mick laBriola

The irregular galaxy Arp 263 lurks in the background of this image from the NASA/ESA Hubble Space Telescope, but the view is dominated by a stellar photobomber; the bright star BD+17 2217. Arp 263 — also known as NGC 3239 — is a patchy, irregular galaxy studded with regions of recent star formation, and astronomers believe that its ragged appearance is due to its having formed from the merger of two galaxies. It lies around 25 million light-years away in the constellation Leo.

Two different Hubble investigations into Arp 263, using two of Hubble’s third-generation instruments, contributed data to this image. The first investigation was part of an effort to observe the sites of recent supernovae, such as the supernova SN 2012A that was detected just over a decade ago in Arp 263. Astronomers used Hubble’s powerful Wide Field Camera 3 to search for lingering remnants of the colossal stellar explosion. The second investigation is part of a campaign using Hubble’s Advanced Camera for Surveys to image all the previously unobserved peculiar galaxies in the Arp catalogue, including Arp 263, in order to find promising subjects for further study using the NASA/ESA/CSA James Webb Space Telescope.

The interloping foreground star, BD+17 2217, is adorned with two sets of criss-crossing diffraction spikes. The interaction of light with Hubble’s internal structure means that concentrated bright objects such as stars are surrounded by four prominent spikes. Since this image of BD+17 2217 was created using two sets of Hubble data, the spikes from both images surround this stellar photobomber. The spikes are at different angles because Hubble was at different orientations when it collected the two datasets.

[Image Description: An irregular galaxy that appears like a triangle-shaped patch of tiny stars. It is densest in the centre and along one edge, growing faint out to the opposite corner. Several bright pink patches mark areas of star formation, and the galaxy’s brightest stars are around these. A large, bright star, with two sets of long spikes, stands between the viewer and the galaxy.]

Vincent Anthony Guaraldi Dellaglio, July 17, 1928 – February 6, 1976) was an American jazz pianist best known for composing music for animated television adaptations of the Peanuts comic strip. His compositions for this series included their signature melody “Linus and Lucy” and the holiday standard “Christmas Time Is Here“. He is also known for his performances on piano as a member of Cal Tjader‘s 1950s ensembles and for his own solo career. His 1962 composition “Cast Your Fate to the Wind” became a radio hit and won a Grammy Award in 1963 for Best Original Jazz Composition. He died of a sudden heart attack in February 1976 at age 47, moments after concluding a nightclub performance in Menlo Park, California.

Guaraldi was born in San Francisco’s North Beach area, a place that became very important to his blossoming musical career. His last name changed to “Guaraldi” after his mother, Carmela (née Marcellino; 1908–1999), divorced his biological father (whose last name was Dellaglio) and married Tony Guaraldi, who adopted the boy. Growing up, Guaraldi was influenced by both of his maternal uncles, Joe and Maurice “Muzzy” Marcellino, both of whom headed jazz big bands in San Francisco for many years. He graduated from Lincoln High School, briefly attended San Francisco State College, and served in the United States Army as a cook in Korea from 1946 to 1948. Guaraldi died suddenly on February 6, 1976,^[37] at age 47 after suffering a massive heart attack. The evening before, he had dined at Mendelson’s home and was reportedly not feeling well, complaining of indigestion-like chest discomfort. “He was about to do his first cruise. He’d be able to play Peanutsmusic on the ship, and he was excited about that. We talked about the cruise and the Peanuts shows, and I said that I didn’t know what the next one would be yet, but that we wouldn’t start until he got back. But he also said he wasn’t feeling well, and had gone to see the doctor. The doctor thought Vince might have a diaphragmatic hernia, and that they might have to deal with it.”

Joseph Albert Morello (July 17, 1928 – March 12, 2011) was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet’s “classic lineup” from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist Eugene Wright. Morello’s facility for playing unusual time signatures and rhythms enabled that group to record a series of albums that explored them. The most notable of these was the first in the series, the 1959 album Time Out, which contained the hit songs “Take Five” and “Blue Rondo à la Turk“. In fact, “Take Five”, the album’s biggest hit (and the first jazz single to sell more than one million copies) was specifically written by Desmond as a way to showcase Morello’s ability to play in ⁵
₄ time.

Besides playing with Brubeck, Morello also served as an accompanist for other musicians, including Marian McPartland, Tal Farlow and Gary Burton, and recorded his own albums as well. He received numerous accolades during his life, including being named the best drummer by Down Beat magazine five years in a row.He was born in Springfield, Massachusetts, United States to Joseph Morello and Lillian LaPalme. His father was a French emigrant from Nice and his mother hailed from French Canada. Morello suffered from partial vision from birth,  and devoted himself to indoor activities. At six years old, he began studying the violin. Three years later, he was a featured soloist with the Boston Symphony Orchestra, playing Mendelssohn’s Violin Concerto, and again three years later.

The Chorus Line third performance Sunday July 16th at 5pm by Theatre 55 performing outdoors at Caponi Art Park in Eagan. Music by Raymond Berg, Lyra Olson, Clay Pufahl and mick laBriola. Running thru July 23rd. Only six shows.

Now this was a view with a thrill. From Mount Tschirgant in the Alps, you can see not only nearby towns and distant Tyrolean peaks, but also, weather permitting, stars, nebulas, and the band of the Milky Way Galaxy. What made the arduous climb worthwhile this night, though, was another peak — the peak of the 2018 Perseids Meteor Shower. As hoped, dispersing clouds allowed a picturesque sky-gazing session that included many faint meteors, all while a carefully positioned camera took a series of exposures. Suddenly, a thrilling meteor — bright and colorful — slashed down right next to the nearly vertical band of the Milky Way. As luck would have it, the camera caught it too. Therefore, a new image in the series was quickly taken with one of the sky-gazers posing on the nearby peak. Later, all of the images were digitally combined.

Rubén Blades Bellido de Luna (born July 16, 1948), known professionally as Rubén Blades , but in Panama and within the family), is a Panamanian musician, singer, composer, actor, activist, and politician, performing musically most often in the salsa, and Latin jazz genres. As a songwriter, Blades brought the lyrical sophistication of Central American nueva canción and Cuban nueva trova as well as experimental tempos and politically inspired Son Cubano salsa to his music, creating “thinking persons’ (salsa) dance music”. Blades has written dozens of hit songs, including “Pedro Navaja” and “El Cantante” (which became Héctor Lavoe‘s signature song). He has won eleven Grammy Awards out of seventeen nominations and eleven Latin Grammy Awards.

His acting career began in 1983, and has continued, sometimes with several-year breaks to focus on other projects. He has prominent roles in films such as Crossover Dreams (1985), The Milagro Beanfield War(1988), The Super (1991), Predator 2 (1990), Color of Night (1994), Safe House (2012), The Counselor(2013) and Hands of Stone (2016), along with three Emmy Award nominations for his performances in The Josephine Baker Story (1991), Crazy from the Heart (1992) and The Maldonado Miracle (2003). He portrayed Daniel Salazar, a main character on the TV series Fear the Walking Dead (2015–2017; 2019–present).

He is an icon in Panama and is much admired throughout Latin America and Spain, and managed to attract 17% of the vote in his failed attempt to win the Panamanian presidency in 1994. In September 2004, he was appointed minister of tourism by Panamanian president Martín Torrijos for a five-year term. He holds a Law degree from the University of Panama and an LL.M in International Law from Harvard University. He is married to singer Luba Mason.

He made his debut U.S. with the Pete Rodriguez orchestra in 1970 on his album De Panamá a New York and among his most successful albums are Rubén Blades y Son del Solar… Live!, Amor y Control, Caminando, SALSWING!, Son de Panamá, Tangos, Canciones del Solar de los Aburridos, Buscando América, El Que la Hace la Paga, Escenas, Salsa Big Band, Metiendo Mano! and his famous album Siembra released in 1978. In addition, he has collaborated with different artists such as Usher, Elvis Costello, as a soloist and as a guest Michael Jackson, Luis Miguel, Julio Iglesias, Ricky Martin, Juan Gabriel, Laura Pausini, Shakira, Thalíain the Spanish version of the song “What More Can I Give” written and translated by Blades as “Todo Para Ti“. He has also participated in several productions by different Latino artists such as “Almost Like Praying“, “Color Esperanza 2020“, “Hoy Es Domingo” among other tracks. He also translated into Spanish the track “I Just Can’t Stop Loving You” in the version called “Todo Mi Amor eres Tu” included in Jackson’s anniversary album Bad 25.

The Chorus Line second performance Saturday July 15th at 7pm by Theatre 55 performing outdoors at Caponi Art Park in Eagan. Music by Raymond Berg, Lyra Olson, Clay Pufahl and mick laBriola. Running thru July 23rd. Only six shows.

The view of the early Universe toward the southern constellation Volans was achieved in 12.5 hours of exposure with Webb’s NIRCam instrument. Of course the stars with six spikes are well within our own Milky Way. Their diffraction pattern is characteristic of Webb’s 18 hexagonal mirror segments operating together as a single 6.5 meter diameter primary mirror. The thousands of galaxies flooding the field of view are members of the distant galaxy cluster SMACS0723-73, some 4.6 billion light-years away. Luminous arcs that seem to infest the deep field are even more distant galaxies though. Their images are distorted and magnified by the dark matter dominated mass of the galaxy cluster, an effect known as gravitational lensing. Analyzing light from two separate arcs below the bright spiky star, Webb’s NIRISS instrument indicates the arcs are both images of the same background galaxy. And that galaxy’s light took about 9.5 billion years to reach the James Webb Space Telescope.