mick laBriola

NGC 4698 is a barred spiral galaxy located around 55 million light years away from Earth in the constellation of Virgo. It belongs to the Virgo Cluster of galaxies and is positioned near the northeastern edge of this assemblage. The morphological classification of NGC 4698 in the De Vaucouleurs system is SA(s)ab, which indicates a purely spiral structure with moderate to tightly wound arms. It is inclined to the line of sight from the Earth by an angle of 53° along a position angle of 170°.

A unique feature of this galaxy is that the stars and dust of the nuclear disk are rotating in a direction that is aligned perpendicularly to the galactic disk. The bulge likewise appears elongated out of the galactic plane. This unusual alignment may have been the result of a past merger event.

NGC 4698 is classified as a Seyfert-2 galaxy with an active galactic nucleus, which displays a prominent emission of radio and X-ray energy from the core while showing narrow emission lines in the optical spectrum. The unified model of Seyfert galaxies proposes that the nucleus of a Seyfert 2 galaxy is obscured by a thick torus of gas and dust. However, the varying X-ray emission of the core of NGC 4698 shows little indication of being obstructed, suggesting instead that the source of the energy emission is generally unobscured but anemic in nature.

Richard Allen “Blue“ Mitchell (March 13, 1930 – May 21, 1979) was an American jazz, rhythm and blues, soul, rock and funk trumpeter, and composer, who recorded many albums as leader and sideman for Riverside, Blue Note and Mainstream Records. Mitchell was born and raised in Miami, Florida. He began playing trumpet in high school, where he acquired his nickname, Blue.^[

After high school he played in the rhythm and blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. After returning to Miami he was noticed by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958.

He then joined the Horace Silver Quintet, playing with tenor saxophonist Junior Cook, bassist Gene Taylor and drummer Roy Brooks. Mitchell stayed with Silver’s group until the band’s break-up in 1964, after which he formed a group with members from the Silver quintet, substituting the young pianist Chick Corea for Silver and replacing Brooks, who had fallen ill, with drummer Al Foster. This group produced a number of records for Blue Note. It disbanded in 1969, after which Mitchell joined and toured with Ray Charles until 1971.

From 1971 to 1973 Mitchell performed with John Mayall, appearing on Jazz Blues Fusion and subsequent albums. From the mid-70s he recorded and worked as a session man in the genres noted previously, performed with the big band leaders Louie Bellson, Bill Holman and Bill Berry and was principal soloist for Tony Bennett and Lena Horne. Other band leaders Mitchell recorded with include Lou Donaldson, Grant Green, Philly Joe Jones, Jackie McLean, Hank Mobley, Johnny Griffin, Al Cohn, Dexter Gordon and Jimmy Smith.

https://www.youtube.com/watch?v=6-HfjaPHd0Q

Roy Owen Haynes (born March 13, 1925) is an American jazz drummer and group leader. Haynes is among the most recorded drummers in jazz, and in a career lasting over 70 years has played in a wide range of styles ranging from swing and bebop to jazz fusion and avant-garde jazz. He has a highly expressive, personal style (“Snap Crackle” was a nickname given him in the 1950s).

He has also led his own groups, some performing under the name Hip Ensemble. His recordings as a leader, Fountain of Youth and Whereas, were nominated for a Grammy Award. He continues to perform worldwide and was inducted into the Modern Drummer Hall of Fame in 1999. His son Graham Haynes is a cornetist; his son Craig Haynes and grandson Marcus Gilmore are both drummers. Born in the Roxbury section of Boston, Massachusetts, Haynes made his professional debut in 1944 in his native Boston.

Haynes began his full-time professional career in 1945. From 1947 to 1949 he worked with saxophonist Lester Young, and from 1949 to 1952 was a member of saxophonist Charlie Parker‘s quintet. He also recorded at the time with pianist Bud Powell and saxophonists Wardell Gray and Stan Getz. From 1953 to 1958 he toured with singer Sarah Vaughan and also recorded with her.

Otis Verries Hicks, known as Lightnin’ Slim (March 13, 1913 – July 27, 1974), was an African-American Louisiana blues musician, who recorded for Excello Records and played in a style similar to its other Louisiana artists. The blues critic ED Denson ranked him as one of the five great bluesmen of the 1950s, along with Muddy Waters, Little Walter, Howlin’ Wolf and Sonny Boy Williamson.

According to most sources, Otis Hicks was born on a farm outside St. Louis, Missouri, but the researchers Bob Eagle and Eric LeBlanc stated, on the basis of his draft card, that he was born in Good Pine, Louisiana. He moved to Baton Rouge at the age of thirteen. Taught guitar by his older brother Layfield, Slim was playing in bars in Baton Rouge by the late 1940s.

His first recording was “Bad Luck Blues” (“If it wasn’t for bad luck, I wouldn’t have no luck at all”), released by J. D. “Jay” Miller‘s Feature Records in 1954. It was Miller, who had a penchant for picking colourful artists’ names, who christened him “Lightnin’ Slim”. Slim then recorded for Excello Records for twelve years, starting in the mid-1950s, often collaborating with his brother-in-law Slim Harpo and with the harmonica player Lazy Lester.

IC 2177 (also known as vdB 93 ) is an emission and reflection nebula visible in the constellation of the Unicorn .

It is identified on the western edge of the Seagull Nebula , a large region H II connected to a molecular nebula complex in which star-formingphenomena take place, and ideally constitutes the “head” of the bird; its position is about 3 ° to ENE of θ Canis Majoris , an orange star of fourth magnitude . It appears as a cloud with a rounded shape, with a dense dark line that crosses it from the north and a luminous arched band that stretches southwards; its brightness allows it to be easily photographed even with medium power amateur instruments and observed through special filters. The mass of the cloud is about 16,000 M _⊙ and is placed to the west of the long luminous trail of the body of the Seagull Nebula;the gas it contains is partly ionized and partly illuminated by reflection due to the radiation coming in particular from HD 53367, a blue giant withextremely high and extremely young emissions ; this star is the primary component of a binary system that includes this and a smaller star, surrounded by a protoplanetary disk , which performs a very eccentric orbit around the primary. This star system is part of the OB Canis Major R1 association, a subgroup of the larger Canis Major OB1 association, whose main feature is the link with extensive reflection nebulae.

James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. A five-time Grammy Award winner, he was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling music artists of all time, having sold more than 100 million records worldwide.

Taylor achieved his breakthrough in 1970 with the No. 3 single “Fire and Rain” and had his first No. 1 hit in 1971 with his recording of “You’ve Got a Friend“, written by Carole King in the same year. His 1976 Greatest Hits album was certified Diamond and has sold 12 million US copies. Following his 1977 album, JT, he has retained a large audience over the decades. Every album that he released from 1977 to 2007 sold over 1 million copies. He enjoyed a resurgence in chart performance during the late 1990s and 2000s, when he recorded some of his most-awarded work (including Hourglass, October Road, and Covers). He achieved his first number-one album in the US in 2015 with his recording Before This World.

He is known for his popular covers, such as “How Sweet It Is (To Be Loved by You)” and “Handy Man“, as well as originals such as “Sweet Baby James“.

James Vernon Taylor was born at Massachusetts General Hospital in Boston on March 12, 1948, where his father, Isaac M. Taylor, worked as a resident physician. His father came from a wealthy Scottish family from the South, however, part of his ancestral roots are deep in Massachusetts Bay Colony and include Edmund Rice, one of the founders of Sudbury, Massachusetts.

https://www.youtube.com/watch?v=JOIo4lEpsPY

Don Drummond (12 March 1932 – 6 May 1969) was a Jamaican ska trombonist and composer. He was one of the original members of The Skatalites, and composed many of their tunes.

Drummond was born at the Jubilee Hospital in Kingston, Jamaica, to Doris Monroe and Uriah Drummond. He was educated at Kingston’s Alpha Boys School, where he later taught his younger schoolmate Rico Rodriguez to play the trombone.

His musical career began in 1950 with the Eric Dean’s All-Stars where he performed jazz. He continued into the 1960s with others, including Kenny Williams.

After performing jazz for a decade, Drummond began performing ska and in 1964 Don joined The Skatalites. With Drummond’s politicized conversion to the Rastafari movement, other band members followed his lead. He became a household name in Jamaica, before suffering mental problems. He was rated by pianist George Shearing to be among the world’s top five trombone players.

In 1965 Drummond was convicted of the murder of his longtime girlfriend, Anita “Marguerita” Mahfood, an exotic rhumba dancer and singer, on 1 January 1965. He was ruled criminally insane and imprisoned at Bellevue Asylum, Kingston, where he remained until his death four years later. The official cause of death was “natural causes”, possibly heart failure caused by malnutrition or improper medication, but other theories were put forward; some of his colleagues believed it was a government plot against the Kingston musical scene, and some believed that he was killed by gangsters as revenge for the murder of Mahfood. Heather Augustyn, author of a biography of Drummond published in 2013 claimed to have proved that Drummond’s death was caused by his medications.

Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song “San Francisco Bay Blues“.

In the 1920s he lived in southern California, where he operated a hot-dog stand and was befriended by Douglas Fairbanks. He worked briefly as a film extra in The Thief of Bagdad (1924) and East of Suez. In 1929 he settled in Oakland, across the bay from San Francisco, where he worked for the Southern Pacific Railroad for many years as a fireman, spike driver, and maintenance-of-way worker. He married, and he and his wife, Gertrude, had a family. During World War II, he worked as a shipyard welder, but when the war ended he found it increasingly difficult to secure employment. Around the early 1950s, Fuller began to consider the possibility of making a living as a musician.

Up to this point, Fuller had never worked as a full-time professional musician, but he was an accomplished guitarist and he had carried his guitar with him and busked for money by passing the hat. He had a good memory for songs and had a large repertoire of crowd-pleasers in diverse styles, including country blues, work songs, ragtime and jazz standards, ballads, spirituals, and instrumentals. For a while, he operated a shoe-shine stand, where he sang and danced to entertain passersby. He began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. When he set out to make a career as a musician, he had difficulty finding reliable musicians to work with: thus his one-man band act was born, and he started calling himself “The Lone Cat.”

NGC 3486 is an intermediate barred spiral galaxy located about 27.4 million light years away in the constellation of Leo Minor. It has a morphological classification of SAB(r)c, which indicates it is a weakly barred spiral with an inner ring and loosely wound arms.This is a borderline, low-luminosity Seyfert galaxy with an active nucleus. However, no radio or X-ray emission has been detected from the core, and it may only have a small supermassive black hole with less than a million times the mass of the Sun.

Robert Keith McFerrin Jr.,also known as Bobby, (born March 11, 1950) is an American jazz vocalist and conductor. A ten-time Grammy Award winner, he is known for his unique vocal techniques, such as singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He is widely known for performing and recording regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes.

McFerrin’s song “Don’t Worry, Be Happy” was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors at the 1989 Grammy Awards. McFerrin has also worked in collaboration with instrumentalists, including pianists Chick Corea, Herbie Hancock, and Joe Zawinul, drummer Tony Williams, and cellist Yo-Yo Ma.

McFerrin was born in Manhattan, New York City, the son of operatic baritone Robert McFerrin and singer Sara Copper. He attended Cathedral High School in Los Angeles and the California State University, Sacramento.^{[citation needed]}

McFerrin’s first recorded work, the self-titled album Bobby McFerrin, was not produced until 1982, when McFerrin was already 32 years old. Before that, he had spent six years developing his musical style, the first two years of which he attempted not to listen to other singers at all, in order to avoid sounding like them. He was influenced by Keith Jarrett, who had achieved great success with a series of improvised piano concerts including The Köln Concert of 1975, and wanted to attempt something similar vocally.

Astor Pantaleón Piazzolla (Spanish pronunciation: [pjaˈsola], Italian pronunciation: [pjatˈtsɔlla]; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.

In 1992, American music critic Stephen Holden described Piazzolla as “the world’s foremost composer of tango music”.

Piazzolla was born in Mar del Plata, Argentina, in 1921, the only child of Italian immigrant parents, Vicente “Nonino” Piazzolla and Assunta Manetti. His paternal grandfather, a sailor and fisherman named Pantaleo (later Pantaleón) Piazzolla, had immigrated to Mar del Plata from Trani, a seaport in the southeastern Italian region of Apulia, at the end of the 19th century. His mother was the daughter of two Italian immigrants from Lucca in Tuscany.

In 1925 Astor Piazzolla moved with his family to Greenwich Village in New York City, which in those days was a violent neighbourhood inhabited by a volatile mixture of gangsters and hard-working immigrants. His parents worked long hours and Piazzolla soon learned to take care of himself on the streets despite having a limp. At home he would listen to his father’s records of the tango orchestras of Carlos Gardel and Julio de Caro, and was exposed to jazz and classical music, including Bach, from an early age. He began to play the bandoneon after his father spotted one in a New York pawn shop in 1929.

https://www.youtube.com/watch?v=p1uTHTMnbTI

Alex or Aleck Miller (né Ford, possibly March 11 or December 5, 1912 – May 24, 1965), known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II.

He first recorded with Elmore James on “Dust My Broom“. Some of his popular songs include “Don’t Start Me Talkin’“, “Help Me“, “Checkin’ Up on My Baby“, and “Bring It On Home“. He toured Europe with the American Folk Blues Festival and recorded with English rock musicians, including the Yardbirds, the Animals, and Jimmy Page. “Help Me” became a blues standard, and many blues and rock artists have recorded his songs.

Miller was born Alex Ford (pronounced “Aleck”) on the Sara Jones Plantation in Tallahatchie County, Mississippi. The date and year of birth are uncertain. He claimed to have been born on December 5, 1899, but David Evans, professor of music and an ethnomusicologist at the University of Memphis, claims to have found census records that he was born around 1912, being seven years old on February 2, 1920, the day of the census. His gravestone in or near Tutwiler, Mississippi, set up by record company owner Lillian McMurry twelve years after his death, gives his date of birth as March 11, 1908, but has no basis for being recognized as accurate.

https://www.youtube.com/watch?v=WBW9hYLsSHE