mick laBriola

Phoebe Snow (born Phoebe Ann Laub; July 17, 1950 – April 26, 2011) was an American singer-songwriter and guitarist, known for her hit 1975 songs “Poetry Man” and “Harpo’s Blues” and her credited guest vocals backing Paul Simon on “Gone at Last“. She was described by The New York Times as a “contralto grounded in a bluesy growl and capable of sweeping over four octaves.” Snow also sang numerous commercial jingles for many U.S. products during the 1980s and 1990s, including General Foods International Coffees, Salon Selectives, and Stouffer’s. Snow experienced success in Australia in the late 1970s and early 1980s with five top 100 albums in that territory. Phoebe Ann Laub  was born in New York City in 1950, and raised in a musical household in which Delta blues, Broadway show tunes, Dixieland jazz, classical music, and folk music recordings were played around the clock. Her father, Merrill Laub, an exterminator by trade, had an encyclopedic knowledge of American film and theater and was also an avid collector and restorer of antiques. Her mother, Lili Laub, was a dance teacher who had performed with the Martha Graham group. She was Jewish.

Chico Freeman (born Earl Lavon Freeman Jr.; July 17, 1949) is a modern jazz tenor saxophonist and trumpeter and son of jazz saxophonist Von Freeman. He began recording as lead musician in 1976 with Morning Prayer, won the New York Jazz Award in 1979 and earned the Stereo ReviewRecord of the Year in 1981 for his album The Outside Within.

Freeman was introduced to the trumpet by his brother Everett, who found a trumpet in the family basement. Freeman began playing, inspired by artists such as Miles Davis. He went to Northwestern University in 1967 with a scholarship for mathematics and played the trumpet in the school, but did not begin playing the saxophone until his junior year. After practicing eight to ten hours per day and trying out for the saxophone section, Freeman quickly changed his major to music, and graduated in 1972. By that time he was proficient in saxophone, trumpet, and piano.

After graduation, Freeman taught at the Association for the Advancement of Creative Musicians School of Music in Chicago and started taking classes as a graduate student at Governors State University, earning a master’s degree in composition and theory. Although most of Freeman’s musical upbringing had been in jazz, at this time he began getting involved in blues music as well. He began playing at local Chicago clubs with artists such as Memphis Slim and Lucky Carmichael.

Benjamin Alexander Riley Jr. (July 17, 1933 – November 18, 2017) was an American jazz drummer known for his work with Thelonious Monk, as well as Alice Coltrane, Stan Getz, Eddie “Lockjaw” Davis, Ahmad Jamal, and as a member of the group Sphere. During the 1970s and 1980s he was a member of the New York Jazz Quartet.

Benjamin Alexander Riley Jr. was born in Savannah, Georgia, on July 17, 1933, and at the age of four moved with his family to New York City.

“Riley performed with Randy Weston, Sonny Stitt, Stan Getz, Junior Mance, Kenny Burrell, Eddie “Lockjaw” Davis–Johnny Griffin (1960–1962), Ahmad Jamal, Billy Taylor, and Ray Bryant. He then spent 1964 to 1967 in Thelonious Monk‘s quartet. After Monk, he played with Alice Coltrane(intermittently between 1968 and 1975), Ron Carter (1975–1977), Jim Hall (1981), and the bands the New York Jazz Quartet (1970s and 1980s) and Sphere. He also played frequently with pianist Abdullah Ibrahim. Riley died of lung disease and complications of diabetes in West Islip, New York on November 18, 2017, aged 84.

https://www.youtube.com/watch?v=0q66sd35iIk

Joseph Albert Morello (July 17, 1928 – March 12, 2011 Springfield, MA) was an American jazz drummer best known for his work with the Dave Brubeck Quartet. He was particularly noted for playing in the unusual time signatures employed by that group in such pieces as “Take Five” and “Blue Rondo à la Turk“. Popular for its work on college campuses during the 1950s, Brubeck’s group reached new heights with Morello. In June 1959, Morello participated in a recording session with the quartet—completed by the alto saxophonist Paul Desmond and the bassist Eugene Wright—that yielded “Kathy’s Waltz” and “Three to Get Ready”, both of which intermingled 3/4 and 4/4 time signatures.

Morello suffered from partial vision from birth, and devoted himself to indoor activities. At six years old, he began studying the violin. Three years later, he was a featured soloist with the Boston Symphony Orchestra, playing Mendelssohn’s Violin Concerto, and again three years later.

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Bola Sete (born Djalma de Andrade) (July 16, 1923 – February 14, 1987) was a Brazilian guitarist. Sete played jazz with Vince Guaraldi and Dizzy Gillespie.

Born in Rio de Janeiro, Bola Sete’s name means “Seven Ball”. In snooker, which is fairly popular in Brazil, the seven ball is the only black ball on the table (like the eight ball in pool), and Bola got this nickname when he was the only black member of a small jazz group.

Sete studied guitar at the Conservatory of Rio. He started performing with his own sextet and local samba groups while he was a student. His early influences were guitarists Django Reinhardt, Charlie Christian, Barney Kessel, George Van Eps, and Oscar Moore of the Nat King Cole Trio. He admired the big bands that were touring South America at that time, led by Dizzy Gillespie, Tommy Dorsey, and Woody Herman.

Verdiales are a Flamenco music style, and song form belonging to cante chico.

Originating in Almogía, near the Spanish port of Málaga in Andalucía, it is based upon the fandango. For this reason, the verdiales are sometimes known as fandangos de Málaga.

Normally played in the key of E phrygian (key of C major with his fifth sharp) and rarely in A minor, the verdiales have a 12-count rhythm similar to the soleares, and bulerías.

Robert Clifford Brown (July 15, 1910 – November 6, 1966), known professionally as Washboard Sam, was an American blues musician and singer. Brown’s date and place of birth are uncertain; many sources state that he was born in 1910 in Walnut Ridge, Arkansas, but the researchers Bob Eagle and Eric LeBlanc suggest that he was born in 1903 or 1904, in Jackson, Tennessee, on the basis of Social Security information. He was reputedly the half-brother of Big Bill Broonzy. He moved to Memphis, Tennessee, in the 1920s, performing as a street musician with Sleepy John Estes and Hammie Nixon. He moved to Chicago in 1932, performing regularly with Broonzy and other musicians, including Memphis Slim and Tampa Red, in many recording sessions for Lester Melrose of Bluebird Records. In 1935, he began recording in his own right for both Bluebird and Vocalion Records, becoming one of the most popular Chicago blues performers of the late 1930s and 1940s, selling numerous records and playing to packed audiences. He recorded over 160 tracks in those decades. His strong voice and songwriting talent overcame his stylistic limitations.

By the 1950s, his audience had begun to shrink, largely because he had difficulty adapting to the new electric blues. His final recording session, for RCA Victor, was in 1949. He retired from music for several years and became a Chicago police officer. He recorded a session in 1953 with Broonzy and Memphis Slim. Samuel Charters included Brown’s “I’ve Been Treated Wrong” on the compilation album The Country Blues for Folkways Recordsin 1959. Brown made a modest and short-lived comeback as a live performer in the early 1960s.