Darrell Grant Day

May 30th 1962

A pianist, vocalist, composer, and educator, Darrell Grant arrived in Portlandin 1997 with a national reputation. His contributions to the area jazz scene quickly elevated him to prominence based not only on his high level of musicianship but also on the attention and legitimacy he brought to jazz education and performance. Most notable has been his work on the Portland State University (PSU) music faculty, where he helped establish a major in jazz studies, founded the Leroy Vinnegar Jazz Institute, and managed LV’s Uptown, the university’s jazz club (2005-2008).

Grant partnered with the Portland Jazz Festival to bring his production, “The Incredible Journey of Jazz,” to area middle schools, and he set up an annual “Tribute to the Old Cats” concert, where student musicians play with jazz elders. He also produced albums by area musicians. Living and working in Portland has had a profound effect on Grant’s music, as Geoffrey Himes noted in 2000: “Far from smothering Grant’s ambition, . . . the Pacific Northwest seemed to liberate him from the conformist tyranny of Gotham’s retro-bop and allowed him to develop a more personal, more melodic style.”

Raised in Denver, Colorado, Grant studied both classical and jazz piano. He received a bachelor’s degree in applied classical piano from the Eastman School of Music and a master’s degree in jazz from the University of Miami. In New York, beginning in 1986, Grant worked with a number of legendary jazz musicians, including drummers Roy Haynes and Tony Williams and vocalist Betty Carter. Verve-Forecast released his first CD in 1989, and he appeared on Greg Osby’s album, 3-D Lifestyles in 1993.

Grant’s 1994 album, The Black Art, was selected as one of the top ten jazz recordings of the year by the New York Times, and he released The New Bopin 1995 before moving to Portland. He has appeared on the BET program “Jazz Central” and on Marian McPartland’s “Piano Jazz” and “The World” on National Public Radio. His commissioned compositions include the anthem for the 1998 Nike World Masters Games and a Duke Ellington Tribute for the 1999 Mt. Hood Jazz Festival.

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