mick laBriola

Peter Nero (born Bernard Nierow, May 22, 1934) is an American pianist and pops conductor. He directed the Philly Pops from 1979 to 2013, and has earned two Grammy Awards.

Born in Brooklyn, New York, as Bernard Nierow, he started his formal music training at the age of seven. He studied piano under Frederick Bried. By the time he was 14, he was accepted to New York City’s High School of Music & Art and won a scholarship to the Juilliard School of Music.Constance Keene, his teacher and mentor, once wrote in an issue of Keyboard Classics “Vladimir Horowitz was Peter’s greatest fan!” He graduated from Brooklyn College in 1956.

Nero recorded his first album under the name of Bernie Nerow in July 1957 under the Mode label MOD-LP117 which shows his technical virtuosity in the jazz genre. Nero recorded an album in 1961, and won a Grammy Award that year for Best New Artist. Since then, he has received another Grammy, garnered 10 additional nominations and released 67 albums. Nero’s early association with RCA Victor produced 23 albums in eight years. His subsequent move to Columbia Records resulted in the million-selling single and album Summer of ’42.

Le Sony’r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, “cosmic” philosophy, prolific output, and theatrical performances. For much of his career, Ra led “The Arkestra”, an ensemble with an ever-changing name and flexible line-up.

Born and raised in Alabama, Blount became involved in the Chicago jazz scene during the late 1940s. He soon abandoned his birth name, taking the name Le Sony’r Ra, shortened to Sun Ra (after Ra, the Egyptian God of the Sun). He developed a complex persona and an idiosyncratic, myth-based credo that would make him a pioneer of Afrofuturism. He claimed to be an alien from Saturn on a mission to preach peace, and throughout his life he publicly denied ties to his prior identity.

His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and early New Orleans hot jazz, to swing music, bebop, free jazz and fusion. His compositions ranged from keyboard solos to works for big bands of over 30 musicians, along with electronic excursions, songs, chants, percussion pieces, and anthems. From the mid-1950s until his death, Ra led the musical collective The Arkestra (which featured artists such as Marshall Allen, John Gilmore and June Tyson throughout its various iterations). Its performances often included dancers and musicians dressed in elaborate, futuristic costumes inspired by ancient Egyptian attire and the Space Age. (Following Ra’s illness-forced retirement in 1992, the band remained active as The Sun Ra Arkestra, and, as of 2018, continues performing under the leadership of veteran Ra sideman Marshall Allen.)

Though his mainstream success was limited, Sun Ra was a prolific recording artist and frequent live performer, and remained both influential and controversial throughout his life for his music and persona. He is now widely considered an innovator; among his distinctions are his pioneering work in free improvisation and modal jazz and his early use of electronic keyboards and synthesizers. Over the course of his career, he recorded dozens of singles and over one hundred full-length albums, comprising well over 1000 songs, making him one of the most prolific recording artists of the 20th century.

He was born Herman Blount on May 22, 1914, in Birmingham, Alabama, as discovered by his biographer, John F. Szwed, and published in his 1998 book. He was named after the popular vaudeville stage magician Black Herman, who had deeply impressed his mother. He was nicknamed “Sonny” from his childhood, had an older sister and half-brother, and was doted upon by his mother and grandmother.

For decades, very little was known about Sun Ra’s early life, and he contributed to its obscurity. As a self-invented person, he routinely gave evasive, contradictory or seemingly nonsensical answers to personal questions, and denied his birth name. He speculated, only half in jest, that he was distantly related to Elijah Poole, later famous as Elijah Muhammad, leader of the Nation of Islam. His birthday for years remained unknown, as he claimed it for years ranging from 1910 to 1918. Only a few years before his death, the date of Sun Ra’s birth was still a mystery. Jim Macnie’s notes for Blue Delight (1989) said that Sun Ra was believed to be about 75 years old. But Szwed was able to uncover a wealth of information about his early life and confirmed a birth date of May 22, 1914.

As a child, Blount was a skilled pianist. By the age of 11 or 12, he was composing and sight reading music. Birmingham was an important stop for touring musicians. He saw famous musicians such as Fletcher Henderson, Duke Ellington, and Fats Waller, along with others who were quite talented but never made the big time. Sun Ra once said, “The world let down a lot of good musicians”

These three bright nebulae are often featured on telescopic tours of the constellation Sagittarius and the crowded starfields of the central Milky Way. In fact, 18th century cosmic tourist Charles Messiercataloged two of them; M8, the large nebula just left of center, and colorful M20 on the top left. The third emission region includes NGC 6559 and can be found to the right of M8. All three are stellar nurseries about five thousand light-years or so distant. Over a hundred light-years across, the expansive M8 is also known as the Lagoon Nebula. M20’s popular moniker is the Trifid. Glowing hydrogen gas creates the dominant red color of theemission nebulae. In striking contrast, blue hues in the Trifid are due to dust reflected starlight. Recently formed bright blue stars are visible nearby. The colorful composite skyscape was recorded in 2018 in Teide National Park in the Canary Islands, Spain.

Larance Marable (May 21, 1929 – July 4, 2012) was a jazz drummer from Los Angeles, California, who worked with Charlie Haden in his Quartet West.

Marable had a career as a bop musician in the 1950s, working with Dexter Gordon and Charlie Parker. In the 1960s he started to venture into the cool jazz idiom with Zoot Sims, George Shearing, and Chet Baker, although he worked with Baker as early as 1952 on the album Bird and Chet: Live at the Trade Winds.

Earlier in his career, he was known as Lawrence Marable.

Larance was a relative of Mississippi riverboat bandleader Fate Marable.

https://www.youtube.com/watch?v=0tFFhq4Ltbo

Thomas Wright “Fats” Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid the groundwork for modern jazz piano. His best-known compositions, “Ain’t Misbehavin’” and “Honeysuckle Rose“, were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as “the soul of melody… a man who made the piano sing… both big in body and in mind… known for his generosity… a bubbling bundle of joy”. It’s possible he composed many more popular songs and sold them to other performers when times were tough.

Waller started playing the piano at the age of six, and became a professional organist aged 15. By the age of 18 he was a recording artist. Waller’s first recordings, “Muscle Shoals Blues” and “Birmingham Blues”, were made in October 1922 for Okeh Records. That year, he also made his first player piano roll, “Got to Cool My Doggies Now”. Waller’s first published composition, “Squeeze Me”, was published in 1924. He became one of the most popular performers of his era, touring internationally and achieving critical and commercial success in the United States and Europe. He died from pneumonia, aged 39. One descendant is professional football player Darren Waller, who is Fats’ great-grandson.

Reflection nebulae are clouds of interstellar dust that reflect the light from nearby or internal sources, like fog around a car headlight.

NGC 2023 is one of the largest reflection nebulae in the sky.

Also known as LBN 954 or IRAS 05391-0217, the nebula was discovered by the British astronomer William Herschel on January 6, 1785.

The object is about 1,500 light-years away from Earth, very close to the well-known Horsehead and Flame nebulae.

NGC 2023 is illuminated by a massive young star named HD 37903.

The star is extremely hot — several times hotter than the Sun — and its bright blue-white light causes NGC 2023’s milky glow.

Such nebulae are often the birthplaces of stars, and contain a clumpy distribution of gas that’s significantly denser than the surrounding medium.

Under the influence of gravity, these clumps attract one another and merge, eventually creating a new star.

This new image of NGC 2023 was taken with VLT’s FOcal Reducer and Spectrograph (FORS) instrument as part of the ESO Cosmic Gems program.

This initiative produces images of interesting and visually attractive objects using ESO telescopes, for the purposes of education and outreach.

John Robert Cocker OBE (20 May 1944 – 22 December 2014), better known as Joe Cocker, was an English singer. He was known for his gritty voice, spasmodic body movement in performance, and distinctive versions of popular songs of varying genres. Cocker’s recording of the Beatles‘ “With a Little Help from My Friends” reached number one in the UK in 1968. He performed the song live at Woodstock in 1969 and performed the same year at the Isle of Wight Festival, and at the Party at the Palace concert in 2002 for the Golden Jubilee of Queen Elizabeth II. His version also became the theme song for the TV series The Wonder Years. His 1974 cover of “You Are So Beautiful” reached number five in the US. Cocker was the recipient of several awards, including a 1983 Grammy Award for his US number one “Up Where We Belong“, a duet with Jennifer Warnes.

In 1993, Cocker was nominated for the Brit Award for Best British Male, in 2007 was awarded a bronze Sheffield Legends plaque in his hometown and in 2008 he received an OBE at Buckingham Palace for services to music. Cocker was ranked number 97 on Rolling Stone‘s 100 greatest singers list.

Charles Davis (May 20, 1933 – July 15, 2016) was an American jazz saxophonist and composer. Davis played alto, tenor and baritone saxophone, and performed extensively with Archie Shepp and Sun Ra. Born in Goodman, Mississippi, Davis was raised in Chicago. He graduated from DuSable High School before studying at the Chicago School of Music. Davis also studied privately with John Hauser. During the 1950s, he played with Billie Holiday, Ben Webster, Sun Ra and Dinah Washington. Davis also performed and recorded with Kenny Dorham, with whom he associated musically for many years.

During the 1960s, he performed and recorded with Elvin Jones, Jimmy Garrison, Illinois Jacquet, Freddie Hubbard, Johnny Griffin, Steve Lacy and Ahmad Jamal, also working with Blue Mitchell, Erskine Hawkins, John Coltrane and Clifford Jordan. In 1964, Davis topped Downbeat Magazine‘s International Jazz Critics Poll for baritone saxophone. He performed in the musical The Philosophy of The Spiritual – A Masque of the Black with Willie Jones, produced by Nadi Qamar. Davis taught at PS 179 in Brooklyn and was musical director of the Turntable, a nightclub owned by Lloyd Price.

During the 1970s, Davis was a member of the cooperative Artistry in Music with Hank Mobley, Cedar Walton, Sam Jones and Billy Higgins. He co-led, composed and arranged for the Baritone Saxophone Retinue, a six-baritone-saxophone group. Davis toured Europe, playing major jazz festivals and concerts with the Clark Terry Orchestra, and toured the United States with Duke Ellington’s Orchestra under the direction of Mercer Ellington. As musical director of the Home of the Id nightclub, he presented Gene Ammons, Randy Weston and Max Roach. As producer of the Monday Night Boat Ride Up The Hudson, Davis presented Art Blakey, George Benson and Etta Jones. He appeared on television with Archie Shepp, Lucky Thompson, Ossie Davis and Ruby Dee.

Edward Louis Smith (May 20, 1931 – August 20, 2016) was an American jazz trumpeter from Memphis, Tennessee.

After graduating from Tennessee State University he attended graduate school at the University of Michigan. While studying at the University of Michigan, he played with visiting musicians such as Dizzy Gillespie, Miles Davis, Thad Jones and Billy Mitchell,^[1] before going on to play with Sonny Stitt, Count Basie and Al McKibbon, Cannonball Adderley, Percy Heath, Philly Joe Jones, Lou Donaldson, Donald Byrd, Kenny Dorham and Zoot Sims.^[1] Smith decided to forego being a full-time musician to take a job a director of Atlanta’s Booker T. Washington High School. There he recorded two albums for Blue Note.

The first, Here Comes Louis Smith, originally recorded for the Boston-based Transition Records, featured Cannonball Adderley (then under contract to Mercury) playing under the pseudonym “Buckshot La Funke”, Tommy Flanagan, Duke Jordan, Art Taylor and Doug Watkins. He also replaced Donald Byrd for Horace Silver’s Live at the Newport 1958 set. His playing on the set was one of his best efforts and was described by one critic as “monstrous”. He was a prolific composer and successful band director leaving Booker T. Washington to become director of the Jazz Ensemble at the University of Michigan and a teacher in Ann Arbor’s public school system. He later recorded for the SteepleChase label.

Smith suffered a stroke in 2006, and was seen occasionally enjoying live jazz in the Detroit/Ann Arbor area, but did not return to performing.

His cousin Booker Little was also a trumpeter.

Smith died on August 20, 2016, at age 85.

This composite image shows the distribution of dark matter, galaxies, and hot gas in the core of the merging galaxy cluster Abell 520, formed from a violent collision of massive galaxy clusters.

The natural-colour image of the galaxies was taken with the NASA/ESA Hubble Space Telescope and with the Canada-France-Hawaii Telescope in Hawaii. Superimposed on the image are maps showing the concentration of starlight, hot gas, and dark matter. Starlight from galaxies, derived from observations by the Canada-France-Hawaii Telescope, is coloured orange. The green-tinted regions show hot gas, as detected by NASA’s Chandra X-ray Observatory. The gas is evidence that a collision took place. The blue-coloured areas pinpoint the location of most of the mass in the cluster, which is dominated by dark matter. Dark matter is an invisible substance that makes up most of the Universe’s mass. The dark-matter map was derived from the Hubble Wide Field Planetary Camera 2 observations by detecting how light from distant objects is distorted by the cluster of galaxies, an effect called gravitational lensing.

The blend of blue and green in the centre of the image reveals that a clump of dark matter resides near most of the hot gas, where very few galaxies are found. This finding confirms previous observations of a dark-matter core in the cluster. The result could present a challenge to basic theories of dark matter, which predict that galaxies should be anchored to dark matter, even during the shock of a collision.

Abell 520 resides 2.4 billion light-years away.

Peter Dennis Blandford Townshend (born 19 May 1945) is an English multi-instrumentalist, singer and songwriter best known as the guitarist, backing and secondary lead vocalist, principal songwriter, co-founder and leader of the rock band the Who. His career with the Who spans over 50 years, during which time the band grew to be one of the most important and influential rock bands of the 20th century.

Pete Townshend is the main songwriter for the Who, having written well over 100 songs for the band’s 11 studio albums, including concept albums and the rock operas Tommy and Quadrophenia, plus popular rock radio staples such as Who’s Next, and dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilations such as Odds & Sods (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs. Although known primarily as a guitarist, he also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums, on his own solo albums, several Who albums and as a guest contributor to an array of other artists’ recordings. He is self-taught on all of the instruments he plays and has never had any formal training.

Townshend has also contributed to and authored many newspaper and magazine articles, book reviews, essays, books, and scripts, and he has collaborated as a lyricist and composer for many other musical acts. Due to his aggressive playing style and innovative songwriting techniques, Townshend’s works with the Who and in other projects have earned him critical acclaim. He was ranked No. 3 in Dave Marsh‘s list of Best Guitarists in The New Book of Rock Lists, No. 10 in Gibson.com’s list of the top 50 guitarists,^[5] and No. 10 again in Rolling Stone‘s updated 2011 list of the 100 greatest guitarists of all time. In 1983, Townshend received the Brit Award for Lifetime Achievement; in 1990, he was inducted into the Rock and Roll Hall of Fame as a member of the Who; in 2001, he received a Grammy Lifetime Achievement Award as a member of the Who; and in 2008 he received Kennedy Center Honors. He and Roger Daltrey received The George and Ira Gershwin Award for Lifetime Musical Achievement at UCLA on 21 May 2016.

https://www.youtube.com/watch?v=LQM2NeKdK4o

Cecil McBee (born May 19, 1935) is an American jazz bassist, one of the most influential in the history of jazz. McBee has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums. McBee was born in Tulsa, Oklahoma, on May 19, 1935. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, he spent two years in the army, during which time he conducted the band at Fort Knox. In 1959 he played with Dinah Washington, and in 1962 he moved to Detroit, where he worked with Paul Winter‘s folk-rock ensemble in 1963–64. His jazz career began to take off in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965–66), Charles Lloyd (1966), Yusef Lateef(1967–69), Keith Jarrett, Freddie Hubbard and Woody Shaw (1986), and Alice Coltrane (1969–72).

Cornelius “Sonny” Fortune (May 19, 1939 – October 25, 2018) was an American jazz saxophonist. Fortune played soprano, alto, tenor, and baritone saxophones, clarinet, and flute.

After moving to New York City in 1967, Fortune recorded and appeared live with drummer Elvin Jones‘s group. In 1968 he was a member of Mongo Santamaría‘s band. He performed with singer Leon Thomas, and with pianist McCoy Tyner (1971–73). In 1974 Fortune replaced Dave Liebman in Miles Davis‘s ensemble, remaining until spring 1975, when he was succeeded by Sam Morrison. Fortune can be heard on the albums Big Fun, Get Up With It, Agharta, and Pangaea, the last two recorded live in Japan. Fortune joined Nat Adderley after his brief tenure with Davis, then formed his own group in June 1975, recording two albums for the Horizon Records. During the 1990s, he recorded several albums for Blue Note. He has also performed with Roy Brooks, Buddy Rich, George Benson, Rabih Abou Khalil, Roy Ayers, Oliver Nelson, Gary Bartz, Rashied Ali, and Pharoah Sanders, as well as appearing on the live album The Atlantic Family Live at Montreux (1977).

https://www.youtube.com/watch?v=FzCTmdsISRE