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Ramón “Mongo” Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock‘s “Watermelon Man“, which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s.
Mongo learned to play the congas as an amateur rumba musician in the streets of Havana. He then learned the bongos from Clemente “Chicho” Piquero and toured with various successful bands such as the Lecuona Cuban Boys and Sonora Matancera. In 1950, he moved to New York City, where he became Tito Puente‘s conguero and in 1957 he joined Cal Tjader‘s band. He then formed his own charanga, while at the same time recording some of the first rumba and Santería music albums. By the end of the decade, he had his first pachanga hit, “Para ti”. He then became a pioneer of boogaloo with “Watermelon Man” and later signed record deals with Columbia, Atlantic and Fania. He collaborated with salsa artists and became a member of the Fania All-Stars, often showcasing his conga solos against Ray Barretto. In his later years, Santamaría recorded mostly Latin jazz for Concord Jazz and Chesky Records.
Santamaría learned rumba as a kid in the streets of Havana’s Jesús María neighborhood. He reminisced: “In the neighborhood where I came from we had all kinds of music, mostly from Africa. We did not leave it alone; we changed it our way. The music we made dealt with religion and conversation.
more...Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing musicsinger. Nicknamed “Lady Day” by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills.
After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit “What a Little Moonlight Can Do“, which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out concert at Carnegie Hall. She was a successful concert performer throughout the 1950s with two further sold-out shows at Carnegie Hall. Because of personal struggles and an altered voice, her final recordings were met with mixed reaction but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of cirrhosis on July 17, 1959, at age 44.
Holiday won four Grammy Awards, all of them posthumously, for Best Historical Album. She was inducted into the Grammy Hall of Fame and the National Rhythm & Blues Hall of Fame. She was also inducted into the Rock & Roll Hall of Fame, though not in that genre; the website states that “Billie Holiday changed jazz forever”. Several films about her life have been released, most recently The United States vs. Billie Holiday(2021).
Eleanora Fagan was born on April 7, 1915, in Philadelphia, the daughter of African American unwed teenage couple Sarah Julia “Sadie” Fagan of Irish descent and Clarence Halliday. Sarah moved to Philadelphia at age 19, after she was evicted from her parents’ home in the Sandtown-Winchester neighborhood of Baltimore, Maryland, for becoming pregnant. With no support from her parents, she made arrangements with her older, married half-sister, Eva Miller, for Eleanora to stay with her in Baltimore. Not long after Eleanora was born, Clarence abandoned his family to pursue a career as a jazz banjo player and guitarist.
more...Most of the world first heard Rumba Flamenca via the Gypsy Kings in songs like Bamboleo and Volare. In Spain, Rumba Flamenca has come in and out of style since Niña de los Peines first recorded a Rumba in 1918. Since then, artists such as El Chaqueta, Chano Lobato and Miguel Vargas Jiménez (Bambino) have become closely associated with the form. Apart from the Gypsy Kings, one of the reasons Rumba Flamenca is heard throughout the world is that it is such a flexible, easily adapted form. It c an occur in any key or mode. Phrase lengths can be long or short. Tempos can be quick and driven or easy and relaxed. It’s party music that can be carefully composed or improvised on the spot. As long as it has a steady Rumba Flamenca beat, it’s Rumba Flamenca. Rumba Flamenca is a fast 2/4 rhythm driven largely by a distinctive strum pattern on the guitar. However, the form is so open that not even this is required.
more...Happy Birthday to my oldest grand baby. Carson Sheftic 16 years old today. Living in Pittsburg.
more...On the morning of this Saturday, February 25, I photographed our sun full of activity. Undoubtedly, several prominences stand out in this photograph. The one that can be seen in the southwestern limb is really huge, reaching a height of about 70,000 km and a width of 200,000 km. Another very interesting thing to mention is the filament that can be seen at the top right, associated with the AR3229 sunspot, this plasma structure exploded at 19:49 UTC.
more...Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996), also known as Jeru, was an American jazzsaxophonist, clarinetist, composer and arranger. Though primarily known as one of the leading jazz baritone saxophonists—playing the instrument with a light and airy tone in the era of cool jazz—Mulligan was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. His pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions, such as “Walkin’ Shoes” and “Five Brothers”, have become standards.
Gerry Mulligan was born in Queens Village, Queens, New York, United States, the son of George and Louise Mulligan. His father was a Wilmington, Delaware, native of Irish descent; his mother a Philadelphia native of half-Irish and half-German descent. Gerry was the youngest of four sons with George, Phil and Don preceding him.
more...John Paul Pizzarelli Jr. (born April 6, 1960) is an American jazz guitarist and vocalist. He has recorded over twenty solo albums and has appeared on more than forty albums by other recording artists, including Paul McCartney, James Taylor, Rosemary Clooney; his father, jazz guitarist Bucky Pizzarelli; and his wife, singer Jessica Molaskey.
The son of swing guitarist Bucky Pizzarelli, John Pizzarelli was born in Paterson, New Jersey. He started on guitar when he was six and played trumpet through his college years. He attended Don Bosco Preparatory High School, an all-boys Catholic school. In his teens, he performed with Benny Goodman, Les Paul, Zoot Sims, Slam Stewart, and Clark Terry.
more...Beverly “Guitar” Watkins (April 6, 1939 – October 1, 2019) was an American blues guitarist. Sandra Pointer-Jones wrote, “Beverly Watkins is a pyrotechnic guitar maven whose searing, ballistic attacks on the guitar have become allegorical tales within the blues community.” George Varga, reviewing her debut CD, observed that Watkins “sings and plays with enough poise and verve to make musicians half her age or younger consider alternative means of employment.”
Watkins was born in Atlanta, Georgia in 1939. When she was about 12 years old, her family moved to Commerce, Georgia. She began playing music in school, and, in high school, she played bass for a band called Billy West Stone and the Down Beats. Around the year 1959, she was introduced to Piano Red, who had a daily radio show on WAOK, and she subsequently joined Piano Red and the Meter-tones, who played in a number of towns in the Atlanta area, and then Atlanta clubs such as the Magnolia Ballroom and the Casino, before starting to tour throughout the southeast, primarily at colleges.
more...Randolph Edward “Randy” Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection.
Weston’s piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines.Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston.
Described as “America’s African Musical Ambassador”, Weston once said: “What I do I do because it’s about teaching and informing everyone about our most natural cultural phenomenon. It’s really about Africa and her music.”
Randolph Edward Weston was born on April 6, 1926, to Vivian (née Moore) and Frank Weston and was raised in Brooklyn, New York, where his father owned a restaurant. His mother was from Virginia and his father was of Jamaican–Panamanian descent, a staunch Garveyite, who passed self-reliant values to his son. Weston studied classical piano as a child and took dance lessons.
more...Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years. Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone. Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose JacksonAnd His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette.
He was a member of Thelonious Monk‘s quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk.
Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital in Seattle at the age of 64.
more...Teaching a Rhythm Roots Workshop Wednesday April 5th 2023 11am-1230pm. Tasks Unlimited provides supported employment, housing and recovery services to create opportunities for people with mental illness so they can achieve their full potential.
more...In this Hubble Space Telescope image the bright, spiky stars lie in the foreground toward the heroic northern constellation Perseus and well within our own Milky Way galaxy. In sharp focus beyond is UGC 2885, a giant spiral galaxy about 232 million light-years distant. Some 800,000 light-years across compared to the Milky Way’s diameter of 100,000 light-years or so, it has around 1 trillion stars. That’s about 10 times as many stars as the Milky Way. Part of an investigation to understand how galaxies can grow to such enormous sizes, UGC 2885 was also part of An Interesting Voyage and astronomer Vera Rubin’s pioneering study of the rotation of spiral galaxies. Her work was the first to convincingly demonstrate the dominating presence of dark matter in our universe.
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Harold Allan Clarke (born 5 April 1942) is an English rock singer, who was one of the founding members and the original lead singer of the Hollies. He achieved international hit singles with the group and is credited as co-writer on several of their best-known songs, including “On a Carousel“, “Carrie Anne“, “Jennifer Eccles” and “Long Cool Woman in a Black Dress“. He retired from performing in 1999, but returned to the music industry in 2019. Clarke was inducted into the Rock and Roll Hall of Fame in 2010.
Harold Allan Clarke and his childhood friend Graham Nash began singing together in Manchester while still at school. They formed the Hollies in December 1962 with Vic Steele (lead guitar) and Eric Haydock (bass guitar). In April 1963, they added Tony Hicks (replacing Steele on lead guitar) and Bobby Elliott (replacing Don Rathbone on drums).
more...Stanley William Turrentine (April 5, 1934 – September 12, 2000) was an American jazz tenor saxophonistand record producer. He began his career playing R&B for Earl Bostic and later soul jazz recording for the Blue Note label from 1960, touched on jazz fusion during a stint on CTI in the 1970s. He was described by critic Steve Huey as “renowned for his distinctively thick, rippling tone [and] earthy grounding in the blues.”In the 1960s Turrentine was married to organist Shirley Scott, with whom he frequently recorded, and he was the younger brother of trumpeter Tommy Turrentine, with whom he also recorded. Turrentine was born in Pittsburgh‘s Hill District, United States, into a musical family. His father, Thomas Turrentine Sr., was a saxophonist with Al Cooper‘s Savoy Sultans, his mother played stride piano, and his older brother Tommy Turrentine was a trumpet player.
more...Billy Bland (April 5, 1932 – March 22, 2017) was an American R&B singer and songwriter.
Bland, the youngest of 19 children, first sang professionally in 1947 in New York City, and sang with a group called The Bees in the 1950s on New Orleans‘s Imperial Records. In 1954, “Toy Bell” by the group caused some unrest by veering into the dirty blues genre. Dave Bartholomew brought them to New Orleans, where they recorded a song he had written and recorded twice before: firstly in 1952 for King Records as “My Ding-a-Ling,” and later that year for Imperial as “Little Girl Sing Ting-A-Ling.” Bland later pursued a solo career.
more...Samuel Edward “Tony” Williams (April 5, 1928 – August 14, 1992) was an American singer. From 1953 to 1960,[2] he was the lead vocalist of the Platters.
Williams was born in Elizabeth, New Jersey, the son of Bertha and Edward Williams. He served in the United States Army Air Forces around the end of World War II, rising to the rank of sergeant, and after leaving military service moved to Los Angeles, where he joined his older sister Bertha, who was developing a successful singing career under the name Linda Hayes. He worked in menial jobs such as parking lotattendant while competing in evening talent shows.
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