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Leland Bruce Sklar (born May 28, 1947) is an American bassist and session musician. He rose to prominence as a member of James Taylor‘s backing band, which coalesced into a group in its own right, The Section, which supported so many of Asylum Records‘ artists that they became known as Asylum’s de facto house band, as those artists became iconic singer-songwriters of the 1970s.

Sklar has recorded and toured with artists including James Taylor, Jackson Browne, Carole King, Linda Ronstadt, Phil Collins, Toto, The Doors and Lyle Lovett. As a group member, session player, or touring musician, Sklar has appeared on over 2,000 albums, and contributed to many motion picture and television show soundtracks. Since 2018, he has been the bassist for The Immediate Family, a group reuniting lifelong friends and most of his former bandmates from The Section.

Leland Bruce Sklar was born May 28, 1947, in Milwaukee, Wisconsin. His mother’s family was from Duluth, Minnesota. His father’s family was from Milwaukee. Originally, the paternal side of the family came from Odesa, Ukraine. Sklar is a Ukrainian surname meaning glazier, a person whose profession is fitting glass into windows and doors.

John Henry Creach (May 28, 1917 – February 22, 1994), better known as Papa John Creach, was an American blues violinist who also played classical, jazz, R&B, pop and acid rock music. Early in his career, he performed as a journeyman musician with Louis Armstrong, Fats Waller, Stuff Smith, Charlie Christian, Big Joe Turner, T-Bone Walker, Nat King Cole and Roy Milton.

Following his rediscovery by drummer Joey Covington in 1967, he fronted a variety of bands (including Zulu and Midnight Sun) in addition to playing with Jefferson Airplane, Hot Tuna, Jefferson Starship, the San Francisco All-Stars (1979–1984), Dinosaurs (1982–1989) and Steve Taylor.

Creach recorded a number of solo albums and guested at several Grateful Dead and Charlie Daniels Bandconcerts. He was a regular guest at the early annual Volunteer Jams, hosted by Charlie Daniels, which exposed him to a new audience that was receptive to fiddle players.

Creach was born in Beaver Falls, Pennsylvania. As a child, he was introduced to the violin by an uncle, and he received both tutoring in the instrument and conservatory training. Creach and his family moved to Chicago in 1935.

Aaron Thibeaux “T-Bone” Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 Rolling Stone magazine ranked him number 67 on its list of “The 100 Greatest Guitarists of All Time”.

Aaron Thibeaux Walker was born in Linden, Texas, of African-American and Cherokee descent. His parents, Movelia Jimerson and Rance Walker, were both musicians. His stepfather, Marco Washington (a member of the Dallas String Band), taught him to play the guitar, ukulele, banjo, violin, mandolin, and piano.

Walker began his career as a teenager in Dallas in the 1920s. His mother and stepfather were musicians, and Blind Lemon Jefferson, a family friend, sometimes came over for dinner. Walker left school at the age of 10, and by 15, he was a professional performer on the blues circuit. Initially, he was Jefferson’s protégé and would guide him around town for his gigs. In 1929, Walker made his recording debut with Columbia Records, billed as Oak Cliff T-Bone, releasing the single “Wichita Falls Blues” backed with “Trinity River Blues”. Oak Cliff is the community in which he lived at the time, and T-Bone is a corruption of his middle name. The pianist Douglas Fernell played accompaniment on the record.

Andrew Dewey Kirk (May 28, 1898 – December 11, 1992) was an American jazz bandleader and saxophonist who led the Twelve Clouds of Joy, a band popular during the swing era.

He was born in Newport, Kentucky, United States. Kirk grew up in Denver, Colorado, where he was tutored by Wilberforce Whiteman, Paul Whiteman‘s father. Kirk started his musical career playing with George Morrison’s band, but then went on to join Terrence Holder‘s Dark Clouds of Joy. In 1929, he was elected leader after Holder departed. Renaming the band Clouds of Joy, Kirk also relocated the band from Dallas, Texas, to Kansas City, Missouri. Although named the Clouds of Joy, the band has also been known as the Twelve Clouds of Joy due to the number of musicians in the band. They set up in the Pla-Mor Ballroom on the junction of 32nd and Main in Kansas City and made their first recording for Brunswick Records that same year. Mary Lou Williams came in as pianist at the last moment, but she impressed Brunswick’s Dave Kapp, so she became a member of the band.

Niels-Henning Ørsted Pedersen (Danish pronunciation: [ne̝lsˈhene̝ŋ ˈɶɐ̯steð ˈpʰeðɐsn̩], 27 May 1946 – 19 April 2005), also known by his abbreviated nickname NHØP, was a Danish jazz double bassist.

Pedersen was born in Osted, near Roskilde, on the Danish island of Zealand, the son of a church organist. As a child, Ørsted Pedersen played piano, but from the age of 13, he started learning to play upright bassand at the age of 14, while studying, he began his professional jazz career in Denmark with his first band, Jazzkvintet 60 (Danish for Jazz Quintet 60). By the age of fifteen, he had the ability to accompany leading musicians at nightclubs, working regularly at Copenhagen’s Jazzhus Montmartre, after his debut there on New Year’s Eve 1961, when he was only 15. When seventeen, he had already turned down an offer to join the Count Basie orchestra, mainly because he was too young to get legal permission to live and work as a musician in the United States.

The Montmartre was a regular stop-off for touring American Jazz stars, and as a member of the house band, the young Ørsted Pedersen performed with saxophonists such as Booker Ervin, Sonny Rollins, Dexter Gordon, Rahsaan Roland Kirk and Stan Getz, and pianist Bill Evans, with whom he toured in Europe in 1965. During the 1960s, Pedersen played with a series of other important American jazzmen who were touring or resident in Denmark, including Ben Webster, Brew Moore, Bud Powell, Count Basie, Roy Eldridge, Dizzy Gillespie, Jackie McLean, and vocalist Ella Fitzgerald.

Clifford Everett “Bud” Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton‘s Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of “Harlem Nocturne” used as the theme song in Mickey Spillane’s Mike Hammer. He is also well known for the alto flute solo on the song “California Dreamin’” recorded by The Mamas & the Papas in 1965.

Bud Shank was born in Dayton, Ohio, United States. He began playing the clarinet in Vandalia, Ohio, but switched to saxophone before attending the University of North Carolina. While at UNC, Shank was initiated into the Pi Kappa Alpha fraternity. In 1946, he worked with Charlie Barnet before moving on to Kenton and the West coast jazz scene. He also had a strong interest in what might now be termed world music, playing Brazilian-influenced jazz with Laurindo Almeida in 1953 and 1954. In 1958, he became the first American jazz musician to record in Italy, with an Italian jazz orchestra conducted by Ezio Leoni (aka Len Mercer), paving the way for Chet Baker and others who would follow Shank’s tracks recording in Milan with Maestro Leoni. In 1958 and 1960, Shank provided the soundtracks for two Bruce Brown surf movies: Slippery When Wet and Barefoot Adventure. His world music collaborations continued in 1962, fusing jazz with Indian traditions in collaboration with Indian composer and sitar player Ravi Shankar.

Kenny Dennis (born May 27, 1930) is a Philadelphia-born American jazz drummer. He has played on albums for Nancy Wilson, Sonny Stitt, Sonny Rollins, Johnny Griffin, Oscar Brown Jr., Charles Mingus, Billy Taylor, and Mal Waldron.

Dennis began his musical career in the United States Army Band, playing drums in three bands from 1948-1952. After being discharged, he connected with junior high school mate, pianist Ray Bryant and became part of The Ray Bryant Trio along with Jimmy Rowser on bass. They became the house trio at the North Philadelphia Jazz Club, Blue Note where they played for such jazz artists as Kai Winding, Chris Connor and Sonny Stitt. His career next took him to New York, where he worked with artists including Miles Davis, Phineas Newborn, Jr., Billy Taylor, Erroll Garner, Charles Mingus and Sonny Rollins.

In 1957, Dennis performed in Sonny Rollins’s Trio with bassist Wendell Marshall at Carnegie Hall—a historic performance that was commemorated in 2007 with a 50th anniversary concert. Dennis moved to California, when Miles Davis recommended him to Lena Horne. Recording credits include recordings with such artists as Michel Legrand, Miles Davis, Charlie Mingus, Nancy Wilson, Gerald Wilson and poet Langston Hughes.

Since 1997 he has been an assistant director of the Lab Band at the award winning Los Angeles County High School for the Arts. He and his wife Nancy Wilson were married from 1960 to 1970. Their son, Kacy (né Kenneth Dennis, Jr.) was born in 1963.

Angela Isadora Duncan (May 26, 1877 or May 27, 1878 – September 14, 1927) was an American-born dancer and choreographer, who was a pioneer of modern contemporary dance and performed to great acclaim throughout Europe and the US. Born and raised in California, she lived and danced in Western Europe, the US and Soviet Russia from the age of 22. She died when her scarf became entangled in the wheel and axle of the car in which she was travelling in Nice, France.

Angela Isadora Duncan was born in San Francisco, the youngest of the four children of Joseph Charles Duncan (1819–1898), a banker, mining engineerand connoisseur of the arts, and Mary Isadora Gray (1849–1922). Her brothers were Augustin Duncan and Raymond Duncan; her sister, Elizabeth Duncan, was also a dancer.

Mark Lavon “Levon” Helm (May 26, 1940 – April 19, 2012) was an American musician who achieved fame as the drummer and one of the three lead vocalists for The Band, for which he was inducted into the Rock and Roll Hall of Fame in 1994. Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band’s recordings, such as “The Weight“, “Up on Cripple Creek“, and “The Night They Drove Old Dixie Down“.

Helm also had a successful career as a film actor, appearing as Loretta Lynn‘s father in Coal Miner’s Daughter (1980), as Chuck Yeager‘s friend and colleague Captain Jack Ridley in The Right Stuff (1983), as a Tennessee firearms expert in Shooter (2007), and as General John Bell Hood in In the Electric Mist (2009).

In 1998, Helm was diagnosed with throat cancer which caused him to lose his singing voice. After treatment, his cancer eventually went into remission, and he gradually regained the use of his voice. His 2007 comeback album Dirt Farmer earned the Grammy Award for Best Traditional Folk Album in February 2008, and in November of that year, Rolling Stone magazine ranked him No. 91 in its list of 100 Greatest Singers of All Time. In 2010, Electric Dirt, his 2009 follow-up to Dirt Farmer, won the first Grammy Award for Best Americana Album, a category inaugurated in 2010. In 2011, his live album Ramble at the Ryman won the Grammy in the same category. In 2016, Rolling Stone magazine ranked him No. 22 in its list of 100 Greatest Drummers of All Time.

Rubén González Fontanills (26 May 1919 – 8 December 2003) was a Cuban pianist. Together with Lilí Martínez and Peruchín he is said to have “forged the style of modern Cuban piano playing in the 1940s”.

Between the 1940s and his retirement in the 1980s, he played with Cuba’s most successful acts, including Paulina Álvarez, Arsenio Rodríguez, Orquesta América del 55, Orquesta Riverside and Enrique Jorrín. In the 1990s, he came out of retirement to play in the revival ensembles Afro-Cuban All Stars and Buena Vista Social Club, also recording solo material and performing live until 2002.