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Sérgio Santos Mendes (Brazilian Portuguese: [ˈsɛʁʒju ˈsɐ̃tuz ˈmẽdʒis]; born February 11, 1941) is a Brazilian musician. His career took off with worldwide hits by his group Brasil ’66. He has over 55 releases and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Oscar for Best Original Song in 2012 as co-writer of the song “Real in Rio” from the animated film Rio.

Mendes is a unique example of a Brazilian musician primarily known in the United States, where his albums were recorded and where most of his touring took place.

Mendes is married to Gracinha Leporace, who has performed with him since the early 1970s. Mendes has also collaborated with many artists through the years, including The Black Eyed Peas, with whom he re-recorded in 2006 a version of his breakthrough hit “Mas que Nada“.

Vincent Eugene Craddock (February 11, 1935 – October 12, 1971), known as Gene Vincent, was an American musician who pioneered the styles of rockabilly and rock and roll. His 1956 top ten hit with his backing band the Blue Caps, “Be-Bop-a-Lula“, is considered a significant early example of rockabilly. His chart career was brief, especially in his home country of the US, where he notched three top 40 hits in 1956 and ’57, and never charted in the top 100 again. In the UK, he was a somewhat bigger star, racking up eight top 40 hits from 1956 to 1961.

Vincent was inducted into the Rock and Roll Hall of Fame and the Rockabilly Hall of Fame. He is sometimes referred to by his somewhat unusual nickname/moniker the “Screaming End”.

Craddock was born February 11, 1935, in Norfolk, Virginia, to Mary Louise and Ezekiah Jackson Craddock. His musical influences included country, rhythm and blues, and gospel. His favorite composition was Beethoven’s Egmont overture. He showed his first real interest in music while his family lived in Munden Point (now Virginia Beach), in Princess Anne County, Virginia, near the North Carolina line, where they ran a country store. He received his first guitar at the age of twelve as a gift from a friend.

Rufus Reid (born February 10, 1944, in Atlanta, Georgia) is an American jazz bassist, educator, and composer.

Reid was raised in Sacramento, California, where he played the trumpet through junior high and high school. Upon graduation from Sacramento High School, he entered the United States Air Force as a trumpet player. During that period he began to be seriously interested in the bass.

After fulfilling his duties in the military, Rufus had decided he wanted to pursue a career as a professional bassist. He moved to Seattle, Washington, where he began serious study with James Harnett of the Seattle Symphony. He continued his education at Northwestern University in Evanston, Illinois, where he studied with Warren Benfield and principal bassist, Joseph Guastefeste, both of the Chicago Symphony. He graduated in 1971 with a Bachelor of Music Degree as a Performance Major on the Double Bass.

Emmanuel N’Djoké “Manu” Dibango (12 December 1933 – 24 March 2020) was a Cameroonian musician and songwriter who played saxophone and vibraphone. He developed a musical style fusing jazz, funk, and traditional Cameroonian music. His father was a member of the Yabassi ethnic group, while his mother was a Duala. He was best known for his 1972 single “Soul Makossa“. He died from COVID-19 on 24 March 2020.

Emmanuel “Manu” Dibango was born in Douala, Cameroon in 1933. His father, Michel Manfred N’Djoké Dibango, was a civil servant. Son of a farmer, he met his wife travelling by pirogue to her residence, Douala. Emmanuel’s mother was a fashion designer, running her own small business. Both her ethnic group, the Douala, and his, the Yabassi, viewed this union of different ethnic groups with some disdain.Dibango had only a stepbrother from his father’s previous marriage, who was four years older than him.In Cameroon, one’s ethnicity is dictated by one’s father, though Dibango wrote in his autobiography, Three Kilos of Coffee, that he had “never been able to identify completely with either of [his] parents”.

“The King of the Savoy” reigned supreme over jazz drummers in New York in the 1930’s. He was the consummate showman and with his fluid and rhythmic style, was perfectly suited for the swing era. He raised the standard for drummer awareness, and paved the way for drummer led bands.

Born in Baltimore, Feb. 10, 1909, William Henry Webb, was an unlikely candidate to become a jazz drummer. Stricken with spinal tuberculosis, he was left with a hunched back, and little use of his legs. He took up drumming as a way to relieve joint stiffness, and never stopped. He saved enough to buy a drum set which he had fit with special pedals for his legs. He joined local band the Jazzola Orchestra, then in 1925 decided to try New York City. He sat in on sessions with Johnny Hodges, Benny Carter, and Duke Ellington, after settling in by 1926 he had his own quintet, and played for five months at the Black Bottom Club. He formed an eight piece band, playing the Paddock Club, moving next to the Savoy with his now called Harlem Stompers, and setting up there in 1927. This band grew to eleven members, and by the end of the ‘20’s they were gigging at all the major jazz clubs in the city as the Cotton Club, the Roseland, and the Strand Roof. In 1930 they toured with the “Hot Chocolate Revue”.

“Mineras” is a flamenco style from the mining area of “Sierra Cartagena-La Union” and developed in the 19th century, together with the rest of “cantos minero-levantinos”. This was the result of the great migrations from Andalusia, specially from Almería.

“Minera” was originated in mid-nineteenth century, emerging as a derivation of local “fandangos”, which already existed in “Sierra de la Union” in Murcia. Creator of this “palo” was Rojo “el Alpargatero”, whose son maintained it, but adding some new variants. In the 50s, “minera” rose again after being gone for some years.

“Minera” is composed by a stanza of four or five eight-syllable verses. Main topics are mining and their workers. It is a serious song, which is difficult to be interpreted. There are two kind of “minera”: the one which is a derivation of local “fandangos” and belongs to “cantos de Levante”, more precisely to “cantes de las minas”. These latter constitute currently a very definite form of “taranta”.

Although “minera” is still present in the area where it originated, current singers do not usually include it in their performances, but some do it in their discography. It is a singing which is very closed to its native place.

Carole King Klein (born Carol Joan Klein; February 9, 1942) is an American singer, songwriter, and musician who has been active since 1958, initially as one of the staff songwriters at 1650 Broadway and later as a solo artist. Regarded as one of the most significant and influential musicians of all time, King is the most successful female songwriter of the latter half of the 20th century in the US, having written or co-written 118 pop hits on the Billboard Hot 100. King also wrote 61 hits that charted in the UK, making her the most successful female songwriter on the UK singles charts between 1962 and 2005.

King’s major success began in the 1960s when she and her first husband, Gerry Goffin, wrote more than two dozen chart hits, many of which have become standards, for numerous artists. She has continued writing for other artists since then. King’s success as a performer in her own right did not come until the 1970s, when she sang her own songs, accompanying herself on the piano, in a series of albums and concerts. After experiencing commercial disappointment with her debut album Writer, King scored her breakthrough with the album Tapestry, which topped the U.S. album chart for 15 weeks in 1971 and remained on the charts for more than six years.

King has made 25 solo albums, the most successful being Tapestry, which held the record for most weeks at No. 1 by a female artist for more than 20 years. Her record sales were estimated at more than 75 million copies worldwide. She has won four Grammy Awards and was inducted into the Songwriters Hall of Fame. She has been inducted twice into the Rock and Roll Hall of Fame, as a performer and songwriter.She is the recipient of the 2013 Library of Congress Gershwin Prize for Popular Song, the first woman to be so honored. She is also a 2015 Kennedy Center Honoree. King was born Carol Joan Klein on February 9, 1942, in Manhattan, New York City, to Jewish parents Eugenia (née Cammer), a teacher, and Sidney N. Klein, a firefighter.

Ernest Dale Tubb (February 9, 1914 – September 6, 1984), nicknamed the Texas Troubadour, was an American singer and songwriter and one of the pioneers of country music. His biggest career hit song, “Walking the Floor Over You” (1941), marked the rise of the honky tonk style of music.

In 1948, he was the first singer to record a hit version of Billy Hayes and Jay W. Johnson’s “Blue Christmas“, a song more commonly associated with Elvis Presley and his late-1950s version. Another well-known Tubb hit was “Waltz Across Texas” (1965) (written by his nephew Quanah Talmadge Tubb, known professionally as Billy Talmadge), which became one of his most requested songs and is often used in dance halls throughout Texas during waltz lessons. Tubb recorded duets with the then up-and-coming Loretta Lynn in the early 1960s, including their hit “Sweet Thang”. Tubb is a member of the Country Music Hall of Fame.

The youngest of five children, Tubb was born on a cotton farm near Crisp, in Ellis County, Texas, United States. His father was a sharecropper and Tubb spent his youth working on farms throughout the state.Tubb’s earliest immigrant ancestor was Edward Tubb, who arrived in Virginia from Northamptonshire, England in 1701.

https://www.youtube.com/watch?v=qfPMMt1tnPI

Joseph Gabriel Esther Maneri (February 9, 1927 – August 24, 2009), was an American jazz composer, saxophone and clarinet player. Violinist Mat Maneri is his son.

In 1988, Maneri founded the Boston Microtonal Society, dedicated to microtonal music and tuning. It is currently led by James Bergin and Julia Werntz.

Walter Sylvester Page (February 9, 1900 – December 20, 1957) was an American jazz multi-instrumentalist and bandleader, best known for his groundbreaking work as a double bass player with Walter Page’s Blue Devils and the Count Basie Orchestra.

Page was born in Gallatin, Missouri on February 9, 1900 to parents Edward and Blanche Page. Page showed a love for music even as a child, perhaps due in part to the influence of his aunt Lillie, a music teacher. Page’s mother, with whom he moved to Kansas City in 1910, exposed him to folksongs and spirituals, a critical foundation for developing his love of music.

Salah El Mahdi (Tunisian Arabic: صالح المهدي; born Mohamed Ibn Abderrahmane Ben Salah Mehdi Chérifi on February 9, 1925 in Tunis and died September 12, 2014 in Tunis) was a Tunisian musicologist, conductor, composer, flautist, music critic and judge.

Born in Tunis in 1925, he graduated from Zaytuna University in 1941 and then at the law school and National School of Administration. He obtained a Ph.D. in musicology in 1981 and a doctorate in letters at the University of Poitiers.

At the age of 18 he left the capital of Tunis to La Marsa and gave music lessons to students. In 1949, he became director of the institution and ensemble there and was appointed honorary member of the SACEM. He was appointed as a judge on November 11, 1951, while assuming the job of music critic in several newspapers. In theater, he performed several roles with the troupe El Kaoukab of Tunis, and wrote plays for radio.