mick laBriola

1966 Kenny Rittenhouse received a Bachelor’s Degree in music from West Virginia Wesleyan College in 1988 and a Master of Music in Jazz Studies from the University of Maryland in 2006. He also did graduate work on trumpet and in jazz at the Eastman School of Music, and at Duquesne University in Pittsburgh, PA where he studied with Roger Sherman of the Pittsburgh Symphony. Since 1990 Mr. Rittenhouse has been a member of The United States Army Band (Pershing’s Own) in Washington, DC., the premier band of the Army, and currently performs with The U.S. Army Blues Jazz Ensemble. As member of the Army Blues, he has shared the stage alongside Ernie Andrews, Kevin Mahogany, Lou Rawls, Wycliff Gordon, Doc Severinsen, Arturo Sandoval, and Sean Jones. As a member of the Smithsonian Jazz Masterworks Orchestra, he has toured nationally and internationally with jazz flutist Hubert Laws and vocalist Kurt Elling. As a past member of the Pittsburgh Jazz Orchestra led by trumpeter Sean Jones, he has shared the stage with Jazz legends such as Jimmy Heath, Ahmad Jamal, and Freddy Cole. ​ Mr. Rittenhouse currently holds the Applied Trumpet Instructor position at Morgan State University. Before teaching at Morgan State, he taught Jazz Trumpet at George Mason University for the past 14 years. For over 25 years Mr. Rittenhouse has led his own jazz quartet performing in and around the Washington, DC area with many great jazz artists including Larry Willis, Ralph Peterson, Don Braden, Buck Hill, and Steve Wilson, and Butch Warren. The Kenny Rittenhouse Ensemble is one of the hardest swinging jazz groups in the greater DC metro area. The group, under the direction of trumpeter Kenny Rittenhouse, was formed several years ago and has appeared in such venues as Blues Alley, Bohemian Caverns, and Twins Jazz Club. The group recorded their first release (a sextet) in 2006 titled “The Francis Suite”. Their second release, recorded in February 2013 is titled “New York Suite”. It’s a hard swinging septet playing mostly original songs highlighting traditional straight ahead jazz with a bit of Funk & R&B in the mix. The ensemble performs with intensity and fervor, focusing on the concept of “swing”, paying homage to the blue note recording artist of the 60’s. These gifted performers pride themselves on presenting bop/post bop styles and modern originals as well as establishing a report with their audience that few others produce.

Howard Mancel Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician.

Roberts was born in Phoenix, Arizona to Damon and Vesta Roberts, and began playing guitar at the age of 8 – a Gibson manufactured $18 Kalamazoo student model acoustic given to him by his parents at Christmas. He took lessons from Horace Hatchett who commented to Roberts’ father that Roberts, at the age of 15, “…has his own style of playing and there’s nothing else I can show him. He plays better than I do.” By the time he was 15 he was playing professionally locally, predominantly blues based music, where he learned from a number of black musicians, trumpeter Art Farmer being among that group. In 1992 Roberts was quoted in “The Independent Newsletter” by Steve Voce saying he considered that early experience to be “the most valuable” to him in his development as a player. At the time Roberts and his close friend and roommate, guitarist Howard Heitmeyer, would start their day by practicing 3 or 4 hours, catch an afternoon movie, returning to practice until they went to the clubs in the evening.

When Roberts reached the age of 17 he was involved with a class that was begun by Joseph Schillinger, a composer/theorist. Fabian Andre had been commissioned to teach the class. Some of the students who had taken the class included George Gershwin, Tommy Dorsey, Benny Goodman and Oscar Levant. Schillinger applied mathematical principles to art which appealed to Roberts. To be able to take the course he made a deal with Andre; he’d sweep the floors after class to help defray the cost of his tuition. By the late ‘40s Roberts was playing with one of his boyhood friends, Pete Jolly – a well known jazz pianist – and they toured Washington and Idaho in early 1950.

Ellen McIlwaine (October 1, 1945 – June 23, 2021) was an American-born singer-songwriter and musician best known for her career as a solo singer, songwriter and slide guitarist.

Born in Nashville, Tennessee, United States, McIlwaine was adopted by missionaries and raised in Kobe, Japan, giving her exposure to multiple languages and cultures. She attended the Canadian Academyschool in Kobe, graduating in 1963. Her first experience in music was playing on piano Ray Charles, Fats Domino and Professor Longhair songs that she heard on Japanese radio. On moving back to the United States she bought a guitar, beginning a stage career in Atlanta, Georgia in the mid-1960s.^{[citation needed]}

In 1966, McIlwaine had a stint in New York City’s Greenwich Village where she opened every night at the Cafe Au Go Go, playing with Jimi Hendrix, and opening for Muddy Waters, Sonny Terry and Brownie McGhee, and Big Joe Williams.^{[citation needed]} She returned to Atlanta to form the band Fear Itself, a psychedelic blues rock band.

David “Dave” Holland (born 1 October 1946) is an English cellist, double bassist, bass guitarist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States since the early 1970s.

His extensive discography ranges from solo performances to pieces for big band. Holland runs his own independent record label, Dare2, which he launched in 2005.

Holland formed his first working quintet in 1983, and over the next four years released Jumpin’ In, Seeds of Time, and The Razor’s Edge, featuring alto saxophonist Steve Coleman, trumpeter Wheeler and trombonist Julian Priester (or Robin Eubanks). Subsequently, he formed the Dave Holland Trio (with Coleman and DeJohnette) for the 1988 album Triplicate, and teamed with Coleman, electric guitarist Kevin Eubanks and drummer Marvin “Smitty” Smithfor Extensions. He also recorded Life Cycle, an album of compositions played on solo cello.

The bassist also continued to collaborate with his peers, often connecting with figures from the previous generation of jazz icons. In 1989, Holland teamed with drummer Billy Higgins and pianist Hank Jones to record The Oracle, and joined drummer Roy Haynes and guitarist Pat Metheny in 1989 to record Question and Answer.

Albert Gene Collins, known as Albert Collins and the Ice Breakers(October 1, 1932 – November 24, 1993), was an American electric blues guitarist and singer with a distinctive guitar style. He was noted for his powerful playing and his use of altered tunings and a capo. His long association with the Fender Telecaster led to the title “The Master of the Telecaster”.

Collins was born in Leona, Texas, on October 1, 1932. He was introduced to the guitar at an early age by his cousin Lightnin’ Hopkins, also a Leona resident, who played at family gatherings. The Collins family relocated to Marquez, Texas, in 1938 and to Houston in 1941, where he attended Jack Yates High School. Collins took piano lessons when he was young, but when his piano tutor was unavailable his cousin Willow Young would lend Albert his guitar and taught him the altered tuning that he used throughout his career. Collins tuned his guitar to an open F-minor chord (FCFA♭CF), with a capo at the 5th, 6th or 7th fret. At the age of sixteen, he decided to concentrate on learning the guitar after hearing “Boogie Chillen’” by John Lee Hooker.

Franklin Joseph Lymon (September 30, 1942 – February 27, 1968 Washington Heights, NY) was an American rock and roll/rhythm and blues singer and songwriter, best known as the boy soprano lead singer of the New York City-based early rock and roll doo-wop group The Teenagers. The group was composed of five boys, all in their early to mid-teens. The original lineup of the Teenagers, an integrated group, included three African-American members, Frankie Lymon, Jimmy Merchant, and Sherman Garnes; and two Puerto Ricanmembers, Joe Negroni and Herman Santiago. The Teenagers’ first single, 1956’s “Why Do Fools Fall in Love“, was also their biggest hit. After Lymon went solo in mid-1957, both his career and that of the Teenagers fell into decline. He was found dead at the age of 25 on the floor of his grandmother’s bathroom from a heroin overdose. He was posthumously inducted into the Rock and Roll Hall of Fame in 1993 as a member of the Teenagers. His life was dramatized in the 1998 film Why Do Fools Fall in Love.

Bernard “Buddy” Rich (September 30, 1917 – April 2, 1987 Brooklyn, NY) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time.

Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from West Side Story. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine.

Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite his commercial success and musical talent, Rich never learned how to read sheet music, preferring to listen to drum parts and play them from memory.