mick laBriola

Booker Telleferro Ervin II (October 31, 1930 – August 31, 1970)^[1] was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is best known for his association with bassist Charles Mingus.

Ervin was born in Denison, Texas, United States. He first learned to play trombone at a young age from his father, who played the instrument with Buddy Tate. After leaving school, Ervin joined the United States Air Force, stationed in Okinawa, during which time he taught himself tenor saxophone. After completing his service in 1953, he studied at Berklee College of Music in Boston. Moving to Tulsa in 1954, he played with the band of Ernie Fields.

After stays in Denver and Pittsburgh, Ervin moved to New York City in spring 1958, initially working a day job and playing jam sessions at night. Ervin then worked with Charles Mingus regularly from late 1958 to 1960, rejoining various outfits led by the bassist at various times up to autumn 1964, when he departed for Europe. During the mid- 1960s, Ervin led his own quartet, recording for Prestige Records with, among others, ex-Mingus associate pianist Jaki Byard, along with bassist Richard Davis and Alan Dawson on drums.

Jean-Baptiste “Illinois” Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on “Flying Home“, critically recognized as the first R&B saxophone solo.

Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument.

Jacquet’s parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet, When he was an infant, his family moved from Louisiana to Houston, Texas and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father’s band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his brother Linton played drums.

At 15, Jacquet began playing with the Milton Larkin Orchestra, a Houston-area dance band. In 1939, he moved to Los Angeles, California, where he met Nat King Cole. Jacquet would sit in with the trio on occasion. In 1940, Cole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band. Hampton wanted to hire Jacquet, but asked the young Jacquet to switch to tenor saxophone.

Julia Lee (October 31, 1902 – December 8, 1958) was an American blues and dirty blues musician. Her inclusion in the latter category is mainly due to a few numbers she performed, e.g. “King Size Papa” and “Snatch and Grab It” and “I Didn’t Like It The First Time (The Spinach Song)”. However, it would be misleading to characterize her music as always being in this vein.

Born in Boonville, Missouri, Lee was raised in Kansas City, and began her musical career around 1920, singing and playing piano in her brother George Lee’s band, which for a time also included Charlie Parker. She first recorded on the Merritt record label in 1927 with Jesse Stone as pianist and arranger, and launched a solo career in 1935.

Grace Slick (born Grace Barnett Wing, October 30, 1939) is a retired American singer-songwriter and artist who was a key figure in San Francisco’s burgeoning psychedelic music scene in the mid-1960s. Her music career spanned four decades. She performed with The Great Society, Jefferson Airplane, Jefferson Starship and Starship. She also had a sporadic solo career. Slick provided vocals on a number of well-known songs, including “Somebody to Love“, “White Rabbit“, “We Built This City“, and “Nothing’s Gonna Stop Us Now“.

Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois, to Ivan Wilford Wing (1907–1987), of Norwegian and Swedish descent, and Virginia Wing (née Barnett; 1910–1984). Her parents met while they were both students at the University of Washington,and later married. In 1949, her brother Chris was born. Her father, working in the investment banking sector for Weeden and Company, was transferred several times when she was a child, and in addition to the Chicago metropolitan area, she lived in Los Angeles and San Francisco, California, before her family finally settled in Palo Alto in the early 1950s.

IC 2118 (its official name) is a large nebula found about 900 light-years away, near the super-giant Rigel in the Orion constellation. The Witch Head has a deep blue color (as opposed to the typical green hue often associated with the Wicked Witch of the West). This color not only comes from the blue light emitted by Rigel, but it also comes from the nebula’s dust, which happens to reflect blue light most efficiently (this same principle is the reason Earth’s sky appears blue).

Trilok Gurtu (Kashmiri: ترلوک گرٹو, Marathi: त्रिलोक गुर्टू) (born 30 October 1951) is an Indian percussionist and composer whose work has blended the music of India with jazz fusion and world music.

He has worked with Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Michel Bisceglia, Bill Laswell, Maria João & Mário Laginha, and Robert Miles.

Gurtu was born to Hindu Brahmin parents in Mumbai, India; he had a Kashmiri Pandit father and a Marathi mother. He attended Don Bosco High School (Matunga) in Mumbai. His mother, the famous Hindustani classical and semi-classical vocalist Shobha Gurtu, encouraged him to learn playing tabla, and he received formal training in percussion from Shah Abdul Karim.

Poncho Sánchez (born Filoberto Sanchez , October 30, 1951) is an American conguero (conga player), Latin jazz band leader, and salsa singer. In 2000, he and his ensemble won the Grammy Award for Best Latin Jazz Album for their work on the Concord Picante album Latin Soul. Sanchez has performed with artists including Cal Tjader, Mongo Santamaría, Hugh Masekela, Clare Fischer, and Tower of Power.

The youngest of eleven children, Poncho Sanchez was born in Laredo, Texas and reared in Norwalk, California. Growing up, he was exposed to and influenced by two different styles of music: Afro-Cuban music (mambo, son, cha-cha, rumba, guaracha, and Changui) by Tito Puente and others, and bebop jazz, including the works of Dizzy Gillespie and Charlie Parker.

Originally a guitarist, he discovered his talent for singing during an audition for the R&B band The Halos that rehearsed across the street from his residence. Sanchez became the lead vocalist of The Halos, and would go on to teach himself the flute, the drums, and timbales before finally deciding in high school to pursue conga drumming above all.

Sanchez has released dozens of LP and CD albums.

Clifford Benjamin Brown^[1] (October 30, 1930 – June 26, 1956) was an American jazz trumpeter. He died at the age of 25 in a car accident,^[2]leaving behind four years’ worth of recordings. He was also a composer of note: his compositions “Sandu,” “Joy Spring,”^[3] and “Daahoud“^[4] have become jazz standards.^[5]

Brown won the Down Beat critics’ poll for New Star of the Year in 1954; he was inducted into the DownBeat Jazz Hall of Fame in 1972 in the critics’ poll.^[2] He influenced later jazz trumpeters such as Booker Little, Freddie Hubbard, and Lee Morgan.

Brown was born into a musical family in a progressive East-Side neighborhood of Wilmington, Delaware. His father organized his four youngest sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, upon entering senior high, his father bought him his own trumpet and provided him with private lessons. As a junior in high school, he received lessons from Robert Boysie Lowery and played in “a jazz group that Lowery organized.” He even began making trips to Philadelphia. Brown took pride in his neighborhood and earned a good education from Howard High. In June 1956, Brown and Richie Powell embarked on a drive to Chicago for their next appearance. Powell’s wife Nancy was at the wheel so that Clifford and Richie could sleep. While driving at night in the rain on the Pennsylvania Turnpike, west of Bedford, she is presumed to have lost control of the car, which went off the road, killing all three in the resulting crash. Brown is buried in Mt. Zion Cemetery, in Wilmington, Delaware.

Attilio Joseph “Teo” Macero (October 30, 1925 – February 19, 2008) was an American jazz saxophonist, composer, and record producer. He was a producer at Columbia Records for twenty years. Macero produced Miles Davis‘ Bitches Brew, and Dave Brubeck’s Time Out, which are two of the best-selling and most influential jazz albums of all time. Although the extent of his role has been disputed, he also has been associated with the production of Davis’ 1959 album Kind of Blue, jazz’s best-selling record.

Teo Macero was born and raised in Glens Falls, New York. After serving in the United States Navy, he moved to New York City in 1948 to attend the Juilliard School of Music. He studied composition, and graduated from Juilliard in 1953 with Bachelor’s and Master’s degrees.

In 1953, Macero co-founded Charles Mingus‘ Jazz Composers Workshop, and became a major contributor to the New York City avant-garde jazz scene. As a composer, Macero wrote in an atonal style, as well as in third stream, a synthesis of jazz and classical music. He performed live, and recorded several albums with Mingus and the other Workshop members over the next three years, including Jazzical Moods (in 1954) and Jazz Composers Workshop (in 1955).

https://www.youtube.com/watch?v=NlSPQE-AMtE

Fandango is a lively couples dance originating from Portugal and Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping (“palmas” in Spanish). Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by “variaciones”. Sung fandango usually follows the structure of “cante” that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated.

The interstellar scene lies within the dusty expanse of reflection nebula IC 2118 in the constellation Orion. IC 2118 is about 800 light-years from your neighborhood, close to bright bluish star Rigel at the foot of Orion. Often identified as the Witch Head nebula for its appearance in a wider field of view it now rises before the witching hour though. With spiky stars for eyes, the ghoulish apparition identified here seems to extend an arm toward Orion’s hot supergiant star. The source of illumination for IC 2118, Rigel is just beyond this frame at the upper left.

Denny Laine (born Brian Frederick Hines; 29 October 1944) is an English musician, singer, and songwriter, known as a founder of two major British rock bands: The Moody Blues, with whom he played from 1964-66, and Paul McCartney and Wings, with whom he played from 1971-81. Laine has worked with a variety of artists and groups over a six decade career, and continues to record and perform as a solo artist. In 2018, Laine was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues.

Willem Bernard “Pim” Jacobs (29 October 1934 – 3 July 1996) was a Dutch jazz pianist, composer and television presenter.

Jacobs was born on 29 October 1934 in Hilversum, the Netherlands. His parents were artistic. He started playing the piano at the age of six. His brother, Ruud, was born in 1938 and became a jazz bassist.

John Haley “Zoot” Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the “Four Brothers” sax section of Woody Herman‘s big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn.

Sims was born in 1925 in Inglewood, California to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims.