mick laBriola

Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered alongside the most important drummers in history. He worked with many famous jazz musicians, including Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.

Roach also led his own groups, most notably a pioneering quintet co-led with trumpeter Clifford Brown and the percussion ensemble M’Boom. He made numerous musical statements relating to the civil rights movement.

Max Roach was born to Alphonse and Cressie Roach in the Township of Newland, Pasquotank County, North Carolina, which borders the southern edge of the Great Dismal Swamp. Many confuse the Township of Newland with Newland Town in Avery County, North Carolina. Although his birth certificate lists his date of birth as January 10, 1924, Roach has been quoted by Phil Schaap as having stated that his family believed he was actually born on January 8, 1925.

Roach’s family moved to the Bedford-Stuyvesant neighborhood of Brooklyn, New York when he was 4 years old. He grew up in a musical home, his mother being a gospel singer. He started to play bugle in parade orchestras at a young age. At the age of 10, he was already playing drums in some gospel bands.

In 1942, as an 18-year-old recently graduated from Boys High School, he was called to fill in for Sonny Greer with the Duke Ellington Orchestra when they were performing at the Paramount Theater in Manhattan. He starting going to the jazz clubs on 52nd Street and at 78th Street & Broadway for Georgie Jay’s Taproom, where he played with schoolmate Cecil Payne.^[5] His first professional recording took place in December 1943, supporting Coleman Hawkins.

He was one of the first drummers, along with Kenny Clarke, to play in the bebop style. Roach performed in bands led by Dizzy Gillespie, Charlie Parker, Thelonious Monk, Coleman Hawkins, Bud Powell, and Miles Davis. He played on many of Parker’s most important records, including the Savoy Records November 1945 session, which marked a turning point in recorded jazz. His early brush work with Powell’s trio, especially at fast tempos, has been highly praised.

NGC 5584 was first spotted as a faint glow in the constellation of Virgo by the great visual observer E. E. Barnard, back in 1881, using just a 12.5-cm telescope. But, by bringing the power of Hubble to bear, the galaxy can be resolved into thousands of separate stars. Some of these stars vary in brightness and are classified as Cepheids. These are brilliant pulsating stars with a remarkable property — once the time it takes a Cepheid to brighten and fade is known, then it is possible to find how bright it actually is. When this information is combined with a measurement of how bright the star appears it is easy to work out how far away the star actually lies. This method is the most accurate and effective way to measure the distances to most nearby galaxies.

This trick has now been used as part of a major new study of the expansion rate of the Universe, led by Adam Riess at the Space Telescope Science Institute in Baltimore. By studying many Cepheids in several galaxies the team has been able to refine our knowledge of this expansion rate, expressed as a number known as Hubble’s constant, to an accuracy of 3.3 percent.

In addition to many Cepheids NGC 5584 was also recently the site of a type Ia supernova. These dramatic explosions of white dwarf stars are used as reference beacons for mapping the expansion, and acceleration, of the more remote Universe so this galaxy is a very valuable link between the two distance scales.

Joan Chandos Baez (/baɪz/; born January 9, 1941 Staten Island, NY) is an American singer, songwriter, musician, and activist^[3] whose contemporary folk music often includes songs of protest or social justice. Baez has performed publicly for over 60 years, releasing over 30 albums. Fluent in Spanish and English, she has also recorded songs in at least six other languages. Although regarded as a folk singer, her music has diversified since the counterculture era of the 1960s, and encompasses genres such as folk rock, pop, country and gospel music.

Although a songwriter herself, Baez generally interprets other composers’ work,having recorded songs by Bob Dylan, the Allman Brothers Band, the Beatles, Jackson Browne, Leonard Cohen, Woody Guthrie, Violeta Parra, The Rolling Stones, Pete Seeger, Paul Simon, Stevie Wonder and many others. On her past several albums, she has found success interpreting songs of more recent songwriters, including Ryan Adams, Josh Ritter, Steve Earle, Natalie Merchant and Joe Henry.

She began her recording career in 1960 and achieved immediate success. Her first three albums, Joan Baez, Joan Baez, Vol. 2, and Joan Baez in Concert all achieved gold record status.

Songs of acclaim include “Diamonds & Rust” and covers of Phil Ochs‘s “There but for Fortune” and The Band‘s “The Night They Drove Old Dixie Down“. She is also known for “Farewell, Angelina“, “Love Is Just a Four-Letter Word“, “Forever Young“, “Here’s to You“, “Joe Hill“, “Sweet Sir Galahad” and “We Shall Overcome“. She was one of the first major artists to record the songs of Bob Dylan in the early 1960s; Baez was already an internationally celebrated artist and did much to popularize his early songwriting efforts.Baez also performed fourteen songs at the 1969 Woodstock Festival and has displayed a lifelong commitment to political and social activism in the fields of nonviolence, civil rights, human rights and the environment.

John Paul “Bucky” Pizzarelli (born January 9, 1926) is an American jazz guitarist. He is the father of jazz guitarist John Pizzarelli and double bassist Martin Pizzarelli. He worked for NBC as a staffman for Dick Cavett (1971) and ABC with Bobby Rosengarden in (1952). The list of musicians he has collaborated with includes Benny Goodman, Les Paul, and Stéphane Grappelli. Pizzarelli cites as influences Django Reinhardt, Freddie Green, and George Van Eps.

Pizzarelli was born January 9, 1926 in Paterson, New Jersey. He learned to play guitar and banjo at a young age. His uncles, Pete and Bobby Domenick, were professional musicians, and sometimes the extended family would gather at one of their homes with their guitars for jam sessions. Pizzarelli cites as an inspiration Joe Mooney, a blind accordion player who led a quartet that included Pizzarelli’s uncle, Bobby Domenick. During high school, Pizzarelli was guitarist for a small band that performed classical music.

Pizzarelli began his professional career at 17 when he joined the Vaughn Monroe dance band in 1944.

In 1952 Pizzarelli became a staff musician for NBC, playing with Skitch Henderson. In 1964, he became a member of The Tonight Show Band on The Tonight Show Starring Johnny Carson. During his time spent performing for the Tonight Show, he accompanied guest bands and musicians playing through a variety of musical genres, including playing with Tiny Tim (after tuning the performer’s ukulele) on the day that Tiny Tim married Miss Vicki on Carson’s show. His solo on “Lipstick on Your Collar” by Connie Francis has been called as “the greatest pop rock ‘n’ roll guitar solo of all time.

Kenneth Clarke Spearman (January 9, 1914 – January 26, 1985), usually known as Kenny Clarke and nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the Ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (“dropping bombs“).

Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was about eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935, establishing his drumming style and reputation. As the house drummer at Minton’s Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946,he returned to New York, but between 1948 and 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the Modern Jazz Quartet and playing on early Miles Davisrecordings during this time. He then moved permanently to Paris, where he performed and recorded with European and visiting American musicians and co-led the Kenny Clarke/Francy Boland Big Band between 1961 and 1972. He continued to perform and record until the month before he died of a heart attack in January 1985.

Clarke was born in Pittsburgh, Pennsylvania on January 9, 1914^{[note 1]} as the youngest of two sons, to Martha Grace Scott, a pianist from Pittsburgh, and Charles Spearman, a trombonist from Waycross, Georgia. The family home was on Wylie Avenue in the Lower Hill District of Pittsburgh. Clarke’s father left the household to start a new family in Yakima, Washington, and his mother, who began a relationship with a Baptist preacher shortly afterwards, died suddenly in her late twenties when Clarke was about five, leaving him an orphan. He and his brother were placed in the Coleman Industrial Home for Negro Boys.

This image shows a dark interstellar cloud ravaged by the passage of Merope, one of the brightest stars in the Pleiades star cluster. Just as a torch beam bounces off the wall of a cave, the star is reflecting light from the surface of pitch-black clouds of cold gas laced with dust. As the nebula approaches Merope, the strong starlight shining on the dust decelerates the dust particles. The nebula is drifting through the cluster at a relative speed of roughly 11 kilometres per second.

The Hubble Space Telescope has caught the eerie, wispy tendrils of a dark interstellar cloud being destroyed by the passage of one of the brightest stars in the Pleiades star cluster. Like a flashlight beam shining off the wall of a cave, the star is reflecting light off the surface of pitch black clouds of cold gas laced with dust. These are called reflection nebulae.

Dave Weckl (born January 8, 1960) is an American jazz fusion drummer and leader of the Dave Weckl Band. He was inducted into the Modern Drummer Hall of Fame in 2000.

Weckl attended Francis Howell High School in St. Charles, Missouri, and graduated in 1978. He majored in jazz studies at the University of Bridgeportin Connecticut. Starting out on the New York fusion scene in the early 1980s, Weckl soon began working with artists such as Paul Simon, Madonna, George Benson, Michel Camilo, Robert Plant and Anthony Jackson. His most famous early work though, where his popularity blossomed, was with the Chick Corea Elektric Band from 1985 to 1991.

David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/), was an English singer, songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world’s best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996.

Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. “Space Oddity” became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single “Starman” and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie’s style shifted radically towards a sound he characterised as “plastic soul“, initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single “Fame” and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the “Berlin Trilogy“. “Heroes” (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.

Elvis Aaron Presley^[a] (January 8, 1935 – August 16, 1977 Tupelo, MS) was an American singer and actor. Regarded as one of the most significant cultural iconsof the 20th century, he is often referred to as the “King of Rock and Roll” or simply “the King“.

Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was a pioneer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. In 1955, drummer D. J. Fontana joined to complete the lineup of Presley’s classic quartet and RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who would manage him for more than two decades. Presley’s first RCA single, “Heartbreak Hotel“, was released in January 1956 and became a number one hit in the United States. With a series of successful network television appearances and chart-topping records, he became the leading figure of the newly popular sound of rock and roll. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, made him enormously popular—and controversial.

Hudson Whittaker (born Hudson Woodbridge, January 8, 1903 – March 19, 1981), known as Tampa Red, was an American Chicago bluesmusician.

Tampa Red is best known as a blues guitarist who had a distinctive single-string slide style. His songwriting and his bottleneck technique influenced other leading Chicago blues guitarists, such as Big Bill Broonzy, Robert Nighthawk and Muddy Waters, and many others, including Elmore James and Mose Allison. In a career spanning over 30 years he also recorded pop, R&B and hokum songs. His best-known recordings include “Anna Lou Blues”, “Black Angel Blues“, “Crying Won’t Help You”, “It Hurts Me Too“, and “Love Her with a Feeling“.

Tampa Red was born Hudson Woodbridge in Smithville, Georgia. His parents died when he was a child, and he moved to Tampa, Florida, where he was raised by his aunt and grandmother and adopted their surname, Whittaker. He emulated his older brother, Eddie, who played the guitar, and he was especially inspired by an old street musician called Piccolo Pete, who first taught him to play blues licks on the guitar.

NGC 7217 is an unbarred spiral galaxy in the constellation Pegasus.

NGC 7217 is a gas-poor system whose main features are the presence of several rings of stars concentric to its nucleus: three main ones –the outermost one being of the most prominent and the one that features most of the gas and star formation of this galaxy  plus several others inside the innermost one discovered with the help of the Hubble Space Telescope; a feature that suggests NGC 7217’s central regions have suffered several starbursts. There is also a very large and massive spheroid that extends beyond its disk.

Other noteworthy features this galaxy has are the presence of a number of stars rotating in the opposite direction around the galaxy’s center to most of them and two distinct stellar populations: one of intermediate age on its innermost regions and a younger, metal-poor version on its outermost ones.

It has been suggested these features were caused by a merger with another galaxy and, in fact, computer simulations show that NGC 7217 could have been a large lenticular galaxy that merged with one or two smaller gas-rich ones of late Hubble type becoming the spiral galaxy we see today.; however right now this galaxy is isolated in space, with no nearby major companions. More recent research, however, presents a somewhat different scenario in which NGC 7217’s massive bulge and halo would have been formed in a merger and the disk formed later (and is still growing) either accreting gas from the intergalactic medium or smaller gas-rich galaxies, or most likely from a previously existing reserve.

Kenneth Clark Loggins (born January 7, 1948) is an American singer-songwriter and guitarist. His early songwriting compositions were recorded with the Nitty Gritty Dirt Band in 1970, which led to seven albums, performing as the group Loggins and Messina from 1972 to 1977. As a solo artist, Loggins experienced a string of soundtrack successes, including an Academy Award nomination for “Footloose” in 1984. His early soundtrack contributions date back to the film A Star Is Born in 1976, and for much of the 1980s and 1990s, he was known as “The Soundtrack King”.Finally Home was released in 2013, shortly after Loggins formed the group Blue Sky Riders with Gary Burr and Georgia Middleman.

Loggins was born in Everett, Washington, and is the youngest of three brothers. His mother was Lina (née Massie), a homemaker, and his father, Robert George Loggins, was a salesman. They lived in Detroit and Seattle before settling in Alhambra, California. Loggins attended San Gabriel Mission High School, graduating in 1966. He formed a band called the Second Helping that released three singles during 1968 and 1969 on Viva Records. Greg Shaw described the efforts as “excellent punky folk-pop records” that were written by Loggins who was likely to be the bandleader and singer as well; Shaw included “Let Me In” on both Highs in the Mid-Sixties, Volume 2 and the Pebbles, Volume 9 CD.

Loggins had a short gig playing guitar for the New Improved Electric Prunes in 1969 before writing four songs for the Nitty Gritty Dirt Band, which were included in their Uncle Charlie & His Dog Teddy album. During his early twenties, he was part of the band Gator Creek with Mike Deasy. The first recorded version of “Danny’s Song” (later recorded by Loggins and Messina and a No. 7 Hot 100 hit for Anne Murray in 1973) was included on their only album, released on Mercury Records.

Luciano Pozo González (January 7, 1915 in Havana – December 3, 1948 in New York City), known professionally as Chano Pozo was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie’s Latin-flavored compositions, such as “Manteca” and “Tin Tin Deo“, and was the first Latin percussionist in Gillespie’s band.

Luciano “Chano” Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban soneros. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix’s mother.

Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming was a key element. The family lived for many years at El África Solar (Africa neighborhood), a former slave quarters, by all accounts a foul and dangerous place, where it was said even the police were afraid to venture. In this environment criminal activities flourished, and Chano learned the ways of the street as means of survival. He dropped out of school after the third grade and earned a solid reputation as a rowdy tough guy, big for his age and exceptionally fit. He spent his days playing drums, fighting, drinking, and engaging in petty criminal activities, the latter of which landed him a stint in a youth reformatory. No official records document the crime he was sentenced for, though at least one account has him causing the accidental death of a foreign tourist, adding to a record of thievery, assault, and truancy. At the age of 13, Chano was sent to the reformatory in Guanajay, where he learned reading and writing, auto body repair, and honed his already exceptional skills playing a variety of drums.

During this time he became a devotee of Santería. Also known as “La Regla de Ocha”, this is an Afro-Caribbean religion derived from traditional beliefs of the Yoruba people of Nigeria. Developed among Afro-Cuban slaves, the religion began as a blending of these West African spiritual beliefs and Catholic doctrine. Yoruba deities were identified with Catholic saints to fool the slave owners, as the Spanish colonialists had forbidden the practice of African religions. Chano pledged allegiance to the Catholic Saint Barbara, identified widely with Shango, the Yoruba god of fire and thunder, and took him as his personal protector. Both Shango and St. Barbara had associations with the color red, and for the rest of his life Chano would often carry a red scarf signifying his allegiance.

https://www.youtube.com/watch?v=w0H5RmpAezA

Henry James “Red” Allen (January 7, 1908 – April 17, 1967) was an American jazz trumpeter and vocalist whose style has been claimed to be the first to fully incorporate the innovations of Louis Armstrong.

Allen was born in the Algiers neighborhood of New Orleans, Louisiana, the son of the bandleader Henry Allen. He took early trumpet lessons from Peter Bocage and Manuel Manetta.

Allen’s career began in Sidney Desvigne‘s Southern Syncopators. He was playing professionally by 1924 with the Excelsior Brass Band and the jazz dance bands of Sam Morgan, George Lewis and John Casimir. After playing on riverboats on the Mississippi River, he went to Chicago in 1927 to join King Oliver‘s band. Around this time he made recordings on the side in the band of Clarence Williams. After returning briefly to New Orleans, where he worked with the bands of Fate Marable and Fats Pichon, he was offered a recording contract with Victor Records and went to New York City, where he joined the Luis Russell band, which was later fronted by Louis Armstrong in the late 1930s.

In 1929 Allen joined Luis Russell’s Orchestra, in which he was a featured soloist until 1932. He took part in recording sessions that year organized by Eddie Condon, some of which featured Fats Waller and Tommy Dorsey. He also made a series of recordings in late 1931 with Don Redman. In 1933 he joined Fletcher Henderson‘s Orchestra, in which he stayed until 1934. He played with Lucky Millinder‘s Mills Blue Rhythm Band from 1934 to 1937, when he returned to Russell for three more years, by which time Russell’s orchestra was fronted by Louis Armstrong. Allen seldom received any solo space on recordings with Armstrong but was prominently featured in the band’s live performances, even getting billing as a featured attraction.

https://www.youtube.com/watch?v=qkXiGTpBzRQ