mick laBriola

Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn’s compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night’s Dream, the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol “Hark! The Herald Angels Sing” is also his. Mendelssohn’s Songs Without Words are his most famous solo piano compositions.

A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. He was brought up without religion until the age of seven, when he was baptised as a Reformed Christian. Felix was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother’s name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s.

Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatory, which he founded, became a bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitismin the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era. Mendelssohn suffered from poor health in the final years of his life, probably aggravated by nervous problems and overwork. A final tour of England left him exhausted and ill, and the death of his sister, Fanny, on 14 May 1847, caused him further distress. Less than six months later, on 4 November, aged 38, Mendelssohn died in Leipzig after a series of strokes. His grandfather Moses, Fanny, and both his parents had all died from similar apoplexies. Although he had been generally meticulous in the management of his affairs, he died intestate.

The dwarf galaxy NGC 1705 is featured in this image from the NASA/ESA Hubble Space Telescope. This diminutive galaxy lies in the southern constellation Pictor, and is approximately 17 million light-years from Earth. NGC 1705 is a cosmic oddball — it is small, irregularly shaped, and has recently undergone a spate of star formation known as a starburst.  Despite these eccentricities, NGC 1705 and other dwarf irregular galaxies like it can provide valuable insights into the overall evolution of galaxies. Dwarf irregular galaxies tend to contain few elements other than hydrogen or helium, and are considered to be similar to the earliest galaxies that populated the Universe. The data shown in this image come from a series of observations designed to unveil the interplay between stars, star clusters, and ionised gas in nearby star-forming galaxies. By observing a specific wavelength of light known as H-alpha with Hubble’s Wide Field Camera 3, astronomers aimed to discover thousands of emission nebulae — regions created when hot, young stars bathe the clouds of gas surrounding them in ultraviolet light, causing them to glow. This is not the first time that NGC 1705 has been imaged by Hubble — astronomers peered into the heart of the galaxy in 1999 using Hubble’s workhorse camera at the time, the Wide Field Planetary Camera 2. This instrument was replaced with the Wide Field Camera 3 during the fifth and final Space Shuttle mission to Hubble in 2009, and the newer instrument has provided a richer and far more detailed portrait of NGC 1705 than the 1999 observation.

Dennis Emmanuel Brown CD (1 February 1957 – 1 July 1999) was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marleycited Brown as his favourite singer, dubbing him “The Crown Prince of Reggae”, and Brown would prove influential on future generations of reggae singers.

Dennis Brown was born on 1 February 1957 at the Victoria Jubilee Hospital in Kingston, Jamaica. His father Arthur was a scriptwriter, actor, and journalist, and he grew up in a large tenement yard between North Street and King Street in Kingston with his parents, three elder brothers and a sister, although his mother died in the 1960s. He began his singing career at the age of nine, while still at junior school, with an end-of-term concert the first time he performed in public, although he had been keen on music from an even earlier age, and as a youngster was a keen fan of American balladeers such as Brook Benton, Sam Cooke, Frank Sinatra, and Dean Martin. He cited Nat King Cole as one of his greatest early influences. He regularly hung around JJ’s record store on Orange Street in the rocksteady era and his relatives and neighbours would often throw Brown pennies to hear him sing in their yard. Brown’s first professional appearance came at the age of eleven, when he visited “Tit for Tat” a local West Kingston Nightclub where his brother Basil was performing a comedy routine, and where he made a guest appearance with the club’s resident group, the Fabulous Falcons (a group that included Cynthia Richards, David “Scotty” Scott, and Noel Brown). On the strength of this performance he was asked to join the group as a featured vocalist. When the group performed at a JLP conference at the National Arena, Brown sang two songs – Desmond Dekker‘s “Unity” and Johnnie Taylor‘s “Ain’t That Loving You” – and after the audience showered the stage with money, he was able to buy his first suit with the proceeds.Bandleader Byron Lee performed on the same bill, and was sufficiently impressed with Brown to book him to perform on package shows featuring visiting US artists, where he was billed as the “Boy Wonder”. In the late 1990s, Brown’s health began to deteriorate. He had developed respiratory issues, probably exacerbated by longstanding problems with drug addiction, mainly cocaine, leading to him being taken ill in May 1999 after touring in Brazil with other reggae singers, where he was diagnosed with pneumonia. After returning to Kingston, Jamaica, on the evening of 30 June 1999, he was rushed to Kingston’s University Hospital, suffering from cardiac arrest. Brown died the next day, the official cause of his death was a collapsed lung. Sitting Jamaican Prime Minister P. J. Patterson and former prime minister, serving at the time as opposition leader, Edward Seaga of the Jamaica Labour Party both spoke at Brown’s funeral, which was held on 17 July 1999 in Kingston. The service, which lasted for three hours, also featured live performances by Maxi Priest, Shaggy, and three of Brown’s sons. Brown was then buried at Kingston’s National Heroes Park. Brown was survived by his wife Yvonne and ten children.

James Ambrose Johnson Jr. (February 1, 1948 – August 6, 2004), better known by his stage name Rick James, was an American singer-songwriter, multi-instrumentalist and record producer. Born and raised in Buffalo, New York, James began his musical career in his teen years. He was in various bands before entering the U.S. Navy Reserve to avoid being drafted into the army. In 1964, James deserted to Toronto, Canada, where he formed the rock band the Mynah Birds, who eventually signed a recording deal with Motown Records in 1966. James’ career with the group halted after military authorities discovered his whereabouts and eventually convicted and sentenced James to a one-year prison term related to the desertion charges. After being released, James moved to California, where he started a variety of rock and funk groups in the late 1960s and early 1970s.

After forming the locally popular Stone City Band in his hometown of Buffalo in 1977, James finally found success as a recording artist after signing with Motown’s Gordy Records, releasing the album Come Get It! in 1978 which produced the hits “You & I” and “Mary Jane“. In 1981, James released his most successful album, Street Songs, which included career-defining hits such as “Give It to Me Baby” and “Super Freak“, the latter song becoming his biggest crossover single, mixing elements of funk, disco, rock and new wave. James was also known for his soulful ballads such as “Fire & Desire” and “Ebony Eyes“. In addition, James also had a successful career as a songwriter and producer for other artists including Teena Marie, the Mary Jane Girls, the Temptations, Eddie Murphy and Smokey Robinson.

James’ mainstream success had peaked by the release of his album Glow in 1985 and his appearance on the popular TV show, The A-Team. His subsequent album releases failed to sell as well as their predecessors. Rapper MC Hammer sampled James’ “Super Freak” for his 1990 hit, “U Can’t Touch This” which won Best R&B Song at the 1991 Grammy Awards. James received his only Grammy for composing the song. By the early 1990s, James’ career was hampered by his drug addiction and he was embroiled with legal issues. In 1993, James was convicted for two separate instances of kidnapping and assaulting two different women while under the influence of crack cocaine, resulting in a three-year sentence at Folsom State Prison. James was released on parole in 1996 and released the album Urban Rapsody in 1997. James’ health problems halted his career again after he had a mild stroke during a concert in 1998, and he announced a semi-retirement.

In 2004, James’ career returned to mainstream pop culture after he appeared in an episode of Chappelle’s Show. The segment involved a Charlie Murphy True Hollywood Stories–style skit that satirized James’ wild lifestyle in the 1980s. This resulted in renewed interest in his music and that year he returned to perform on the road. James died later that year from heart failure at age 56.

In November 2020, James’ estate confirmed the sale of a 50% stake in his publishing and masters catalog to the Hipgnosis Songs Fund, founded by Canadian American music industry executive and entrepreneur Merck Mercuriadis.

Joseph Leslie Sample (February 1, 1939 – September 12, 2014) was an American keyboardist and composer. He was one of the founding members of The Jazz Crusaders in 1960, the band which, shortening its name, became simply “The Crusaders” in 1971, and he remained a part of the group until its final album in 1991 (not including the 2003 reunion album Rural Renewal).

Beginning in the late 1960s, he enjoyed a successful solo career and guested on many recordings by other performers and groups, including Miles Davis, George Benson, Jimmy Witherspoon, B. B. King, Eric Clapton, Steely Dan, Joni Mitchell, Anita Baker, and the Supremes. Sample incorporated gospel, blues, jazz, latin, and classical forms into his music.

Sample was born in Houston, Texas, United States, the youngest son of Alexander Sample, a mail-carrier, and Agatha (née Osborne) Sample, a seamstress. Sample began to play the piano at the age of five. He was a student of the organist and pianist (Theodore or T.) Curtis Mayo.

In high school in the 1950s, Sample teamed up with friends saxophonist Wilton Felder and drummer “Stix” Hooper to form a group called the Swingsters. While studying piano at Texas Southern University, Sample met and added trombonist Wayne Henderson and several other players to the Swingsters, which became the Modern Jazz Sextet and then the Jazz Crusaders,^[3] in emulation of one of the leading progressive jazz bands of the day, Art Blakey‘s Jazz Messengers. Sample never took a degree from the university; instead, in 1960, he and the Jazz Crusaders made the move from Houston to Los Angeles. He was a member of Phi Beta Sigma fraternity.