mick laBriola

Modest Petrovich Mussorgsky (Russian: Модест Петрович Мусоргский Modest Petrovich Musorgsky, IPA: [mɐˈdɛst pʲɪˈtrovʲɪtɕ ˈmusərkskʲɪj] 21 March [9 March] 1839 – 28 March  16 March] 1881) was a Russian composer, one of the group known as “The Five“. He was an innovator of Russian music in the Romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.

Many of his works were inspired by Russian history, Russian folklore, and other national themes. Such works include the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain and the piano suite Pictures at an Exhibition.

For many years, Mussorgsky’s works were mainly known in versions revised or completed by other composers. Many of his most important compositions have posthumously come into their own in their original forms, and some of the original scores are now also available.

Otis Spann (March 21, 1924 or 1930 – April 24, 1970) was an American blues musician, whom many consider to be the leading postwar Chicago blues pianist.

Sources differ over Spann’s early years. Some state that he was born in Jackson, Mississippi, in 1930,but researchers Bob Eagle and Eric LeBlanc concluded on the basis of census records and other official information that he was born in 1924 in Belzoni, Mississippi.

Spann’s father was, according to some sources, a pianist called Friday Ford. His mother, Josephine Erby, was a guitarist who had worked with Memphis Minnie and Bessie Smith, and his stepfather, Frank Houston Spann, was a preacher and musician. One of five children, Spann began playing the piano at the age of seven, with some instruction from Friday Ford, Frank Spann, and Little Brother Montgomery.

Across the heart of the Virgo Galaxy Cluster lies a string of galaxies known as Markarian’s Chain. Prominent in Markarian’s Chain are these two interacting galaxies, NGC 4438 (left) and NGC 4435 – also known as The Eyes. About 50 million light-years away, the two galaxies appear to be about 100,000 light-years apart in this sharp close-up, but have likely approached to within an estimated 16,000 light-years of each other in their cosmic past. Gravitational tides from the close encounter have ripped away at their stars, gas, and dust. The more massive NGC 4438 managed to hold on to much of the material torn out in the collision, while material from the smaller NGC 4435 was more easily lost. The remarkably deep image of this crowded region of the universe also includes many more distant background galaxies.

Carl Frederick Kendall Palmer (born 20 March 1950) is an English drummer best known as a founding member of the supergroups Emerson, Lake & Palmer and Asia. He has toured with his own bands since 2001, including Palmer, the Carl Palmer Band, and currently, Carl Palmer’s ELP Legacy. He previously was a touring drummer for The Crazy World of Arthur Brown and a founding member of Atomic Rooster.

Palmer was inducted into the Modern Drummer Hall of Fame in 1989, and was awarded the Prog God Award at the 2017 Progressive Music Awards.

Palmer began taking drum lessons as a young boy. He took lessons with Britain’s best-known classical percussionist of the twentieth century, James Blades. His first band, formed with others from the Midlands area, was originally known as the King Bees, but changed its name to the Craig. In 1966, the band made its first record, “I Must Be Mad”, with flip side “Suspense”, produced by Larry Page. At this time, Palmer also did his first session work, playing on the song “Love Light” by the Chants, a group from Liverpool. Later in 1966, he was then invited to join Chris Farlowe and the Thunderbirds.

Margaret Marian McPartland OBE Turner; 20 March 1918 – 20 August 2013), was an English–American jazz pianist, composer, and writer. She was the host of Marian McPartland’s Piano Jazz on National Public Radio from 1978 to 2011.

After her marriage to trumpeter Jimmy McPartland in February 1945, she resided in the United States when not travelling throughout the world to perform. In 1969, she founded Halcyon Records, a recording company that issued albums for 10 years. In 2000, she was named a National Endowment for the Arts Jazz Master. In 2004, she was given a Grammy Award for lifetime achievement. In 2007, she was inducted into the National Radio Hall of Fame. Although known mostly for jazz, she composed other types of music as well, performing her own symphonic work A Portrait of Rachel Carson with the University of South Carolina Symphony Orchestra in 2007. In 2010, she was named a member of the Order of the British Empire.

A bright comet will be visible during next month’s total solar eclipse. This very unusual coincidence occurs because Comet 12P/Pons-Brooks‘s return to the inner Solar System places it by chance only 25 degrees away from the Sun during Earth’s April 8 total solar eclipse. Currently the comet is just on the edge of visibility to the unaided eye, best visible with binoculars in the early evening sky toward the constellation of the Fish (Pisces). Comet Pons-Brooks, though, is putting on quite a show for deep camera images even now. The featured image is a composite of three very specific colors, showing the comet’s ever-changing ion tail in light blue, its outer coma in green, and highlights some red-glowing gas around the coma in a spiral. The spiral is thought to be caused by gas being expelled by the slowly rotating nucleus of the giant iceberg comet. Although it is always difficult to predict the future brightness of comets, Comet Pons-Brook has been particularly prone to outbursts, making it even more difficult to predict how bright it will actually be as the Moon moves in front of the Sun on April 8.

Clarence Henry II (born March 19, 1937), known as Clarence “Frogman” Henry, is an American rhythm and blues singer and pianist, best known for his hits “Ain’t Got No Home” (1956) and “(I Don’t Know Why) But I Do” (1961).

Clarence Henry was born in New Orleans, Louisiana, United States, in 1937, moving to the Algiersneighborhood in 1948. He started learning piano as a child, with Fats Domino and Professor Longhairbeing his main influences. When Henry played in talent shows, he dressed like Longhair and wore a wig with braids on both sides. He joined Bobby Mitchell & the Toppers in 1952, playing piano and trombone, before leaving when he graduated in 1955 to join saxophonist Eddie Smith’s band.

James Joseph “Buster“ Bennett (March 19, 1914 – July 3, 1980) was an American blues saxophonist and blues shouter. His nickname was “Leap Frog”. At various times in his career, he played the soprano saxophone, the alto, and the tenor. He was known for his gutbucket style on the saxophone. He also played the piano and the string bass professionally.

Bennett was born in Pensacola, Florida. By 1930 or so, he was working in Texas, but he spent most of his active career (1938 to 1954) in Chicago. He was employed as a session musician by Lester Melrose from 1938 to 1942; he played on recordings with Big Bill Broonzy, the Yas Yas Girl, Monkey Joe, and Washboard Sam.

Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.

Tristano studied for bachelor’s and master’s degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano’s innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded.

Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was concentrating on teaching in preference to performing. He taught in a structured and disciplined manner, which was unusual in jazz education when he began. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.

Musicians and critics vary in their appraisal of Tristano as a musician. Some describe his playing as cold and suggest that his innovations had little impact; others state that he was a bridge between bebop and later, freer forms of jazz, and assert that he is less appreciated than he should be because commentators found him hard to categorize and because he chose not to commercialize.