mick laBriola

Kenny Garrett (born October 9, 1960) is a Grammy Award-winning American post-bop jazz saxophonist and flautist who gained recognition in his youth as a member of the Duke Ellington Orchestra and of Miles Davis‘s band. Since then, he has pursued a solo career.

Kenny Garrett was born in Detroit, Michigan, on October 9, 1960; he is a 1978 graduate of Mackenzie High School.^{[citation needed]} His father was a carpenter who played tenor saxophone as a hobby. Garrett’s own career as a saxophonist took off when he joined the Duke Ellington Orchestra in 1978, then led by Duke’s son, Mercer Ellington. A few years later he performed in the Mel Lewis Orchestra, playing the music of Thad Jones, and also the Dannie Richmond Quartet, focusing on Charles Mingus‘s music.

In 1984, he recorded his first album as a bandleader, Introducing Kenny Garrett, on the CrissCross label. He then recorded two albums with Atlantic Records: Prisoner of Love and African Exchange Student. Since 1990 the majority of Garrett albums are co-produced by pianist/composer Donald Brown. Garrett signed to the Warner Bros. Records label, and beginning with Black Hope, in 1992, he has continued to record with them. Among his recordings on Warner Bros. are Pursuance: The Music of John Coltrane, recorded in 1996, and Songbook, his first album made up entirely of his own compositions, recorded in 1997 and nominated for a Grammy Award. During his career, Garrett has performed and recorded with many jazz greats such as Miles Davis, Art Blakey, Joe Henderson, Brad Mehldau, Freddie Hubbard, Woody Shaw, McCoy Tyner, Pharoah Sanders, Brian Blade, Marcus Miller, Chick Corea, John McLaughlin, Herbie Hancock, Bobby Hutcherson, Ron Carter, Elvin Jones, and Mulgrew Miller. Throughout his solo career, Garrett’s music has varied stylistically from jazz and post-bop.

Abdullah Ibrahim (born Adolph Johannes Brand on 9 October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington. He is known especially for “Mannenberg“, a jazz piece that became a notable anti-apartheid anthem.

During the apartheid era in the 1960s Ibrahim moved to New York City and, apart from a brief return to South Africa in the 1970s, remained in exile until the early ’90s. Over the decades he has toured the world extensively, appearing at major venues either as a solo artist or playing with other renowned musicians, including Max Roach, Carlos Ward and Randy Weston, as well as collaborating with classical orchestras in Europe. With his wife, the jazz singer Sathima Bea Benjamin, he is father to the New York underground rapper Jean Grae, as well as to a son, Tsakwe.

Ibrahim was born in Cape Town on 9 October 1934, and was baptized Adolph Johannes Brand. He attended Trafalgar High School in Cape Town’s District Six, and began piano lessons at the age of seven, making his professional debut at 15. He is of mixed-race heritage, making him a Coloured person according to the South African government.His mother played piano in a church, the musical style of which would remain an influence; in addition, he learned to play several genres of music during his youth in Cape Town, including marabi, mbaqanga, and American jazz. He became well known in jazz circles in Cape Town and Johannesburg. In 1959 and 1960, Ibrahim played with the Jazz Epistles group in Sophiatown, alongside saxophonist Kippie Moeketsi, trumpeter Hugh Masekela, trombonist Jonas Gwangwa (who were all in the orchestra of the musical King Kong that opened in Johannesburg in February 1959), bassist Johnny Gertze and drummer Makaya Ntshoko; in January 1960, the six musicians went into the Gallo studio and recorded the first full-length jazz LP by Black South African musicians, Jazz Epistle Verse One, with 500 copies being produced. Although the group avoided explicitly political activity, the apartheid government was suspicious of it and other jazz groups, and targeted them heavily during the increase in state repression following the Sharpeville massacre, and eventually, the Jazz Epistles broke up.

Yusef Abdul Lateef (born William Emanuel Huddleston; October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer and prominent figure among the Ahmadiyya Community in America, in 1950.

Although Lateef’s main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and also used a number of non-western instruments such as the bamboo flute, shanai, shofar, xun, arghul and koto. He is known for having been an innovator in the blending of jazz with “Eastern” music. Peter Keepnews, in his New York Times obituary of Lateef, wrote that the musician “played world music before world music had a name.”

Lateef wrote and published a number of books including two novellas entitled A Night in the Garden of Love and Another Avenue, the short story collections Spheres and Rain Shapes, also his autobiography, The Gentle Giant, written in collaboration with Herb Boyd. Along with his record label YAL Records, Lateef owned Fana Music, a music publishing company. Lateef published his own work through Fana, which includes Yusef Lateef’s Flute Book of the Blues and many of his own orchestral compositions.

Lateef was born in Chattanooga, Tennessee. His family moved, in 1923, to Lorain, Ohio, and again in 1925, to Detroit, Michigan, where his father changed the family’s name to “Evans”.

Throughout his early life Lateef came into contact with many Detroit-based jazz musicians who went on to gain prominence, including vibraphonist Milt Jackson, bassist Paul Chambers, drummer Elvin Jones and guitarist Kenny Burrell. Lateef was a proficient saxophonist by the time of his graduation from high school at the age of 18, when he launched his professional career and began touring with a number of swing bands. The first instrument he bought was an alto saxophone but after a year he switched to the tenor saxophone, influenced by the playing of Lester Young.

https://www.youtube.com/watch?v=TrK9fJpfw9U

Cuba

https://www.youtube.com/watch?v=THnb3fyrh3E

Small bits of this greenish-gray comet are expected to streak across Earth’s atmosphere tonight. Specifically, debris from the eroding nucleus of Comet 21P / Giacobini-Zinner, pictured, causes the annual Draconids meteor shower, which peaks this evening. Draconid meteors are easy to enjoy this year because meteor rates will likely peak soon after sunset with the Moon’s glare nearly absent. Patience may be needed, though, as last month’s passing of 21P near the Earth’s orbit is not expected to increase the Draconids’ normal meteor rate this year of (only) a few meteors per hour. Then again, meteor rates are notoriously hard to predict, and the Draconids were quite impressive in 1933, 1946, and 2011. Featured, Comet 21P gracefully posed between the Rosette (upper left) and Cone (lower right) nebulas two weeks ago before heading back out to near the orbit of Jupiter, to return again in about six and a half years.

Park Frederick “Pepper” Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.

Pepper Adams was born in Highland Park, Michigan, to father Park Adams II and mother Cleo Marie Coyle. Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams’ parents separated to allow his father to find work without geographic dependence. In the fall of 1931 Adams moved with his mother to his extended family’s farm near Columbia City, Indiana, where food and support were more readily available. In 1933 Adams began playing piano. His family moved to Rochester, New York, in 1935 and in that city he began his musical efforts on tenor sax and clarinet. Two years later Adams began deepening his developing passion for music by listening to Fats Waller‘s daily radio show. He was also influenced at a young age by listening to Fletcher Henderson‘s big band radio broadcasts out of Nashville, Jimmie Lunceford, Duke Ellington, and Cab Calloway. Adams would later describe “[his] time up until the age of eight or so [as] really just traveling from one place to another”. As early as 4th grade, Adams sold cigarettes and candy door-to-door in order to contribute to his family’s income for essential items.

Johnie Lewis (born October 8, 1908 at Eufaula , Barbour County , Alabama , October 6, 1992 in Chicago ) was an American country blues and gospel musician ( vocals , guitar , and harmonica , Kazoo ).

Lewis grew up on a farm near Eulala in Alabama and Georgia . He spent most of his adult life in Chicago, where he moved in the 1930s and performed in small clubs. His musical role models were Tampa Red , Barbecue Bob and Blind Lemon Jefferson . Through his main job as a house painter , he made acquaintance with the filmmaker Harley Cokliss , who filmed a documentary about the Chicago Blues . His appearance in the film, in which he presents songs like Hobo Blues and When I’m Gone , led to recording sessions for Arhoolie Records in the early 1970s and the LP Alabama Slide Guitar . The Chicago-based album featured a number of Country Blues and Spirituals such as the songs dedicated to the Martin Luther King You Gonna Miss Me , I Got to Climb a High Mountain , and My Little Gal (with Charlie Musselwhite ).

Kocani Orkestar, Macedonia’s most accomplished and best-known gypsy brass band, featured in the film “Time of the Gypsies” and take their name from a nearby town on the outskirts of Skopje, where such music is known to this day as romska orientalna muzika (?oriental gypsy band?).

A gorgeous new photo by the Hubble Space Telescope confirms that a faraway spiral galaxy is indeed churning out new stars at a rapid rate.

The new Hubble image captures a galaxy called NGC 7090, which is found about 30 million light-years from Earth in the southern constellation Indus (The Indian). The edge-on shot shows the galaxy’s disc and bulging central core — which is likely full of cool, relatively old stars — as well as a number of pinkish regions scattered throughout NGC 7090.

These pink areas reveal the presence of huge clouds of hydrogen gas, researchers said. Such clouds are the raw materials of which stars are made, providing striking visual confirmation of several recent studies that have classified NGC 7090 as a star-forming galaxy.

Larry Young (also known as Khalid Yasin [Abdul Aziz]; 7 October 1940 in Newark, New Jersey – 30 March 1978 in New York City) was an American jazz organist and occasional pianist. Young pioneered a modal approach to the Hammond B-3 (in contrast to Jimmy Smith‘s soul jazz style). However, he did also play soul jazz, among other styles.

Young played with various R&B bands in the 1950s before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobleyand Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, Testifying, Young Blues and Groove Street. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane. In this period, he produced his most enduring work. He recorded several times as part of a trio with guitarist Grant Green and drummer Elvin Jones, occasionally augmented by additional players; most of these albums were released under Green’s name, though Into Somethin’ (with Sam Rivers on saxophone) became Young’s Blue Note debut. Unity, recorded in 1965, remains his best-known album; it features a front line of Joe Henderson and the young Woody Shaw. Subsequent albums for Blue Note (Contrasts, Of Love and Peace, Heaven On Earth, Mother Ship) also drew on elements of the ’60s avant-garde and utilised local musicians from Young’s hometown of Newark. Young then became a part of some of the earliest fusion groups: first on Emergency! with the Tony Williams Lifetime (with Tony Williams and John McLaughlin) and also on Miles Davis‘s Bitches Brew. His sound with Lifetime was made distinct by his often very percussive approach and often heavy use of guitar and synthesizer-like effects. He is also known for a jam he recorded with rock guitarist Jimi Hendrix, which was released after Hendrix’s death on the album Nine to the Universe.

Mel Brown (October 7, 1939 – March 20, 2009) was an American-born blues guitarist and singer.

Brown was nominated for a Juno Award in both 2001 and 2002.

For many years in the 1980s and 1990s, Brown was a prominent member of the house band at Antone’s Night Club in Austin, Texas.

Brown died aged 69, on March 20, 2009, in Kitchener, Ontario, of complications from emphysema.

One of his most celebrated tracks is the 11+ minute guitar solo, “Eighteen Pounds of Unclean Chitluns”, which is on I’d Rather Suck My Thumb(1970), and was reissued as the lead track (and title) on a BluesWay Records collection released in 1973.

A documentary film, Love Lost & Found: The Story of Mel Brown directed by Sean Jasmins for Blue Fusion Productions was granted a theatrical release in 2014.

Jonathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones.

Born in Chicago, Illinois, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page‘s band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter‘s Serenaders in 1931, and later joined pianist Count Basie‘s band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an “All-American Rhythm section,” an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. He participated in the Jazz at the Philharmonic concert series.

He was one of the first drummers to promote the use of brushes on drums and shifting the role of timekeeping from the bass drum to the hi-hatcymbal. Jones had a major influence on later drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin’ the Blues (1944).

https://www.youtube.com/watch?v=z8SQzu5qNNM

Mansi people live in Siberia and speak finno-ugric Mansi language.

https://www.youtube.com/watch?v=FQo8r3f9tsA

Taken from DGRO Rancho Hidalgo  Animas, New Mexico
14.5″ RCOS F8 Apogee U16M High Cooling.

Luminance 1200 1×1, RGB  1×1 20 min subs, Red 220
Green 200, Blue 240

NGC 4631 is a big beautiful spiral galaxy. Seen edge-on, it lies only 25 million light-years away in the well-trained northern constellation Canes Venatici. The galaxy’s slightly distorted wedge shape suggests to some a cosmic herring and to others its popular moniker, The Whale Galaxy. Either way, it is similar in size to our own Milky Way. In this sharp color image, the galaxy’s yellowish core, dark dust clouds, bright blue star clusters, and red star forming regions are easy to spot. A companion galaxy, the small elliptical NGC 4627 is just above the Whale Galaxy. Faint star streams seen in deep images are the remnants of small companion galaxies disrupted by repeated encounters with the Whale in the distant past. The Whale Galaxy is also known to have spouted a halo of hot gas glowing in X-rays.

Mark Whitfield (born October 6, 1966) is an American jazz guitarist.

Whitfield was born in Lindenhurst, New York. He is probably better known for his recordings as bandleader for both the Verve and Warner Bros. Records record labels. He has worked with Jack McDuff, Jimmy Smith, Courtney Pine and Nicholas Payton, Chris Botti, among others.

In 2000, Whitfield released an instructional guitar video titled Mark Whitfield: Star Licks Master Sessions, for Star Licks Productions.

On December 21, 2012 Mark played live with the Dave Matthews Band on two of their songs, “Mercy” and “Crash Into Me“, at a concert at the Barclay’s Center in Brooklyn, New York. He recently also reprised his accompaniment on two occasions during the 2013 summer tour again with “Mercy” (June 8, 2013; Hartford, CT) and with “If Only” and “Crash Into Me” (July 13, 2013; Hershey, PA).