mick laBriola

Prudencio Mario Bauzá Cárdenas (April 28, 1911 – July 11, 1993) was an Afro-Cuban jazz, and jazzmusician. He was among the first to introduce Cuban music to the United States by bringing Cuban musical styles to the New York City jazz scene. While Cuban bands had had popular jazz tunes in their repertoire for years, Bauzá’s composition “Tangá” was the first piece to blend jazz harmony and arranging technique, with jazz soloists and Afro-Cuban rhythms. It is considered the first true Afro-Cuban jazz tune.

As a child he studied clarinet becoming recognized as a child prodigy on the instrument and was featured with the Havana Symphony at the age of 11. Bauzá then performed on clarinet and bass clarinet with pianist Antonio María Romeu‘s charanga (flute and violins) orchestra. This proved a fateful event as the orchestra visited New York City to record in 1926. Bauzá’s stayed with his cousin, trumpeter René Endreira, who was a Harlem resident and played with The Santo Domingo Serenaders, a band was made up of Panamanians, Cubans, and Puerto Ricans playing jazz. The teenage Bauzá was impressed with Harlem’s African American community and the freedom they had. He also witnessed a performance of George Gershwin‘s “Rhapsody in Blue” and was inspired with saxophonist Frankie Trumbauer‘s feature in the piece. Upon his return to Cuba, he vowed he would return to New York City to become a jazz musician doing so in 1930 learning to play the alto saxophone while maintaining his clarinet technique. A chance encounter with vocalist Cuban vocalist Antonio Machin, who needed a trumpet player for an upcoming record date he was leading, gave Bauzá an unusual opportunity. Machin was the vocalist for the Don Azpiazú Havana Casino Orchestra who had taken New York City by storm with their public performances and recent hit recording of “El Manisero” (“The Peanut Vendor”). Machin was offered a record date to record four tunes. When Machin performed solo, he did so with two guitars, a trumpet, and himself on maracas. All the trumpet players that knew how to play in the Cuban style who were part of Azpiazú’s orchestra had left to return to Cuba. Faced with a dilemma Bauzá offered his services to Machin because he knew the finger positions on the horn buying a trumpet and in two weeks developed enough technique to play on the recordings. He now devoted his time to playing the instrument being inspired by Louis Armstrong. By 1933, Bauzá had been hired as lead trumpeter and musical director for drummer Chick Webb‘s Orchestra, and it was during this time with Webb that Bauzá both met fellow trumpeter Dizzy Gillespie, and allegedly discovered and brought into the band singer Ella Fitzgerald.

vdB 123¹, as designated in the van den Bergh catalog², is a blue reflection nebula⁷ located in the constellation Serpens approximately 800 light years (230 +/- 20 parsecs)³ from the Earth. This colorful nebula is embedded in a large cloud of dust and gas known as the Serpens Cloud³. This cloud overlays a rich field of background Milky Way stars. These background stars appear to be heavily “reddened” by the cloud’s intervening dust. A large dark nebula extending throughout the region is cataloged Dobashi 1260^5,6. These areas of dense dust obscures background stars and other celestial objects. The bright blue central nebula shines from light reflected from the bright star designed HD 170634¹. The blue color is a result of the surrounding dust reflecting the shorter wavelengths of light more efficiently than longer wavelengths. This is essentially the same phenomena that makes our Earthly sky appear blue.

James Lee Keltner (born April 27, 1942) is an American drummer and percussionist known primarily for his session work. He was characterized by Bob Dylan biographer Howard Sounes as “the leading session drummer in America”.

Keltner was inspired to start playing because of an interest in jazz, but the popularity of jazz was declining during the late 1950s and early 1960s, and it was the explosion of pop/rock in the mid-1960s that enabled him to break into recording work in Los Angeles. His first gig as a session musician was recording “She’s Just My Style” for the pop group Gary Lewis and the Playboys.

Keltner’s music career was hardly paying a living, and for several years at the outset he was supported by his wife. Toward the end of the 1960s, he finally began getting regular session work and eventually became one of the busiest drummers in Los Angeles. His earliest credited performances on record were with Gabor Szabo on the 1968 album Bacchanal.

In 1968, Keltner was also working in a music shop in Pasadena just down the street from the old Ice House coffeehouse when he was recruited to play drums in a “psychedelic” vocal group named “MC Squared” along with Michael Crowley, Michael Clough, Linda Carey—all from the folk group The Back Porch Majority)—and session guitarist/bassist Randy Cierley Sterling. They were signed by Mo Ostin and recorded an album for Warner/Reprise originally titled “MC Squared” which has later been re-mastered and re-released in 2012 with the album title “Tantalizing Colors.” They appeared live that same year on the Hugh Hefner / Playboy Magazine television show Playboy After Dark playing two songs: an original by MC Squared members Michael Clough and Michael Crowley titled “I Know You” and a version of the Fred Neilsong Everybody’s Talkin’. Both Playboy After Dark performances with Keltner playing drums can currently be viewed on YouTube.

It was his work with Leon Russell playing on Delaney & Bonnie’s Accept No Substitute that attracted the attention of Joe Cocker, who recruited Russell and everyone else he could out of the Delaney & Bonnie band for his Mad Dogs & Englishmen tour. Playing with Joe Cocker led to work in 1970 and 1971, on records by Carly Simon (No Secrets), Barbra Streisand (Barbra Joan Streisand), Booker T. Jones (Booker T. & Priscilla), George Harrison (The Concert for Bangladesh) and John Lennon (Imagine).

The Rosette Nebula (also known as Caldwell 49) is an H II region located near one end of a giant molecular cloud in the Monoceros region of the Milky Way Galaxy. The open cluster NGC 2244(Caldwell 50) is closely associated with the nebulosity, the stars of the cluster having been formedfrom the nebula’s matter.

The nebula has been noted to be having a shape reminiscent of a human skull, and is sometimes referred to as the “Skull Nebula.” It is not to be confused with NGC 246, which is also nicknamed the “Skull Nebula. Here is the panoramic photo of the Rosette Nebula, Cone Nebula, Christmas tree.
Following these two clear nights, without a Moon at the start of the night, I took a wide shot of the Rosette nebula, of the cone / Christmas tree, there are 3 photos with the 300mm f2.8 canon to make this panorama.
There are 4 hours per panel with unit exposures of 5 min.

Located some 3 million light-years away in the arms of nearby spiral galaxy M33, giant stellar nursery NGC 604 is about 1,300 light-years across. That’s nearly 100 times the size of the Milky Way’s Orion Nebula, the closest large star forming region to planet Earth. In fact, among the star forming regions within the Local Group of galaxies, NGC 604 is second in size only to 30 Doradus, also known as the Tarantula Nebula in the Large Magellanic Cloud. Cavernous bubbles and cavities in NGC 604 fill this stunning infrared image from the James Webb Space Telescope’s NIRCam. They are carved out by energetic stellar winds from the region’s more than 200 hot, massive, young stars, all still in early stages of their lives.