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Gábor István Szabó (March 8, 1936 – February 26, 1982) was a Hungarian-American guitarist whose style incorporated jazz, pop, rock, and Hungarian music.

Szabó was born in Budapest, Hungary. He began playing guitar at the age of 14. In the aftermath of the Hungarian revolution of 1956, he moved to California and later attended the Berklee College of Music in Boston between 1958 and 1960. In 1961, Szabó became member of a quintet that was led by Chico Hamilton and included Charles Lloyd,^[2]playing what has been described as chamber jazz, with “a moderate avant-gardism.” Szabó was influenced by the rock music of the 1960s, particularly the use of feedback. In 1965 he was in a jazz pop group led by Gary McFarland, then worked again with Lloyd in an energetic quartet with Ron Carter and Tony Williams. The song “Gypsy Queen” from Szabó’s debut solo album Spellbinder became a hit for rock guitarist Carlos Santana. During the late 1960s, Szabó worked in a group with guitarist Jimmy Stewart. He started the label Skye Records with McFarland and Cal Tjader.

George Edward Coleman (born March 8, 1935) is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.

Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd.

After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone.In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach‘s quintet (1958–1959). Coleman recorded with organist Jimmy Smith on his album House Party (1957), along with Lee Morgan, Curtis Fuller, Kenny Burrell, and Donald Bailey. Moving to New York City with Max Roach in that year, he went on to play with Slide Hampton (1959–1962), Ron Carter, Jimmy Cobb, and Wild Bill Davis (1962), before joining Miles Davis’ quintet in 1963–1964.

John Smith Hurt (March 8, 1893– November 2, 1966), known as Mississippi John Hurt, was an American country blues singer, songwriter, and guitarist. Hurt was raised in Avalon, Mississippi and taught himself to play the guitar around the age of nine. He worked as a sharecropper and began playing at dances and parties, singing to a melodious fingerpickedaccompaniment. His first recordings, made for Okeh Records in 1928, were commercial failures, and he continued to work as a farmer.

Dick Spottswood and Tom Hoskins, a blues enthusiast, located Hurt in 1963 and persuaded him to move to Washington, D.C. He was recorded by the Library of Congress in 1964. This helped further the American folk music revival, which led to the rediscovery of many other bluesmen of Hurt’s era. Hurt performed on the university and coffeehouse concert circuit with other Delta blues musicians who were brought out of retirement. He also recorded several albums for Vanguard Records.

The most basic buleria marking progression uses just two chords: A and B♭. When accompanying a singer, the guitarist plays chords that follow the singer. When playing buleria as a solo piece, guitarists assemble rhythmic patterns, short chord progressions, and pre-composed or improvised falsetas to build a musical idea around a central theme.

Alcide Louis “Slow Drag” Pavageau (March 7, 1888 – January 19, 1969) was an American jazz guitarist and double-bassist.

Pavageau was born in New Orleans, Louisiana.He started his career as a dancer, mastering a dance called the Slow Drag which resulted in his nickname. He learned the guitar as a young man from his cousin Ulysses Picou, a singer in New Orleans. Pavageau came from a musical family and was related to families like the Tios, Picous and Pirons who formed some of the earliest jazz bands. He played Buddy Petit, Bunk Johnson, and Herb Morand. Johnson bragged that he taught Louis Armstrong how to play cornet by ear. He started playing bass in 1927 when he was 39 years old and joined George Lewis‘s band from 1943 and also played in Bunk Johnson‘s band in New York City in 1945. He toured with Lewis through the end of the 1950s. In 1961, while playing with the Louis Cottrell Trio, he recorded New Orleans: The Living Legends for Riverside. He worked at Preservation Hall in the 1960s and recorded one album as a leader in 1965 in addition to frequent recording with Lewis.

Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France’s greatest living composer.

Born to a music-loving family, Ravel attended France’s premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other composers’ piano music, of which his 1922 version of Mussorgsky‘s Pictures at an Exhibition is the best known.

A slow and painstaking worker, Ravel composed fewer pieces than many of his contemporaries. Among his works to enter the repertoire are pieces for piano, chamber music, two piano concertos, ballet music, two operas and eight song cycles; he wrote no symphonies or church music. Many of his works exist in two versions: first, a piano score and later an orchestration. Some of his piano music, such as Gaspard de la nuit (1908), is exceptionally difficult to play, and his complex orchestral works such as Daphnis et Chloé (1912) require skilful balance in performance.

Ravel was among the first composers to recognise the potential of recording to bring their music to a wider public. From the 1920s, despite limited technique as a pianist or conductor, he took part in recordings of several of his works; others were made under his supervision.

David Jon Gilmour CBE  born 6 March 1946 is an English musician, singer and songwriter, who is a member of the rock band Pink Floyd. He joined as guitarist and co-lead vocalist in 1967, shortly before the departure of founding member Syd Barrett. Pink Floyd achieved international success with the concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals(1977), The Wall (1979) and The Final Cut (1983). By the early 1980s, they had become one of the highest-selling and most acclaimed acts in music history; by 2012, they had sold more than 250 million records worldwide, including 75 million in the United States. Following the departure of Roger Waters in 1985, Pink Floyd continued under Gilmour’s leadership and released three more studio albums.

Flora Purim (born March 6, 1942) is a Brazilian jazz singer known primarily for her work in the jazz fusion style. She became prominent for her part in Return to Forever with Chick Corea and Stanley Clarke. She has recorded and performed with numerous artists, including Dizzy Gillespie, Gil Evans, Opa, Stan Getz, George Duke, Mickey Hart of the Grateful Dead, Santana, Jaco Pastorius, and her husband Airto Moreira.

In 2002, Purim was the recipient of one of Brazil’s highest awards, the 2002 Ordem do Rio Branco for Lifetime Achievement. She has been called “The Queen of Brazilian Jazz”.

Purim was born in Rio de Janeiro, Brazil, to Jewish parents who were classical musicians. Her father Naum Purim played violin and her mother Rachel Vaisberg was a pianist. When her father was out of the house, her mother played jazz.

John Leslie “Wes” Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb, and for his extensive use of octaves, which gave him a distinctive sound.

Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz.

Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname “Wes” was a child’s abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. Montgomery died of a heart attack on June 15, 1968, while at home in Indianapolis. He was 45 years old.

Howard McGhee (March 6, 1918 – July 17, 1987) was one of the first American bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had an influence on younger bebop trumpeters such as Fats Navarro.

Howard McGhee was born in Tulsa, Oklahoma, United States, and raised in Detroit, Michigan.

During his career, he played in bands led by Lionel Hampton, Andy Kirk, Count Basie and Charlie Barnet. He was in a club listening to the radio when he first heard Charlie Parker and was one of the earliest adopters of the new style, a fact that was disapproved by older musicians like Kid Ory.

In 1946–1947, some record sessions for the new label Dial were organized in Hollywood, with Charlie Parker and McGhee. The first was held on July 29, 1946. The musicians were Charlie Parker, Howard McGhee, Jimmy Bunn, Bob Kesterson, and Roy Porter. With Parker’s health near to collapse, he played “Max is Making Wax”, “Lover Man“, and “The Gypsy”

James Robert Wills (March 6, 1905 – May 13, 1975 Kosse, TX) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the founder of Western swing, he was known widely as the King of Western Swing (although Spade Cooley self-promoted the moniker “King of Western Swing” from 1942 to 1969). He was also noted for punctuating his music with his trademark “ah-haa” calls.

Wills formed several bands and played radio stations around the South and West until he formed the Texas Playboys in 1934 with Wills on fiddle, Tommy Duncan on piano and vocals, rhythm guitarist June Whalin, tenor banjoist Johnnie Lee Wills, and Kermit Whalin who played steel guitar and bass. Oklahoma guitar player Eldon Shamblin joined the band in 1937 bringing jazzy influence and arrangements. The band played regularly on Tulsa, Oklahoma, radio station KVOO and added Leon McAuliffe on steel guitar, pianist Al Stricklin, drummer Smokey Dacus, and a horn section that expanded the band’s sound. Wills favored jazz-like arrangements and the band found national popularity into the 1940s with such hits as “Steel Guitar Rag“, “San Antonio Rose“, “Smoke on the Water“, “Stars and Stripes on Iwo Jima“, and “New Spanish Two Step“.

Wills and the Texas Playboys recorded with several publishers and companies, including Vocalion, Okeh, Columbia, and MGM. In 1950, Wills had two top 10 hits, “Ida Red likes the Boogie” and “Faded Love“, which were his last hits for a decade. Throughout the 1950s, he struggled with poor health and tenuous finances. He continued to perform frequently despite a decline in the popularity of his earlier hit songs, and the growing popularity of rock and roll. Wills had a heart attack in 1962, and a second one the next year, which forced him to disband the Texas Playboys. Wills continued to perform solo.

In this celestial abstract art composed with a cosmic brush, dusty nebula NGC 2170, also known as the Angel Nebula, shines just above the image center. Reflecting the light of nearby hot stars, NGC 2170 is joined by other bluish reflection nebulae, a red emission region, many dark absorption nebulae, and a backdrop of colorful stars. Like the common household items that abstract painters often choose for their subjects, the clouds of gas, dust, and hot stars featured here are also commonly found in a setting like this one — a massive, star-forming molecular cloud in the constellation of the Unicorn (Monoceros). The giant molecular cloud, Mon R2, is impressively close, estimated to be only 2,400 light-years or so away. At that distance, this canvas would be over 60 light-years across.

J. B. Lenoir (March 5, 1929 – April 29, 1967) was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s.

Lenoir was born in Monticello, Mississippi. His full given name was simply “J. B.”; the letters were not initials. Lenoir’s guitar-playing father introduced him to the music of Blind Lemon Jefferson, which became a major influence. During the early 1940s, Lenoir worked with the blues artists Sonny Boy Williamson II and Elmore James in New Orleans. He was later influenced by Arthur Crudup and Lightnin’ Hopkins.

Lenoir died on April 29, 1967, in Urbana, Illinois, at the age 38, of injuries he had suffered in a car crash three weeks earlier.