World Music on Flamenco Fridays with Moreno Castro performing Taranta

Most galaxies are clumped together in groups or clusters. A neighboring galaxy is never far away. But this galaxy, known as NGC 6503, has found itself in a lonely position, at the edge of a strangely empty patch of space called the Local Void.

The Local Void is a huge stretch of space that is at least 150 million light-years across. It seems completely empty of stars or galaxies. The galaxy’s odd location on the edge of this never-land led stargazer Stephen James O’Meara to dub it the “Lost-In-Space galaxy” in his 2007 book, Hidden Treasures.

NGC 6503 is 18 million light-years away from us in the northern circumpolar constellation of Draco. NGC 6503 spans some 30,000 light-years, about a third of the size of the Milky Way.

This Hubble Space Telescope image shows NGC 6503 in striking detail and with a rich set of colors. Bright red patches of gas can be seen scattered through its swirling spiral arms, mixed with bright blue regions that contain newly forming stars. Dark brown dust lanes snake across the galaxy’s bright arms and center, giving it a mottled appearance.

The Hubble Advanced Camera for Surveys data for NGC 6503 were taken in April 2003, and the Wide Field Camera 3 data were taken in August 2013.

Keith John Moon (23 August 1946 – 7 September 1978) was an English drummer for the rock band the Who. He was noted for his unique style and his eccentric, often self-destructive behaviour. His drumming continues to be praised by critics and musicians. He was posthumously inducted into the Modern Drummer Hall of Fame in 1982, becoming only the second rock drummer to be chosen, and in 2011, Moon was voted the second-greatest drummer in history by a Rolling Stone readers’ poll.

Moon grew up in Alperton, a suburb of Wembley, in Middlesex, and took up the drums during the early 1960s. After playing with a local band, the Beachcombers, he joined the Who in 1964 before they recorded their first single. Moon remained with the band during their rise to fame, and was quickly recognised for his drumming style, which emphasised tom-toms, cymbal crashes, and drum fills. Throughout Moon’s tenure with the Who his drum kit steadily grew in size, and along with Ginger Baker, Moon has been credited as one of the earliest rock drummers to regularly employ double bass drums in his setup. He occasionally collaborated with other musicians and later appeared in films, but considered playing in the Who his primary occupation and remained a member of the band until his death. In addition to his talent as a drummer, however, Moon developed a reputation for smashing his kit on stage and destroying hotel rooms on tour. He was fascinated by blowing up toilets with cherry bombs or dynamite, and by destroying television sets. Moon enjoyed touring and socialising, and became bored and restless when the Who were inactive. His 21st birthday party in Flint, Michigan, has been cited as a notorious example of decadent behaviour by rock groups.

Terje Rypdal (born 23 August 1947) is a Norwegian guitarist and composer. He has been an important member in the Norwegian jazz community, and has also given show concerts with guitarists Ronni Le Tekrø and Mads Eriksen as “N3”.

Rypdal was born in Oslo, the son of a composer and orchestra leader. He studied classical piano and trumpet as a child, and then taught himself to play guitar as he entered his teens. Starting out as a Hank Marvin-influenced rock guitarist with The Vanguards, Rypdal turned towards jazz in 1968 and joined Jan Garbarek‘s group and later George Russell‘s sextet and orchestra. An important step towards international attention was his participation in the free jazz festival in Baden-Baden, Germany, in 1969, where he was part of a band led by Lester Bowie. During his musical studies at Oslo university and conservatory, he led the orchestra of the Norwegian version of the musical Hair. He has often been recorded on the ECM record label, both jazz-oriented material and classical compositions (some of which do not feature Rypdal’s guitar).

Alvin Gilbert “Gil” Coggins (August 23, 1928 – February 15, 2004) was an American jazz pianist.

Coggins was born to parents of West Indian heritage. His mother was a pianist and had her son start on piano from an early age. He attended school in New York City and the Barbados. In Harlem, New York City, he attended The High School of Music & Art.

In 1946, Coggins met Miles Davis while stationed at Jefferson Barracks in Missouri. After his discharge he began playing piano professionally, working with Davis on several of his Blue Note and Prestige releases. Coggins also recorded with John Coltrane, Sonny Rollins, Lester Young, Art Blakey‘s Jazz Messengers, Ray Draper, and Jackie McLean.

Abenamar, is a member of the so-called Old Ballads (Romances of the fourteenth and fifteenth centuries) border romance, the piece is a conversation between King John II of Castile (reigning between 1426 and 1454) and the Moor Abenamar, character presented as having special qualities, following the presentation of Abenamar, this tells the king’s vision of the palaces would be conquered, because they were near Granada. This Sephardi version of romance is captured in the city of Melilla, presents a number of stanzas smaller than the classic version, in which not only the view of the Alhambra described, as in this, but also of other Grenadians monuments such as the Generalife, Torres Bermejas, Alixares or the old mosque. In other versions besides the romance has a denouement in which the king expressed his desire to marry a city of Granada converted metaphorically woman for the occasion. In our version we ended the romance with music based on fandangos of the province of Granada, first with an instrumental link inspired fandangos-verdiales of the region of Loja, Huétor Tajar very close stylistically to “Chacarrás Iznájar” and finish off with last stanza by fandangos de Granada (fandangos de Frasquito Yerbabuena), in the last stanza the introduction of a “modernism” by the “singer-informant” to replace the old currency romance “las doblas” by “los duros” noticeable outstanding during the twentieth century.

An unprecedented view from the Gemini South telescope in Chile probes a swarm of young and forming stars that appear to have been shocked into existence. The group, known as N159W, is located some 158,000 light years away in the Large Magellanic Cloud (LMC), a satellite to our Milky Way Galaxy. Despite the group’s distance beyond our galaxy the extreme resolution of the image presents researchers with a fresh perspective on how prior generations of stars can trigger, or shock, the formation of a new generation of stars.

“Because of the remarkable amount of detail, sensitivity, and depth in this image we identified about 100 new Young Stellar Objects, our YSOs, in this region,” says Benoit Neichel of the Laboratoire d’Astrophysique de Marseille, who worked with PhD student Anais Bernard on the research. Bernard expects to complete her PhD based upon this work in 2017.

Bernard adds that YSO’s are very red objects, often still enshrouded in a cocoon of the natal material from which they were born. “What we are seeing appears to be groups of YSOs forming at the edge of a bubble containing ionized gas expanding from an older generation of stars within the bubble.” Astronomers refer to these areas of expanding gas as HII regions due to the abundance of ionized (energized) hydrogen gas. “In a very real sense these young stars are being shocked into existence by the expanding gas from these more mature stars,” said Bernard.

Malachi Favors (August 22, 1927, Lexington, Mississippi – January 30, 2004, Chicago, Illinois) was a noted American jazz bassist best known for his work with the Art Ensemble of Chicago.

Favors primarily played the double bass, but also played the electric bass guitar, banjo, zither, gong, and other instruments. He began playing double bass at the age of 15 and began performing professionally upon graduating high school. Early performances included work with Dizzy Gillespie and Freddie Hubbard. By 1965, he was a founder of the Association for the Advancement of Creative Musicians and a member of Muhal Richard Abrams‘ Experimental Band.

At some point he added the word “Maghostut” to his name and because of this he is commonly listed as “Malachi Favors Maghostut”. Musically he is most associated with bebop, hard bop, and particularly free jazz.

Favors was a protégé of Chicago bassist Wilbur Ware. His first known recording was a 1953 session with tenor saxophonist Paul Bascomb. He made an LP with Chicago pianist Andrew Hill (1957). Favors began working with Roscoe Mitchell in 1966; this group eventually became the Art Ensemble of Chicago. Favors also worked outside the group, with artists including Sunny Murray, Archie Shepp, and Dewey Redman.

John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi Hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie.

Some of his best known songs include “Boogie Chillen’” (1948), “Crawling King Snake” (1949), “Dimples” (1956), “Boom Boom” (1962), and “One Bourbon, One Scotch, One Beer” (1966). Several of his later albums, including The Healer (1989), Mr. Lucky (1991), Chill Out (1995), and Don’t Look Back (1997), were album chart successes in the U.S. and U.K. The Healer (for the song “I’m In The Mood”) and Chill Out (for the album) both earned him Grammy wins as well as Don’t Look Back, which went on to earn him a double-Grammy win for Best Traditional Blues Recording and Best Pop Collaboration with Vocals (with Van Morrison).

Hooker’s date of birth is a subject of debate; the years 1912, 1915, 1917, 1920, and 1923 have been suggested. Most sources give 1917, though at times Hooker stated he was born in 1920. Information in the 1920 and 1930 censuses indicates that he was born in 1912. In 2017, a series of events took place to celebrate the purported centenary of his birth.

It is believed that he was born in Tutwiler, Mississippi, in Tallahatchie County, although some sources say his birthplace was near Clarksdale, in Coahoma County.

Stars are forming in the Soul of the Queen of Aethopia. More specifically, a large star forming region called the Soul Nebula (IC 1898) can be found in the direction of the constellation Cassiopeia, who Greek mythology credits as the vain wife of a King who long ago ruled lands surrounding the upper Nile river. The Soul Nebula houses several open clusters of stars, a large radio source known as W5, and huge evacuated bubbles formed by the winds of young massive stars. Located about 6,500 light years away, the Soul Nebula spans about 100 light years and is usually imaged next to its celestial neighbor the Heart Nebula (IC 1805). The featured image is a composite of three exposures in different colors: red as emitted by hydrogen gas, yellow as emitted by sulfur, and blue as emitted by oxygen.

Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition “Farmer’s Market” in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.

As Farmer’s reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan‘s quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and he helped to establish the flugelhorn as a soloist’s instrument in jazz.He settled in Europe in 1968 and continued to tour internationally until his death. Farmer recorded more than 50 albums under his own name, a dozen with the Jazztet, and dozens more with other leaders. His playing is known for its individuality – most noticeably, its lyricism, warmth of tone and sensitivity.

Art Farmer was born an hour before his twin brother, on August 21, 1928, in Council Bluffs, Iowa, reportedly at 2201 Fourth Avenue. Their parents, James Arthur Farmer and Hazel Stewart Farmer, divorced when the boys were four, and their steelworker father was killed in a work accident not long after this.

https://www.youtube.com/watch?v=SdxzU00hSGA

William James “Count” Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. His mother taught him to play the piano and he started performing in his teens. Dropping out of school, he learned to operate lights for vaudeville and to improvise accompaniment for silent films at a local movie theater in his home town of Red Bank, New Jersey. By age 16, he increasingly played jazz piano at parties, resorts and other venues. In 1924, he went to Harlem, where his performing career expanded; he toured with groups to the major jazz cities of Chicago, St. Louis and Kansas City. In 1929 he joined Bennie Moten‘s band in Kansas City, and played with them until Moten’s death in 1935.

In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two “split” tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry “Sweets” Edison and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.

William Basie was born to Harvey Lee and Lillian Basie in Red Bank, New Jersey.^[2][3] His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced horses, his father became a groundskeeper and handyman for several wealthy families in the area.

https://www.youtube.com/watch?v=srOUBEzwjX8

Terence Michael “Terry” Clarke C.M. (born August 20, 1944, Vancouver) is a Canadian jazz drummer.

Clarke studied percussion with Jim Blackley and played with Chris Gage and Dave Robbins early in his career. From 1965 to 1967 he toured in a quintet with John Handy, and joined The Fifth Dimension in 1967, remaining with the ensemble until 1969.

In 1970, he moved to Toronto, where he began a longstanding association with Rob McConnell‘s group, Boss Brass; he also played with Ed Bickert, Ruby Braff, Jim Galloway, Sonny Greenwich, Jay McShann, Emily Remler, and Frank Rosolino. In 1976, he toured with Jim Hall for the first time and in 1981 did an international tour with Oscar Peterson.

He relocated to New York City in 1985, where he has played or recorded with Toshiko Akiyoshi, Eddie Daniels, Oliver Jones, Roger Kellaway, Helen Merrill, Ken Peplowski, and Joe Roccisano, among others. He played with the Free Trade ensemble in 1994, a quintet composed of Clarke, Ralph Bowen, Neil Swainson, Renee Rosnes, and Peter Leitch.