
Foster received the Most Valuable Player Award for woodwind doubling from The Recording Academy.
more...Marshall Belford Allen (born May 25, 1924) is an American free jazz and avant-garde jazz alto saxophone player. He also performs on flute, oboe, piccolo, and the electronic EWI.
Allen is best known for his work with Sun Ra, having recorded and performed mostly in this context since the late 1950s, and having led The Sun Ra Arkestra since 1995, after Sun Ra’s death in 1993 and John Gilmore‘s death two years later. Critic Jason Ankeny describes Marshall as “one of the most distinctive and original saxophonists of the postwar era.”
Marshall Belford Allen was born in Louisville, Kentucky, United States.
During the Second World War he enlisted in the 92nd Infantry Division and was stationed in France. Allen studied alto saxophone in Paris.
more...Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra.
Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilsonsextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter.
more...Buddha Purnima 2024: The auspicious festival of Buddha Purnima marks the birth of Prince Siddhartha Gautama, who became the Gautama Buddha and founded Buddhism.
Friday May 24th 2024 6pm. Music with Inbal Sharret Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick laBriola.
more...Star formation can be messy. To help find out just how messy, ESA‘s new Sun-orbiting Euclid telescope recently captured the most detailed image ever of the bright star forming region M78. Near the image center, M78 lies at a distance of only about 1,300 light-years away and has a main glowing core that spans about 5 light-years. The featured image was taken in both visible and infrared light. The purple tint in M78’s center is caused by dark dustpreferentially reflecting the blue light of hot, young stars. Complex dust lanes and filaments can be traced through this gorgeous and revealing skyscape. On the upper left is associated star forming region NGC 2071, while a third region of star formation is visible on the lower right. These nebulas are all part of the vast Orion Molecular Cloud Complex which can be found with even a small telescope just north of Orion’s belt.
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Cecil Bustamente Campbell OD (24 May 1938 – 8 September 2016), known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists. Campbell became more actively involved in the operational side of running a sound system after he was introduced to Clement ‘Coxsone’ Dodd, a musically inclined businessman who operated one of Kingston’s most popular sound systems. Campbell found himself fulfilling a variety of roles for Coxsone: providing security, handling ticket receipts, identifying and sourcing music as well as working in the essential role of selector. The knowledge he gained about the financial and logistical aspects of staging a sound system dance was put to good use when Campbell made the decision to start his own sound system called ‘Voice of the People’. Campbell approached his family and a radio shop owner called Mr Wong for financial backing; both parties agreed. Campbell’s ‘Voice of the People’ sound system was soon operational and within a short time had established itself as a rival to the sound systems of Coxsone and Duke Reid. Campbell applied to the Farm Work Program (guest worker scheme for the US agricultural sector) with the intention of buying music for his sound system but, on the day of departure, was refused entry into the scheme. Knowing that he would not be able to personally source records from the US, Campbell decided to record his own music. He approached Arkland “Drumbago” Parks, a professional drummer at the Baby Grand Club who had arranged and recorded a special (exclusive recording) for the Count Boysie sound system. Drumbago agreed to help and Campbell immediately began rehearsing with the musicians at the Baby Grand Club, including the guitarist Jah Jerry, who played on Campbell’s first recording session.
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