mick laBriola

Henry Roeland “Roy” Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair or “Fess” for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday of early rhythm and blues and later in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival in 1970. His piano style has been described as “instantly recognizable, combining rumba, mambo, and calypso“.

Music journalist Tony Russell (in his book The Blues: From Robert Johnson to Robert Cray) wrote that “The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey “Piano” Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaintand Dr. John.”

Byrd was born on December 19, 1918, in Bogalusa, Louisiana. His distinctive style of piano playing was influenced by learning to play on an instrument that was missing some keys.

He began his career in New Orleans in 1948. Mike Tessitore, owner of the Caldonia Club, gave Longhair his stage name. Longhair first recorded in a band called the Shuffling Hungarians in 1949, creating four songs (including the first version of his signature song, “Mardi Gras in New Orleans”) for the Star Talent record label. Union problems curtailed their release, but Longhair’s next effort for Mercury Records the same year was a winner. Throughout the 1950s, he recorded for Atlantic Records, Federal Records and local labels.

Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey‘s Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley‘s band. Several of Timmons’ compositions written when part of these bands – including “Moanin’“, “Dat Dere“, and “This Here” – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively.

Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued.

Timmons was born in Philadelphia, Pennsylvania, the son of a minister. He had a sister, Eleanor. Both of his parents, and several aunts and uncles, played the piano. From an early age Timmons studied music with an uncle, Robert Habershaw, who also taught McCoy Tyner. Timmons first played at the church where his grandfather was minister; this influenced his later jazz playing. He grew up in the same area as other future musicians, including the Heath brothers (Jimmy, Percy, and Tootie) and Lee Morgan. Timmons’ first professional performances were in his local area, often as a trio that included Tootie Heath on drums. After graduating from high school Timmons was awarded a scholarship to study at the Philadelphia Musical Academy.

Édith Piaf (UK: /ˈpiːæf/, US: /piːˈɑːf/, French: ; born Édith Giovanna Gassion, French: [edit dʒɔvana ɡasjɔ̃]; 19 December 1915 – 10 October 1963) was a French singer noted as France’s national chanteuse and one of the country’s most widely known international stars.

Piaf’s music was often autobiographical, and she specialized in chanson and torch ballads about love, loss and sorrow. Her most widely known songs include “La Vie en rose” (1946), “Non, je ne regrette rien” (1960), “Hymne à l’amour” (1949), “Milord” (1959), “La Foule” (1957), “L’Accordéoniste” (1940), and “Padam, padam…” (1951).

Since her death in 1963, several biographies and films have studied her life, including 2007’s La Vie en rose. Piaf has become one of the most celebrated performers of the 20th century.

Keith Richards (born 18 December 1943), often referred to during the 1960s and 1970s as Keith Richard, is an English musician, singer, and songwriter, who has achieved international fame as the co-founder, guitarist, secondary vocalist, and co-principal songwriter of the Rolling Stones. His songwriting partnership with Mick Jagger is one of the most successful in history. Richards is widely considered one of the greatest guitarists of all time. His career spans over six decades and his guitar playing style has been a trademark of the Rolling Stones throughout the band’s career. Richards gained press notoriety for his romantic involvements, illicit drug use and was often portrayed as a countercultural figure.

Richards was born in and grew up in Dartford, Kent. He studied at the Dartford Technical School and Sidcup Art College. After graduating, Richards befriended Jagger, Bill Wyman, Charlie Watts and Brian Jones, and joined the Rolling Stones. As a member of the Rolling Stones, Richards is the only member, aside from Jagger, to sing lead on some Stones songs. Richards typically sings lead on at least one song a concert, including “Happy“, “Before They Make Me Run“, and “Connection“. Outside of his career with the Rolling Stones, Richards has also played with his own side-project, The X-Pensive Winos. He also appeared in three Pirates of the Caribbean films as Captain Teague, father of Jack Sparrow, whose look and characterization was inspired by Richards himself.

In 1989, Richards was inducted into the Rock and Roll Hall of Fame, and in 2004 into the UK Music Hall of Fame with the Rolling Stones. Rolling Stone magazine ranked him fourth on its list of 100 best guitarists in 2011. The magazine lists fourteen songs that Richards wrote with the Rolling Stones’ lead vocalist Jagger on its “500 Greatest Songs of All Time” list.

Eddie “Cleanhead” Vinson (born Edward L. Vinson Jr., December 18, 1917 – July 2, 1988) was an American jump blues, jazz, bebop and R&B alto saxophonist and blues shouter. He was nicknamed Cleanhead after an incident in which his hair was accidentally destroyed by lye contained in a hair straightening product, necessitating shaving it off; enamoured of the look, Vinson maintained a shaved head thereafter. Music critic Robert Christgau has called Vinson “one of the cleanest—and nastiest—blues voices you’ll ever hear.”

Vinson was born in Houston, Texas. He was a member of the horn section in Milton Larkin‘s orchestra, which he joined in the late 1930s. At various times, he sat next to Arnett Cobb, Illinois Jacquet, and Tom Archia, while other members of the band included Cedric Haywood and Wild Bill Davis. After exiting Larkin’s employment in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. He then moved to New York and joined the Cootie WilliamsOrchestra from 1942 to 1945, recording such tunes as “Cherry Red”. Vinson struck out on his own in 1945, forming his own large band, signing with Mercury Records, and enjoying a double-sided hit in 1947 with his R&B chart-topper “Old Maid Boogie”, and the song that would prove to be his signature number, “Kidney Stew Blues”.

Connie Curtis Crayton (December 18, 1914 – June 25, 1985), known as Pee Wee Crayton, was an American R&B and blues guitarist and singer. On May 8, 2019, Crayton was posthumously inducted into the Blues Hall of Fame by long-time friend Doug MacLeod in a ceremony held in Memphis, Tennessee by the Blues Foundation.

Crayton was born in Rockdale, Texas. He began playing guitar seriously after moving to California in 1935, later settling in Oakland. While there, he absorbed the music of T-Bone Walker but developed his own unique approach. His aggressive playing contrasted with his smooth vocal style and was copied by many later blues guitarists.

In 1948, he signed a recording contract with Modern Records. One of his first recordings was the instrumental “Blues After Hours“, which reached number 1 on the Billboard R&B chart late that year. Its B-side, the pop ballad “I’m Still in Love with You”, and the quicker “Texas Hop” are good examples of his work.

James Carroll Booker III (December 17, 1939 – November 8, 1983) was a New Orleans rhythm and blues keyboardist born in New Orleans, Louisiana, United States. Booker’s unique style combined rhythm and blues with jazz standards. Musician Dr. John described Booker as “the best black, gay, one-eyed junkie piano genius New Orleans has ever produced.” Flamboyant in personality, he was known as “the Black Liberace”.

Booker was the son and grandson of Baptist ministers, both of whom played the piano. He spent most of his childhood on the Mississippi Gulf Coast, where his father was a church pastor. Booker received a saxophone as a gift from his mother, but he was more interested in the keyboard. He played the organ in his father’s churches.

After returning to New Orleans in his early adolescence, Booker attended the Xavier Academy Preparatory School. He learned some elements of his keyboard style from Tuts Washington and Edward Frank. Booker was highly skilled in classical music and played music by Bach and Chopin, among other composers. He also mastered and memorized solos by Erroll Garner and Liberace. His performances combined elements of stride, blues, gospel and Latin piano styles. Booker died aged 43 on November 8, 1983, while seated in a wheelchair in the emergency room at New Orleans’ Charity Hospital, waiting to receive medical attention. The cause of death, as cited in the Orleans Parish Coroner’s Death Certificate, was renal failure related to chronic abuse of heroin and alcohol.

Sylvester Kyner Jr. (December 17, 1932 – March 20, 1981), known as Sonny Red, was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles.

Sonny Red played with Art Blakey, Curtis Fuller, Paul Quinichette, Donald Byrd, Grant Green, Blue Mitchell, Wynton Kelly, Billy Higgins, and Cedar Walton.

In the late 1940s, when he was still in his teens, Sonny Red began to play professionally in Detroit with Barry Harris. He continued to play with Barry Harris until 1952. He went on to play with Art Blakey in 1954, and in 1957 recorded with Curtis Fuller on three albums. Sonny Red first came on the greater jazz scene in the late 1950s with Art Pepper in the album Two Altos.

He made two albums as a leader in 1961; both were released by Jazzland Recordings, a subsidiary of Riverside Records. He continued to record in the 1960s, including four albums with Donald Byrd in 1967.

By the 1970s, however, Sonny Red was falling into obscurity. He died in March 1981, at the age of 48.

This light and lively song and social dance has roots that extend deeply into many parts of Spanish culture. The dance exudes romanticism, and has a joyous, flirtatious air. Sevillanas first emerged as a distinct form in the late 18th Century as a variant of the Spanish song form seguidillas, appearing simultaneously with the Escuela Bolera, a formalized approach to studying and performing a variety of Spanish regional dances. By the 19th Century, the Sevillanas was an important form in the Escuela Bolera.

​The names of many of the steps in the Sevillanas (e.g., el paseo, la pasada, el zapateado, el careo, and las vueltas)are from Escuela Bolera practice. An important detail Sevillanas retains from the Escuela Bolera style is the pose the dancer takes at the end of each copla, known as bien parado, or “standing well.” Sevillanas was eventually folded into the flamenco repertoire, and in the process became aflamencada – “flamenco-ized.”  Because it is a partner dance, Sevillanas is often the only Spanish dance non-dancers have learned, contributing to it’s social role within Spanish-speaking and flamenco communities.  The Sevillanas is associated with El Rocio, an annual pilgrimage to a sacred shrine in the Coto Doñana. Many of the letras of the Sevillanas are associated with this and other religious subjects. Although Sevillanas have passed through various periods in the evolution of Spanish culture, it’s important to know that these facets of Spanish culture are still alive today, and that Sevillanas is very much a part of each of them.