mick laBriola

Allen Richard Toussaint (January 14, 1938 – November 10, 2015 Gert Town NOLA) was an American musician, songwriter, arranger, and record producer. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as “one of popular music’s great backroom figures.” Many musicians recorded Toussaint’s compositions. He was a producer for hundreds of recordings: the best known are “Right Place, Wrong Time“, by longtime friend Dr. John, and “Lady Marmalade” by Labelle.

In 1960, Joe Banashak, of Minit Records and later Instant Records, hired Toussaint as an A&R man and record producer. He did freelance work for other labels, such as Fury. Toussaint played piano, wrote, arranged and produced a string of hits in the early and mid-1960s for New Orleans R&B artists such as Ernie K-Doe, Chris Kenner, Irma Thomas (including “It’s Raining“), Art and Aaron Neville, The Showmen, and Lee Dorsey, whose first hit “Ya Ya” he produced in 1961.

The early to mid-1960s are regarded as Toussaint’s most creatively successful period.^[3] Notable examples of his work are Jessie Hill‘s “Ooh Poo Pah Doo” (written by Hill and arranged and produced by Toussaint), Ernie K-Doe’s “Mother-in-Law”, and Chris Kenner’s “I Like It Like That“. A two-sided 1962 hit by Benny Spellman comprised “Lipstick Traces (on a Cigarette)” (covered by The O’Jays, Ringo Starr, and Alex Chilton) and the simple but effective “Fortune Teller” (covered by various 1960s rock groups, including The Rolling Stones, The Nashville Teens, The Who, The Hollies, The Throb, and The Searchers founder Tony Jackson). “Ruler of My Heart”, written under his pseudonym Naomi Neville, first recorded by Irma Thomas for the Minit label in 1963, was adapted by Otis Redding under the title “Pain in My Heart” later that year, prompting Toussaint to file a lawsuit against Redding and his record company, Stax (the claim was settled out of court, with Stax agreeing to credit Naomi Neville as the songwriter).Redding’s version of the song was also recorded by The Rolling Stones on their second album and was in the Grateful Dead‘s early repertoire. In 1964, “A Certain Girl” (originally by Ernie K-Doe) was the B-side of the first single release by The Yardbirds. The song was released again in 1980 by Warren Zevon, as the single from the album Bad Luck Streak in Dancing School; it reached 57 on Billboard’s Hot 100. Mary Weiss, former lead singer of The Shangri-Las, released it as “A Certain Guy” in 2007. Linda Ronstadtreleased a jazzy version of “Ruler of my Heart” in 1998 on We Ran.

Toussaint credited about twenty songs to his parents, Clarence and Naomi, sometimes using the pseudonym “Naomi Neville”.These include “Fortune Teller”, first recorded by Benny Spellman in 1961, “Pain In My Heart,” first a hit for Otis Redding in 1963, and “Work, Work, Work”, recorded by The Artwoods in 1966. Alison Krauss and Robert Plant covered “Fortune Teller” on their 2007 album Raising Sand.

Today’s NASA/ESA Hubble Space Telescope Picture of the Week peers into the dusty recesses of the nearest massive star-forming region to Earth, the Orion Nebula. Just 1300 light-years away, the Orion Nebula is visible to the naked eye below the three stars that form the ‘belt’ in the constellation Orion. The nebula is home to hundreds of newborn stars including the subject of this image: the protostars HOPS 150 and HOPS 153.

These protostars get their names from the Herschel Orion Protostar Survey, which was carried out with ESA’s Herschel Space Observatory. The object that can be seen in the upper-right corner of this image is HOPS 150: it’s a binary system, two young protostars orbiting each other. Each has a small, dusty disc of material surrounding it that it is feeding from. The dark line that cuts across the bright glow of these protostars is a cloud of gas and dust, over 2 000 times wider than the distance between Earth and the Sun, falling in on the pair of protostars. Based on the amount of infrared versus other wavelengths of light HOPS 150 is emitting, the protostars are mid-way down the path to becoming mature stars.

Extending across the left side of the image is a narrow, colourful outflow called a jet. This jet comes from the nearby protostar HOPS 153, out of frame. HOPS 153 is a significantly younger stellar object than its neighbour, still deeply embedded in its birth nebula and enshrouded by a cloud of cold, dense gas. While Hubble cannot penetrate this gas to see the protostar, the jet HOPS 153 has emitted is brightly visible as it plows into the surrounding gas and dust of the Orion Nebula.

The transition from tightly swaddled protostar to fully fledged star will dramatically affect HOPS 153’s surroundings. As gas falls onto the protostar, its jets spew material and energy into interstellar space, carving out bubbles and heating the gas. By stirring up and warming nearby gas, HOPS 153 may regulate the formation of new stars in its neighbourhood and even slow its own growth.

[Image Description: An area in the Orion nebula filled with dark, puffy clouds. On the left side a large area of clouds, crossed by a dark bar, is lit up in red and whitish colours by a protostar within. At the other side a large jet of material ejected by the protostar appears, made of thin, wispy, blue and pink clouds. A couple of foreground stars shine brightly in front of the nebula.]