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Vermont-based astrophotographer Michele Hernandez Bayliss has captured stunning views of Messier 94 – also known as the Croc’s Eye galaxy – and the famous Whirlpool galaxy (M 51), both of which are embedded in the constellation Canes Venatici.
The Croc’s Eye galaxy was captured over the nights of April 20 and 21 using a Takahashi TOA-130NFB Refractor in concert with a Stellarvue SVX140T-R telescope, along with the host of peripherals needed to stably capture the deep sky images. 25.11mly
Judith Marjorie Collins (born May 1, 1939) is an American singer-songwriter and musician with a career spanning nearly seven decades. An Academy Award-nominated documentary director and a Grammy Award-winning recording artist, she is known for her eclectic tastes in the material she records (which has included folk music, country, show tunes, pop music, rock and roll and standards), for her social activism, and for the clarity of her voice. Her discography consists of 36 studio albums, nine live albums, numerous compilation albums, four holiday albums, and 21 singles.
Collins’ debut studio album, A Maid of Constant Sorrow, was released in 1961 and consisted of traditional folk songs. She had her first charting single with “Hard Lovin’ Loser” (No. 97) from her fifth studio album In My Life (1966), but it was the lead singlefrom her sixth studio album Wildflowers (1967), “Both Sides, Now” – written by Joni Mitchell – that gave her international prominence. The single reached No. 8 on the Billboard Pop Singles chart and won Collins her first Grammy Award for Best Folk Performance. She enjoyed further success with her recordings of “Someday Soon“, “Chelsea Morning” (also written by Mitchell), “Amazing Grace“, “Turn! Turn! Turn!“, and “Cook with Honey”.
Collins experienced the biggest success of her career with her recording of Stephen Sondheim‘s “Send in the Clowns” from her tenth studio album Judith (1975). The single peaked at No. 36 on the Billboard Pop Singles chart in 1975 and then again in 1977 at No. 19, spending 27 non-consecutive weeks on the chart and earning her a Grammy Award nomination for Best Pop Vocal Performance, Female, as well as a Grammy Award for Sondheim for Song of the Year. Judith also became her best-selling studio album; it was certified Gold by the RIAA in 1975 for sales of over 500,000 copies and Platinum in 1996 for sales of over 1,000,000 copies.
In 2017, Collins’ rendition of the song “Amazing Grace” was selected for preservation in the National Recording Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. That same year, she received a Grammy Award nomination for Best Folk Album for Silver Skies Blue with Ari Hest. In 2019 at the age of 80, she scored her first No. 1 album on an American Billboard chart with Winter Stories, a duet album with Norwegian singer, songwriter, and guitarist Jonas Fjeld featuring Chatham County Line. In 2022, she released her first studio album of all original material, titled Spellbound, and it earned her another Grammy nomination for Best Folk Album.
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Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners’ expectations of what was possible on blues harmonica. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player.
A few months after returning from his second European tour, Little Walter was involved in a fight while taking a break from a performance at a nightclub on the South Side of Chicago. He apparently sustained only minor injuries in this altercation, but they aggravated the damage he had suffered in previous violent encounters, and he died in his sleep at the apartment of a girlfriend, at 209 East 54th Street in Chicago, early the following morning. The official cause of death on his death certificate was coronary thrombosis (a blood clot in the heart). Evidence of external injuries was so insignificant that the police reported that his death was due to “unknown or natural causes”, and no external injuries were noted on the death certificate. His body was buried at St. Mary’s Cemetery, in Evergreen Park, Illinois, on February 22, 1968.
more...Shirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz singer and pianist.[1] She collaborated with many jazz musicians including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as “like having two heads”, and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as “like clothing, as she seduces you with her voice”.
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Messier 83 or M83, also known as the Southern Pinwheel Galaxy and NGC 5236, is a barred spiral galaxy approximately 15 million light-years away in the constellationborders of Hydra and Centaurus. Nicolas-Louis de Lacaille discovered M83 on 17 February 1752 at the Cape of Good Hope. Charles Messier added it to his catalogue of nebulous objects (now known as the Messier Catalogue) in March 1781.
Barrington Ainsworth Levy (born 30 April 1964) is a Jamaican reggae and dancehall artist from Clarendon, Jamaica. In 1977, Levy formed a band called the Mighty Multitude, with his cousin, Everton Dacres; the pair released “My Black Girl”. Levy established his solo career the following year with the release of “A Long Time Since We Don’t Have No Love”;though the single was a failure, the fourteen-year-old was a popular performer at Jamaican dancehalls. In an August 2014 interview with Midnight Raver, record producer Delroy Wright revealed that it was his brother Hyman Wright who first met Barrington Levy in the mid-1970s through Wade “Trinity” Brammer. According to Delroy Wright, Hyman Wright recorded a host of tracks with Barrington Levy prior to introducing him to Henry “Junjo” Lawes. These tracks would eventually appear on the album Bounty Hunter, which was released on the Jah Life record label. Both record producersrecorded several singles with the Roots Radics, including “Ah Yah We Deh”, “Looking My Love”, “Englishman”, “Skylarking”, “Wedding Ring Aside” and “Collie Weed”, all of which became hits and established Levy’s career.
more...Joseph Thomas “Coke” Escovedo (April 30, 1941 – July 13, 1986) was an American percussionist, who came from a prominent musical family including five musician brothers and his niece, Sheila E. He played in various genres, including R&B, jazz fusion and soul, with bands including Santana, Malo, Cal Tjader, and Azteca.
more...Percy Heath (April 30, 1923 – April 28, 2005) was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.
more...Gary D. Davis (April 30, 1896 – May 5, 1972), known as Reverend Gary Davis and Blind Gary Davis, was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy,Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis’ most notable recordings include “Samson and Delilah“ and “Death Don’t Have No Mercy“.
Davis’ fingerpicking guitar style influenced many other artists. His students included Stefan Grossman, David Bromberg, Steve Katz, Roy Book Binder, Larry Johnson, Alex Shoumatoff, Nick Katzman, Dave Van Ronk, Rory Block, Ernie Hawkins, Larry Campbell, Bob Weir, Woody Mann, and Tom Winslow. He also influenced Bob Dylan, the Grateful Dead, Wizz Jones, Jorma Kaukonen, Keb’ Mo’, Ollabelle, Resurrection Band, and John Sebastian (of the Lovin’ Spoonful).
more...Friday May 2nd at noon University Club in St Paul
Saturday May 3rd 4pm Mt Olive Lutheran church Minneapolis