mick laBriola

Charles Lloyd (born March 15, 1938 in Memphis, Tennessee) is an American jazz musician. Though he primarily plays tenor saxophone and flute, he has occasionally recorded on other reed instruments, including alto saxophone and the Hungarian tárogató.

Lloyd’s working band since 2007 features pianist Jason Moran, bassist Reuben Rogers, and drummer Eric Harland.

Charles Lloyd at Russian River Jazz Festival, Guerneville, California, 1981

Charles Lloyd grew up in Memphis and was exposed to blues, gospel and jazz. He is of African, Cherokee, Mongolian, and Irish ancestry. He was given his first saxophone at the age of 9 and was riveted by 1940s radio broadcasts by Charlie Parker, Coleman Hawkins, Lester Young, Billie Holidayand Duke Ellington. His early teachers included pianist Phineas Newborn, Jr. and saxophonist Irvin Reason. His closest childhood friend was trumpeter Booker Little. As a teenager Lloyd played jazz with saxophone

Samuel John “Lightnin’” Hopkins (March 15, 1912 – January 30, 1982)^[1] was an American country blues singer, songwriter, guitarist, and occasional pianist, from Centerville, Texas. Rolling Stone magazine ranked him number 71 on its list of the 100 greatest guitarists of all time.^[2]

The musicologist Robert “Mack” McCormick opined that Hopkins is “the embodiment of the jazz-and-poetry spirit, representing its ancient form in the single creator whose words and music are one act”.

Hopkins was born in Centerville, Texas, and as a child was immersed in the sounds of the blues. He developed a deep appreciation for this music at the age of 8, when he met Blind Lemon Jefferson at a church picnic in Buffalo, Texas. That day, Hopkins felt the blues was “in him”.^{[citation needed]} He went on to learn from his older (distant) cousin, the country blues singer Alger “Texas” Alexander. (Hopkins had another cousin, the Texas electric blues guitarist Frankie Lee Sims, with whom he later recorded.) Hopkins began accompanying Jefferson on guitar at informal church gatherings. Jefferson reputedly never let anyone play with him except young Hopkins, and Hopkins learned much from Jefferson at these gatherings.

In the mid-1930s, Hopkins was sent to Houston County Prison Farm; the offense for which he was imprisoned is unknown. In the late 1930s, he moved to Houston with Alexander in an unsuccessful attempt to break into the music scene there. By the early 1940s, he was back in Centerville, working as a farm hand.

https://www.youtube.com/watch?v=0Vag4irlB30

Named for the Robin Hood-like bandits of the 19th century, the band plays something described as speed punk freak fol with Hungarian folk Romani stylings.

Zion Gate

3-15-18

RHYTHM ROOTS WORKSHOP

Wednesday March 14th 2018 noon-2pm

Partnership Resources Inc Minneapolis

With the “Just Do It” Percussion Team with Joe, Alex, Jolynn, Lavern, Renee, Jamie, Elijah and Alex.

Tearing it up!

NGC 1277 is located near the center of the cluster Perseus, consisting of more than 1000 galaxies and located 240 million light years from us. It travels so fast through the cluster at a speed of 3 million kilometers per hour that it can not merge with other galaxies, absorb their stars or draw gas for star formation. In addition, in the center of the cluster, the intergalactic gas is so hot that it can not condense and form stars. The team was looking for the “slow development” galaxy in the Sloan Digital Sky Survey and found 50 candidates, among which NGC 1277 was identified as unique because it contains a central black hole that is much more massive than a galaxy of this size can have. This was confirmed by the scenario that the supermassive black hole and dense structure of the galaxy grew simultaneously, but the stellar population ceased to expand due to the lack of an external inflow of material. The team has 10 other candidate galaxies that demonstrate a different degree of “slow development”. NASA’s James Webb space telescope, scheduled to launch for 2019, will allow astronomers to measure the movement of globular clusters in NGC 1277, which for the first time will provide an opportunity to assess how much dark matter is contained in the primary galaxy.

Quincy Delight Jones Jr. (born March 14, 1933), also known as “Q“, is an American record producer, actor, conductor, arranger, composer, musician, television producer, film producer, instrumentalist, magazine founder, entertainment company executive, and humanitarian. His career spans six decades in the entertainment industry, a record 79 Grammy Award nominations, and 28 Grammys, including a Grammy Legend Awardin 1991.

Raised in Seattle, Washington, Jones developed interest in music at an early age, and attended the Berklee College of Music. He came to prominence in the 1950s as a jazz arranger and conductor, before moving on to work prolifically in pop music and film scores. In 1968, Jones and his songwriting partner, Bob Russell, became the first African Americans to be nominated for an Academy Award for Best Original Song, for “The Eyes of Love” from the Universal Pictures film Banning. That same year, Jones was the first African American to be nominated twice in the same year, as he was also nominated for his work on the 1967 film In Cold Blood for an Academy Award for Best Original Score. In 1971, Jones was the first African American to be the musical director and conductor of the Academy Awards ceremony. In 1995, he was the first African American to receive the Academy’s Jean Hersholt Humanitarian Award. He is tied with sound designer Willie D. Burton as the second most Oscar-nominated African American; each has seven nominations (Denzel Washington has nine nominations).

Jones was the producer, with Michael Jackson, of Jackson’s albums Off the Wall (1979), Thriller (1982), and Bad (1987), as well as the producer and conductor of the 1985 charity song “We Are the World“, which raised funds for victims of destitution in Ethiopia.

In 2013, Jones was inducted into the Rock & Roll Hall of Fame as the winner, alongside Lou Adler, of the Ahmet Ertegun Award. Jones was also named by Time Magazine as one of the most influential jazz musicians of the 20th century.

Shirley Scott (March 14, 1934 – March 10, 2002) was an African-American hard bop and soul-jazz organist. Best known for working with her husband, Stanley Turrentine, and with Eddie “Lockjaw” Davis, both saxophonists, Scott’s soulful Hammond talent gained her the nickname “Queen of the Organ”.

Born in Philadelphia, Pennsylvania, Scott was an admirer of Jimmy Smith, Jackie Davis (American soul jazz singer, organist and bandleader), and Bill Doggett (American jazz and rhythm and blues pianist and organist; and played piano and trumpet before moving to the Hammond organ, her main instrument, though on occasion she still played piano. In the 1950s she became known for her work (1956–1959) with the saxophone player Eddie Davis, particularly on the song “In the Kitchen”. She was married to Stanley Turrentine and played with him from 1960 to 1969. Later, she led her own group, mostly a trio. Saxophonist Harold Vick often played with her.

Robert Pete Williams (March 14, 1914 – December 31, 1980) was an American Louisiana blues musician. His music characteristically employed unconventional structures and guitar tunings, and his songs are often about the time he served in prison. His song “I’ve Grown So Ugly” has been covered by Captain Beefheart, on his album Safe as Milk (1967), and by The Black Keys, on Rubber Factory (2004).

Williams was born in Zachary, Louisiana, to a family of sharecroppers. He had no formal schooling, and spent his childhood picking cotton and cutting sugar cane. In 1928, he moved to Baton Rouge, Louisiana and worked in a lumberyard. At the age of 20, Williams fashioned a crude guitar by attaching five copper strings to a cigar box, and soon after bought a cheap, mass-produced one. Williams was taught by Frank and Robert Metty, and was at first chiefly influenced by Peetie Wheatstraw and Blind Lemon Jefferson. He began to play for small events such as Church gatherings, fish fries, suppers, and dances. From the 1930s to the 1950s, Williams played music and continued to work in the lumberyards of Baton Rouge.

Featuring Làmídì Àyánkúnlé, master bàtá drummer from Èrìn-Òsun, Nigeria.

Invasion (Wa Da Da) (extended mix)

RHYTHM ROOTS WORKSHOP

Partnership Resources Inc St Louis Park noon-2pm

With Chan, Marco and Erica from Chicka Boom Chicka Boom

Percussion Team preparing for their March 27th performance

This stunning image from Hubble shows the majestic galaxy NGC 1015, found nestled within the constellation of Cetus (The Whale) 118 million light-years from Earth. In this image, we see NGC 1015 face-on, with its beautifully symmetrical swirling arms and bright central bulge creating a scene akin to a sparkling Catherine wheel firework.

NGC 1015 has a bright, fairly large centre and smooth, tightly wound spiral arms and a central “bar” of gas and stars. This shape leads NGC 1015 to be classified as a barred spiral galaxy — just like our home, the Milky Way. Bars are found in around two-thirds of all spiral galaxies, and the arms of this galaxy swirl outwards from a pale yellow ring encircling the bar itself. Scientists believe that any hungry black holes lurking at the centre of barred spirals funnel gas and energy from the outer arms into the core via these glowing bars, feeding the black hole, fueling star birth at the centre and building up the galaxy’s central bulge.

In 2009, a Type Ia supernova named SN 2009ig was spotted in NGC 1015 — one of the bright dots to the upper right of the galaxy’s center. These types of supernovae are extremely important: they are all caused by exploding white dwarfs which have companion stars, and always peak at the same brightness — 5 billion times brighter than the Sun. Knowing the true brightness of these events, and comparing this with their apparent brightness, gives astronomers a unique chance to measure distances in the Universe.

Richard Allen “Blue” Mitchell (March 13, 1930 – May 21, 1979) was an American Jazz, rhythm and blues, soul, rock and funk trumpeter, and composer, who recorded many albums as leader and sideman for Riverside, Blue Note and Mainstream Records.

Mitchell was born and raised in Miami, Florida. He began playing trumpet in high school, where he acquired his nickname, Blue.

After high school he played in the rhythm and blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. After returning to Miami he was noticed by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958.

He then joined the Horace Silver Quintet, playing with tenor saxophonist Junior Cook, bassist Gene Taylor and drummer Roy Brooks. Mitchell stayed with Silver’s group until the band’s break-up in 1964, after which he formed a group with members from the Silver quintet, substituting the young pianist Chick Corea for Silver and replacing Brooks, who had fallen ill, with drummer Al Foster. This group produced a number of records for Blue Note. It disbanded in 1969, after which Mitchell joined and toured with Ray Charles until 1971.

https://www.youtube.com/watch?v=W4Abjy7tHw8

Roy Owen Haynes (born March 13, 1925 Boston) is an American jazz drummer and group leader. Haynes is among the most recorded drummers in jazz, and in a career lasting more than 70 years has played in a wide range of styles ranging from swing and bebop to jazz fusion and avant-garde jazz. He has a highly expressive, personal style (“Snap Crackle” was a nickname given him in the 1950s) and is known to foster a deep engagement in his bandmates.^{[citation needed]}

He has also led his own groups, some performing under the name Hip Ensemble. His most recent recordings as a leader are Fountain of Youth and Whereas, both of which have been nominated for a Grammy Award. He continues to perform worldwide and was inducted into the Modern Drummer Hall of Fame in 1999. His son Graham Haynes is a cornetist; his son Craig Haynes and grandson Marcus Gilmore are both drummers.

Trio Peligroso from Cuba

Humanity

3-13-18

https://www.youtube.com/watch?v=bVF-wsk8eus

It is known today that merging galaxies play a large role in the evolution of galaxies and the formation of elliptical galaxies in particular. However there are only a few merging systems close enough to be observed in depth. The pair of interacting galaxies seen here — known as NGC 3921 — is one of these systems.

NGC 3921 — found in the constellation Ursa Major the Great Bear — is an interacting pair of disk galaxies in the late stages of its merger. Observations show that both of the galaxies involved were about the same mass and collided about 700 million years ago. You can see clearly in this image the disturbed morphology, tails and loops characteristic of a post-merger.

The clash of galaxies caused a rush of star formation, and previous Hubble observations showed over 1,000 bright, young star clusters bursting to life at the heart of the galaxy pair.

Distance‎: ‎26.2 Mly (8.03 Mpc)

James Vernon Taylor (born March 12, 1948 Boston) is an American singer-songwriter and guitarist. A five-time Grammy Award winner, he was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling music artists of all time, having sold more than 100 million records worldwide.

Taylor achieved his breakthrough in 1970 with the No. 3 single “Fire and Rain” and had his first No. 1 hit the following year with “You’ve Got a Friend“, a recording of Carole King‘s classic song. His 1976 Greatest Hits album was certified Diamond and has sold 12 million US copies. Following his 1977 album, JT, he has retained a large audience over the decades. Every album that he released from 1977 to 2007 sold over 1 million copies. He enjoyed a resurgence in chart performance during the late 1990s and 2000s, when he recorded some of his most-awarded work (including Hourglass, October Road, and Covers). He achieved his first number-one album in the US in 2015 with his recording Before This World.

He is known for his popular covers of other people’s songs, such as “How Sweet It Is (To Be Loved by You)” and the aforementioned “You’ve Got A Friend“, as well as originals such as “Fire and Rain“.

Alwin Lopez “Al” Jarreau (March 12, 1940 – February 12, 2017) was an American singer and musician. He received a total of seven Grammy Awards and was nominated for over a dozen more. Jarreau is perhaps best known for his 1981 album Breakin’ Away. He also sang the theme song of the late-1980s television series Moonlighting, and was among the performers on the 1985 charity song “We Are the World.”

1986: Jarreau in concert in West Berlin.

Jarreau was born in Milwaukee, Wisconsin on March 12, 1940, the fifth of six children. The Jarreau website refers to Reservoir Avenue, the name of the street where he lived. Jarreau’s father was a Seventh-day Adventist Church minister and singer, and his mother was a church pianist. Jarreau and his family sang together in church concerts and in benefits, and he and his mother performed at PTA meetings.