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The “claw” of this odd looking “creature” in the featured photo is a gas cloud known as a cometary globule. This globule, however, has ruptured. Cometary globules are typically characterized by dusty heads and elongated tails. These features cause cometary globules to have visual similarities to comets, but in reality they are very much different. Globules are frequently the birthplaces of stars, and many show very young stars in their heads. The reason for the rupture in the head of this object is not yet known. The galaxy to the left of the globule is huge, very far in the distance, and only placed near CG4 by chance superposition.
Larance Norman Marable (May 21, 1929 – July 4, 2012) was a jazz drummer from Los Angeles, California.
Marable was born in Los Angeles on May 21, 1929. His family was musical, but he was largely self-taught.
In the 1950s, Marable played with musicians who were visiting Los Angeles; these included Dexter Gordon, Charlie Parker, and Zoot Sims. Marable recorded as a leader in 1956. He also recorded with George Shearing, Chet Baker, Milt Jackson, and other well-known musicians.
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Thomas Wright “Fats” Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, and singer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. A widely popular star in the jazz and swing eras, he toured internationally, achieving critical and commercial success in the United States and Europe. His best-known compositions, “Ain’t Misbehavin’” and “Honeysuckle Rose“, were inducted into the Grammy Hall of Fame in 1984 and 1999.
Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as “the soul of melody… a man who made the piano sing… both big in body and in mind… known for his generosity… a bubbling bundle of joy”. It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. He died from pneumonia, aged 39.
more...This Picture of the Week shows the jewel-bright spiral galaxy NGC 4689, which lies 54 million light-years from Earth in the constellation Coma Berenices. This constellation has the distinction of being the only one of the 88 constellations officially recognised by the International Astronomical Union (IAU) to be named after an historical figure, Queen Berenice II of Egypt. The latin word ‘coma’ references her hair, meaning that NGC 4689 can be said to be found in the hair of a queen. Some people of Berenice’s time would have meant this quite literally, as the story goes that her court astronomer thought that a missing lock of Berenice’s hair had been catasterised (a word meaning ‘placed amongst the stars’) by the gods: hence the name of the constellation, Coma Berenices.
NGC 4689 holds an interesting — albeit less royal — place in modern astronomy too. The Universe is so incredibly vast that at a distance of a mere 54 million light-years NGC 4689 is relatively nearby for a galaxy. This image has been made using data from two sets of observations, one made in 2019 and 2024, both of which were made as a part of programmes that observed multiple ‘nearby’ galaxies. The 2024 observing programme is an interesting example of how Hubble — a relatively old but extraordinarily productive telescope — can support the work of the technologically cutting-edge Webb telescope. Observations collected by Webb stand to transform our understanding of how galaxies transform and evolve over time, by providing data of an unprecedented level of detail and clarity. However, thanks to their complementary capabilities, new observations from Hubble — such as those used to create this image — can assist the work done using Webb. In this case, the Hubble data were collected in order to get a more accurate grasp of the stellar populations of nearby galaxies, which is crucial to understanding the evolution of galaxies. Thus, NGC 4689 is playing an important role in developing our understanding of how all galaxies evolve. In fact, it is observed enough that it has been the subject of a Hubble Picture of the Week before, in 2020.
John Robert “Joe” Cocker OBE (20 May 1944 – 22 December 2014) was an English singer known for his gritty, bluesy voice and dynamic stage performances that featured expressive body movements. Most of his best known singles, such as “Feelin’ Alright?” and “Unchain My Heart“, were recordings of songs written by other song writers, though he composed a number of songs for most of his albums as well, often in conjunction with songwriting partner Chris Stainton.
His first album featured a recording of the Beatles‘ “With a Little Help from My Friends“, which brought him to near-instant stardom. The song reached number one in the UK in 1968, became a staple of his many live shows (Woodstock and the Isle of Wight in 1969, the Party at the Palace in 2002) and was also known as the theme song for the late 1980s American TV series The Wonder Years. He continued his success with his second album, which included a second Beatles song: “She Came In Through the Bathroom Window“. A hastily thrown together 1970 US tour led to the live double-album Mad Dogs & Englishmen, which featured an all-star band organized by Leon Russell. His 1974 recording of “You Are So Beautiful” reached number five in the US, and became his signature song. Cocker’s best selling song was the US number one “Up Where We Belong“, a duet with Jennifer Warnes that earned a 1983 Grammy Award. He released a total of 22 studio albums over a 43-year recording career.
In 1993, Cocker was nominated for the Brit Award for Best British Male. He was awarded a bronze Sheffield Legends plaque in his hometown in 2007, and received an OBE the following year for services to music. Cocker was ranked number 97 on Rolling Stone‘s 100 greatest singers list.
more...Ralph Peterson Jr. (May 20, 1962 – March 1, 2021) was an American jazz drummer and bandleader.
Four of Peterson’s uncles and his grandfather were drummers. Peterson himself began on percussion at age three. He was raised in Pleasantville, where he played trumpet at Pleasantville High School and worked locally in funk groups. He applied to Livingston College at Rutgers University to study drums, but he failed the percussion entrance exam and enrolled as a trumpeter instead, graduating in 1984.
In 1983, he joined Art Blakey‘s Jazz Messengers as the group’s second drummer for several years. He worked with Terence Blanchard and Donald Harrison in 1984, and with Walter Davis (1985, 1989), Tom Harrell (1985), Out of the Blue (1985–1988), Branford Marsalis (1986), David Murray, Craig Harris (1987), James Spaulding (1988), Roy Hargrove (1989), Jon Faddis (1989), Dewey Redman, Mark Helias (1989), and Wynton Marsalis (with the Count Basie ghost band).
more...Victor Lewis (born May 20, 1950) is an American jazz drummer, composer, and educator.
Victor Lewis was born on May 20, 1950, in Omaha, Nebraska. His father, Richard Lewis, who played saxophone and mother, Camille, a pianist-vocalist were both classically trained musicians who performed with many of the “territory bands” that toured the midwest in the forties. Consequently, Victor grew up with jazz as well as popular and European classical music at home. He would also go with his father to hear touring big bands as they passed through Omaha, such as Duke Ellington, Count Basie and Woody Herman.
more...This new infrared image of NGC 346 from the NASA/ESA/CSA James Webb Space Telescope’s Mid-Infrared Instrument (MIRI) traces emission from cool gas and dust. In this image blue represents silicates and sooty chemical molecules known as polycyclic aromatic hydrocarbons, or PAHs. More diffuse red emission shines from warm dust heated by the brightest and most massive stars in the heart of the region. Bright patches and filaments mark areas with abundant numbers of protostars. This image includes 7.7-micron light shown in blue, 10 microns in cyan, 11.3 microns in green, 15 microns in yellow, and 21 microns in red (770W, 1000W, 1130W, 1500W, and 2100W filters, respectively). [Image description: The lower half of this image contains arcs of bluish material that form a boat-like shape. One end of these arcs points to the top right of the image, while the other end points toward the bottom left. Another plume of blue filaments expands from the centre to the top left, resembling the mast of a sailboat. Within and extending beyond the boat shape are translucent curtains of pink, which cover most of the image. Stars are noticeably scarce. A couple dozen bright pink patches with six short diffraction spikes are scattered within the blue filaments. Many faint blue dots, or stars, also speckle the background, which is black or dark grey.]
Shujaat Husain Khan (born 19 May 1960) is one of the most acclaimed North Indian musicians and sitarplayers of his generation. He belongs to the Imdadkhani gharana school of music. He has recorded over 100 albums and was nominated for a Grammy Award for Best World Music Album for his work with the band Ghazal with Iranian musician Kayhan Kalhor. He also sings frequently. His style of sitar playing, known as gayaki ang, is imitative of the subtleties of the human voice.
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Peter Dennis Blandford Townshend born 19 May 1945) is an English musician. He is the co-founder, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. His aggressive playing style and poetic songwriting techniques, with the Who and in other projects, have earned him critical acclaim.
Townshend has written more than 100 songs for 12 of the Who’s studio albums. These include concept albums, the rock operas Tommy (1969) and Quadrophenia (1973), plus popular rock radio staples such as Who’s Next (1971); as well as dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilation albums such as Odds & Sods (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs.
While known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums; he is self-taught on all of these instruments and plays on his own solo albums, several Who albums, and as a guest contributor to an array of other artists’ recordings. Townshend has also contributed to and authored many newspaper and magazine articles, book reviews, essays, books, and scripts, and he has collaborated as a lyricist and composer for many other musical acts.
In 1983, Townshend received the Brit Award for Lifetime Achievement and in 1990 he was inducted into the Rock and Roll Hall of Fame as a member of the Who. Townshend was ranked No. 3 in Dave Marsh‘s 1994 list of Best Guitarists in The New Book of Rock Lists. In 2001, he received a Grammy Lifetime Achievement Award as a member of the Who; and in 2008 he received Kennedy Center Honors. He was ranked No. 10 in Gibson.com’s 2011 list of the top 50 guitarists, and No. 37 on Rolling Stone‘s 2023 list of 250 greatest guitarists of all time. He and Roger Daltrey received The George and Ira Gershwin Awardfor Lifetime Musical Achievement at UCLA on 21 May 2016.
more...Thomas Wright Scott (born May 19, 1948) is an American saxophonist, composer, and arranger. He was a member of The Blues Brothers and led the jazz fusion group L.A. Express.
Scott was born in Los Angeles, California, US. He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including music for Dragnet and Lassie.
Tom Scott’s career began as a teenager as leader of the jazz ensemble Neoteric Trio, and the band Men of Note. After that, he worked as a session musician. In 1970, Quincy Jones said of him: “Tom Scott, the saxophonist; he’s 21, and out of sight! Plays any idiom you can name, and blows like crazy on half a dozen horns.”
Scott wrote the theme tunes for the television shows Starsky and Hutch and The Streets of San Francisco. In 1974, with the L.A. Express, he composed the score for the animated movie, The Nine Lives of Fritz the Cat. He played the soprano saxophone solo on the number-one hit single “Listen to What the Man Said” by the band Wings. In 1976, he played the theme “I Still Can’t Sleep” in Taxi Driver. Scott also composed the soundtrack for 1980’s Stir Crazy. In 1982, he collaborated with Johnny Mathis on “Without Us”, the theme to the 1980s sitcom Family Ties. He also played the lyricon, an electronic wind instrument on Michael Jackson‘s “Billie Jean“, as well as lyricon and saxophone on The Grateful Dead‘s album Terrapin Station.
more...Cornelius “Sonny” Fortune (May 19, 1939 – October 25, 2018) was an American jazz saxophonist. He played soprano, alto, tenor, and baritone saxophones, clarinet, and flute.
He was born in Philadelphia, Pennsylvania, United States. After moving to New York City in 1967, Fortune recorded and appeared live with drummer Elvin Jones‘s group. In 1968, he was a member of Mongo Santamaría‘s band. He performed with singer Leon Thomas, and with pianist McCoy Tyner(1971–73). In 1974, Fortune replaced Dave Liebman in Miles Davis‘s ensemble, remaining until spring 1975, when he was succeeded by Sam Morrison. Fortune can be heard on the albums Big Fun, Get Up With It, Agharta, and Pangaea, the last two recorded live in Japan.
Fortune joined Nat Adderley after his brief tenure with Davis, then formed his own group in June 1975, recording two albums for the Horizon Records. During the 1990s, he recorded several albums for Blue Note. He has also performed with Roy Brooks, Buddy Rich, George Benson, Rabih Abou Khalil, Roy Ayers, Oliver Nelson, Gary Bartz, Rashied Ali, and Pharoah Sanders, as well as appearing on the live album The Atlantic Family Live at Montreux (1977).
more...Cecil McBee (born May 19, 1935) is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of classic jazz albums.
McBee was born in Tulsa, Oklahoma, United States. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, McBee spent two years in the U.S. Army, during which time he conducted the band at Fort Knox. In 1959, he played with Dinah Washington, and in 1962 he moved to Detroit, Michigan, where he worked with Paul Winter‘s folk-rock ensemble between 1963 and 1964.
His jazz career began to take off in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965–66), Charles Lloyd (1966), Yusef Lateef (1967–69), Keith Jarrett, Freddie Hubbard and Woody Shaw (1986), and Alice Coltrane (1969–72).
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