mick laBriola

The rings of MyCn 18 trace the outline of an hourglass — although one with an unusual eye in its center. Either way, the sands of time are running out for the central star of this hourglass-shaped planetary nebula. With its nuclear fuel exhausted, this brief, spectacular, closing phase of a Sun-like star’s life occurs as its outer layers are ejected – its core becoming a cooling, fading white dwarf. In 1995, astronomers used the Hubble Space Telescope (HST) to make a series of images of planetary nebulae, including the one featured here. Pictured, delicate rings of colorful glowing gas (nitrogen-red, hydrogen-green, andoxygen-blue) outline the tenuous walls of the hourglass. The unprecedented sharpness of the Hubble images has revealed surprising details of the nebula ejection process that are helping to resolve the outstanding mysteries of the complex shapes and symmetries of planetary nebulas like MyCn 18.

Stephen Michael Reich born October 3, 1936) is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich’s work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, “Music as a Gradual Process”, by stating, “I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music.” To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener.

His innovations include using tape loops to create phasing patterns, as on the early compositions It’s Gonna Rain(1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). The 1978 recording Music for 18 Musicians would help entrench minimalism as a movement.Reich’s work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988).

Reich’s style of composition has influenced many contemporary composers and groups, especially in the United States. Writing in The Guardian, music critic Andrew Clements suggested that Reich is one of “a handful of living composers who can legitimately claim to have altered the direction of musical history”. Reich was born in New York City to Jewish parents, the Broadway lyricist June Sillman and Leonard Reich. When he was one year old, his parents divorced, and Reich divided his time between New York and California. He is the half-brother of writer Jonathan Carroll.

Chubby Checker (born Ernest Evans; October 3, 1941) is an American singer and dancer. He is widely known for popularizing many dance styles, including the Twist dance style, with his 1960 hit cover of Hank Ballard & The Midnighters‘ R&B song “The Twist“, and the pony dance style with the 1961 cover of the song “Pony Time“. His biggest UK hit, “Let’s Twist Again“, was released one year later (in 1962); that year, he also popularized the song “Limbo Rock“, originally a previous-year instrumental hit by the Champs to which he added lyrics, and its trademark Limbo dance, as well as other dance styles such as The Fly. In September 2008, “The Twist” topped Billboard‘s list of the most popular singles to have appeared in the Hot 100 since its debut in 1960, an honor it maintained for an August 2013 update of the list.^[1]

Checker was born Ernest Evans in Spring Gully, South Carolina

https://www.youtube.com/watch?v=VM3gKfCk6Dg

Earle Lavon “Von” Freeman Sr. (October 3, 1923 – August 11, 2012) was an American hard bop jazz tenor saxophonist.

Born in Chicago, Illinois, to parents George Freeman and Earle née Granberry Freeman, he was exposed as a young child to jazz. His father, George, a city policeman, was a close friend of Louis Armstrong with Armstrong living at the Freeman house when he first arrived in Chicago.

Freeman’s father taught him to play piano and bought him his first saxophone when he was seven. His musical education was furthered at DuSable High School, where his band director was Walter Dyett. Freeman began his professional career at the age of 16 in Horace Henderson‘s Orchestra.

Freeman enlisted into the Navy during World War II and was trained at Camp Robert Smalls in Chicago. “All the great musicians ended up at Great Lakes”, he recalled. “It was an incubator for the best and the brightest lights in the jazz world at that time, and the musical jam sessions were simply phenomenal.” After training, he was sent to Hawaii as part of the Hellcats stationed at Barbers Point Naval Air Station in a band that starred Harry “Pee Wee” Jackson, the trumpeter from Cleveland whose nickname was Gabriel. The Hellcats were frequent winners of the islands’ competitive Battle of the Bands competitions and included musicians who had formerly played in bands fronted by Duke Ellington, Fletcher Henderson, Ella Fitzgerald, Lucky Millinder, Les Hite, Count Basie, Fats Waller, and Tiny Bradshaw.

1966 Kenny Rittenhouse received a Bachelor’s Degree in music from West Virginia Wesleyan College in 1988 and a Master of Music in Jazz Studies from the University of Maryland in 2006. He also did graduate work on trumpet and in jazz at the Eastman School of Music, and at Duquesne University in Pittsburgh, PA where he studied with Roger Sherman of the Pittsburgh Symphony. Since 1990 Mr. Rittenhouse has been a member of The United States Army Band (Pershing’s Own) in Washington, DC., the premier band of the Army, and currently performs with The U.S. Army Blues Jazz Ensemble. As member of the Army Blues, he has shared the stage alongside Ernie Andrews, Kevin Mahogany, Lou Rawls, Wycliff Gordon, Doc Severinsen, Arturo Sandoval, and Sean Jones. As a member of the Smithsonian Jazz Masterworks Orchestra, he has toured nationally and internationally with jazz flutist Hubert Laws and vocalist Kurt Elling. As a past member of the Pittsburgh Jazz Orchestra led by trumpeter Sean Jones, he has shared the stage with Jazz legends such as Jimmy Heath, Ahmad Jamal, and Freddy Cole. ​ Mr. Rittenhouse currently holds the Applied Trumpet Instructor position at Morgan State University. Before teaching at Morgan State, he taught Jazz Trumpet at George Mason University for the past 14 years. For over 25 years Mr. Rittenhouse has led his own jazz quartet performing in and around the Washington, DC area with many great jazz artists including Larry Willis, Ralph Peterson, Don Braden, Buck Hill, and Steve Wilson, and Butch Warren. The Kenny Rittenhouse Ensemble is one of the hardest swinging jazz groups in the greater DC metro area. The group, under the direction of trumpeter Kenny Rittenhouse, was formed several years ago and has appeared in such venues as Blues Alley, Bohemian Caverns, and Twins Jazz Club. The group recorded their first release (a sextet) in 2006 titled “The Francis Suite”. Their second release, recorded in February 2013 is titled “New York Suite”. It’s a hard swinging septet playing mostly original songs highlighting traditional straight ahead jazz with a bit of Funk & R&B in the mix. The ensemble performs with intensity and fervor, focusing on the concept of “swing”, paying homage to the blue note recording artist of the 60’s. These gifted performers pride themselves on presenting bop/post bop styles and modern originals as well as establishing a report with their audience that few others produce.

Howard Mancel Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician.

Roberts was born in Phoenix, Arizona to Damon and Vesta Roberts, and began playing guitar at the age of 8 – a Gibson manufactured $18 Kalamazoo student model acoustic given to him by his parents at Christmas. He took lessons from Horace Hatchett who commented to Roberts’ father that Roberts, at the age of 15, “…has his own style of playing and there’s nothing else I can show him. He plays better than I do.” By the time he was 15 he was playing professionally locally, predominantly blues based music, where he learned from a number of black musicians, trumpeter Art Farmer being among that group. In 1992 Roberts was quoted in “The Independent Newsletter” by Steve Voce saying he considered that early experience to be “the most valuable” to him in his development as a player. At the time Roberts and his close friend and roommate, guitarist Howard Heitmeyer, would start their day by practicing 3 or 4 hours, catch an afternoon movie, returning to practice until they went to the clubs in the evening.

When Roberts reached the age of 17 he was involved with a class that was begun by Joseph Schillinger, a composer/theorist. Fabian Andre had been commissioned to teach the class. Some of the students who had taken the class included George Gershwin, Tommy Dorsey, Benny Goodman and Oscar Levant. Schillinger applied mathematical principles to art which appealed to Roberts. To be able to take the course he made a deal with Andre; he’d sweep the floors after class to help defray the cost of his tuition. By the late ‘40s Roberts was playing with one of his boyhood friends, Pete Jolly – a well known jazz pianist – and they toured Washington and Idaho in early 1950.

Ellen McIlwaine (October 1, 1945 – June 23, 2021) was an American-born singer-songwriter and musician best known for her career as a solo singer, songwriter and slide guitarist.

Born in Nashville, Tennessee, United States, McIlwaine was adopted by missionaries and raised in Kobe, Japan, giving her exposure to multiple languages and cultures. She attended the Canadian Academyschool in Kobe, graduating in 1963. Her first experience in music was playing on piano Ray Charles, Fats Domino and Professor Longhair songs that she heard on Japanese radio. On moving back to the United States she bought a guitar, beginning a stage career in Atlanta, Georgia in the mid-1960s.^{[citation needed]}

In 1966, McIlwaine had a stint in New York City’s Greenwich Village where she opened every night at the Cafe Au Go Go, playing with Jimi Hendrix, and opening for Muddy Waters, Sonny Terry and Brownie McGhee, and Big Joe Williams.^{[citation needed]} She returned to Atlanta to form the band Fear Itself, a psychedelic blues rock band.

David “Dave” Holland (born 1 October 1946) is an English cellist, double bassist, bass guitarist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States since the early 1970s.

His extensive discography ranges from solo performances to pieces for big band. Holland runs his own independent record label, Dare2, which he launched in 2005.

Holland formed his first working quintet in 1983, and over the next four years released Jumpin’ In, Seeds of Time, and The Razor’s Edge, featuring alto saxophonist Steve Coleman, trumpeter Wheeler and trombonist Julian Priester (or Robin Eubanks). Subsequently, he formed the Dave Holland Trio (with Coleman and DeJohnette) for the 1988 album Triplicate, and teamed with Coleman, electric guitarist Kevin Eubanks and drummer Marvin “Smitty” Smithfor Extensions. He also recorded Life Cycle, an album of compositions played on solo cello.

The bassist also continued to collaborate with his peers, often connecting with figures from the previous generation of jazz icons. In 1989, Holland teamed with drummer Billy Higgins and pianist Hank Jones to record The Oracle, and joined drummer Roy Haynes and guitarist Pat Metheny in 1989 to record Question and Answer.

Albert Gene Collins, known as Albert Collins and the Ice Breakers(October 1, 1932 – November 24, 1993), was an American electric blues guitarist and singer with a distinctive guitar style. He was noted for his powerful playing and his use of altered tunings and a capo. His long association with the Fender Telecaster led to the title “The Master of the Telecaster”.

Collins was born in Leona, Texas, on October 1, 1932. He was introduced to the guitar at an early age by his cousin Lightnin’ Hopkins, also a Leona resident, who played at family gatherings. The Collins family relocated to Marquez, Texas, in 1938 and to Houston in 1941, where he attended Jack Yates High School. Collins took piano lessons when he was young, but when his piano tutor was unavailable his cousin Willow Young would lend Albert his guitar and taught him the altered tuning that he used throughout his career. Collins tuned his guitar to an open F-minor chord (FCFA♭CF), with a capo at the 5th, 6th or 7th fret. At the age of sixteen, he decided to concentrate on learning the guitar after hearing “Boogie Chillen’” by John Lee Hooker.