mick laBriola

The jumble of stars, gas, and dust that is NGC 520 is now thought to incorporate the remains of two separate disk galaxies. A defining component of NGC 520 — as seen in great detail in the featured image from the Hubble Space Telescope — is its band of intricately interlaced dust running vertically down the spine of the colliding galaxies. A similar looking collision might be expected in a few billion years when our disk Milky Way Galaxy to collides with our large-disk galactic neighbor Andromeda (M31). The collision that defines NGC 520 started about 300 million years ago. Also known as Arp 157, NGC 520 lies about 100 million light years distant, spans about 100 thousand light years, and can be seen with a small telescope toward the constellation of the Fish (Pisces). Although the speeds of stars in NGC 520 are fast, the distances are so vast that the battling pair will surely not change its shape noticeably during our lifetimes.

Charles Hardin “Buddy” Holley (September 7, 1936 – February 3, 1959 Lubbock, TX) was an American singer-songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born in Lubbock, Texas, to a musical family during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school.

He made his first appearance on local television in 1952, and the following year he formed the group “Buddy and Bob” with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band’s style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.

Holly’s recording sessions at Decca were produced by Owen Bradley, who had become famous for producing orchestrated country hits for stars like Patsy Cline. Unhappy with Bradley’s musical style and control in the studio, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of “That’ll Be the Day“, among other songs. Petty became the band’s manager and sent the demo to Brunswick Records, which released it as a single credited to “The Crickets“, which became the name of Holly’s band. In September 1957, as the band toured, “That’ll Be the Day” topped the US and UK singles charts. Its success was followed in October by another major hit, “Peggy Sue“.

The album The “Chirping” Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern U.S. After a show in Clear Lake, Iowa, he chartered an airplane to travel to his next show, in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as “The Day the Music Died” in his song “American Pie“.

During his short career, Holly wrote and recorded many songs. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. He was a major influence on later popular music artists, including Bob Dylan, The Beatles, The Rolling Stones, Eric Clapton, The Hollies (who named themselves in his honor), Elvis Costello, Marshall Crenshaw (who later played Holly), and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of “100 Greatest Artists”.

Copyright by Creator(s), Mount Lemmon SkyCenter, and University of Arizona.

Charles Moffett (September 6, 1929 – February 14, 1997) was an American free jazz drummer.

Moffett was born in Fort Worth, Texas, where he attended I.M. Terrell High School with Ornette Coleman. Before switching to drums, Moffett began his musical career as a trumpeter. At age 13, he played trumpet with Jimmy Witherspoon, and later formed a band, the Jam Jivers, with fellow students Coleman and Prince Lasha.​ After switching to drums, Moffett briefly performed with Little Richard.

Moffett served in the United States Navy, after which he pursued boxing before studying music at Huston-Tillotson College in Austin. Moffett married in 1953 (Coleman was best man, and performed at the wedding),​ then began teaching music at a public school in Rosenberg, Texas

In 1961, Moffett moved to New York City to work with Ornette Coleman, but the saxophonist soon went into a brief retirement period. Moffett worked with Sonny Rollins, appeared on Archie Shepp‘s album Four for Trane, and led a group that included Pharoah Sanders and Carla Bley. When Coleman returned to performing in 1964, he formed a trio with Moffett and bassist David Izenzon.^[1] Moffett also performed on vibraphone.

Edward Lozano Duran (September 6, 1925 – November 22, 2019) was an American jazz guitarist from San Francisco. He recorded often with Vince Guaraldi and was a member of the Benny Goodman orchestra during the 1970s.

Duran started on piano at age seven and switched to guitar at 12. By fifteen he was performing professionally with jazz musicians who visited San Francisco in the 1940s and 1950s. He was in a trio with his brothers, Carlos Duran and Manny Duran, from 1948 to 1952. Beginning in the 1950s, he worked in San Francisco with Chet Baker, Charlie Parker, Red Norvo, George Shearing, and Flip Phillips.

Around 1957, Duran was the guitarist in the CBS Radio Orchestra under the direction of Ray Hackett for the Bill Weaver Show, a variety show broadcast by CBS’s San Francisco affiliate, KQW, later renamed KCBS, from the Palace Hotel.^[b][6] While playing with the CBS Orchestra, Duran met Brunell and performed on her debut album, Intro to Jazz of the Italian-American. The album was recorded by San Francisco Jazz Records, a short-lived label that was part of the production of the radio station.

In 1954, his friend, Vince Guaraldi, who had been playing with Cal Tjader, started a trio with Duran and bassist Dean Riley. Guaraldi introduced Tjader to Duran and his two brothers. All three Duran brothers were members of Cal Tjader’s Mambo Quintet in the mid 1950s.

In 1958, Duran played a concert at the Marines Memorial Auditorium with Tjader and Stan Getz six years before Getz became famous. The concert was recorded by Fantasy. In an interview, Duran said, “There was no rehearsal before the date, no alternates, no second takes. It went very smoothly. It just kind of fell into place. The feeling was happy and relaxed.” Also in 1958, Duran was joined by Manny Duran on Tjader’s album San Francisco Moods. Duran led a trio from 1960 to 1967. In 1962, he was joined by Carlos Duran on Benny Velarde’s album Ay Que Rico.

The Iris Nebula (also known as NGC 7023 and Caldwell 4) is a bright reflection nebula in the constellation Cepheus. The designation NGC 7023 refers to the open cluster within the larger reflection nebula designated LBN 487.

The nebula, which shines at magnitude +6.8, is illuminated by a magnitude +7.4 star designated SAO 19158. It is located near the Mira-type variablestar T Cephei, and near the bright magnitude +3.23 variable star Beta Cephei (Alfirk). It lies 1,300 light-years away and is six light-years across.