Wayne Escoffery (born 23 February 1975 in London, England) is a jazz saxophonist based in New York City.

Since 2000, he has been working in New York City with Carl Allen, Eric Reed, and the Mingus Big Band. Other musicians performed with include Ralph Peterson, Ben Riley, Ron Carter, Rufus Reid, Bill Charlap, Bruce Barth, Jimmy Cobb, and Eddie Henderson. He has worked with vocalists including Mary Stallings, Cynthia Scott, Nancie Banks, LaVerne Butler, and Carolyn Leonhart.

John Dawson Winter III (February 23, 1944 – July 16, 2014), known as Johnny Winter, was an American musician, singer, songwriter, multi-instrumentalist and producer. Best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stonemagazine’s list of the “100 Greatest Guitarists of All Time“.

Johnny Winter was born in Beaumont, Texas, on February 23, 1944. Winter and younger brother Edgar (born 1946) were nurtured at an early age by their parents in musical pursuits. Johnny and his brother, both of whom were born with albinism, began performing at an early age. When he was ten years old, the brothers appeared on a local children’s show with Johnny playing ukulele.

His recording career began at the age of fifteen, when his band Johnny and the Jammers released “School Day Blues” on a Houston record label.During this same period, he was able to see performances by classic blues artists such as Muddy Waters, B.B. King, and Bobby Bland. In the early days, Winter would sometimes sit in with Roy Head and the Traits when they performed in the Beaumont area, and in 1967, Winter recorded a single with the Traits: “Tramp” backed with “Parchman Farm” (Universal Records 30496). In 1968, he released his first album The Progressive Blues Experiment, on Austin’s Sonobeat Records.

Hall Franklin Overton (February 23, 1920 – November 24, 1972) was an American composer, jazz pianist and music teacher. He was born in Bangor, Michigan, the first of the three sons of Stanford and Ruth (Barnes) Overton. He grew up in Grand Rapids, Michigan.

After taking piano lessons as a youngster, Overton realized he’d have to travel beyond his small Midwestern town to find the kind of music instruction he wanted. His high school music teacher recognized Overton’s gift and recommended he attend The Chicago Musical College after graduation. Overton studied theory and composition there from 1940 to 1942. He then entered the armed services and served in overseas combat duty with the U.S. 3rd Armored Division until 1945. It was during his time in the service that he learned to play jazz.

On discharge from the army, Overton continued his musical studies at The Juilliard School of Music, studying composition with Vincent Persichetti. He graduated in 1951 with an M.S. degree, then became a member of the faculty there.

While Overton was writing classical compositions, he was also deeply immersed in jazz, and recorded with such jazz notables as Stan Getz, Duke Jordan, Jimmy Raney and Teddy Charles. Thelonious Monk selected him to score his piano works for orchestra; a performance of these compositions in New York City was recorded live on February 28, 1959 and released on the album The Thelonious Monk Orchestra at Town Hall. In 1963, Monk recorded a second live album with orchestral arrangements by Overton at the New York Philharmonic Hall, released as Big Band and Quartet in Concert.

World Music on Flamenco Fridays with José Antonio Rodríguez

Performing Alegrías.

Alegrías (Spanish pronunciation: [aleˈɣɾi.as]) is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 [3] 4 5 [6] 7 [8]9 [10] 11 [12]. Alegrías originated in Cádiz. Alegrías belongs to the group of palos called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone.

One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (Literally “a tap of the foot”) and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas.

https://www.youtube.com/watch?v=TCOFf_7FjqU

Daily Roots with the Revolutionaries

2-23-18

The Rosette Nebula (also known as Caldwell 49) is a large spherical H II region (circular in appearance) located near one end of a giant molecular cloud in the Monoceros region of the Milky Way Galaxy. The open cluster NGC 2244 (Caldwell 50) is closely associated with the nebulosity, the starsof the cluster having been formed from the nebula’s matter.

The complex has the following NGC designations:

• NGC 2237 – Part of the nebulous region (Also used to denote whole nebula)
• NGC 2238 – Part of the nebulous region
• NGC 2239 – Part of the nebulous region (Discovered by John Herschel)
• NGC 2244 – The open cluster within the nebula (Discovered by John Flamsteed in 1690)
• NGC 2246 – Part of the nebulous region

The cluster and nebula lie at a distance of some 5,000 light-years from Earth) and measure roughly 130 light years in diameter. The radiation from the young stars excites the atoms in the nebula, causing them to emit radiation themselves producing the emission nebula we see. The mass of the nebula is estimated to be around 10,000 solar masses.

A survey of the nebula with the Chandra X-ray Observatory has revealed the presence of numerous new-born stars inside optical Rosette Nebula and studded within a dense molecular cloud. Altogether, approximately 2500 young stars lie in this star-forming complex, including the massive O-type stars HD 46223 and HD 46150, which are primarily responsible for blowing the ionized bubble. Most of the ongoing star-formation activity is occurring in the dense molecular cloud to the south east of the bubble.^[6]

A diffuse X-ray glow is also seen between the stars in the bubble, which has been attributed to a super-hot plasma with temperatures ranging from 1 to 10 million K.^[7] This is significantly hotter than the 10,000 K plasmas seen in HII regions, and is likely attributed to the shock-heated winds from the massive O-type stars.

Joe LaBarbera (born February 22, 1948) is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans’s career.^[1] Prior to joining Evans he worked in the quartet of Chuck Mangione and Joe Farrell.

He was born in Mount Morris, New York, younger brother to saxophonist Pat LaBarbera, and trumpeter and arranger/composer John LaBarbera. He was formally educated at the Berklee College of Music in Boston, Massachusetts.

LaBarbera in 1978

After Berklee he spent two years with the US Army band at Fort Dix, New Jersey. He began his professional career playing with Woody Herman and the Thundering Herd, followed by the Chuck Mangione Quartet.

He then moved to New York and spent two years freelancing with a number of notable musicians, including Jim Hall,^[2] Phil Woods, Art Farmer, Gary Burton, Art Pepper, John Scofield, Bob Brookmeyer and Toots Thielmans.

Ernest Kador Jr. (February 22, 1933 – July 5, 2001), known by the stage name Ernie K-Doe, was an African-American rhythm-and-blues singer best known for his 1961 hit single “Mother-in-Law“, which went to number 1 on the Billboard pop chart in the U.S.

Born in New Orleans, K-Doe recorded as a member of the group the Blue Diamonds in 1954 before making his first solo recordings the following year. “Mother-in-Law“, written by Allen Toussaint, was his first hit, reaching number 1 on both the Billboard pop chart and the Billboard R&B chart. K-Doe never had another top-40 pop hit, but “Te-Ta-Te-Ta-Ta” (number 21, 1961) and “Later for Tomorrow” (number 37, 1967) reached the R&B top 40.

In the 1980s K-Doe did radio shows on the New Orleans community stations WWOZ and WTUL. The shows were known for his explosively energetic announcements and frequent self-promotion (occasionally causing problems for the noncommercial station). K-Doe’s catch phrases included “Burn, K-Doe, Burn!”, “I’m a Charity Hospital Baby!” and (addressed to himself) “You just good, that’s all!”. For a time he billed himself as “Mister Naugahyde”, until he was ordered to desist by the owners of the Naugahyde trademark. K-Doe then explained that it was a misunderstanding; he was actually referring to himself as “Mister M-Nauga-Ma-Hyde”, a word he invented himself.

Joseph Benjamin Wilder (February 22, 1922 – May 9, 2014) was an American jazz trumpeter, bandleader, and composer.

Wilder was awarded the Temple University Jazz Master’s Hall of Fame Award in 2006. The National Endowment for the Arts honored him with its highest honor in jazz, the NEA Jazz Masters Award for 2008.

Wilder was born into a musical family led by his father Curtis, a bassist and bandleader in Philadelphia. Wilder’s first performances took place on the radio program, “Parisian Tailor’s Colored Kiddies of the Air.” He and the other young musicians were backed up by such illustrious bands as Duke Ellington‘s and Louis Armstrong‘s that were also then playing at the Lincoln Theater. Wilder studied at the Mastbaum School of Music in Philadelphia, but turned to jazz when he felt that there was little future for an African-American classical musician. At the age of 19, Wilder joined his first touring big band, Les Hite’s band.

Wilder was one of the first thousand African Americans to serve in the Marines during World War II. He worked first in Special Weapons and eventually became Assistant Bandmaster at the headquarters’ band. Following the war during the 1940s and early 1950s, he played in the orchestras of Jimmie Lunceford, Herbie Fields, Sam Donahue, Lucky Millinder, Noble Sissle, Dizzy Gillespie, and finally with the Count BasieOrchestra.

https://www.youtube.com/watch?v=hZihg8kgaTQ

World Music with the Flemish group Limbrant

Daily Roots with Althea & Donna

2-22-18

RHYTHM ROOTS WORKSHOP 2-21-18

Partnership Resources Inc Minneapolis noon-2pm

Exploring the mysteries of the rhythm forces with the Developmentally Disabled

NGC 7822 is a young star forming complex in the constellation of Cepheus. The complex encompasses the emission region designated Sharpless 171, and the young cluster of stars named Berkeley 59. The complex is believed to be some 800-1000 pc distant, with the younger components aged no more than a few million years. The complex also includes one of the hottest stars discovered within 1 kpc of the Sun, namely BD+66 1673, which is an eclipsing binary system consisting of an O5V that exhibits a surface temperature of nearly 45000 K and a luminosity ~100,000 times that of the Sun. The star is one of the primary sources illuminating the nebula and shaping the complex’s famed pillars of creation-type formations, the elephant trunks   

Hiroshi Fukumura (福村博) (born February 21, 1949, Tokyo) is a Japanese jazz trombonist.

Fukumura played with Sadao Watanabe for much of the 1970s, excepting a period where he studied in the United States at the New England Conservatory of Music. He led his own quintet, which includedShigeharu Mukai as a sideman, for a studio recording and a live release in 1973. He was a member of Native Son and also worked with Takehiro Honda, Gil Evans, Hidefumi Toki, and others.

Nina Simone (/ˈniːnə sɪˈmoʊn/; born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003 Tryon, NC) was an American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Simone employed a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.

Born in North Carolina, the sixth child of a preacher, Waymon aspired to be a concert pianist. With the help of a few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in New York.

Waymon then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition. Waymon became fully convinced this rejection had been entirely due to racial discrimination. Years later, nine days before her death, the Curtis Institute of Music bestowed on her an honorary degree.

To make a living, Eunice Waymon changed her name to “Nina Simone”. The change related to her need to disguise herself from family members, having chosen to play “the devil’s music” or “cocktail piano” at a nightclub in Atlantic City. She was told in the nightclub that she would have to sing to her own accompaniment, and this effectively launched her career as a jazz vocalist.

Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. She had a hit in the United States in 1958 with “I Loves You, Porgy”

Albert Omega Sears (February 21, 1910 – March 23, 1990) was an American jazz tenor saxophonist and bandleader, sometimes credited as Big Al Sears.

Sears was born in Macomb, Illinois. His first major gig came in 1928 when he replaced Johnny Hodges in Chick Webb‘s ensemble. Following this he played withElmer Snowden (1931–32), then led his own groups between 1933 and 1941. In the early 1940s he was with Andy Kirk (1941–42) and Lionel Hampton (1943-44) before he became a member of Duke Ellington‘s Orchestra in 1944, replacing Ben Webster. He became one of Ellington’s best-known soloists and remained in his employ until 1949, when first Jimmy Forrest and then Paul Gonsalves took over his chair. He played with Johnny Hodges in 1951–52 and recorded the tune “Castle Rock” with him; the tune became a hit but was released under Hodges’s name.

Sears was in Alan Freed‘s band when Freed did live shows, being introduced as “Big Al Sears.” He played as a studio musician on a variety of R&B albums in the 1950s and recorded two albums for Swingville Records in 1960. He also owned several record labels, including Arock, Serock, and Gator.^[1]

In 1990 he died in St. Albans, New York, at the age of 80

World Music with Andy Palacio from Belize

Daily Roots with Tappa Zukie

2-21-18

RHYTHM ROOTS WORKSHOP

Tuesday 2-20-18

Partnershop Resources Inc St Louis Park, MN

Noon-2pm

Working with the Developmentally Disabled community accessing the inner

rhythms of the universe!

Sh2-155 (also designated Sharpless 155 or S155) is a diffuse nebula in the constellation Cepheus, within a larger nebula complex containing emission, reflection, and dark nebulosity. It is widely known as the Cave Nebula, though that name was applied earlier to Ced 201, a different nebula in Cepheus. Sh2-155 is an ionizedH II region with ongoing star formation activity, at an estimated distance of 725 parsecs (2400 light-years) from Earth.

Sh2-155 was first noted as a galactic emission nebula in 1959 in the extended second edition of the Sharpless catalogue, being a part of the much larger Cep OB3 Association. Although Sh2-155 is relatively faint for amateur observation, some of its structure may be seen visually through a moderately sized telescope under dark skies.

Sh2-155 lies at the edge of the Cepheus B cloud (part of the Cepheus molecular cloud), and is ionized by young stars from the Cep OB3 association. It has been suggested that radiation from the hot O-type star HD 217086 is compressing the region, triggering the formation of a new generation of stars. A study of the region’s young stellar objects by the Chandra X-ray Observatory and Spitzer Space Telescope shows a progression of stellar ages in front of the cloud, supporting the hypothesis of triggered star-formation